He gave a voice to the cithara.

Between the tenth and twelfth centuries, Horace’s "Carmina" were sung in monasteries, thereby preserving classical poetry within medieval culture. In this recording, Stefano Albarello brings fourteen of these odes back to life, reconstructed from ancient neumatic notation, alongside a unique melody from Terence's "Eunuchus". "Vocem cum cithara dedit" reveals a forgotten world where Latin verse, rhythm, and melody merged—the living echo of antiquity resonating through the Middle Ages. Italian singer, musician, and sound engineer Stefano Albarello, who has recorded many albums, most notably with his ensemble Cantilena Antiqua, sings and plays the cithara and lyre himself.