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FormatCD
Set contents4
Release date01.04.2022
Catalog no.900931
EAN4035719009316
AvailabilityAvailable
BR-KLASSIK
Composers: Rachmaninoff, Sergei · Shostakovich, Dmitri · Stravinsky, Igor · Tchaikovsky, Pyotr Ilyich
Artists: Jansons, Mariss · Schloffer, Friedrich · Bavarian Radio Symphony Orchestra · Traupe, Dieter
The amount of work that goes into rehearsing a piece, and the effort and attention to detail that conductors and orchestras invest, usually remains hidden. The annotated series "Conductors in Rehearsal" on BR-Klassik sheds light on exactly this process: how is an interpretation created? In this 4-CD box set, one experiences Mariss Jansons as he conveys his musical vision to "his" BRSO: explaining, singing, praising, correcting, yet always with the utmost respect. Jansons' core repertoire of Rachmaninoff, Shostakovich, Stravinsky, and Tchaikovsky takes shape in the orchestral workshop.
| Number | Title | Duration | |
|---|---|---|---|
| 1 | Petrushka (Burlesque in 4 scenes) (ballet) (rehearsal recording) | ||
| 1 . 1 | Conductors in Rehearsal - Introduction | 00:04:30 | preview |
| 2 . 2 | Start of the rehearsal | 00:04:21 | preview |
| 3 . 3 | "Could we please take a look at how that sounds?" | 00:03:39 | preview |
| 4 . 4 | "The danger here is..." | 00:03:34 | preview |
| 5 . 5 | "A grand line" | 00:04:20 | preview |
| 6 . 6 | "You play: the ballerina is dancing" | 00:06:33 | preview |
| 7 . 7 | "And now the last request" | 00:06:25 | preview |
| 8 . 8 | "Write it in, please" | 00:03:49 | preview |
| 9 . 9 | "Everyone, please" | 00:04:24 | preview |
| 10 . 10 | "Great crescendo" | 00:06:22 | preview |
| 11 . 11 | "I believe all these little things play a major role in this music!" | 00:05:51 | preview |
| 12 . 12 | "Sometimes it is wonderful" | 00:06:30 | preview |
| 13 . 13 | "Three important accents" | 00:04:35 | preview |
| 14 . 14 | "That is an important scene" | 00:06:00 | preview |
| 15 . 15 | "Now the ballerina comes on tiptoes" | 00:04:13 | preview |
| 1 | Symphony No. 6 in B minor, Op. 74 "Pathétique" (rehearsal recording) | ||
| 1 . 1 | Conductors in Rehearsal - Introduction | 00:01:46 | preview |
| 2 . 2 | Russian literature | 00:01:15 | preview |
| 3 . 3 | "The final coda - the epilogue" | 00:05:03 | preview |
| 4 . 4 | "A request to all woodwinds" | 00:03:21 | preview |
| 5 . 5 | "I am not entirely happy with our pizzicato" | 00:02:55 | preview |
| 6 . 6 | "You are following the conductor fantastically" | 00:03:40 | preview |
| 7 . 7 | "More dreamily" | 00:02:50 | preview |
| 8 . 8 | The quiet, the tragic | 00:00:27 | preview |
| 9 . 9 | The beginning of the symphony | 00:04:22 | preview |
| 10 . 10 | Allegro | 00:03:53 | preview |
| 11 . 11 | "Wait, one, two, three" | 00:04:24 | preview |
| 12 . 12 | A musical confession of the soul | 00:00:51 | preview |
| 13 . 13 | 1. Allegro non troppo | 00:18:47 | preview |
| 1 | Symphony No. 7 in C major, Op. 60 "Leningrad Symphony" (rehearsal recording) | ||
| 1 . 1 | Conductors in Rehearsal - Introduction | 00:00:46 | preview |
| 2 . 2 | "For me, he is a genius of the 20th century" | 00:00:30 | preview |
| 3 . 3 | Mariss Jansons' relationship with Dmitri Shostakovich | 00:01:17 | preview |
| 4 . 4 | The "Leningrad" - the work | 00:01:15 | preview |
| 5 . 5 | Mariss Jansons' words on the symphony | 00:03:24 | preview |
| 6 . 6 | Start of the rehearsal | 00:04:26 | preview |
| 7 . 7 | "That is a very loud symphony" | 00:05:36 | preview |
| 8 . 8 | "A heartfelt lullaby, please" | 00:03:39 | preview |
| 9 . 9 | The invasion theme | 00:00:31 | preview |
| 10 . 10 | Continuation of the rehearsal | 00:06:46 | preview |
| 11 . 11 | "The last time, please" | 00:01:50 | preview |
| 12 . 12 | Shostakovich repeats this melody mercilessly | 00:00:46 | preview |
| 13 . 13 | The second movement | 00:02:49 | preview |
| 14 . 14 | "What kind of music is this?" | 00:02:18 | preview |
| 15 . 15 | "Why did I stop..." | 00:04:17 | preview |
| 16 . 16 | "...a sad path..." | 00:04:00 | preview |
| 17 . 17 | Memory | 00:00:33 | preview |
| 18 . 18 | "That has to sound like an organ" | 00:04:33 | preview |
| 19 . 19 | Soviet propaganda initially used the "Leningrad" effectively for its own purposes | 00:01:36 | preview |
| 20 . 20 | Rehearsal of the last movement | 00:02:31 | preview |
| 1 | Symphonic Dances Op. 45 Nos. 1-3 (Rehearsal recording) | ||
| 1 . 1 | Conductors at the rehearsal - Introduction | 00:00:38 | preview |
| 2 . 2 | Homesickness, pain, death, funeral bells | 00:03:50 | preview |
| 3 . 3 | "Please from the beginning" | 00:03:27 | preview |
| 4 . 4 | Tutti rehearsal | 00:04:47 | preview |
| 5 . 5 | "Short bow" | 00:04:38 | preview |
| 6 . 6 | "An old Russian church melody" | 00:09:35 | preview |
| 7 . 7 | "No pause" | 00:07:42 | preview |
| 8 . 8 | The artistic legacy of Sergei Rachmaninoff | 00:01:48 | preview |
| 9 . 9 | "That is the difference between piano and pianissimo" | 00:02:57 | preview |
| 10 . 10 | "Excuse me, that's going wrong" | 00:05:09 | preview |
| 11 . 11 | "...a little bit more" | 00:02:48 | preview |
| 12 . 12 | "All the reprise" | 00:01:56 | preview |
| 13 . 13 | "The same spot again" | 00:03:05 | preview |
| 14 . 14 | "Please..." | 00:01:33 | preview |
All audio previews are 30-second music excerpts.
No audio previews available.