{"product_id":"rzewski-bach-variationen","title":"Rzewski \/ Bach: Variations","description":"\u003cdiv\u003e\n\n\n    \n    \u003cp\u003e\n        Almost 40 years after its creation, Rzewski's Variations on Sergio Ortega's \"El Pueblo Unido Jamas Sera Vencio\", written amid the turmoil surrounding Pinochet's coup against the then Chilean President Salvador Allende, also bear a political  statement of our time. Since then, the piece has become an anthem against political oppression and a symbol of resistance. Irony of fate: Justament, a song that supported a regime which was overthrown with the help of the CIA, served as the basis for a work that was premiered at the 200th anniversary celebration of the USA. Johann Sebastian Bach composed only two variation works for keyboard instruments, the \"Goldberg Variations\" and the much earlier work \"Aria Variata alla Maniera Italiana\" in A minor, around 1709. Thus, Bach was already a master of the keyboard instruments of his time as a young man in his twenties.\n    \u003c\/p\u003e\n\n    \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n    \u003ctable\u003e\n\n    \u003cthead\u003e\n\n        \u003ctr\u003e\n\n        \u003cth\u003eNumber\u003c\/th\u003e\n\n        \u003cth\u003eTitle\u003c\/th\u003e\n\n        \u003cth\u003ePlaying time\u003c\/th\u003e\n\n        \u003cth\u003e\u003c\/th\u003e\n\n        \u003c\/tr\u003e\n\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eThe people united will never be defeated (36 Variations on El Pueblo Unido Jamas Sera Vencido!)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Theme: With determination\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:27\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGBECH.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Variation No. 1 (Waving): Delicate but firm\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGERHC.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Variation No. 2: With firmness\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGHBEL.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Variation No. 3: Slightly slower, with expressive nuances\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:05\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGHELC.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n            \u003ctd\u003e5. Variation No. 4: Marcato\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:01\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGBRWH.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n            \u003ctd\u003e6. Variation No. 5: Dreamlike, frozen\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGBRZE.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n            \u003ctd\u003e7. Variation No. 6: Same tempo as beginning\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGECBH.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n            \u003ctd\u003e8. Variation No. 7: Lightly, impatiently\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBRWOE.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n            \u003ctd\u003e9. Variation No. 8: With agility\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:06\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBRWEG.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n            \u003ctd\u003e10. Variation No. 9: Evenly\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBRGHE.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n            \u003ctd\u003e11. Variation No. 10: Comodo\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBRZWG.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n            \u003ctd\u003e12. Variation No. 11: Tempo 1, like fragments of an absent melody - In strict time\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:06\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBRZXE.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n            \u003ctd\u003e13. Variation No. 12\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGEHRL.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n            \u003ctd\u003e14. Variation No. 13\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGEHBC.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n            \u003ctd\u003e15. Variation No. 14: A bit faster, optimistically\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:21\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGEBHL.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n            \u003ctd\u003e16. Variation No. 15: Flexible, like an improvisation\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPGEBCK.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n            \u003ctd\u003e17. Variation No. 16: Same tempo as preceding, with fluctuations; much pedal - Expansive, with a victorious feeling\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBGHEL.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n            \u003ctd\u003e18. Variation No. 17: Left hand strictly, right hand freely (Rough in space)\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBGZHE.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n            \u003ctd\u003e19. Variation No. 18\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:40\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBGERH.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n            \u003ctd\u003e20. Variation No. 19: With energy\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBGEZC.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n            \u003ctd\u003e21. Variation No. 20: Crisp, precise\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:31\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBZRGH.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n            \u003ctd\u003e22. Variation No. 21: Relentless, uncompromising\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:50\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBZREC.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n            \u003ctd\u003e23. Variation No. 22: Very expressionate\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:43\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBREGH.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n            \u003ctd\u003e24. Variation No. 23: As fast as possible, with some rubato\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:25\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBRECK.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n            \u003ctd\u003e25. Variation No. 24\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBGRZH.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n            \u003ctd\u003e26. Variation No. 25\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBGHRE.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n            \u003ctd\u003e27. Variation No. 26: In a militant manner\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:09\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBERWG.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n            \u003ctd\u003e28. Variation No. 27: Tenderly, with a hopeful expression - Cadenza\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:01\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBERZC.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n            \u003ctd\u003e29. Variation No. 28\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:21\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBEGHL.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n            \u003ctd\u003e30. Variation No. 29\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:34\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBEGCK.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n            \u003ctd\u003e31. Variation No. 30\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBEZXG.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n            \u003ctd\u003e32. Variation No. 31\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n                \n                    \n                    \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/d2\/101\/073\/ZEXLOACPRYGKHMBLZWXOAYPBECRK.mp3\"\u003elisten\u003c\/a\u003e\n                \n            \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n            \u003ctd\u003e33. Variation No. 32\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:53\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n            \u003ctd\u003e34. Variation No. 33\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n            \u003ctd\u003e35. Variation No. 34\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:00\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e36 . 36\u003c\/td\u003e\n\n            \u003ctd\u003e36. Variation No. 35\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e37 . 37\u003c\/td\u003e\n\n            \u003ctd\u003e37. Variation No. 36\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e38 . 38\u003c\/td\u003e\n\n            \u003ctd\u003e38. Optional improvisation\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e39 . 39\u003c\/td\u003e\n\n            \u003ctd\u003e39. Theme: Reprise\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:02\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e40\u003c\/td\u003e\n\n            \u003ctd\u003eAria variata alla maniera italiana a-moll BWV 989\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e40 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Aria\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e41 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Variation No. 1: Largo\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e42 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Variation No. 2\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e43 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Variation No. 3\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e44 . 5\u003c\/td\u003e\n\n            \u003ctd\u003e5. Variation No. 4: Allegro\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:02\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e45 . 6\u003c\/td\u003e\n\n            \u003ctd\u003e6. Variation No. 5: Un poco allegro\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e46 . 7\u003c\/td\u003e\n\n            \u003ctd\u003e7. Variation No. 6: Andante\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e47 . 8\u003c\/td\u003e\n\n            \u003ctd\u003e8. Variation No. 7: Allegro\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:54\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e48 . 9\u003c\/td\u003e\n\n            \u003ctd\u003e9. Variation No. 8: Allegro\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e49 . 10\u003c\/td\u003e\n\n            \u003ctd\u003e10. Variation No. 9\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:56\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e50 . 11\u003c\/td\u003e\n\n            \u003ctd\u003e11. Variation No. 10\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:48\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n    \u003c\/tbody\u003e\n\n    \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Paladino","offers":[{"title":"Default Title","offer_id":59355330773324,"sku":"PMR0037","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/9120040731014-Rzewski---Bach--Variationen-cover.webp?v=1792510691","url":"https:\/\/shop.naxos.de\/en\/products\/rzewski-bach-variationen","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}