{"product_id":"john-cage-journeys-in-sound","title":"John Cage - Journeys In Sound","description":"\u003cdiv\u003e\n\n    \n    \u003cp\u003e\n        \n    \u003c\/p\u003e\n    \n\n\u003c\/div\u003e\n\u003cdiv\u003e\n    \u003ctable\u003e\n    \u003cthead\u003e\n        \u003ctr\u003e\n        \u003cth\u003eNummer\u003c\/th\u003e\n        \u003cth\u003eTitel\u003c\/th\u003e\n        \u003cth\u003eSpielzeit\u003c\/th\u003e\n        \u003cth\u003e\u003c\/th\u003e\n        \u003c\/tr\u003e\n    \u003c\/thead\u003e\n    \u003ctbody\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e1\u003c\/td\u003e\n            \u003ctd\u003e\"He is probably the most controversial figure in the musical world today\": Cage appearing in Game Show - 1960\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e2\u003c\/td\u003e\n            \u003ctd\u003eWater warbler, whistles and wooden sticks: Water Music\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e3\u003c\/td\u003e\n            \u003ctd\u003eCountry life: Cage and the artist community Stony Point\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e4\u003c\/td\u003e\n            \u003ctd\u003eScrews, rubber and a hardware store: The prepared piano\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e5\u003c\/td\u003e\n            \u003ctd\u003eThe American bestseller: At the publishing house C. F. Peters in New York\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e6\u003c\/td\u003e\n            \u003ctd\u003eComposing by chance: The I Ging\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e7\u003c\/td\u003e\n            \u003ctd\u003ePainting by numbers: Accidental art\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e8\u003c\/td\u003e\n            \u003ctd\u003eSounds of nature: At the temple Ryoanji in Kyoto\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e9\u003c\/td\u003e\n            \u003ctd\u003eSit-in: John Cage, Yoko Ono and John Lennon\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e10\u003c\/td\u003e\n            \u003ctd\u003e\"He did not like decisions\": The Freeman Etude 17\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e11\u003c\/td\u003e\n            \u003ctd\u003eChess at five: Cage and his (chess) friends\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e12\u003c\/td\u003e\n            \u003ctd\u003e\"To go beyond\": Aria at Times Square\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e13\u003c\/td\u003e\n            \u003ctd\u003e\"I've come to like sounds that don't change\": Sound trip to Halberstadt\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e14\u003c\/td\u003e\n            \u003ctd\u003eAbspann\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e15\u003c\/td\u003e\n            \u003ctd\u003e4'33''\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e16\u003c\/td\u003e\n            \u003ctd\u003eSecond construction\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e17\u003c\/td\u003e\n            \u003ctd\u003eSonatas and interludes for prepared piano (Auszug)\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e17 . 1\u003c\/td\u003e\n            \u003ctd\u003eSonate Nr. 1\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e18\u003c\/td\u003e\n            \u003ctd\u003eWater music\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e19\u003c\/td\u003e\n            \u003ctd\u003eInterview with John Cage, Merce Cunningham and Robert Rauschenberg\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n    \u003c\/tbody\u003e\n    \u003c\/table\u003e\n\u003c\/div\u003e","brand":"Accentus","offers":[{"title":"Default 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