{"product_id":"weber-der-freischutz-seebuhne-bregenzer-festspiele-2025","title":"Weber: Der Freischütz (Seebühne, Bregenzer Festspiele, 2024)","description":"\u003cdiv\u003e\n\n\n    \n    \u003cp\u003e\n        As one of the most popular operas in the German-speaking world, Der Freischütz is now being staged for the first time on the lake stage under the direction of director and set designer Philipp Stölzl and house conductor Enrique Mazzola. The two have worked together again after their phenomenal success with Verdi's Rigoletto in Bregenz. \"The production is overwhelming\" (Süddeutsche Zeitung). \"A little theatrical miracle is taking place in Bregenz\" (Der Tagesspiegel).\n    \u003c\/p\u003e\n\n    \n\n\n\n\n    \u003ctable\u003e\n\n    \u003cthead\u003e\n\n        \u003ctr\u003e\n\n        \u003cth\u003eNumber\u003c\/th\u003e\n\n        \u003cth\u003eTitle\u003c\/th\u003e\n\n        \u003cth\u003eDuration\u003c\/th\u003e\n\n        \u003cth\u003e\u003c\/th\u003e\n\n        \u003c\/tr\u003e\n\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eOpening credits\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:36\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2\u003c\/td\u003e\n\n            \u003ctd\u003eDer Freischütz op. 77 (Opera in 3 acts) (Complete recording)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n            \u003ctd\u003eLet us lift our eyes! (Prologue)\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n            \u003ctd\u003eGawkers! Sinners! Foolish people!\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:33\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n            \u003ctd\u003eOverture (Act 1)\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:37\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n            \u003ctd\u003eVictoria! Victoria! Long live the Master\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n            \u003ctd\u003eLook, the Lord looks at me as a king\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n            \u003ctd\u003eLeave me alone!\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:04\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n            \u003ctd\u003eO, this sun!\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n            \u003ctd\u003eHe who trusts me builds better!\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:17\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n            \u003ctd\u003eWaltz\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:54\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n            \u003ctd\u003eWho wants to step into Maxchen's skin now?\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:46\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n            \u003ctd\u003eNo, I will not bear these torments any longer\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n            \u003ctd\u003eThrough the forests, through the meadows\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n            \u003ctd\u003eI believe: No\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n            \u003ctd\u003eHere in the earthly valley of sorrow\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:37\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e16 . 15\u003c\/td\u003e\n\n            \u003ctd\u003eHey, Max, you must sing along too!\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e17 . 16\u003c\/td\u003e\n\n            \u003ctd\u003eBe silent! Be silent! No one warns you!\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:49\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18 . 17\u003c\/td\u003e\n\n            \u003ctd\u003eStay still, girls! (Act 2)\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e19 . 18\u003c\/td\u003e\n\n            \u003ctd\u003eFinally away from this nest!\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e20 . 19\u003c\/td\u003e\n\n            \u003ctd\u003eIf I am not entirely mistaken\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e21 . 20\u003c\/td\u003e\n\n            \u003ctd\u003eCome, a slender maid has gone\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:58\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e22 . 21\u003c\/td\u003e\n\n            \u003ctd\u003eAgathe does not hear her friend's songs\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:37\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e23 . 22\u003c\/td\u003e\n\n            \u003ctd\u003eHow sweetly slumber came to me\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:11\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e24 . 23\u003c\/td\u003e\n\n            \u003ctd\u003eSoftly, softly, in a pious way\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:44\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e25 . 24\u003c\/td\u003e\n\n            \u003ctd\u003eAll my pulses beat...\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:39\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e26 . 25\u003c\/td\u003e\n\n            \u003ctd\u003eWhat? What? Horror!\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:30\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e27 . 26\u003c\/td\u003e\n\n            \u003ctd\u003eThank goodness! He was still allowed to go\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e28 . 27\u003c\/td\u003e\n\n            \u003ctd\u003eThe milk of the moon fell on the grass\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e29 . 28\u003c\/td\u003e\n\n            \u003ctd\u003eSamiel! Samiel! Appear!\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e30 . 29\u003c\/td\u003e\n\n            \u003ctd\u003eThe gloomy abyss yawned terribly!\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:00\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e31 . 30\u003c\/td\u003e\n\n            \u003ctd\u003eI think you are right, that you must\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e32 . 31\u003c\/td\u003e\n\n            \u003ctd\u003eHunter, who watches in the dark\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:06\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e33 . 32\u003c\/td\u003e\n\n            \u003ctd\u003eAgathe, be calm! I am here (Act 3)\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e34 . 33\u003c\/td\u003e\n\n            \u003ctd\u003eAnd though the cloud may envelop her\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:09\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e35 . 34\u003c\/td\u003e\n\n            \u003ctd\u003eCome! Step into the dress!\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:02\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e36 . 35\u003c\/td\u003e\n\n            \u003ctd\u003eWe weave the bridal wreath for you\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:58\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e37 . 36\u003c\/td\u003e\n\n            \u003ctd\u003eLadies and gentlemen\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e38 . 37\u003c\/td\u003e\n\n            \u003ctd\u003eWhat on earth could be like\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e39 . 38\u003c\/td\u003e\n\n            \u003ctd\u003eKaspar! Do you still have the magic bullets?\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e40 . 39\u003c\/td\u003e\n\n            \u003ctd\u003eDiana is knowledgeable\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e41 . 40\u003c\/td\u003e\n\n            \u003ctd\u003eStop! Stop! Enough singing!\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:37\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e42 . 41\u003c\/td\u003e\n\n            \u003ctd\u003eLook, o look! He hit his own bride!\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e43 . 42\u003c\/td\u003e\n\n            \u003ctd\u003eWell, please! You may ask me\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e44 . 43\u003c\/td\u003e\n\n            \u003ctd\u003eWhere am I? Was it only a dream that I sank?\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:41\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e45 . 44\u003c\/td\u003e\n\n            \u003ctd\u003eWho lays such a strict ban on him?\u003c\/td\u003e\n\n            \u003ctd\u003e00:06:13\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e46\u003c\/td\u003e\n\n            \u003ctd\u003eApplause - Closing credits\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:25\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e47\u003c\/td\u003e\n\n            \u003ctd\u003eA Winter's Tale: Inside Der Freischütz at Bregenzer Festspiele (A documentary by Nikolaus Küng)\u003c\/td\u003e\n\n            \u003ctd\u003e00:25:01\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n    \u003c\/tbody\u003e\n\n    \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":59801591644492,"sku":"768404","price":35.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0810116910540-Weber--Der-Freischutz-_Seebuhne_-Bregenzer-Fests-cover.webp?v=1793965888","url":"https:\/\/shop.naxos.de\/en\/products\/weber-der-freischutz-seebuhne-bregenzer-festspiele-2025","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}