{"product_id":"messa-da-requiem-nussknacker-and-mausekonig-romeo-und-julia","title":"Requiem Mass, The Nutcracker and the Mouse King, Romeo and Juliet","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The Zurich Opera House is without a doubt one of the best addresses for ballet and opera in Europe. Zurich highlights from the Accentus program are compiled in two box sets, each released as both a DVD and Blu-ray bundle. The second box features brilliant ballet productions of Verdi's \"Messa da Requiem,\" Tchaikovsky's \"The Nutcracker and the Mouse King,\" and Prokofiev's \"Romeo and Juliet,\" all choreographed by Christian Spuck. The box set is rounded off by the documentary \"Stepping into the unknown – Christian Spuck’s choreography of Verdi’s Requiem.\"\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOpening credits\u003c\/td\u003e\n\n \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eRequiem (Messa da Requiem)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eRequiem\u003c\/td\u003e\n\n \u003ctd\u003e00:10:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eDies irae\u003c\/td\u003e\n\n \u003ctd\u003e00:02:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eTuba mirum\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eLiber scriptus\u003c\/td\u003e\n\n \u003ctd\u003e00:05:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eQuid sum miser\u003c\/td\u003e\n\n \u003ctd\u003e00:03:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eRex tremendae\u003c\/td\u003e\n\n \u003ctd\u003e00:03:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eRecordare\u003c\/td\u003e\n\n \u003ctd\u003e00:03:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003eIngemisco\u003c\/td\u003e\n\n \u003ctd\u003e00:03:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eConfutatis\u003c\/td\u003e\n\n \u003ctd\u003e00:05:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eLacrimosa\u003c\/td\u003e\n\n \u003ctd\u003e00:07:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eOffertorium\u003c\/td\u003e\n\n \u003ctd\u003e00:10:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eSanctus\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n \u003ctd\u003eAgnus Dei\u003c\/td\u003e\n\n \u003ctd\u003e00:05:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n \u003ctd\u003eLux aeterna\u003c\/td\u003e\n\n \u003ctd\u003e00:06:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 15\u003c\/td\u003e\n\n \u003ctd\u003eLibera me\u003c\/td\u003e\n\n \u003ctd\u003e00:14:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eCurtain - Closing credits\u003c\/td\u003e\n\n \u003ctd\u003e00:06:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOpening credits\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eThe Nutcracker op. 71 (Ballet)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eIn the workshop of Godfather Drosselmeyer (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eMarie and her brother Fritz are visiting their godfather Drosselmeier in his workshop. He shows them his great musical..\u003c\/td\u003e\n\n \u003ctd\u003e00:05:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eThe puppet show tells the story of The Hard Nut: in the royal castle a celebration is being held in honour of the...\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eSuddenly a mouse appears to disrupt the celebration. The King kills this unwanted guest, and the celebration continues..\u003c\/td\u003e\n\n \u003ctd\u003e00:05:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eMarie and Fritz are alone in the workshop. The uncouth Fritz is annoying his sister, who is transfixed by...\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThe Stahlbaums and all of their family return home after finishing their Christmas gift-buying, already in a festive...\u003c\/td\u003e\n\n \u003ctd\u003e00:04:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003ePrincess Pirlipat has been turned into an ugly Nut Monster by Lady Mouserinks. She now relentlessly cracks nuts with...\u003c\/td\u003e\n\n \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003eThe four princes are appalled at the transformation of the Princess. They want to save her, but don't know how.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eThe King and Queen are also incredulous that their daughter has turned into a Nut Monster. The general uproar at court..\u003c\/td\u003e\n\n \u003ctd\u003e00:01:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eSuddenly there appears another prince, and behold; he has in his possession the hard, golden Krakatuk nut. The four...\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eThe Princess regains her lost beauty and at once falls in love with her saviour. Enraged at the breaking of the magic...\u003c\/td\u003e\n\n \u003ctd\u003e00:03:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eMouserinks has turned the Prince into a nutcracker: he can now only move as a wooden doll would. Horrified, all turn...\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n \u003ctd\u003eIt is Christmas Eve. The family enters the room which has been decked out for Christmas. The ritual is the same every...\u003c\/td\u003e\n\n \u003ctd\u003e00:07:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n \u003ctd\u003eFor the children, the visit of Godfather Drosselmeier is always one of the high points of Christmas Eve on account of...\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 15\u003c\/td\u003e\n\n \u003ctd\u003eMarie completely adores the nutcracker she has been given. But no sooner does Fritz have it in his hands than - in his..\u003c\/td\u003e\n\n \u003ctd\u003e00:06:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 16\u003c\/td\u003e\n\n \u003ctd\u003eWith the nutcracker at her side, Marie witnesses a night-time Christmas world of magic and snowflakes.\u003c\/td\u003e\n\n \u003ctd\u003e00:06:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 17\u003c\/td\u003e\n\n \u003ctd\u003eMarie's Christmas dream continues. All the other toys have also come to life. The family makes an appearance, but the...\u003c\/td\u003e\n\n \u003ctd\u003e00:06:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 18\u003c\/td\u003e\n\n \u003ctd\u003eMarie is frightened. Fritz marshals his army of hussars to fight against the mice. The toy soldiers and the mice join...\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 19\u003c\/td\u003e\n\n \u003ctd\u003eMarie can scarcely grasp her good fortune: the nutcracker is a Dream Prince.\u003c\/td\u003e\n\n \u003ctd\u003e00:04:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 20\u003c\/td\u003e\n\n \u003ctd\u003eThe Prince takes Marie off into Sugar Land, where the flowers dance waltzes.\u003c\/td\u003e\n\n \u003ctd\u003e00:07:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 21\u003c\/td\u003e\n\n \u003ctd\u003eMarie meets the Sugar Fairy.\u003c\/td\u003e\n\n \u003ctd\u003e00:04:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 22\u003c\/td\u003e\n\n \u003ctd\u003eIn Sugar Land, the dream characters all have a great celebration.\u003c\/td\u003e\n\n \u003ctd\u003e00:06:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 23\u003c\/td\u003e\n\n \u003ctd\u003eThe Prince is gone. Marie searches for him. Drosselmeier brings to a halt the world of magic where toys and dolls come..\u003c\/td\u003e\n\n \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 24\u003c\/td\u003e\n\n \u003ctd\u003eIn the workshop, Marie awakens from her dream and encounters Drosselmeier's nephew, who is the very image of her...\u003c\/td\u003e\n\n \u003ctd\u003e00:06:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26\u003c\/td\u003e\n\n \u003ctd\u003eCurtain - Closing credits\u003c\/td\u003e\n\n \u003ctd\u003e00:06:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eRomeo and Juliet op. 64a (Ballet)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eIntroduction (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eIntroduction\u003c\/td\u003e\n\n \u003ctd\u003e00:03:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eMorning dance (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eThe quarrel\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eThe fight\u003c\/td\u003e\n\n \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThe Duke's command\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003ePreparations for the ball\u003c\/td\u003e\n\n \u003ctd\u003e00:01:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eJuliet - the young girl\u003c\/td\u003e\n\n \u003ctd\u003e00:03:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eMasquerade\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eDance of the knights\u003c\/td\u003e\n\n \u003ctd\u003e00:06:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eJuliet's variation\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eMercutio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eMadrigal\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eTybalt recognises Mercutio\u003c\/td\u003e\n\n \u003ctd\u003e00:01:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eGavotte (Departure of the guests)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eBalcony scene\u003c\/td\u003e\n\n \u003ctd\u003e00:03:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eRomeo's variation\u003c\/td\u003e\n\n \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eLove dance\u003c\/td\u003e\n\n \u003ctd\u003e00:05:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eDance of the five couplets (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eDance with mandolins\u003c\/td\u003e\n\n \u003ctd\u003e00:01:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eThe nurse\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eThe nurse delivers Juliet's message to Romeo\u003c\/td\u003e\n\n \u003ctd\u003e00:00:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eJuliet at Friar Lawrence's\u003c\/td\u003e\n\n \u003ctd\u003e00:03:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eThe people continue to make merry\u003c\/td\u003e\n\n \u003ctd\u003e00:02:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eThe meeting of Tybalt and Mercutio\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eTybalt's fight with Mercutio\u003c\/td\u003e\n\n \u003ctd\u003e00:01:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eThe death of Mercutio\u003c\/td\u003e\n\n \u003ctd\u003e00:03:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eRomeo decides to avenge Mercutio's death\u003c\/td\u003e\n\n \u003ctd\u003e00:02:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eFinale\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eIntroduction (3rd Act)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eRomeo and Juliet (Juliet's bedroom)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003eThe last farewell\u003c\/td\u003e\n\n \u003ctd\u003e00:05:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eThe nurse\u003c\/td\u003e\n\n \u003ctd\u003e00:01:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eJuliet's refusal to marry Paris\u003c\/td\u003e\n\n \u003ctd\u003e00:02:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n \u003ctd\u003eJuliet alone\u003c\/td\u003e\n\n \u003ctd\u003e00:01:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 36\u003c\/td\u003e\n\n \u003ctd\u003eInterlude\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e37 . 37\u003c\/td\u003e\n\n \u003ctd\u003eAt Friar Lawrence's\u003c\/td\u003e\n\n \u003ctd\u003e00:04:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e38 . 38\u003c\/td\u003e\n\n \u003ctd\u003eInterlude\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e39 . 39\u003c\/td\u003e\n\n \u003ctd\u003eJuliet's room again\u003c\/td\u003e\n\n \u003ctd\u003e00:03:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e40 . 40\u003c\/td\u003e\n\n \u003ctd\u003eJuliet alone\u003c\/td\u003e\n\n \u003ctd\u003e00:04:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e41 . 41\u003c\/td\u003e\n\n \u003ctd\u003eDance of the girls with lilies\u003c\/td\u003e\n\n \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e42 . 42\u003c\/td\u003e\n\n \u003ctd\u003eAt Juliet's bedside\u003c\/td\u003e\n\n \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e43 . 43\u003c\/td\u003e\n\n \u003ctd\u003eThe laying of Juliet's body (4th Act)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e44 . 44\u003c\/td\u003e\n\n \u003ctd\u003eJuliet's death\u003c\/td\u003e\n\n \u003ctd\u003e00:03:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e45\u003c\/td\u003e\n\n \u003ctd\u003eCurtain - Credits\u003c\/td\u003e\n\n \u003ctd\u003e00:07:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Accentus","offers":[{"title":"Default Title","offer_id":58359599268172,"sku":"ACC70507","price":61.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/4260234832303-Messa-da-Requiem_-Nussknacker-and-Mausekonig_-Ro-cover.webp?v=1792359758","url":"https:\/\/shop.naxos.de\/en\/products\/messa-da-requiem-nussknacker-and-mausekonig-romeo-und-julia","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}