{"product_id":"delibes-lakme-opera-comique-paris-2022-regie-roussillon","title":"Delibes: Lakmé (Opéra Comique, Paris 2022, Directed by: Roussillon)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Léo Delibes' \"Lakmé\" premiered at the Opéra Comique in 1883 and remains one of the most popular French operas to this day. It tells the story of the Indian woman Lakmé and a British officer torn between love and loyalty to the woman's father, a Brahmin priest. Delibes composed magnificent music for it, including the audience-favorite \"Flower Duet\" and the \"Bell Aria\". Laurent Pelly staged the work in a modern yet simple production.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOpening credits\u003c\/td\u003e\n\n \u003ctd\u003e00:03:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eLakmé (opera in 3 acts) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAt the accustomed hour (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eWhite Dourga!\u003c\/td\u003e\n\n \u003ctd\u003e00:04:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eLakmé, it is you who protects us!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eCome, Mallika... Under the thick dome\u003c\/td\u003e\n\n \u003ctd\u003e00:05:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eWe are lost!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eWhen a woman is so pretty\u003c\/td\u003e\n\n \u003ctd\u003e00:05:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eThe same, not the same\u003c\/td\u003e\n\n \u003ctd\u003e00:01:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003eTake the design of a jewel\u003c\/td\u003e\n\n \u003ctd\u003e00:05:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo! I do not want to touch\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eThe flowers seem more beautiful to me... Why in the great woods\u003c\/td\u003e\n\n \u003ctd\u003e00:03:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eAh! Mallika! Mallika!\u003c\/td\u003e\n\n \u003ctd\u003e00:00:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eWhere do you come from? What do you want?\u003c\/td\u003e\n\n \u003ctd\u003e00:07:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n \u003ctd\u003eCome! there! there!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n \u003ctd\u003eLet's go, before noon strikes (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 15\u003c\/td\u003e\n\n \u003ctd\u003eNo! but what a racket\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 16\u003c\/td\u003e\n\n \u003ctd\u003eIt is a poor man who begs... Lakmé, your soft gaze is veiled\u003c\/td\u003e\n\n \u003ctd\u003e00:05:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 17\u003c\/td\u003e\n\n \u003ctd\u003eAh! It is your pain\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 18\u003c\/td\u003e\n\n \u003ctd\u003eAh! By the gods inspired... Where is the young Hindu woman going\u003c\/td\u003e\n\n \u003ctd\u003e00:08:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 19\u003c\/td\u003e\n\n \u003ctd\u003eRage devours me\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 20\u003c\/td\u003e\n\n \u003ctd\u003eIn the midst of the songs of joy\u003c\/td\u003e\n\n \u003ctd\u003e00:03:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 21\u003c\/td\u003e\n\n \u003ctd\u003eThe master thinks only of his revenge\u003c\/td\u003e\n\n \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 22\u003c\/td\u003e\n\n \u003ctd\u003eLakmé! It is you!\u003c\/td\u003e\n\n \u003ctd\u003e00:07:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 23\u003c\/td\u003e\n\n \u003ctd\u003eO Dourga, you who are reborn\u003c\/td\u003e\n\n \u003ctd\u003e00:08:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 24\u003c\/td\u003e\n\n \u003ctd\u003eIntermission\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 25\u003c\/td\u003e\n\n \u003ctd\u003eUnder the starry sky\u003c\/td\u003e\n\n \u003ctd\u003e00:03:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 26\u003c\/td\u003e\n\n \u003ctd\u003eWhat vague memory weighs down my thoughts?\u003c\/td\u003e\n\n \u003ctd\u003e00:02:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 27\u003c\/td\u003e\n\n \u003ctd\u003eLakmé! Ah! come into the deep forest\u003c\/td\u003e\n\n \u003ctd\u003e00:01:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 28\u003c\/td\u003e\n\n \u003ctd\u003eThere, I will be able to hear you\u003c\/td\u003e\n\n \u003ctd\u003e00:05:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 29\u003c\/td\u003e\n\n \u003ctd\u003eOh! my friend, you are here, you are alive!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 30\u003c\/td\u003e\n\n \u003ctd\u003eLakmé!... They were going two by two\u003c\/td\u003e\n\n \u003ctd\u003e00:09:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 31\u003c\/td\u003e\n\n \u003ctd\u003eIt is him! It is him!\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33\u003c\/td\u003e\n\n \u003ctd\u003eApplause - Closing credits\u003c\/td\u003e\n\n \u003ctd\u003e00:05:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos Audiovisual","offers":[{"title":"Default Title","offer_id":59800250384716,"sku":"2.110765","price":27.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313576555-Delibes--Lakme-_Opera-Comique_-Paris-2022_-Regie-cover.webp?v=1793957970","url":"https:\/\/shop.naxos.de\/en\/products\/delibes-lakme-opera-comique-paris-2022-regie-roussillon","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}