{"product_id":"mavra-iolanta-bayerische-staatsoper-munchen-regie-axel-ranisch","title":"Mavra \/ Iolanta (Bavarian State Opera, Munich, directed by Axel Ranisch)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Working together with the young singers of the Bavarian State Opera Studio, director Axel Ranisch has developed an unusual approach to two rarely performed works: In Pyotr Tchaikovsky's last opera \"Iolanta\", a blind princess searches for the reasons for her sadness and finds love. In Igor Stravinsky's neoclassical one-act buffa \"Mavra\", an inventive young woman has a risky idea and smuggles her lover into her mother's house disguised as a cook. With great love for his characters and an impressive sense of the relationships between them, Ranisch weaves both works into a charming coming-of-age fairy tale about family, love, insight, and self-determination.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOpening credits\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eIolanta (Opera) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture\u003c\/td\u003e\n\n \u003ctd\u003e00:02:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eMavra (Mawra, One-Act Opera) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOh my dearest, my dearest, dearest one\u003c\/td\u003e\n\n \u003ctd\u003e00:08:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eIolanta (Opera) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eIolanta, my little child\u003c\/td\u003e\n\n \u003ctd\u003e00:06:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003eWhy, until now, have I never known anguish\u003c\/td\u003e\n\n \u003ctd\u003e00:03:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003eCome now, my dear\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 4\u003c\/td\u003e\n\n \u003ctd\u003eBrigitta, is that you?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 5\u003c\/td\u003e\n\n \u003ctd\u003eSleep, may the angels carry you away\u003c\/td\u003e\n\n \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 6\u003c\/td\u003e\n\n \u003ctd\u003eA horn!\u003c\/td\u003e\n\n \u003ctd\u003e00:09:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 7\u003c\/td\u003e\n\n \u003ctd\u003eO Lord, is it for my sins\u003c\/td\u003e\n\n \u003ctd\u003e00:03:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 8\u003c\/td\u003e\n\n \u003ctd\u003eYour face is sealed tight\u003c\/td\u003e\n\n \u003ctd\u003e00:02:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 9\u003c\/td\u003e\n\n \u003ctd\u003eTwo worlds, that of the flesh and that of the spirit\u003c\/td\u003e\n\n \u003ctd\u003e00:04:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eMavra (Mawra, One-Act Opera) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003eGood morning, good morning to you\u003c\/td\u003e\n\n \u003ctd\u003e00:12:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eIolanta (Opera) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003eDon't run, it's so dark here! - Who can compare with my Mathilde\u003c\/td\u003e\n\n \u003ctd\u003e00:05:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 2\u003c\/td\u003e\n\n \u003ctd\u003eBut where are we?\u003c\/td\u003e\n\n \u003ctd\u003e00:06:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 3\u003c\/td\u003e\n\n \u003ctd\u003eYou appeared to me like a heavenly vision of pure beauty\u003c\/td\u003e\n\n \u003ctd\u003e00:05:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 4\u003c\/td\u003e\n\n \u003ctd\u003eI don't understand your silence\u003c\/td\u003e\n\n \u003ctd\u003e00:05:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 5\u003c\/td\u003e\n\n \u003ctd\u003eThe first wonder of creation\u003c\/td\u003e\n\n \u003ctd\u003e00:04:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 6\u003c\/td\u003e\n\n \u003ctd\u003eIolanta, where are you?\u003c\/td\u003e\n\n \u003ctd\u003e00:07:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo, speak to me of pain and suffering!\u003c\/td\u003e\n\n \u003ctd\u003e00:04:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 8\u003c\/td\u003e\n\n \u003ctd\u003ePardon me\u003c\/td\u003e\n\n \u003ctd\u003e00:02:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 9\u003c\/td\u003e\n\n \u003ctd\u003eGodefroy, I've come to save you\u003c\/td\u003e\n\n \u003ctd\u003e00:06:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 10\u003c\/td\u003e\n\n \u003ctd\u003eGood, immense and eternal God\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24\u003c\/td\u003e\n\n \u003ctd\u003eMavra (Mawra, One-Act Opera) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture\u003c\/td\u003e\n\n \u003ctd\u003e00:02:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 2\u003c\/td\u003e\n\n \u003ctd\u003eParasha!\u003c\/td\u003e\n\n \u003ctd\u003e00:05:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26\u003c\/td\u003e\n\n \u003ctd\u003eApplause - Closing credits\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BSO Recordings","offers":[{"title":"Default Title","offer_id":59803186069836,"sku":"BSOREC2003","price":33.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/4028098000104-Mavra---Iolanta-_Bayerische-Staatsoper_-Munchen_-cover.webp?v=1793973897","url":"https:\/\/shop.naxos.de\/en\/products\/mavra-iolanta-bayerische-staatsoper-munchen-regie-axel-ranisch","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}