{"product_id":"delius-hassan","title":"Delius: Hassan","description":"\u003cdiv\u003e\n\n    \n    \u003cp\u003e\n        \n    \u003c\/p\u003e\n    \n\n\u003c\/div\u003e\n\u003cdiv\u003e\n    \u003ctable\u003e\n    \u003cthead\u003e\n        \u003ctr\u003e\n        \u003cth\u003eNummer\u003c\/th\u003e\n        \u003cth\u003eTitel\u003c\/th\u003e\n        \u003cth\u003eSpielzeit\u003c\/th\u003e\n        \u003cth\u003e\u003c\/th\u003e\n        \u003c\/tr\u003e\n    \u003c\/thead\u003e\n    \u003ctbody\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e1\u003c\/td\u003e\n            \u003ctd\u003eHassan, DCW 8 Act 1\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e1 . 1\u003c\/td\u003e\n            \u003ctd\u003ePrelude. Slow - Quietly but expressively\u003c\/td\u003e\n            \u003ctd\u003e00:04:23\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e2 . 2\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'We are in old Baghdad'\u003c\/td\u003e\n            \u003ctd\u003e00:02:29\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e3 . 3\u003c\/td\u003e\n            \u003ctd\u003eInterlude between Scenes 1 and 2\u003c\/td\u003e\n            \u003ctd\u003e00:01:50\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e4 . 4\u003c\/td\u003e\n            \u003ctd\u003eScene 2. Moonlight. The street of Felicity, by the fountain of the two pigeons, in from of the house\u003c\/td\u003e\n            \u003ctd\u003e00:00:26\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e5 . 5\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'It is later that night'\u003c\/td\u003e\n            \u003ctd\u003e00:00:57\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e6 . 6\u003c\/td\u003e\n            \u003ctd\u003eSerenade. Con moto moderato\u003c\/td\u003e\n            \u003ctd\u003e00:01:49\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e7 . 7\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'The shutters open, and Yasmin appears'\u003c\/td\u003e\n            \u003ctd\u003e00:02:27\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e8 . 8\u003c\/td\u003e\n            \u003ctd\u003eMelos. Hassan falls under the shadow of the fountain. The first light of dawn shines in the sky. Very quietly\u003c\/td\u003e\n            \u003ctd\u003e00:00:52\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e9 . 9\u003c\/td\u003e\n            \u003ctd\u003eChorus behind the scenes. Not too slow\u003c\/td\u003e\n            \u003ctd\u003e00:02:08\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e10 . 10\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'The first light of dawn shines in the sky'\u003c\/td\u003e\n            \u003ctd\u003e00:01:27\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e11\u003c\/td\u003e\n            \u003ctd\u003eHassan, DCW 8 Act 2\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e11 . 1\u003c\/td\u003e\n            \u003ctd\u003ePrelude. With animation\u003c\/td\u003e\n            \u003ctd\u003e00:00:50\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e12 . 2\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'The filthy, inanimate bulk of Hassan...'\u003c\/td\u003e\n            \u003ctd\u003e00:00:37\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e13 . 3\u003c\/td\u003e\n            \u003ctd\u003eFanfare preceding the Ballet (Gaily, outside)\u003c\/td\u003e\n            \u003ctd\u003e00:00:08\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e14 . 4\u003c\/td\u003e\n            \u003ctd\u003eNo. 1, Dance of the Beggars. There enters the most awful selection of Eastern beggars the eye could imagine. Quick and v\u003c\/td\u003e\n            \u003ctd\u003e00:01:20\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e15 . 5\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'And then, after the Beggars'\u003c\/td\u003e\n            \u003ctd\u003e00:00:06\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e16 . 6\u003c\/td\u003e\n            \u003ctd\u003eNo. 2, Chorus of Women. (Enter a band of fair and dusky beauties.) Quietly\u003c\/td\u003e\n            \u003ctd\u003e00:02:22\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e17 . 7\u003c\/td\u003e\n            \u003ctd\u003eNo. 3, Divertissement. Con moto\u003c\/td\u003e\n            \u003ctd\u003e00:02:27\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e18 . 8\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'Rafi is then announced as The King of the Beggars'\u003c\/td\u003e\n            \u003ctd\u003e00:00:58\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e19 . 9\u003c\/td\u003e\n            \u003ctd\u003eNo. 4, General Dance. Andante moderato - Allegro - Più mosso\u003c\/td\u003e\n            \u003ctd\u003e00:02:53\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e20 . 10\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'Rafi is asked why he hates the Caliph so'\u003c\/td\u003e\n            \u003ctd\u003e00:00:46\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e21 . 11\u003c\/td\u003e\n            \u003ctd\u003eChorus of Beggars and Dancing Girls (from behind the scene, after the descent of the iron curtain). Comodo\u003c\/td\u003e\n            \u003ctd\u003e00:01:21\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e22 . 12\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'This House of the Moving Walls...'\u003c\/td\u003e\n            \u003ctd\u003e00:00:51\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e23 . 13\u003c\/td\u003e\n            \u003ctd\u003eScene 2. The Street of Felicity. Very quietly\u003c\/td\u003e\n            \u003ctd\u003e00:00:38\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e24 . 14\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'The SOS message has fallen from the balcony...'\u003c\/td\u003e\n            \u003ctd\u003e00:01:11\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e25 . 15\u003c\/td\u003e\n            \u003ctd\u003eMusic accompanying Ishak's poem. Not too slow\u003c\/td\u003e\n            \u003ctd\u003e00:01:32\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e26 . 16\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'Yasmin's regard for Hassan has instantly shifted'\u003c\/td\u003e\n            \u003ctd\u003e00:00:39\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e27\u003c\/td\u003e\n            \u003ctd\u003eHassan, DCW 8 Act 3\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e27 . 1\u003c\/td\u003e\n            \u003ctd\u003ePrelude. Moderato - Slower\u003c\/td\u003e\n            \u003ctd\u003e00:01:33\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e28 . 2\u003c\/td\u003e\n            \u003ctd\u003eScene 1. Curtain\u003c\/td\u003e\n            \u003ctd\u003e00:00:43\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e29 . 3\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'Hassan is installed at the Caliph's Palace'\u003c\/td\u003e\n            \u003ctd\u003e00:00:26\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e30 . 4\u003c\/td\u003e\n            \u003ctd\u003eInterlude between Scenes 1 and 2. Very quietly - Slow\u003c\/td\u003e\n            \u003ctd\u003e00:01:43\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e31 . 5\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'The slaves inform Hassan that there is a beautiful lady.\u003c\/td\u003e\n            \u003ctd\u003e00:01:05\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e32 . 6\u003c\/td\u003e\n            \u003ctd\u003eScene 2. The great Hall of the Palace. With vigour - Quieter\u003c\/td\u003e\n            \u003ctd\u003e00:02:26\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e33 . 7\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'We are in the Great Hall of the Caliph's Palace'\u003c\/td\u003e\n            \u003ctd\u003e00:01:00\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e34 . 8\u003c\/td\u003e\n            \u003ctd\u003eFanfares, in the great Hall of the Palace\u003c\/td\u003e\n            \u003ctd\u003e00:00:11\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e35 . 9\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'As more and more people gather...'\u003c\/td\u003e\n            \u003ctd\u003e00:00:29\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e36 . 10\u003c\/td\u003e\n            \u003ctd\u003eEntry of the Caliph. Pompously\u003c\/td\u003e\n            \u003ctd\u003e00:00:17\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e37 . 11\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'The Caliph declares the trial of the beggars open'\u003c\/td\u003e\n            \u003ctd\u003e00:00:09\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e38 . 12\u003c\/td\u003e\n            \u003ctd\u003eFanfares\u003c\/td\u003e\n            \u003ctd\u003e00:00:21\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e39 . 13\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'Then Rafi, King of the Beggars, is summoned'\u003c\/td\u003e\n            \u003ctd\u003e00:01:17\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e40\u003c\/td\u003e\n            \u003ctd\u003eHassan, DCW 8 Act 4\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e40 . 1\u003c\/td\u003e\n            \u003ctd\u003ePrelude. Slow - Passionately\u003c\/td\u003e\n            \u003ctd\u003e00:04:14\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e41 . 2\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'In the Palace's dark vaults'\u003c\/td\u003e\n            \u003ctd\u003e00:00:26\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e42 . 3\u003c\/td\u003e\n            \u003ctd\u003eInterlude between Scenes 1 and 2. Slow and ponderously\u003c\/td\u003e\n            \u003ctd\u003e00:01:57\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e43 . 4\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'Sunlight streams through the cell's grating'\u003c\/td\u003e\n            \u003ctd\u003e00:01:14\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e44\u003c\/td\u003e\n            \u003ctd\u003eHassan, DCW 8 Act 5\u003c\/td\u003e\n            \u003ctd\u003e\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e44 . 1\u003c\/td\u003e\n            \u003ctd\u003ePrelude. Quick - Slower, softer - Not too quick - Curtain. The Garden of the Caliph's Palace, in front of a pavilion. Su\u003c\/td\u003e\n            \u003ctd\u003e00:02:29\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e45 . 2\u003c\/td\u003e\n            \u003ctd\u003eThe song of the Muezzin at sunset\u003c\/td\u003e\n            \u003ctd\u003e00:01:08\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e46 . 3\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'With another sunset approaching'\u003c\/td\u003e\n            \u003ctd\u003e00:01:51\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e47 . 4\u003c\/td\u003e\n            \u003ctd\u003eThe Procession of Protracted Death. March tempo\u003c\/td\u003e\n            \u003ctd\u003e00:02:53\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e48 . 5\u003c\/td\u003e\n            \u003ctd\u003eNarrator: 'The long, dreadful execution ensues...'\u003c\/td\u003e\n            \u003ctd\u003e00:01:29\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e49 . 6\u003c\/td\u003e\n            \u003ctd\u003ePrelude to the last scene. With flowing movement\u003c\/td\u003e\n            \u003ctd\u003e00:03:03\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n        \u003ctr\u003e\n            \u003ctd\u003e50 . 7\u003c\/td\u003e\n            \u003ctd\u003eClosing Scene. Slow - (The Caravan recedes farther and farther into the distance.) - (Dying away in the distance)\u003c\/td\u003e\n            \u003ctd\u003e00:10:16\u003c\/td\u003e\n            \u003ctd\u003e\n                \n            \u003c\/td\u003e\n        \u003c\/tr\u003e\n        \n    \u003c\/tbody\u003e\n    \u003c\/table\u003e\n\u003c\/div\u003e","brand":"Chandos","offers":[{"title":"Default Title","offer_id":59251125354828,"sku":"CHAN20296","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0095115229620-Delius--Hassan-cover.webp?v=1792190244","url":"https:\/\/shop.naxos.de\/products\/delius-hassan","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}