{"product_id":"strauss-die-fledermaus-bayerische-staatsoper-dezember-2023-regie-barrie-kosky","title":"Strauss: Die Fledermaus (Bavarian State Opera, December 2023, Directed by: Barrie Kosky)","description":"\u003cdiv\u003e\n\n\n    \n    \u003cp\u003e\n        Johann Strauss' \"Die Fledermaus\" is part of the Bavarian State Opera's repertoire and has been performed there by first-rate artists since 1895. In December 2023, the curtain rose on a spectacular new production of the work. Director Barrie Kosky gave the \"operetta of all operettas\" a new look: in a brilliantly colorful production (set design by Rebecca Ringst, costumes by Klaus Bruns), a society, an entire city, dances toward the abyss. The setting is Vienna, the city of the golden age of operetta, where Die Fledermaus premiered in 1874. Beneath the glamour of feather boas and tutus, a volcano is brewing. It is not only for Gabriel von Eisenstein that the bat's revenge becomes a nightmare when at the boisterous masquerade ball at Prince Orlofsky's house, a false Marquis and a false Chevalier, a purported Hungarian countess and plenty of aspiring artists come face to face. Glasses clink, relationships falter, people fall in love, lie, and dance (choreography by Otto Pichler). Here they celebrate as long as they can, true to the motto: \"Happy is he who forgets...\". General Music Director Vladimir Jurowski brings new facets of the score to life – in his third new production in Munich with Barrie Kosky. Diana Damrau makes her debut as Rosalinde, Georg Nigl portrays her husband Gabriel von Eisenstein, Katharina Konradi appears as Adele and Martin Winkler as Frank; other roles are performed by Markus Brück (Dr. Falke), Sean Panikkar (Alfred), Kevin Conners (Dr. Blind) and Miriam Neumaier (Ida). The six-legged frog is played by, among others, actor Franz Josef Strohmeier and tap dancer Max Pollak.\n    \u003c\/p\u003e\n\n    \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n    \u003ctable\u003e\n\n    \u003cthead\u003e\n\n        \u003ctr\u003e\n\n        \u003cth\u003eNumber\u003c\/th\u003e\n\n        \u003cth\u003eTitle\u003c\/th\u003e\n\n        \u003cth\u003eDuration\u003c\/th\u003e\n\n        \u003cth\u003e\u003c\/th\u003e\n\n        \u003c\/tr\u003e\n\n        \u003cth\u003e\u003c\/th\u003e\n\n    \n    \u003c\/thead\u003e\n\u003ctbody\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2\u003c\/td\u003e\n\n            \u003ctd\u003eDie Fledermaus (operetta in 3 acts) (complete recording)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n            \u003ctd\u003eOverture\u003c\/td\u003e\n\n            \u003ctd\u003e00:08:29\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n            \u003ctd\u003eThe little bat that has lost its flutter (Act 1)\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n            \u003ctd\u003eIt's him, Alfred!\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:56\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n            \u003ctd\u003eOh, I must not go to you!\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:05\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n            \u003ctd\u003eTada! - Alfred! - Yes, Alfred!\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:25\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n            \u003ctd\u003eNo, not with such lawyers\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n            \u003ctd\u003eWhat a fool!\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:28\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n            \u003ctd\u003eCome with me to supper\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:43\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n            \u003ctd\u003eYes, what is going on here?\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:43\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n            \u003ctd\u003eSo I must remain alone\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n            \u003ctd\u003eRosalinde! - Oh God, Alfred!\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n            \u003ctd\u003eDrink, my love, drink quickly\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n            \u003ctd\u003eDo not be alarmed, my lady\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:23\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n            \u003ctd\u003eMy lord, what did you think of me\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e16 . 15\u003c\/td\u003e\n\n            \u003ctd\u003eMy beautiful, large birdhouse\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e17 . 16\u003c\/td\u003e\n\n            \u003ctd\u003eA supper beckons us today (Act 2)\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18 . 17\u003c\/td\u003e\n\n            \u003ctd\u003eIda! - I simply cannot marvel enough\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e19 . 18\u003c\/td\u003e\n\n            \u003ctd\u003eHow quickly the hours fly by\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e20 . 19\u003c\/td\u003e\n\n            \u003ctd\u003eI like to invite guests over\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e21 . 20\u003c\/td\u003e\n\n            \u003ctd\u003eI cannot laugh anymore\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:11\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e22 . 21\u003c\/td\u003e\n\n            \u003ctd\u003eOh, my lords and ladies\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:12\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e23 . 22\u003c\/td\u003e\n\n            \u003ctd\u003eMy lord Marquis\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:02\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e24 . 23\u003c\/td\u003e\n\n            \u003ctd\u003eMy lords, I beg your pardon\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:53\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e25 . 24\u003c\/td\u003e\n\n            \u003ctd\u003eMelodies of home\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e26 . 25\u003c\/td\u003e\n\n            \u003ctd\u003eDoctor?\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:27\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e27 . 26\u003c\/td\u003e\n\n            \u003ctd\u003eSuch propriety, so polite\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:53\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e28 . 27\u003c\/td\u003e\n\n            \u003ctd\u003eYou, go, you rascal, say\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e29 . 28\u003c\/td\u003e\n\n            \u003ctd\u003eIn the fiery stream of the vines\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:24\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e30 . 29\u003c\/td\u003e\n\n            \u003ctd\u003eChevalier, I greet you!\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:43\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e31 . 30\u003c\/td\u003e\n\n            \u003ctd\u003eBrother and sister\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:31\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e32 . 31\u003c\/td\u003e\n\n            \u003ctd\u003eUnder Thunder and Lightning (Polka) op. 324\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:52\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e33 . 32\u003c\/td\u003e\n\n            \u003ctd\u003eEnough with that, enough!\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:28\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e34 . 33\u003c\/td\u003e\n\n            \u003ctd\u003eEntr'acte (Act 3)\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e35 . 34\u003c\/td\u003e\n\n            \u003ctd\u003eThe little bat that has lost its flutter\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e36 . 35\u003c\/td\u003e\n\n            \u003ctd\u003eHello, Munich!\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:53\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e37 . 36\u003c\/td\u003e\n\n            \u003ctd\u003eOh dear! Ouch! Yuck!\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e38 . 37\u003c\/td\u003e\n\n            \u003ctd\u003eDirector\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e39 . 38\u003c\/td\u003e\n\n            \u003ctd\u003eLet me play the innocence of the countryside\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:49\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e40 . 39\u003c\/td\u003e\n\n            \u003ctd\u003eOf course I will have you trained!\u003c\/td\u003e\n\n            \u003ctd\u003e00:10:02\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e41 . 40\u003c\/td\u003e\n\n            \u003ctd\u003eI stand full of courage\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:49\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e42 . 41\u003c\/td\u003e\n\n            \u003ctd\u003eThat is my watch!\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:21\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e43 . 42\u003c\/td\u003e\n\n            \u003ctd\u003eOh bat, oh bat\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e44\u003c\/td\u003e\n\n            \u003ctd\u003eApplause - End credits\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:52\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e45\u003c\/td\u003e\n\n            \u003ctd\u003eObservations - Behind the scenes\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:05\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n    \u003c\/tbody\u003e\n\n    \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BSO Recordings","offers":[{"title":"Default Title","offer_id":59290521239884,"sku":"BSOREC2005","price":33.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/4028098000623-Strauss--Die-Fledermaus-_Bayerische-Staatsoper_-De-cover.webp?v=1792349175","url":"https:\/\/shop.naxos.de\/en\/products\/strauss-die-fledermaus-bayerische-staatsoper-dezember-2023-regie-barrie-kosky","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}