{"product_id":"lully-psyche","title":"Lully: Psyché","description":"\u003cdiv\u003e\n\n\n    \n    \u003cp\u003e\n        \n    \u003c\/p\u003e\n\n    \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n    \u003ctable\u003e\n\n    \u003cthead\u003e\n\n        \u003ctr\u003e\n\n        \u003cth\u003eNumber\u003c\/th\u003e\n\n        \u003cth\u003eTitle\u003c\/th\u003e\n\n        \u003cth\u003eDuration\u003c\/th\u003e\n\n        \u003cth\u003e\u003c\/th\u003e\n\n        \u003c\/tr\u003e\n\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003ePsyche\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n            \u003ctd\u003ePrologue: Overture\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n            \u003ctd\u003ePrologue: Scene 1. The time of war is past - We taste a profound peace\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:29\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n            \u003ctd\u003ePrologue: Air for the dryads, the sylvans, etc. Meet me, cruel beauties\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n            \u003ctd\u003ePrologue: Minuet. Are we wise. We taste a profound peace ·\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:22\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n            \u003ctd\u003ePrologue: Scene 2. Why must I descend from heaven?\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:54\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n            \u003ctd\u003ePrologue: Scene 3. Ritornello. My son, if you pity my misfortunes\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n            \u003ctd\u003ePrologue: Overture (interlude)\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n            \u003ctd\u003eAct I: Scene 1: Ritornello. At last, my sister, heaven is at peace\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n            \u003ctd\u003eAct I: Scene 2. Ah! Princesses! Let us weep, let us weep\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:30\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n            \u003ctd\u003eAct I: Scene 2. Italian Lament. Alas, weep for my weeping\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:09\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n            \u003ctd\u003eAct I: Scene 2. How can it be among you. Proud deity\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:33\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n            \u003ctd\u003eAct I: Scene 2. Air\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n            \u003ctd\u003eAct I: Scene 2. Ah, how long you delay\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n            \u003ctd\u003eAct I: Scene 3. Psyche comes, and at the sight of her I tremble\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n            \u003ctd\u003eAct I: Scene 4. Lord, do you yourself sigh?\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n            \u003ctd\u003eAct I: Air for the dryads, the sylvans, etc. (interlude)\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:00\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Scene 1. Ritornello. Cyclopes, complete this magnificent palace - Entry of the Cyclopes\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Scene 2. Hurry, this work that Love asks of you?\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:09\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Air of the blacksmiths. Hurry, prepare these places\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:09\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Scene 3. Ritornello. What, you are working for proud Psyche\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:20\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Prelude\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Scene 4. Where am I?\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:37\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Scene 5. What pleasant sounds have struck my ears?\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Scene 6. Ritornello. Well, of the cruelties of fate\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:59\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Come see this palace\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:38\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n            \u003ctd\u003eAct II: Air for the little loves and the zephyrs. Lovely Youth. Love has its charms - Air for the little loves\u003c\/td\u003e\n\n            \u003ctd\u003e00:06:26\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1 . 27\u003c\/td\u003e\n\n            \u003ctd\u003eAct III: Ritornello\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 28\u003c\/td\u003e\n\n            \u003ctd\u003eAct III: Scene 1. Pompeii, how this palace spreads on all sides\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:02\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 29\u003c\/td\u003e\n\n            \u003ctd\u003eAct III: Scene 2. What are you doing! · Psyche. By what art in these places\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:17\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 30\u003c\/td\u003e\n\n            \u003ctd\u003eAct III: Scene 3. At last I shall see my fate clarified\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 31\u003c\/td\u003e\n\n            \u003ctd\u003eAct III: Scene 4. Stop, dear Lover\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6 . 32\u003c\/td\u003e\n\n            \u003ctd\u003eAct III: Scene 5. Ah! Nymph, have you come to relieve my troubles?\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7 . 33\u003c\/td\u003e\n\n            \u003ctd\u003eAct III: Scene 6. Ritornello. So you abandon me, cruel and dear Lover?\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:49\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8 . 34\u003c\/td\u003e\n\n            \u003ctd\u003eAct III: Scene 7. Stop, it is too early to give up hope\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:37\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 35\u003c\/td\u003e\n\n            \u003ctd\u003eAct III: Air of the blacksmiths (interlude)\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 36\u003c\/td\u003e\n\n            \u003ctd\u003eAct IV: Scene 1. Ritornello. Through what dark \u0026amp; fateful passages\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:38\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 37\u003c\/td\u003e\n\n            \u003ctd\u003eAct IV: Scene 2. Prelude. Where do you think to take your steps\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 38\u003c\/td\u003e\n\n            \u003ctd\u003eAct IV: Air of the Demons\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13 . 39\u003c\/td\u003e\n\n            \u003ctd\u003eAct IV: Scene 3. Prelude. Come, nymphs of Acheron\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:30\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14 . 40\u003c\/td\u003e\n\n            \u003ctd\u003eAct IV: Air of the demons (interlude)\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:43\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15 . 41\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Ritornello\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e16 . 42\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Scene 1. If I make a mockery of my extreme tenderness\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e17 . 43\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Scene 2. At last, insolent Rival\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18 . 44\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Scene 3. You believe too much in jealous anger\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e19 . 45\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Prelude. Does Venus wish to resist?\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:43\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e20 . 46\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Prelude. Let us unite, Immortal troop\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:43\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e21 . 47\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Let us celebrate this great Day\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e22 . 48\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Prelude for Bacchus, Momus and Mars. If ever\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e23 . 49\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. I seek to speak ill\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e24 . 50\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. My proudest enemies vanquished or full of dread\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:44\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e25 . 51\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Let us sing the charming pleasures\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e26 . 52\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. First air for the shepherds. The God who engages us\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e27 . 53\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Second air for the same. Beware, stern Beauties\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:44\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e28 . 54\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. First air for the maenads and the satyrs. Let us admire the Juice of the Vine\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:44\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e29 . 55\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Second air for the same. Bacchus wants us to drink in long draughts\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e30 . 56\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Do you want perfect delights?\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:43\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e31 . 57\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Air for the Punchinellos. Let us frolic, let us amuse ourselves\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e32 . 58\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Prelude of trumpets and violins for Mars. Let us leave the whole earth in peace\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:29\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e33 . 59\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. First and second airs for the followers of Mars\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e34 . 60\u003c\/td\u003e\n\n            \u003ctd\u003eAct V: Final Scene. Let us sing the charming pleasures\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:42\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n    \u003c\/tbody\u003e\n\n    \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Château de Versailles Spectacles","offers":[{"title":"Default Title","offer_id":59286937141580,"sku":"CVS086","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/3770011431892-Lully--Psyche-cover.webp?v=1792343625","url":"https:\/\/shop.naxos.de\/en\/products\/lully-psyche","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}