{"product_id":"werke-fur-klavier-zu-4-handen-mosh-pit","title":"Works for Piano Four-Hands [Mosh Pit]","description":"\u003cdiv\u003e\n\n\n    \n    \u003cp\u003e\n        \n    \u003c\/p\u003e\n\n    \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n    \u003ctable\u003e\n\n    \u003cthead\u003e\n\n        \u003ctr\u003e\n\n        \u003cth\u003eNumber\u003c\/th\u003e\n\n        \u003cth\u003eTitle\u003c\/th\u003e\n\n        \u003cth\u003eDuration\u003c\/th\u003e\n\n        \u003cth\u003e\u003c\/th\u003e\n\n        \u003c\/tr\u003e\n\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eCuban Overture (Overture)\u003c\/td\u003e\n\n            \u003ctd\u003e00:10:26\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2\u003c\/td\u003e\n\n            \u003ctd\u003eSonatina\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Presto\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Moderato\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Allegro molto\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5\u003c\/td\u003e\n\n            \u003ctd\u003eSouvenirs op. 28 (Ballet): Suite (1951)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Waltz\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:46\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Schottische\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Pas de deux\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Two step\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 5\u003c\/td\u003e\n\n            \u003ctd\u003e5. Hesitation\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:44\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 6\u003c\/td\u003e\n\n            \u003ctd\u003e6. Galop\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11\u003c\/td\u003e\n\n            \u003ctd\u003eGazebo dances (Suite) (1972)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Overture\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:21\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Waltz\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:11\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Tarantella\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15\u003c\/td\u003e\n\n            \u003ctd\u003eDance portraits No. 1-3 (1994)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15 . 1\u003c\/td\u003e\n\n            \u003ctd\u003eNo. 1: Lilting\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e16 . 2\u003c\/td\u003e\n\n            \u003ctd\u003eNo. 2: Grazioso\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e17 . 3\u003c\/td\u003e\n\n            \u003ctd\u003eNo. 3: Hard edged\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18\u003c\/td\u003e\n\n            \u003ctd\u003eFive days from the life of a manic-depressive (Suite) (1984)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Metamorphoses on \"I'm crazy 'bout my baby\"\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e19 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Labyrinth\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e20 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Elegy\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e21 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. From a bintel brief\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e22 . 5\u003c\/td\u003e\n\n            \u003ctd\u003e5. Boogie\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eCuban Overture (Overture)\u003c\/td\u003e\n\n            \u003ctd\u003e00:10:26\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXYLMBOE.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2\u003c\/td\u003e\n\n            \u003ctd\u003eSonatina\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Presto\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXYLMBEA.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Moderato\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXYLMEAC.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Allegro molto\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYAMEG.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5\u003c\/td\u003e\n\n            \u003ctd\u003eSouvenirs op. 28 (Ballet): Suite (1951)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Waltz\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:46\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYBOAM.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Schottische\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYBAOG.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Pas de deux\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYBAZM.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Two step\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYBZAG.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 5\u003c\/td\u003e\n\n            \u003ctd\u003e5. Hesitation\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:44\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYBZME.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 6\u003c\/td\u003e\n\n            \u003ctd\u003e6. Galop\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYAGHL.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11\u003c\/td\u003e\n\n            \u003ctd\u003eGazebo dances (Suite) (1972)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Overture\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:21\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYAGME.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Waltz\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYABZG.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:11\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYAMOE.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Tarantella\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYMBOA.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15\u003c\/td\u003e\n\n            \u003ctd\u003eDance portraits No. 1-3 (1994)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15 . 1\u003c\/td\u003e\n\n            \u003ctd\u003eNo. 1: Lilting\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYMBZE.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e16 . 2\u003c\/td\u003e\n\n            \u003ctd\u003eNo. 2: Grazioso\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYMEAG.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e17 . 3\u003c\/td\u003e\n\n            \u003ctd\u003eNo. 3: Hard edged\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYMECK.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18\u003c\/td\u003e\n\n            \u003ctd\u003eFive days from the life of a manic-depressive (Suite) (1984)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Metamorphoses on \"I'm crazy 'bout my baby\"\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLMOPYA.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e19 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Labyrinth\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLMOAPE.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e20 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Elegy\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYBMZA.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e21 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. From a bintel brief\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYMOPE.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e22 . 5\u003c\/td\u003e\n\n            \u003ctd\u003e5. Boogie\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/724\/216\/EOCPRKMELCAKGWOZPHRWXLYMOEA.mp3\"\u003elisten to sample\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n    \u003c\/tbody\u003e\n\n    \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Sono Luminus","offers":[{"title":"Default Title","offer_id":59798614475084,"sku":"DSL92167","price":24.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0053479216724-Werke-fur-Klavier-zu-4-Handen-_Mosh-Pit_-cover.webp?v=1793952120","url":"https:\/\/shop.naxos.de\/en\/products\/werke-fur-klavier-zu-4-handen-mosh-pit","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}