{"product_id":"steuernagel-a-mis-encyclopaedia-of-musical-imperfections","title":"Steuernagel: A Mis-Encyclopaedia of Musical Imperfections","description":"\u003cdiv\u003e\n\n    \n    \u003cp\u003e\n        \n    \u003c\/p\u003e\n    \n\n\u003c\/div\u003e\n\u003cdiv\u003e\n    \u003ctable\u003e\n    \u003cthead\u003e\n        \u003ctr\u003e\n        \u003cth\u003eNummer\u003c\/th\u003e\n        \u003cth\u003eTitel\u003c\/th\u003e\n        \u003cth\u003eSpielzeit\u003c\/th\u003e\n        \u003cth\u003e\u003c\/th\u003e\n        \u003c\/tr\u003e\n    \u003c\/thead\u003e\n    \u003ctbody\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e1\u003c\/td\u003e\n            \u003ctd\u003eThe Great in-Betweenness (2020) six études and three melodies for solo flute\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e1 . 1\u003c\/td\u003e\n            \u003ctd\u003eétude: trills (it shimmers, shivers: lives)\u003c\/td\u003e\n            \u003ctd\u003e00:01:04\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/585b6b668314bd1f2d985ed6a08547f6.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e2 . 2\u003c\/td\u003e\n            \u003ctd\u003eétude: whistle tones (a fugue of failures)\u003c\/td\u003e\n            \u003ctd\u003e00:04:34\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/82d67875bf3c3bc8e62d004764bf0fc4.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e3 . 3\u003c\/td\u003e\n            \u003ctd\u003euma melodia\u003c\/td\u003e\n            \u003ctd\u003e00:00:25\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/d24a3ea355e50e110bcbf12396b89b2d.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e4 . 4\u003c\/td\u003e\n            \u003ctd\u003eétude: different articulations (molto parlante)\u003c\/td\u003e\n            \u003ctd\u003e00:01:14\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/a0997610bf716336feafeb5138056b9a.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e5 . 5\u003c\/td\u003e\n            \u003ctd\u003eétude: transitions (inbetweennesses)\u003c\/td\u003e\n            \u003ctd\u003e00:01:17\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/81761580b17fe98e46639d7aeee31550.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e6 . 6\u003c\/td\u003e\n            \u003ctd\u003eune mélodie\u003c\/td\u003e\n            \u003ctd\u003e00:00:30\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/a812adfe769e514fde1c9fa2db834f73.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e7 . 7\u003c\/td\u003e\n            \u003ctd\u003eeine Melodie\u003c\/td\u003e\n            \u003ctd\u003e00:00:14\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/ee4d6d3893bc5fad915c7ecd4db1a622.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e8 . 8\u003c\/td\u003e\n            \u003ctd\u003eétude: over\/under-blowing (bodily: a pífano dance)\u003c\/td\u003e\n            \u003ctd\u003e00:01:20\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/7406ec4f67557137abb4cac04268b740.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e9 . 9\u003c\/td\u003e\n            \u003ctd\u003eétude: diaphonic\/multiphonic (.but how many voices unsung?)\u003c\/td\u003e\n            \u003ctd\u003e00:03:27\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/40bf2e888e8de051bd4a517d7079dfae.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e10\u003c\/td\u003e\n            \u003ctd\u003eCoda: instability (2022)\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e10 . 1\u003c\/td\u003e\n            \u003ctd\u003eétude: non-\/harmonic (uncontrolled, unknown, yet wished-for)\u003c\/td\u003e\n            \u003ctd\u003e00:02:50\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/59c90d3b6aa2e71ba555d89466f9fdd1.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e11\u003c\/td\u003e\n            \u003ctd\u003eBecoming (2019) four études and an aria for solo oboe\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e11 . 1\u003c\/td\u003e\n            \u003ctd\u003eétude: dynamics (summoning)\u003c\/td\u003e\n            \u003ctd\u003e00:02:50\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/93d72e3d2270d5b02266c986269e2683.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e12 . 2\u003c\/td\u003e\n            \u003ctd\u003eétude: registers (a bird)\u003c\/td\u003e\n            \u003ctd\u003e00:01:12\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/e317772841b28b8468e5f1c867d608d5.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e13 . 3\u003c\/td\u003e\n            \u003ctd\u003eétude: multiphonics (quasi un corale, quasi Monteverdi)\u003c\/td\u003e\n            \u003ctd\u003e00:02:17\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/3afb8e8fe1f26ef195359cc79b264cc4.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e14 . 4\u003c\/td\u003e\n            \u003ctd\u003eétude: repeated notes (take a digeridoo)\u003c\/td\u003e\n            \u003ctd\u003e00:01:28\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/cf24e62f31375398d064626e1bc0c8d5.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e15 . 5\u003c\/td\u003e\n            \u003ctd\u003earia: becoming\u003c\/td\u003e\n            \u003ctd\u003e00:04:10\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/1f31f13ff13928d3b5a6ea33b79d42e5.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e16\u003c\/td\u003e\n            \u003ctd\u003epilgrimage: once in our hearts\u003c\/td\u003e\n            \u003ctd\u003e00:01:56\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/6675ba82e31a802015d9c1a5d8a00439.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e17\u003c\/td\u003e\n            \u003ctd\u003eune mélodie\u003c\/td\u003e\n            \u003ctd\u003e00:00:14\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/25ecc8e3a7477f473b76da4dbb967f96.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e18\u003c\/td\u003e\n            \u003ctd\u003epilgrimage: once again in our hearts\u003c\/td\u003e\n            \u003ctd\u003e00:02:06\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/cc7c6e21ce8a51ee3642fd23d5b808e7.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e19\u003c\/td\u003e\n            \u003ctd\u003eétude: diaphonic\/multiphonic (.but how many voices unsung?)\u003c\/td\u003e\n            \u003ctd\u003e00:03:59\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/7a6476d508448c8414717ffa0d0b2f91.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e20\u003c\/td\u003e\n            \u003ctd\u003ealways only once again (2022) three études, a pilgrimage and a prayer for solo cello\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e20 . 1\u003c\/td\u003e\n            \u003ctd\u003eétude: non-\/harmonic (uncontrolled, unknown, yet wished-for)\u003c\/td\u003e\n            \u003ctd\u003e00:02:31\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/77faeaeb263807f8f34443ac8c165483.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e21 . 2\u003c\/td\u003e\n            \u003ctd\u003epilgrimage: once in our hearts\u003c\/td\u003e\n            \u003ctd\u003e00:01:48\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/be8ab43338d0f52ec45fa4081ac45780.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e22 . 3\u003c\/td\u003e\n            \u003ctd\u003eétude: residual pitches (tempi \u0026amp; corali emergenti)\u003c\/td\u003e\n            \u003ctd\u003e00:02:17\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/eea4c625b9f4d0e1533a5a8a5ad59e9e.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e23 . 4\u003c\/td\u003e\n            \u003ctd\u003eétude: residual sounds (molto cantabile - ma segreto!)\u003c\/td\u003e\n            \u003ctd\u003e00:02:33\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/303f19f26b1482a9b56c45dbf6dd660b.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e24 . 5\u003c\/td\u003e\n            \u003ctd\u003epilgrimage: once again in our hearts\u003c\/td\u003e\n            \u003ctd\u003e00:01:52\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/de36028821ec3f203d09cd14774f7ab3.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e25 . 6\u003c\/td\u003e\n            \u003ctd\u003etuning prayer\u003c\/td\u003e\n            \u003ctd\u003e00:04:07\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/0eba5aee2555bab3e46d2bb19c338685.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e26 . 7\u003c\/td\u003e\n            \u003ctd\u003epilgrimage: once again in our hearts\u003c\/td\u003e\n            \u003ctd\u003e00:01:55\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/c592050f3afacb238bf37979f7fc5b28.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e27 . 8\u003c\/td\u003e\n            \u003ctd\u003eétude: non-\/harmonic (uncontrolled, unknown, yet wished-for)\u003c\/td\u003e\n            \u003ctd\u003e00:03:10\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/dc290ea37858d3a8552be927e8c74b4e.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e28\u003c\/td\u003e\n            \u003ctd\u003eSenses of Musical Imperfection: transitionality, un#control, un#intendedness (2019-2022)\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e28 . 1\u003c\/td\u003e\n            \u003ctd\u003emeditation: impossible vowels (a self-sung lullaby)\u003c\/td\u003e\n            \u003ctd\u003e00:08:06\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/d5cabcedb9f30a1bc4a644ffd536cb54.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e29 . 2\u003c\/td\u003e\n            \u003ctd\u003eétude: diaphonic\/multiphonic (.but how many voices unsung?)\u003c\/td\u003e\n            \u003ctd\u003e00:03:02\u003c\/td\u003e\n            \u003ctd\u003e\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/319\/288\/761b67e022bf1868e460bd75c8c3caa0.mp3\"\u003ereinhören\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e30 . 3\u003c\/td\u003e\n            \u003ctd\u003eétude: non-\/harmonic (uncontrolled, unknown, yet wished-for)\u003c\/td\u003e\n            \u003ctd\u003e00:02:35\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e31 . 4\u003c\/td\u003e\n            \u003ctd\u003emeditation: impossibly slow (present tense)\u003c\/td\u003e\n            \u003ctd\u003e00:01:50\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e32 . 5\u003c\/td\u003e\n            \u003ctd\u003eétude: transitions (inbetweennesses)\u003c\/td\u003e\n            \u003ctd\u003e00:01:23\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e33 . 6\u003c\/td\u003e\n            \u003ctd\u003earia: becoming\u003c\/td\u003e\n            \u003ctd\u003e00:03:58\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e34\u003c\/td\u003e\n            \u003ctd\u003eÉtudes para Quijote (2019) seven études for solo harp\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e34 . 1\u003c\/td\u003e\n            \u003ctd\u003eétude: one-finger tremolo (fanfare)\u003c\/td\u003e\n            \u003ctd\u003e00:01:04\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e35 . 2\u003c\/td\u003e\n            \u003ctd\u003eétude: harmonic interference (a game of bells)\u003c\/td\u003e\n            \u003ctd\u003e00:05:46\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e36 . 3\u003c\/td\u003e\n            \u003ctd\u003eétude: basso (battuto, feroce)\u003c\/td\u003e\n            \u003ctd\u003e00:01:29\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e37 . 4\u003c\/td\u003e\n            \u003ctd\u003eétude: glissandi (pasacalle)\u003c\/td\u003e\n            \u003ctd\u003e00:03:26\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e38 . 5\u003c\/td\u003e\n            \u003ctd\u003eétude: ostinato (ad lib, ma veloce)\u003c\/td\u003e\n            \u003ctd\u003e00:02:14\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e39 . 6\u003c\/td\u003e\n            \u003ctd\u003eétude: classical harmonics technique (a broken lullaby)\u003c\/td\u003e\n            \u003ctd\u003e00:03:29\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e40 . 7\u003c\/td\u003e\n            \u003ctd\u003eétude: arco (Aria on the G strings)\u003c\/td\u003e\n            \u003ctd\u003e00:08:21\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e41\u003c\/td\u003e\n            \u003ctd\u003eSenses of Musical Imperfection: risk, residual, fragmentary, fragility (2019-2022)\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e41 . 1\u003c\/td\u003e\n            \u003ctd\u003eétude: whistle tones (a fugue of failures)\u003c\/td\u003e\n            \u003ctd\u003e00:04:19\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e42 . 2\u003c\/td\u003e\n            \u003ctd\u003epilgrimage: once again in our hearts\u003c\/td\u003e\n            \u003ctd\u003e00:02:02\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e43 . 3\u003c\/td\u003e\n            \u003ctd\u003eeine Melodie\u003c\/td\u003e\n            \u003ctd\u003e00:00:14\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e44 . 4\u003c\/td\u003e\n            \u003ctd\u003eétude: residual sounds (molto cantabile - ma segreto!)\u003c\/td\u003e\n            \u003ctd\u003e00:02:30\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e45 . 5\u003c\/td\u003e\n            \u003ctd\u003eétude: classical harmonics technique (a broken lullaby)\u003c\/td\u003e\n            \u003ctd\u003e00:04:02\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e46\u003c\/td\u003e\n            \u003ctd\u003eSenses of Musical Imperfection: un#control, embodiment, emergence, im#pure (2019-2022)\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e46 . 1\u003c\/td\u003e\n            \u003ctd\u003eétude: basso (battuto, feroce)\u003c\/td\u003e\n            \u003ctd\u003e00:01:38\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e47 . 2\u003c\/td\u003e\n            \u003ctd\u003eétude: residual pitches (tempi \u0026amp; corali emergenti)\u003c\/td\u003e\n            \u003ctd\u003e00:02:07\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e48 . 3\u003c\/td\u003e\n            \u003ctd\u003eétude: different articulations (molto parlante)\u003c\/td\u003e\n            \u003ctd\u003e00:01:20\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e49 . 4\u003c\/td\u003e\n            \u003ctd\u003eétude: over\/under-blowing (bodily: a pífano dance)\u003c\/td\u003e\n            \u003ctd\u003e00:01:14\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e50 . 5\u003c\/td\u003e\n            \u003ctd\u003eétude: registers (a bird)\u003c\/td\u003e\n            \u003ctd\u003e00:01:09\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e51 . 6\u003c\/td\u003e\n            \u003ctd\u003emeditation: vibrato, trillo, coloratura (terribilis iubilatio)\u003c\/td\u003e\n            \u003ctd\u003e00:03:02\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e52 . 7\u003c\/td\u003e\n            \u003ctd\u003eétude: trills (it shimmers, shivers: lives)\u003c\/td\u003e\n            \u003ctd\u003e00:01:05\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e53 . 8\u003c\/td\u003e\n            \u003ctd\u003eétude: ostinato (ad lib, ma veloce)\u003c\/td\u003e\n            \u003ctd\u003e00:02:29\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e54 . 9\u003c\/td\u003e\n            \u003ctd\u003emeditation: ex-\/ins-piration\u003c\/td\u003e\n            \u003ctd\u003e00:04:20\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e55 . 10\u003c\/td\u003e\n            \u003ctd\u003eétude: multiphonics (quasi un corale, quasi Monteverdi)\u003c\/td\u003e\n            \u003ctd\u003e00:02:29\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e56\u003c\/td\u003e\n            \u003ctd\u003efive meditations for solo soprano on the unspeakable NAME of (2022)\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e56 . 1\u003c\/td\u003e\n            \u003ctd\u003emeditation: ex-\/ins-piration\u003c\/td\u003e\n            \u003ctd\u003e00:04:30\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e57 . 2\u003c\/td\u003e\n            \u003ctd\u003emeditation: vibrato, trillo, coloratura (terribilis iubilatio)\u003c\/td\u003e\n            \u003ctd\u003e00:03:20\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e58 . 3\u003c\/td\u003e\n            \u003ctd\u003emeditation: impossibly slow (present tense)\u003c\/td\u003e\n            \u003ctd\u003e00:01:45\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e59 . 4\u003c\/td\u003e\n            \u003ctd\u003emeditation: lower, lowest, then lower still (sequentia)\u003c\/td\u003e\n            \u003ctd\u003e00:01:40\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e60 . 5\u003c\/td\u003e\n            \u003ctd\u003emeditation: impossible vowels (a self-sung lullaby)\u003c\/td\u003e\n            \u003ctd\u003e00:08:06\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n    \u003c\/tbody\u003e\n    \u003c\/table\u003e\n\u003c\/div\u003e","brand":"Austrian Gramophone","offers":[{"title":"Default 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