{"product_id":"bruckner-samtliche-sinfonien","title":"Bruckner: Complete Symphonies","description":"\u003cdiv\u003e\n\n\n    \n    \u003cp\u003e\n        On the occasion of the upcoming Bruckner anniversary (2024), the Vienna Philharmonic, under the baton of Christian Thielemann, recorded a complete symphony cycle for the first time—including the early symphonies in F minor (\"Study Symphony\") and D minor (\"Zero\"). The acclaimed concerts at the Vienna Musikverein, which have been released individually over the past few months, are now available together in a box set on five Blu-rays. In performing the symphonies, the Vienna Philharmonic draws on centuries of experience as Bruckner's orchestra: the Concertverein Orchestra, a predecessor of the Vienna Symphony Orchestra, was responsible for almost all of the symphonies' premieres.\n    \u003c\/p\u003e\n\n    \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n    \u003ctable\u003e\n\n    \u003cthead\u003e\n\n        \u003ctr\u003e\n\n        \u003cth\u003eNumber\u003c\/th\u003e\n\n        \u003cth\u003eTitle\u003c\/th\u003e\n\n        \u003cth\u003eDuration\u003c\/th\u003e\n\n        \u003cth\u003e\u003c\/th\u003e\n\n        \u003c\/tr\u003e\n\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony in F minor (1863)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Allegro molto vivace\u003c\/td\u003e\n\n            \u003ctd\u003e00:14:58\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Andante molto\u003c\/td\u003e\n\n            \u003ctd\u003e00:11:44\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Scherzo: Schnell - Trio: Langsamer\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:23\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Finale: Allegro\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:22\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 0 in D minor\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n            \u003ctd\u003e00:16:45\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n            \u003ctd\u003e00:13:39\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Scherzo: Presto - Trio: Langsamer und ruhiger\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Finale: Moderato - Allegro vivace\u003c\/td\u003e\n\n            \u003ctd\u003e00:10:15\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10\u003c\/td\u003e\n\n            \u003ctd\u003eClosing\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:56\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:11\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 5 in B-flat major\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Introduktion: Adagio - Allegro\u003c\/td\u003e\n\n            \u003ctd\u003e00:22:54\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Adagio: Sehr langsam\u003c\/td\u003e\n\n            \u003ctd\u003e00:19:10\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Scherzo: Molto vivace (Schnell) - Trio: Im gleichen Tempo\u003c\/td\u003e\n\n            \u003ctd\u003e00:15:07\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Adagio - Allegro moderato\u003c\/td\u003e\n\n            \u003ctd\u003e00:25:52\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e16\u003c\/td\u003e\n\n            \u003ctd\u003eClosing\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:56\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e17\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony in F minor\u003c\/td\u003e\n\n            \u003ctd\u003e00:18:00\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony in D minor\u003c\/td\u003e\n\n            \u003ctd\u003e00:19:24\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e19\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony No. 5\u003c\/td\u003e\n\n            \u003ctd\u003e00:40:31\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:11\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 1 in C minor (2nd version, Vienna 1890\/91)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n            \u003ctd\u003e00:13:53\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n            \u003ctd\u003e00:13:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Scherzo: Schnell - Trio: Langsamer\u003c\/td\u003e\n\n            \u003ctd\u003e00:09:40\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Finale: Bewegt, feurig\u003c\/td\u003e\n\n            \u003ctd\u003e00:16:55\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6\u003c\/td\u003e\n\n            \u003ctd\u003eClosing\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:14\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony No. 1\u003c\/td\u003e\n\n            \u003ctd\u003e00:31:15\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:12\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 7 in E major\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Allegro moderato\u003c\/td\u003e\n\n            \u003ctd\u003e00:22:12\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Adagio - Sehr feierlich und sehr langsam\u003c\/td\u003e\n\n            \u003ctd\u003e00:23:03\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Scherzo: Sehr schnell - Trio: Etwas langsamer\u003c\/td\u003e\n\n            \u003ctd\u003e00:10:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Finale: Bewegt, doch nicht zu schnell\u003c\/td\u003e\n\n            \u003ctd\u003e00:14:23\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13\u003c\/td\u003e\n\n            \u003ctd\u003eApplause - Closing\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:10\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony No. 7\u003c\/td\u003e\n\n            \u003ctd\u003e00:22:53\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 4 in E-flat major \"Romantic\" (1st version 1874)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Bewegt, nicht zu schnell\u003c\/td\u003e\n\n            \u003ctd\u003e00:19:41\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Andante quasi allegretto\u003c\/td\u003e\n\n            \u003ctd\u003e00:16:31\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Scherzo: Bewegt - Trio: Nicht zu schnell, keinesfalls schleppend\u003c\/td\u003e\n\n            \u003ctd\u003e00:11:31\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Finale: Bewegt, doch nicht zu schnell\u003c\/td\u003e\n\n            \u003ctd\u003e00:23:14\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6\u003c\/td\u003e\n\n            \u003ctd\u003eApplause - Closing\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:58\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony No. 4\u003c\/td\u003e\n\n            \u003ctd\u003e00:28:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:06\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 9 in D minor \"To the Beloved God\"\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Feierlich, misterioso\u003c\/td\u003e\n\n            \u003ctd\u003e00:23:46\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Scherzo: Bewegt, lebhaft - Trio: Schnell\u003c\/td\u003e\n\n            \u003ctd\u003e00:10:40\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Adagio: Langam, feierlich\u003c\/td\u003e\n\n            \u003ctd\u003e00:24:12\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12\u003c\/td\u003e\n\n            \u003ctd\u003eApplause - Closing\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:46\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony No. 9\u003c\/td\u003e\n\n            \u003ctd\u003e00:26:10\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:45\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 2 in C minor \"Pause Symphony\" (2nd version 1877)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Moderato\u003c\/td\u003e\n\n            \u003ctd\u003e00:18:27\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n            \u003ctd\u003e00:09:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Scherzo\u003c\/td\u003e\n\n            \u003ctd\u003e00:15:55\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Finale\u003c\/td\u003e\n\n            \u003ctd\u003e00:15:53\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6\u003c\/td\u003e\n\n            \u003ctd\u003eApplause - Closing\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:10\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony No. 2\u003c\/td\u003e\n\n            \u003ctd\u003e00:25:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:46\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 8 in C minor \"Apocalyptic\" (R. Haas edition 1939)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1. Allegro moderato\u003c\/td\u003e\n\n            \u003ctd\u003e00:15:58\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2. Scherzo: Allegro moderato - Trio: Langsam\u003c\/td\u003e\n\n            \u003ctd\u003e00:15:57\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3. Adagio: Feierlich langsam, doch nicht schleppend\u003c\/td\u003e\n\n            \u003ctd\u003e00:26:49\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4. Finale: Feierlich, nicht schnell\u003c\/td\u003e\n\n            \u003ctd\u003e00:24:15\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13\u003c\/td\u003e\n\n            \u003ctd\u003eApplause - Closing\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:01\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony No. 8\u003c\/td\u003e\n\n            \u003ctd\u003e00:29:00\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:42\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 3 in D minor \"Wagner Symphony\" (2nd version 1877\/78)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1st movement: Moderato, with motion, misterioso\u003c\/td\u003e\n\n            \u003ctd\u003e00:20:44\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2nd movement: Andante: with motion, solemn, quasi adagio\u003c\/td\u003e\n\n            \u003ctd\u003e00:16:32\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3rd movement: Scherzo: rather quickly\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:43\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4th movement: Finale: Allegro\u003c\/td\u003e\n\n            \u003ctd\u003e00:17:29\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6\u003c\/td\u003e\n\n            \u003ctd\u003eClosing\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:45\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony No. 3\u003c\/td\u003e\n\n            \u003ctd\u003e00:32:40\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8\u003c\/td\u003e\n\n            \u003ctd\u003eOpening\u003c\/td\u003e\n\n            \u003ctd\u003e00:00:50\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9\u003c\/td\u003e\n\n            \u003ctd\u003eSymphony No. 6 in A major\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n            \u003ctd\u003e1st movement: Maestoso\u003c\/td\u003e\n\n            \u003ctd\u003e00:15:51\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n            \u003ctd\u003e2nd movement: Adagio: very solemnly\u003c\/td\u003e\n\n            \u003ctd\u003e00:16:31\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n            \u003ctd\u003e3rd movement: Scherzo: not quickly - Trio: slowly\u003c\/td\u003e\n\n            \u003ctd\u003e00:08:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n            \u003ctd\u003e4th movement: with motion, but not too quickly\u003c\/td\u003e\n\n            \u003ctd\u003e00:14:09\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13\u003c\/td\u003e\n\n            \u003ctd\u003eApplause - Closing\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:25\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14\u003c\/td\u003e\n\n            \u003ctd\u003eDiscovering Bruckner: Christian Thielemann in conversation with Johannes-Leopold Mayer on Bruckner's Symphony No. 6\u003c\/td\u003e\n\n            \u003ctd\u003e00:25:16\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n    \u003c\/tbody\u003e\n\n    \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Unitel Edition","offers":[{"title":"Default Title","offer_id":59801351684428,"sku":"809504","price":76.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0810116910052-Bruckner--Samtliche-Sinfonien-cover.webp?v=1793964811","url":"https:\/\/shop.naxos.de\/en\/products\/bruckner-samtliche-sinfonien","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}