{"product_id":"john-neumeier-collection-4x-blu-ray","title":"John Neumeier Collection [4x Blu-ray]","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n C Major makes it possible: they were all bestsellers as individual DVDs\/Blu-rays, now they are available for the first time in an affordable box set – the fantastic ballets of John Neumeier! Included: The Little Mermaid, Tatiana, Christmas Oratorio and Nijinsky! Fitting the 80th birthday of the great choreographer, this box set is the ideal introduction to the popular work of John Neumeier. The box set is complemented by interesting interviews with John Neumeier and Lloyd Riggins.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eNijinsky (ballet with music by Chopin, Schumann, Rimsky-Korsakov and Shostakovich)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eThe Suvretta House Hotel (January 19, 1919) (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNijinsky dances\u003c\/td\u003e\n\n \u003ctd\u003e00:01:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eChopin\u003c\/td\u003e\n\n \u003ctd\u003e00:02:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eSchumann\u003c\/td\u003e\n\n \u003ctd\u003e00:04:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eRecollections of the Ballets Russes\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eLes Sylphides\u003c\/td\u003e\n\n \u003ctd\u003e00:00:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eLe Spectre de la Rose\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eScheherazade\u003c\/td\u003e\n\n \u003ctd\u003e00:01:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eThe Golden Slave\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eRomola's Fascination\u003c\/td\u003e\n\n \u003ctd\u003e00:02:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eIn the Studio: Nijinsky creates - A search for a new choreographic language\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eDiaghilev discovers Nijinsky\u003c\/td\u003e\n\n \u003ctd\u003e00:06:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eBronislava\u003c\/td\u003e\n\n \u003ctd\u003e00:02:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eJeux\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eThe new Dancer\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eOn the Ship: Romola\u003c\/td\u003e\n\n \u003ctd\u003e00:10:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eParisian Society echoes the Ballets Russes\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eThe Nymph and the Faun\u003c\/td\u003e\n\n \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eThe Wedding\u003c\/td\u003e\n\n \u003ctd\u003e00:03:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eBreak with Diaghilev\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eNijinsky's Inner Landscape - Stanislav (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eThe Family\u003c\/td\u003e\n\n \u003ctd\u003e00:06:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eNijinsky's Artistry\u003c\/td\u003e\n\n \u003ctd\u003e00:02:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eForeshadowing Insanity - Stanislav\u003c\/td\u003e\n\n \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eWar and Romola's Infidelity\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eFolk Dances - The Revolution\u003c\/td\u003e\n\n \u003ctd\u003e00:02:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003ePetrushka\u003c\/td\u003e\n\n \u003ctd\u003e00:04:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eStanislav\u003c\/td\u003e\n\n \u003ctd\u003e00:04:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eWorld War I - Le sacre du Printemps\u003c\/td\u003e\n\n \u003ctd\u003e00:05:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eDiaghilev's Death\u003c\/td\u003e\n\n \u003ctd\u003e00:01:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eRomola and Nijinsky - World War II\u003c\/td\u003e\n\n \u003ctd\u003e00:14:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003eA World Insane\u003c\/td\u003e\n\n \u003ctd\u003e00:02:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eThe Suvretta House Hotel\u003c\/td\u003e\n\n \u003ctd\u003e00:03:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eRemembering his Mother's Lessons\u003c\/td\u003e\n\n \u003ctd\u003e00:04:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n \u003ctd\u003eThe last Dance - The War\u003c\/td\u003e\n\n \u003ctd\u003e00:08:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eIntroduction\u003c\/td\u003e\n\n \u003ctd\u003e00:04:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eChristmas Oratorio BWV 248 (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChoir: Rejoice, sing aloud, praise the day (Part 1: Christmas Day)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: But it came to pass at that time\u003c\/td\u003e\n\n \u003ctd\u003e00:01:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Now my beloved Bridegroom\u003c\/td\u003e\n\n \u003ctd\u003e00:00:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAria: Prepare thee, Zion\u003c\/td\u003e\n\n \u003ctd\u003e00:04:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eChorale: How shall I receive thee\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And she brought forth her firstborn\u003c\/td\u003e\n\n \u003ctd\u003e00:00:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eChorale and Recitative: He came down unto the earth poor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003eAria: Great Lord, O mighty King\u003c\/td\u003e\n\n \u003ctd\u003e00:04:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Ah, my beloved little Jesus\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eSinfonia (Part 2: Christmas Day)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And there were shepherds in the same vicinity\u003c\/td\u003e\n\n \u003ctd\u003e00:00:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Break forth, O beautiful morning light\u003c\/td\u003e\n\n \u003ctd\u003e00:01:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And the angel said unto them\u003c\/td\u003e\n\n \u003ctd\u003e00:00:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: What God hath promised to Abraham\u003c\/td\u003e\n\n \u003ctd\u003e00:00:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 15\u003c\/td\u003e\n\n \u003ctd\u003eAria: Ye shepherds, hurry, ah hurry\u003c\/td\u003e\n\n \u003ctd\u003e00:03:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 16\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And this ye shall take for a sign\u003c\/td\u003e\n\n \u003ctd\u003e00:00:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 17\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Behold, there in the dark stable\u003c\/td\u003e\n\n \u003ctd\u003e00:00:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 18\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: So go ye, shepherds, go\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 19\u003c\/td\u003e\n\n \u003ctd\u003eAria: Sleep, my beloved, enjoy the rest\u003c\/td\u003e\n\n \u003ctd\u003e00:10:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 20\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And behold, there was with the angel\u003c\/td\u003e\n\n \u003ctd\u003e00:00:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 21\u003c\/td\u003e\n\n \u003ctd\u003eChoir: Glory to God in the highest\u003c\/td\u003e\n\n \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 22\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: So rightly, ye angels, shout and sing\u003c\/td\u003e\n\n \u003ctd\u003e00:00:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 23\u003c\/td\u003e\n\n \u003ctd\u003eChorale: We sing to thee in thy host\u003c\/td\u003e\n\n \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 24\u003c\/td\u003e\n\n \u003ctd\u003eChoir: Ruler of heaven, hear the babbling (Part 3: Christmas Day)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 25\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And when the angels from them went up into heaven\u003c\/td\u003e\n\n \u003ctd\u003e00:00:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 26\u003c\/td\u003e\n\n \u003ctd\u003eChoir: Let us now go unto Bethlehem\u003c\/td\u003e\n\n \u003ctd\u003e00:00:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 27\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: He hath comforted his people\u003c\/td\u003e\n\n \u003ctd\u003e00:00:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 28\u003c\/td\u003e\n\n \u003ctd\u003eChorale: This hath he done all unto us\u003c\/td\u003e\n\n \u003ctd\u003e00:00:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 29\u003c\/td\u003e\n\n \u003ctd\u003eDuet: Lord, thy compassion, thy mercy\u003c\/td\u003e\n\n \u003ctd\u003e00:07:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 30\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And they came hither\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 31\u003c\/td\u003e\n\n \u003ctd\u003eAria: Close, my heart, this blessed wonder\u003c\/td\u003e\n\n \u003ctd\u003e00:05:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 32\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Yes, yes, my heart shall keep it\u003c\/td\u003e\n\n \u003ctd\u003e00:00:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 33\u003c\/td\u003e\n\n \u003ctd\u003eChorale: I will thee with diligence preserve\u003c\/td\u003e\n\n \u003ctd\u003e00:01:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 34\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And the shepherds returned\u003c\/td\u003e\n\n \u003ctd\u003e00:00:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 35\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Be glad while\u003c\/td\u003e\n\n \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e37 . 36\u003c\/td\u003e\n\n \u003ctd\u003eRuler of heaven, hear the babbling\u003c\/td\u003e\n\n \u003ctd\u003e00:04:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e38 . 37\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Fall with thanksgiving, fall with praise (4th Part: On New Year's Day)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e39 . 38\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And when eight days had passed\u003c\/td\u003e\n\n \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e40 . 39\u003c\/td\u003e\n\n \u003ctd\u003eRecitative and Chorale: Immanuel, o sweet word!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e41 . 40\u003c\/td\u003e\n\n \u003ctd\u003eAria: Float, my Savior, float thy name\u003c\/td\u003e\n\n \u003ctd\u003e00:05:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e42 . 41\u003c\/td\u003e\n\n \u003ctd\u003eRecitative and Chorale: Behold, thy name shall alone\u003c\/td\u003e\n\n \u003ctd\u003e00:01:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e43 . 42\u003c\/td\u003e\n\n \u003ctd\u003eAria: I will live only to thy honor\u003c\/td\u003e\n\n \u003ctd\u003e00:04:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e44 . 43\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Jesus, direct my beginning\u003c\/td\u003e\n\n \u003ctd\u003e00:01:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e45 . 44\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Glory be to thee, God, sung (5th Part: On the Sunday after New Year)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e46 . 45\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: When Jesus was born in Bethlehem\u003c\/td\u003e\n\n \u003ctd\u003e00:00:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e47 . 46\u003c\/td\u003e\n\n \u003ctd\u003eChorus and Recitative: Where is the newborn King of the Jews?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e48 . 47\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Thy radiance consumes all darkness\u003c\/td\u003e\n\n \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e49 . 48\u003c\/td\u003e\n\n \u003ctd\u003eAria: Illuminate also my dark senses\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e50 . 49\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: When King Herod heard this\u003c\/td\u003e\n\n \u003ctd\u003e00:00:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e51 . 50\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Why should ye be afraid?\u003c\/td\u003e\n\n \u003ctd\u003e00:00:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e52 . 51\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And he summoned all the high priests\u003c\/td\u003e\n\n \u003ctd\u003e00:01:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e53 . 52\u003c\/td\u003e\n\n \u003ctd\u003eTrio: Ah, when will the time appear?\u003c\/td\u003e\n\n \u003ctd\u003e00:05:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e54 . 53\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: My Beloved already reigns\u003c\/td\u003e\n\n \u003ctd\u003e00:00:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e55 . 54\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Truly such a chamber of the heart\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e56 . 55\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Lord, when the proud enemies snort (6th Part: On the Feast of the Epiphany)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e57 . 56\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Then Herod secretly summoned the Magi\u003c\/td\u003e\n\n \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e58 . 57\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: You deceiver, seek only to overthrow the Lord\u003c\/td\u003e\n\n \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e59 . 58\u003c\/td\u003e\n\n \u003ctd\u003eAria: Only a gesture from his hands\u003c\/td\u003e\n\n \u003ctd\u003e00:04:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e60 . 59\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: When they had now heard the King\u003c\/td\u003e\n\n \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e61 . 60\u003c\/td\u003e\n\n \u003ctd\u003eChorale: I stand here at thy manger\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e62 . 61\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: And God commanded them in a dream\u003c\/td\u003e\n\n \u003ctd\u003e00:00:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e63 . 62\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: So it is! Enough, my treasure shall not leave here\u003c\/td\u003e\n\n \u003ctd\u003e00:02:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e64 . 63\u003c\/td\u003e\n\n \u003ctd\u003eAria: Now you may terrify proud enemies\u003c\/td\u003e\n\n \u003ctd\u003e00:04:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e65 . 64\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: What now terrifies the horrors of hell\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e66 . 65\u003c\/td\u003e\n\n \u003ctd\u003eRejoice, be glad, arise, praise the days\u003c\/td\u003e\n\n \u003ctd\u003e00:06:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e67\u003c\/td\u003e\n\n \u003ctd\u003eApplause\u003c\/td\u003e\n\n \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e68\u003c\/td\u003e\n\n \u003ctd\u003eClosing\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e69\u003c\/td\u003e\n\n \u003ctd\u003eInterview with John Neumeier\u003c\/td\u003e\n\n \u003ctd\u003e00:07:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e70\u003c\/td\u003e\n\n \u003ctd\u003eInterview with Lloyd Riggins\u003c\/td\u003e\n\n \u003ctd\u003e00:06:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOpening\u003c\/td\u003e\n\n \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eTatiana (ballet after Alexander Pushkin's Eugene Onegin)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eA Dream Weave (Prologue)\u003c\/td\u003e\n\n \u003ctd\u003e00:12:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eA Day in Onegin's Life (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:08:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eLensky and Onegin in the Country\u003c\/td\u003e\n\n \u003ctd\u003e00:06:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAt Larina's\u003c\/td\u003e\n\n \u003ctd\u003e00:16:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eTatiana's Letter\u003c\/td\u003e\n\n \u003ctd\u003e00:06:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eTatiana's Dream\u003c\/td\u003e\n\n \u003ctd\u003e00:10:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eTatiana's Name Day\u003c\/td\u003e\n\n \u003ctd\u003e00:16:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003eThe Duel\u003c\/td\u003e\n\n \u003ctd\u003e00:06:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eIntermezzo (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eA Ball in St. Petersburg\u003c\/td\u003e\n\n \u003ctd\u003e00:21:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eOnegin's Letters\u003c\/td\u003e\n\n \u003ctd\u003e00:05:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eFinal Movement\u003c\/td\u003e\n\n \u003ctd\u003e00:15:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eClosing\u003c\/td\u003e\n\n \u003ctd\u003e00:01:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOpening\u003c\/td\u003e\n\n \u003ctd\u003e00:01:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eThe Little Mermaid (ballet after a fairy tale by Hans Christian Andersen)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOn a Ship (Prologue)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eOn the Ocean Floor (Part 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:09:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eArrival of the Ship - On Board the Ship\u003c\/td\u003e\n\n \u003ctd\u003e00:05:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eIn the Sea - The Prince Goes for a Swim\u003c\/td\u003e\n\n \u003ctd\u003e00:04:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eThe Storm\u003c\/td\u003e\n\n \u003ctd\u003e00:04:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eAfter the Storm\u003c\/td\u003e\n\n \u003ctd\u003e00:04:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eOn the Shore - Near a Church\u003c\/td\u003e\n\n \u003ctd\u003e00:04:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003eOn the Ocean Floor - The Sea Witch\u003c\/td\u003e\n\n \u003ctd\u003e00:04:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eTransformation\u003c\/td\u003e\n\n \u003ctd\u003e00:03:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eOn the Shore\u003c\/td\u003e\n\n \u003ctd\u003e00:06:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eAt Sea\u003c\/td\u003e\n\n \u003ctd\u003e00:17:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eThe Mermaid's Room\u003c\/td\u003e\n\n \u003ctd\u003e00:06:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n \u003ctd\u003eThe Prince's Palace - The Wedding\u003c\/td\u003e\n\n \u003ctd\u003e00:34:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n \u003ctd\u003eTowards a New World\u003c\/td\u003e\n\n \u003ctd\u003e00:05:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eClosing\u003c\/td\u003e\n\n \u003ctd\u003e00:02:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eBehind the Scenes\u003c\/td\u003e\n\n \u003ctd\u003e00:34:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":59801863455052,"sku":"748604","price":64.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0814337014865-John-Neumeier-Collection-_4x-Blu-ray_-cover.webp?v=1793967379","url":"https:\/\/shop.naxos.de\/en\/products\/john-neumeier-collection-4x-blu-ray","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}