{"product_id":"strauss-arabella-grosses-festspielhaus-salzburg-2014-regie-klepper","title":"Strauss: Arabella (Großes Festspielhaus, Salzburg 2014, Directed by: Klepper)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n With “Arabella,” which premiered in Dresden in 1933, came the final opera by Strauss and his favorite librettist, Hugo von Hofmannsthal, who drew directly on the sensational success of Rosenkavalier with this story. Once again, there is love at first sight, a fictional courtship ritual, and a woman dressed in men’s clothes. Because of the place of its premiere in Dresden and the important role Strauss and Hofmannsthal played in the founding of the Salzburg Festival, “Arabella” is the ideal choice for Christian Thielemann and the Staatskapelle Dresden to commemorate Richard Strauss’s 150th birthday at the 2014 Salzburg Easter Festival. In terms of vocal talent, Renée Fleming and Thomas Hampson, Daniel Behle and Hanna-Elisabeth Müller guarantee a special star-studded appeal. The young Bavarian director Florentine Klepper delivers an engaging production. She keeps the first act constantly in motion and skillfully counteracts any tendency toward the saccharine and kitschy in acts 2 and 3.\n \u003c\/p\u003e\n\n \n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOpening\u003c\/td\u003e\n\n \u003ctd\u003e00:01:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eArabella, Op. 79 (Lyrical Comedy in 3 Acts) (Complete Recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eThe Cards Fall Better Than They Did Before (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eThey All Want Money!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eMatteo!\u003c\/td\u003e\n\n \u003ctd\u003e00:04:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eThank You, My Lady\u003c\/td\u003e\n\n \u003ctd\u003e00:05:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eBut the Right One\u003c\/td\u003e\n\n \u003ctd\u003e00:04:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThat Is the Elemer Sleigh\u003c\/td\u003e\n\n \u003ctd\u003e00:02:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eDo You Enter So Triumphantly?\u003c\/td\u003e\n\n \u003ctd\u003e00:07:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003eLeave Us Alone, My Children\u003c\/td\u003e\n\n \u003ctd\u003e00:05:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eGoodbye, Comrade\u003c\/td\u003e\n\n \u003ctd\u003e00:03:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eAs in the Letter to My Dear Uncle\u003c\/td\u003e\n\n \u003ctd\u003e00:07:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eAnd When Will You Be Pleased\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eWas I Dreaming?\u003c\/td\u003e\n\n \u003ctd\u003e00:03:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n \u003ctd\u003eAre You Not Ready?\u003c\/td\u003e\n\n \u003ctd\u003e00:08:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n \u003ctd\u003eThat Is an Angel (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 15\u003c\/td\u003e\n\n \u003ctd\u003eYou Do Not Look Like Anyone\u003c\/td\u003e\n\n \u003ctd\u003e00:05:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 16\u003c\/td\u003e\n\n \u003ctd\u003eYou Want to Marry Me\u003c\/td\u003e\n\n \u003ctd\u003e00:06:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 17\u003c\/td\u003e\n\n \u003ctd\u003eAnd You Shall Be My Lord\u003c\/td\u003e\n\n \u003ctd\u003e00:03:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 18\u003c\/td\u003e\n\n \u003ctd\u003eThe Ball Yearns for Its Queen\u003c\/td\u003e\n\n \u003ctd\u003e00:03:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 19\u003c\/td\u003e\n\n \u003ctd\u003eAre You Alone?\u003c\/td\u003e\n\n \u003ctd\u003e00:04:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 20\u003c\/td\u003e\n\n \u003ctd\u003eAnd Now I Say Goodbye\u003c\/td\u003e\n\n \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 21\u003c\/td\u003e\n\n \u003ctd\u003eO Arabella, Is There Anything More Beautiful\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 22\u003c\/td\u003e\n\n \u003ctd\u003eI Am a Coward!\u003c\/td\u003e\n\n \u003ctd\u003e00:03:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 23\u003c\/td\u003e\n\n \u003ctd\u003eAnd If Many Here Call You Arabella\u003c\/td\u003e\n\n \u003ctd\u003e00:05:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 24\u003c\/td\u003e\n\n \u003ctd\u003eWent Through a Forest\u003c\/td\u003e\n\n \u003ctd\u003e00:04:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 25\u003c\/td\u003e\n\n \u003ctd\u003ePrelude (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e01:03:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 26\u003c\/td\u003e\n\n \u003ctd\u003eOver His Fields\u003c\/td\u003e\n\n \u003ctd\u003e00:03:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 27\u003c\/td\u003e\n\n \u003ctd\u003eI Am Coming Home from the Ball\u003c\/td\u003e\n\n \u003ctd\u003e00:03:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 28\u003c\/td\u003e\n\n \u003ctd\u003eWhat a Stirring Tête-à-Tête\u003c\/td\u003e\n\n \u003ctd\u003e00:06:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 29\u003c\/td\u003e\n\n \u003ctd\u003eI Congratulate You, Lieutenant\u003c\/td\u003e\n\n \u003ctd\u003e00:04:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 30\u003c\/td\u003e\n\n \u003ctd\u003ePapa! Papa!\u003c\/td\u003e\n\n \u003ctd\u003e00:04:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 31\u003c\/td\u003e\n\n \u003ctd\u003eVery Good\u003c\/td\u003e\n\n \u003ctd\u003e00:05:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 32\u003c\/td\u003e\n\n \u003ctd\u003eMandryka!\u003c\/td\u003e\n\n \u003ctd\u003e00:05:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 33\u003c\/td\u003e\n\n \u003ctd\u003eShe Does Not Look at Me\u003c\/td\u003e\n\n \u003ctd\u003e00:04:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 34\u003c\/td\u003e\n\n \u003ctd\u003eThat Was Very Good, Mandryka\u003c\/td\u003e\n\n \u003ctd\u003e00:06:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36\u003c\/td\u003e\n\n \u003ctd\u003eApplause\u003c\/td\u003e\n\n \u003ctd\u003e00:05:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e37\u003c\/td\u003e\n\n \u003ctd\u003eClosing\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":59801849332044,"sku":"717304","price":35.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0814337011734-Strauss--Arabella-_Grosses-Festspielhaus_-Salzburg-cover.webp?v=1793967306","url":"https:\/\/shop.naxos.de\/en\/products\/strauss-arabella-grosses-festspielhaus-salzburg-2014-regie-klepper","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}