{"product_id":"bizet-carmen-1","title":"Bizet: Carmen","description":"\u003cdiv\u003e\n\n\n    \n    \u003cp\u003e\n        George Bizet's \"Carmen\" was received with extreme indifference at its premiere in 1875 at the Opéra Comique in Paris. The composer died three months later and never experienced the immense success of his opera. In 2009, a memorable production was created at the same venue under the direction of Adrian Noble with a top-notch cast, led by Anna Caterina Antonacci in the title role. The Orchestre Révolutionnaire et Romantique under John Eliot Gardiner, which has rarely lived up to its name more than in this deeply revolutionary and romantic masterpiece, provides an exemplary interpretation of Bizet's immortal music.\n    \u003c\/p\u003e\n\n    \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n    \u003ctable\u003e\n\n    \u003cthead\u003e\n\n        \u003ctr\u003e\n\n        \u003cth\u003eNumber\u003c\/th\u003e\n\n        \u003cth\u003eTitle\u003c\/th\u003e\n\n        \u003cth\u003eDuration\u003c\/th\u003e\n\n        \u003cth\u003e\u003c\/th\u003e\n\n        \u003c\/tr\u003e\n\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1\u003c\/td\u003e\n\n            \u003ctd\u003eCarmen (Opera in 4 Acts) (Complete Recording)\u003c\/td\u003e\n\n            \u003ctd\u003e\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n            \u003ctd\u003eOverture (Act 1)\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:38\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n            \u003ctd\u003eSur la place chacun passe\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:57\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n            \u003ctd\u003eAttention! Chut!\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n            \u003ctd\u003eAvec la garde montante nous arrivons, nous voilà!\u003c\/td\u003e\n\n            \u003ctd\u003e00:06:01\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n            \u003ctd\u003eLa cloche a sonné\u003c\/td\u003e\n\n            \u003ctd\u003e00:06:26\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n            \u003ctd\u003eL'amour est un oiseau rebelle\u003c\/td\u003e\n\n            \u003ctd\u003e00:06:54\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n            \u003ctd\u003eQuelle effronterie!...\u003c\/td\u003e\n\n            \u003ctd\u003e00:11:41\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n            \u003ctd\u003eAu secours!\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:02\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n            \u003ctd\u003eTra la, la, la, la, la, la, la\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:38\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n            \u003ctd\u003ePrès des remparts de Séville\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n            \u003ctd\u003eOverture (Act 2)\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n            \u003ctd\u003eLes tringles des sistres tintaient\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:05\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n            \u003ctd\u003eVivat! vivat le torero!\u003c\/td\u003e\n\n            \u003ctd\u003e00:06:33\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n            \u003ctd\u003eMessieurs les officiers\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:12\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n            \u003ctd\u003eEh bien, les nouvelles?\u003c\/td\u003e\n\n            \u003ctd\u003e00:06:56\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n            \u003ctd\u003eEnfin... te voilà...\u003c\/td\u003e\n\n            \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n            \u003ctd\u003eLa, la, la, la, la, la, la, la\u003c\/td\u003e\n\n            \u003ctd\u003e00:09:06\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n            \u003ctd\u003eNon! Tu ne m'aimes pas!\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:42\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n            \u003ctd\u003eHolà! Carmen!\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:13\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n            \u003ctd\u003eOverture (Act 3)\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:08\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n            \u003ctd\u003eÉcoute, écoute, compagnon, écoute!\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:40\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n            \u003ctd\u003eMêlons!\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:23\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n            \u003ctd\u003eQuant au douanier, c'est notre affaire!\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n            \u003ctd\u003eMon guide avait raison...\u003c\/td\u003e\n\n            \u003ctd\u003e00:05:18\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n            \u003ctd\u003eQuelques lignes plus bas...\u003c\/td\u003e\n\n            \u003ctd\u003e00:07:52\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n            \u003ctd\u003ePrends garde à toi...\u003c\/td\u003e\n\n            \u003ctd\u003e00:06:02\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n            \u003ctd\u003eOverture (Act 4)\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:14\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n            \u003ctd\u003eA deux cuartos!\u003c\/td\u003e\n\n            \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n            \u003ctd\u003eLes voici!\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n            \u003ctd\u003eSi tu m'aimes, Carmen\u003c\/td\u003e\n\n            \u003ctd\u003e00:03:05\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n            \u003ctd\u003eC'est toi!\u003c\/td\u003e\n\n            \u003ctd\u003e00:09:34\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n        \u003ctr\u003e\n\n            \u003ctd\u003e32\u003c\/td\u003e\n\n            \u003ctd\u003eApplause - End credits\u003c\/td\u003e\n\n            \u003ctd\u003e00:04:45\u003c\/td\u003e\n\n            \u003ctd\u003e\n\n                \n            \u003c\/td\u003e\n\n        \u003c\/tr\u003e\n\n        \n    \u003c\/tbody\u003e\n\n    \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos Audiovisual","offers":[{"title":"Default Title","offer_id":59799780557132,"sku":"NBD0127V","price":32.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0730099012768-Bizet--Carmen-cover.webp?v=1793956175","url":"https:\/\/shop.naxos.de\/en\/products\/bizet-carmen-1","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}