{"title":"Latest Publications","description":null,"products":[{"product_id":"chen-werke-fur-violine-bratsche-und-klavier","title":"Chen: Works for Violin, Viola and Piano","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The four works on this album by renowned Chinese-American composer Chen Yi are all world premiere recordings; two of them—\"The Soulful and the Perpetual\" and \"Three Bagatelles\"—were arranged by her specifically for this recording for violinist and violist Patrick Yim and pianist Kiu Tung Poon. Chen Yi, who enjoys blending Eastern and Western musical traditions, draws on authentic folk music from Western China in \"Three Bagatelles,\" evoking the sounds of the bawu and the lerong. \"The Soulful and the Perpetual,\" originally composed for saxophone and piano, is characterized by two contrasting movements—the first is lyrical, the second is a perpetuum mobile. \"Spring in Dresden,\" with its glissandi inspired by the erhu, and the virtuosic \"Chinese Folk Dance Suite\" complete the album. Chen Yi was one of the first women in China to earn a master's degree in composition. In 2006, she was a finalist for the Pulitzer Prize for Music for her orchestral work \"Si Ji.\" Throughout her career, she has received numerous prestigious awards. She was elected to the American Academy of Arts and Sciences and was later appointed an honorary member of the International Society for Contemporary Music.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Honolulu-born violinist Patrick Yim has performed chamber music concerts with members of the Juilliard and Ying Quartets, among others. He has performed with The Cleveland Orchestra on tours of the United States and Europe, as well as with the violinists of the Emerson Quartet at Carnegie Hall. In 2024, he gave the world premiere of \"Bamboo Grove,\" a work for solo violin by Pulitzer Prize-winning composer Zhou Long.\n \nYoung Steinway Artist Kiu Tung Poon has performed on many major concert stages worldwide. She holds a Doctor of Musical Arts degree in piano performance. She is currently a lecturer in the Department of Music at the Chinese University of Hong Kong.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSpring in Dresden (version for violin and piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:19:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/775\/918\/6c785b72ac7f66d0c6ee07eca8b40ae1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eThe Soulful and the Perpetual\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. The Soulful\u003c\/td\u003e\n\n \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/775\/918\/2c18b3d12c0cc02fb5cbd057561ae039.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. The Perpetual\u003c\/td\u003e\n\n \u003ctd\u003e00:06:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/775\/918\/48224d0935c28650b607c3aa5b71224e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eBagatelles from Western China No. 1-3 (version for violin and piano)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Shan Gee\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/775\/918\/7b37d2e9badf51ff027050f34eb3413b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Nai Guo Hou\u003c\/td\u003e\n\n \u003ctd\u003e00:03:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/775\/918\/46441534c9cea947d10140bfb81e494b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Dou Duo\u003c\/td\u003e\n\n \u003ctd\u003e00:01:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/775\/918\/af21df80fcb7d3a0205fb722706bba3b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eChinese Folk Dance Suite (arr. for violin and piano by Chen Yi)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Lion Dances\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/775\/918\/27bb199c009c1256a64e2119c5244fc6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. YnagKo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/775\/918\/83c5f51fe4e24d6bf1be428ca437f218.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Muqam\u003c\/td\u003e\n\n \u003ctd\u003e00:08:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/775\/918\/adc7514cd6d6a59974d7c5377a98bd68.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos","offers":[{"title":"Default Title","offer_id":58236210184524,"sku":"8.579187","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313918775-Chen--Werke-fur-Violine_-Bratsche-und-Klavier-cover.webp?v=1792208649"},{"product_id":"ravel-le-tombeau-de-couperin-klavierkonzert","title":"Ravel: Le Tombeau de Couperin \/ Piano Concerto","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n To mark the 150th anniversary of Maurice Ravel's birth, pianist Élisabeth Pion, harpist Valérie Milot, the Trois-Rivières Symphony Orchestra, and conductor Alain Trudel have joined forces to create an album exploring the subtle connections between piano and orchestra in the French composer's work. Titled \"Ravel – Le Tombeau de Couperin and Concertante Works,\" this recording offers a sophisticated and vibrant interpretation of several significant works from Ravel's repertoire. Conceived by Alain Trudel as a tribute to Ravel’s characteristic modesty and elegance, the program highlights an orchestral approach inspired by the composer's chamber music and piano compositions. The album notably includes \"Le Tombeau de Couperin\" in its complete orchestral version, including Kenneth Hesketh’s orchestrations for the Fugue and Toccata, the famous \"Pavane pour une infante défunte,\" the \"Introduction et Allegro for harp and orchestra,\" as well as the extravagant \"Concerto in G Major.\" Élisabeth Pion, winner of the 2025 Honens Prize, distinguishes herself with a style that combines sensitivity and intensity. Valérie Milot, a leading figure in the Canadian harp world, contributes the full richness of her sound and artistic vision. Under Alain Trudel’s baton, the OSTR unfolds a colorful orchestral palette, bringing to life both the intimacy and the playful, modern spirit of Ravel.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Atma Classique","offers":[{"title":"Default Title","offer_id":58236231942476,"sku":"ACD22941","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0722056294126-Ravel--Le-Tombeau-de-Couperin---Klavierkonzert-cover.webp?v=1792202566"},{"product_id":"schnittke-samtliche-werke-fur-zwei-violinen","title":"Schnittke: Complete Works for Two Violins","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Alfred Schnittke's work bears an unmistakable personal signature that connects very different stylistic worlds. The deeply captivating works in this program are characterized by an extraordinary expressive power and tonal variety. From the haunting sounds of the prepared piano in his first \"Concerto Grosso\" to the playful theatricality of \"Moz-Art\" (after fragment KV 416d), this album brings together all of Schnittke's works for two violins, both with and without orchestra.\n \nViolinist Friedemann Eichhorn is one of the most creative and versatile musicians of his generation, who feels equally at home performing early Baroque music on historical instruments as he does with classical and contemporary works alongside renowned orchestras and chamber music partners. Among many other works, Friedemann Eichhorn has rediscovered and recorded for the first time the complete violin concertos of French virtuoso Pierre Rode. He has performed the world premieres of Fazıl Say's \"Violin Sonata No. 2,\" transcriptions of \"Tristan and Isolde,\" and the \"Violin Concerto No. 2.\"\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Vadim Gluzman is generally considered one of the leading concert artists of the present day. He performs with the world's leading orchestras and conductors and plays world premieres of works by composers such as Sofia Gubaidulina, Erkki-Sven Tüür, Michael Daugherty, and Lera Auerbach. His performances can be heard worldwide via live streams, radio broadcasts, and an impressive catalog of award-winning recordings.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto Grosso No. 1 for 2 Violins, Harpsichord, Prepared Piano and Strings\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Preludio: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:05:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/31a9e372354bad6219325ea67a833eac.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Toccata: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/11d959e20ebf079306ff4f04235d285e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Recitativo: Lento - Poco più mosso - Lento - Poco più mosso\u003c\/td\u003e\n\n \u003ctd\u003e00:08:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/32460c6288e46c41b9d4741f6b24ec3b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Cadenza -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/07f27394bb41ac8bc1248c524e5d2f09.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Rondo: Agitato - Meno mosso - Andante -\u003c\/td\u003e\n\n \u003ctd\u003e00:07:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/e8a22d69f26f3af8a8e88f398601a077.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Postludio: Andante - Allegro - Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/b1d44e7c62a7c9ce8ac346e5606af921.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eMoz-Art à la Haydn (for 2 Violins, 2 small String Orchestras, Double Bass and Conductor) (after fragment KV 416d)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eTempo rubato - Allegro - Maestoso - Allegreto - Moderato - Adagio lamentoso - Maestoso - Allegro - Vivo - ...\u003c\/td\u003e\n\n \u003ctd\u003e00:11:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/18c6867c709b9737efba854809eb0584.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003ePrelude (in memoriam Dmitri Shostakovich) (Version for 2 Violins)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/9511416df56905a65760970d6ca67e9b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eConcerto Grosso No. 3 for 2 Violins and Chamber Orchestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:02:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/cb5513149c611dde7fb9bcf71c94d103.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Risoluto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/99441b9c8b456da8ed6351d7fe4c0306.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Pesante\u003c\/td\u003e\n\n \u003ctd\u003e00:06:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/b00d597b45dcb203bd4de72f773f4920.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. (no tempo indication)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/411ac917ddf4a96330660c3d0f894ccb.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:04:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/0c4559c92a333b269f5aded021aaf3b6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eMoz-Art (for 2 Violins) (after fragment KV 416d)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/070\/446\/798a1cf5c92cc8be7c736ddf08fbf84d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos","offers":[{"title":"Default Title","offer_id":58236233908556,"sku":"8.574460","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313446070-Schnittke--Samtliche-Werke-fur-zwei-Violinen-cover.webp?v=1792205663"},{"product_id":"krommer-sinfonien-nr-1-2-concertino","title":"Krommer: Symphonies Nos. 1 + 2 \/ Concertino","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Franz Krommer served under the Habsburg emperors as a court composer in Vienna, where he succeeded his Czech compatriot Leopold Koželuch. He excelled in a wide range of musical genres, particularly in the string quartet and wind music, but also composed eight published symphonies and a number of concertos. In the recordings heard here, conductor Marek Štilec uses corrected scores based on archival documents. Both the first and second symphonies are lush and powerful, with graceful trios and sparkling energy, revealing an increasingly bold and experimental language. The delightful Concertino is essentially a divertimento full of mood swings.\n \nCzech conductor Marek Štilec is known as an interpreter of the classical orchestral repertoire and a specialist in Czech Romantic and contemporary music. He has worked with orchestras all over the world, including the Berlin Camerata, the Prague Philharmonic, and the Slovak Chamber Orchestra. A prolific recording artist, he has released over 40 albums.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Founded in 1969, the Czech Chamber Philharmonic Orchestra Pardubice recently celebrated its fiftieth anniversary as one of the most significant orchestras in the Czech Republic. It is a regular guest at the most prestigious music festivals in the Czech Republic. In addition, it performs on the most important European concert stages and has also been an esteemed guest in the USA, China, Japan, and Kuwait. Its discography includes many different styles and is constantly expanding.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 1 in F major, Op. 12\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio - Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:08:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/df1eca4270e4b7a2ccccce3b0d86b43b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:05:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/67f82fc02a4af176e2bd2d9f7689dd1d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Minuet: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/94bbaf594d3650659cea8ab646effda4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Rondo: Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:07:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/63ebee27b26123f43bc95356da742ce3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 2 in D major, Op. 40\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio - Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:08:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/a9ba9bb57ec8a128f9ccd6264de15272.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:06:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/6347cd39f05b9a2ae809903e2f351517.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Minuet: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/5312376504fea027cea7bcaea5878172.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:06:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/1e71deb5895c00b82c51d6a5e2e43d8e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eConcertino for flute, oboe and violin in F major, Op. 38\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:08:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/3ccf5c4a9973260afd47d66264835dfd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Minuet: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/a9d13f7338456c91c4408e579d29f716.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:03:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/7f74e6909e47338e8ed8c940be0505b4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Minuet: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/2c1cf91bd5341c174d835113f4fd35b3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Theme with variations\u003c\/td\u003e\n\n \u003ctd\u003e00:06:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/570\/470\/f23b1cb13c8a17bd5502ad61c014eb0b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos","offers":[{"title":"Default Title","offer_id":58236234629452,"sku":"8.574705","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313470570-Krommer--Sinfonien-Nr.webp?v=1792206389"},{"product_id":"brass-for-uncommon-times","title":"Brass for Uncommon Times","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The seven works on this album, \"Brass for Uncommon Times,\" composed between 2004 and 2022, reflect the anxieties and crises of our time. These include the pandemic, racial unrest, global conflicts, reflections on the realities of war, the pervasive use of gun violence, environmental pollution, and social turmoil. The music oscillates between struggle and celebration, conveying the hope that our shared experiences will help shape the future for the better. \"Brass for Uncommon Times\" is an all-star collective of 40 world-class brass players and percussionists who lend a voice to socially relevant works to help build a better future. The ensemble members hail from the DMV (DC, Maryland, Virginia) area in the United States and are affiliated with the region's most renowned orchestras, military bands, and universities. These pieces address social division, racial injustice, gun violence, global crises, and war, while simultaneously seeking hope, resilience, and connection. With the goal of creating a more engaged and equitable society through music, conductor Brian Kaufman has presented ideas and project outcomes on five continents at venues including the United Nations, the Ford Foundation, the University of Oxford, and Yale University. He is an associate professor of music at the University of Maryland, Baltimore County (UMBC). The pieces on the album are by Valerie Coleman, Satoshi Yagisawa, Barbara York, Katahj Copley, Harrison Collins, Katelyn Petersen, and Félix Mendoza.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eFanfare for Uncommon Times\u003c\/td\u003e\n\n \u003ctd\u003e00:06:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/079\/919\/74997fd40aa45eea1a06376a2d9b2173.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eBlueshine Emblem, An Eternal Elegy\u003c\/td\u003e\n\n \u003ctd\u003e00:05:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/079\/919\/bf0e1fcd9308a3e5a43a4515314b9798.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eWars and Rumors of War (Concerto for Tuba and Orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro marcato\u003c\/td\u003e\n\n \u003ctd\u003e00:07:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/079\/919\/77a44b6727cbee2f14430f4eb99446fc.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Tranquillo\u003c\/td\u003e\n\n \u003ctd\u003e00:07:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/079\/919\/6146065a212d26e78f243420e375cf75.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro furioso\u003c\/td\u003e\n\n \u003ctd\u003e00:06:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/079\/919\/2ab4bf7ce2bd7574ab19592f1b27203a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eBeyond\u003c\/td\u003e\n\n \u003ctd\u003e00:07:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/079\/919\/95c08efc64f130bf39f0ae4e581006f1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eYoung Voices\u003c\/td\u003e\n\n \u003ctd\u003e00:03:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/079\/919\/0e8ee07ba14e2f40e020e2a05cf49ab1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eRespire\u003c\/td\u003e\n\n \u003ctd\u003e00:12:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/079\/919\/868caa44d228fd19cb4a093193ae9ac7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eGuerra de Secciones\u003c\/td\u003e\n\n \u003ctd\u003e00:07:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/079\/919\/3c7d33768e81370c3c4e9bb049594896.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos","offers":[{"title":"Default Title","offer_id":58236236497228,"sku":"8.579190","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313919079-Brass-for-Uncommon-Times-cover.webp?v=1792208679"},{"product_id":"gilbert-sullivan-trial-by-jury-a-matter-of-misconduct-scottish-opera-regie-savournin-attridge","title":"Gilbert \/ Sullivan: Trial by Jury \/ A Matter of Misconduct (Scottish Opera, Director: Savournin \/ Attridge)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This performance is a brilliant double bill of a classic Gilbert \u0026amp; Sullivan comedy and a new satirical operetta from Scottish Opera. \"Trial by Jury,\" which premiered in 1875, is the first major success of the collaboration between W. S. Gilbert and Arthur Sullivan. The plot revolves around a classic case of breach of promise – the defendant has literally left the plaintiff at the altar – and the trial bubbles over with emotion, humor, and absolute chaos, leaving the jury deadlocked. How will they decide between the charming but deceitful defendant and the utterly captivating plaintiff? In \"A Matter of Misconduct!\", Emma Jenkins and Toby Hession present a daring new operetta set in the press office of 9 Downing Street. When a scandal threatens to break out involving the leading candidate in a bitter leadership race, a lawyer is needed to prevent information from reaching the press. Sylvia Lawless of the firm Lawless, Lawless, Lawless and Crook must find the loopholes that will help her client. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The cast includes baritone Richard Suart, who specializes in comic roles in Gilbert and Sullivan operas and operettas, as well as avant-garde modern operas. His impressive discography includes numerous recordings of operas and other musical productions. Another popular singer is American soprano Kira Kaplan. She has performed on opera stages throughout the UK and the US and holds a Bachelor of Music, a Master of Music, and a Doctor of Musical Arts.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTrial by Jury (Comedy in 1 Act)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture - Introduction\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eHark, the hour of ten is sounding\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eIs this the court of the Exchequer?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eWhen first my old, old love I knew\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eWhen I, good friends, was call'd to the bar\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThere was a time\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eSwear thou the Jury!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eWhere is the plaintiff?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eOh, never, since I joined the human race\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eMay it please you, my lud!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eThat she is reeling, is plain to me!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eOh, gentlemen, listen, I pray\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eThat seems a reasonable proposition\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eA nice dilemma we have here\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eI love him with fervour unceasing\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eFinale: Oh joy unbounded, with wealth surrounded\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eA Matter of Misconduct! (Operetta in 1 Act)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003eMud sticks to most people\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003eMy name is Roger Penistone and I love our country\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNot so fast, Shirley Temple\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 5\u003c\/td\u003e\n\n \u003ctd\u003eCast your mind back to early September\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThis monumental cock-up is a matter of misconduct\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 7\u003c\/td\u003e\n\n \u003ctd\u003eSomeone's been leaking\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 8\u003c\/td\u003e\n\n \u003ctd\u003eSylvia Lawless takes control\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 9\u003c\/td\u003e\n\n \u003ctd\u003eChampagne was flowing at the Epsom Derby\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 10\u003c\/td\u003e\n\n \u003ctd\u003eWhatever the cost, this can't go to trial\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 11\u003c\/td\u003e\n\n \u003ctd\u003eThe Prime Minister has been taken seriously ill\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 12\u003c\/td\u003e\n\n \u003ctd\u003eRoger realises everything he's said has been recorded and transmitted\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 13\u003c\/td\u003e\n\n \u003ctd\u003eHow does this affect the leadership election?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 14\u003c\/td\u003e\n\n \u003ctd\u003eMud sticks to most people\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Opus Arte","offers":[{"title":"Default Title","offer_id":58236237414732,"sku":"OA1398D","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0809478013983-Gilbert---Sullivan--Trial-by-Jury---A-Matter-of-Mi-cover.webp?v=1786304682"},{"product_id":"gilbert-sullivan-trial-by-jury-a-matter-of-misconduct-scottish-opera-regie-savournin-attridge-1","title":"Gilbert \/ Sullivan: Trial by Jury \/ A Matter of Misconduct (Scottish Opera, Director: Savournin \/ Attridge)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This performance is a brilliant double bill consisting of a classic Gilbert \u0026amp; Sullivan comedy and a new satirical operetta from Scottish Opera. \"Trial by Jury,\" which premiered in 1875, is the first major success from the collaboration between W. S. Gilbert and Arthur Sullivan. The plot revolves around a classic case of breach of promise of marriage—the defendant has literally left the plaintiff standing at the altar—and the trial bubbles over with emotion, humor, and sheer chaos, leaving the jury at a loss. How will they decide between the charming but deceitful defendant and the utterly captivating plaintiff? In \"A Matter of Misconduct!\", Emma Jenkins and Toby Hession present a daring new operetta set in the press office of 9 Downing Street. When a scandal threatens to break regarding the frontrunner in a bitter leadership contest, a lawyer is needed to prevent information from leaking to the press. Sylvia Lawless of the firm Lawless, Lawless, Lawless and Crook must find the loopholes that will help her client. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The cast includes baritone Richard Suart, who specializes in comic roles in Gilbert and Sullivan operas and operettas, as well as avant-garde modern opera. His impressive discography includes numerous recordings of operas and other musical productions. Another popular singer is the American soprano Kira Kaplan. She has performed on opera stages throughout Great Britain and the USA and holds a Bachelor of Music, a Master of Music, and a Doctor of Musical Arts.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTrial by Jury (Comedy in 1 act)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture - Introduction\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eHark, the hour of ten is sounding\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eIs this the court of the Exchequer?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eWhen first my old, old love I knew\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eWhen I, good friends, was call'd to the bar\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThere was a time\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eSwear thou the Jury!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eWhere is the plaintiff?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eOh, never, since I joined the human race\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eMay it please you, my lud!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eThat she is reeling, is plain to me!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eOh, gentlemen, listen, I pray\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eThat seems a reasonable proposition\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eA nice dilemma we have here\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eI love him with fervour unceasing\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eFinale: Oh joy unbounded, with wealth surrounded\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eA Matter of Misconduct! (Operetta in 1 act)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003eMud sticks to most people\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003eMy name is Roger Penistone and I love our country\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNot so fast, Shirley Temple\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 5\u003c\/td\u003e\n\n \u003ctd\u003eCast your mind back to early September\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThis monumental cock-up is a matter of misconduct\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 7\u003c\/td\u003e\n\n \u003ctd\u003eSomeone's been leaking\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 8\u003c\/td\u003e\n\n \u003ctd\u003eSylvia Lawless takes control\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 9\u003c\/td\u003e\n\n \u003ctd\u003eChampagne was flowing at the Epsom Derby\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 10\u003c\/td\u003e\n\n \u003ctd\u003eWhatever the cost, this can't go to trial\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 11\u003c\/td\u003e\n\n \u003ctd\u003eThe Prime Minister has been taken seriously ill\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 12\u003c\/td\u003e\n\n \u003ctd\u003eRoger realises everything he's said has been recorded and transmitted\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 13\u003c\/td\u003e\n\n \u003ctd\u003eHow does this affect the leadership election?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 14\u003c\/td\u003e\n\n \u003ctd\u003eMud sticks to most people\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Opus Arte","offers":[{"title":"Default Title","offer_id":58236238528844,"sku":"OABD7333D","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0809478073338-Gilbert---Sullivan--Trial-by-Jury---A-Matter-of-Mi-cover.webp?v=1786304724"},{"product_id":"johnson-a-pocket-full-of-tunes","title":"Johnson: A Pocket Full of Tunes","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n David Hackbridge-Johnson releases \"A Pocketful of Tunes,\" a collection of fascinating works for solo violin and viola, written for and performed by the internationally acclaimed violinist Peter Sheppard Skærved. All the works are inspired by, written for, and recorded on magnificent historical instruments, bringing the past to life. There are joyful dances and elegant suites that recall the dance movements of the Baroque and Rococo periods, as well as works that respond to modern life—a prime example of David Hackbridge-Johnson's broad spectrum of techniques. Hackbridge-Johnson began attending Peter Sheppard Skærved's London Church Concerts in 2019, and the two soon became friends due to their shared passion for literature, history, and railways. The album features three works for solo viola, all recorded on the oldest known English viola, the extraordinary Rayman of 1641: the sonic commentary on disused railway lines \"Three Disused Stations,\" the dance-based \"Seven Versets,\" and \"Three Preludes.\" All these works showcase the instrument's wonderfully dark, woody tone. \"Six Preludes for Charles II\" were inspired by a London violin, the Charles II \"1664,\" after Sheppard Skærved played it in the medieval church of St. Margaret Lothbury. On this recording, the preludes are played on a 1629 Girolamo Amati violin, as are all the other works for violin on the album. Some works were created in less than 24 hours, including \"Alleyway, Pastoral, River Falls.\" \"A Pocket Full of Tunes\" was inspired by a French dance master's piccolo violin and is played here on an \"original size\" Amati. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n David Hackbridge-Johnson is a multi-instrumentalist, conductor, soloist, and author, as well as a composer. His approximately 600 compositions include eighteen symphonies, over a dozen tone poems and concertos, and hundreds of songs and chamber music pieces. His recent commissions include operas, such as \"Blaze of Glory!\", written for the 75th anniversary of the Welsh National Opera.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDisused Stations Nos. 1-3 op. 463\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Beeches Halt\u003c\/td\u003e\n\n \u003ctd\u003e00:03:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/c34e976713261de68e7c752f007f5cb8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Brill\u003c\/td\u003e\n\n \u003ctd\u003e00:03:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/d3ea8cbea7aa2e136647949dc9d43f96.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Evercreech Junction\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/0d176632b6cd260e1481eca2e6ae737f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003ePreludes Nos. 1-6 for \"Charles II\" op. 392\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Flessibile\u003c\/td\u003e\n\n \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/bfd43ae41d4e61ca693e2c3a29240399.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/459dfa1b5208fad7760f8d8f0a2e1e80.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/7faca817bd10e77eb944fe222f58766c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Allegramente\u003c\/td\u003e\n\n \u003ctd\u003e00:01:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/0af5e5c545bee7ef3779c550c685dbe3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:02:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/ff9425626578dca8ec4d43409303ff05.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:02:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/62bd1892d79d5e020714fdcb5cb2e191.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eDivisions on \"Mr. Simons' Prelude\" op. 408\u003c\/td\u003e\n\n \u003ctd\u003e00:06:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/bcb20718e121035b1cb5f016995bf74a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eA Pocketful of Tunes op. 437\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Tooting Hey\u003c\/td\u003e\n\n \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/8a802d5a88c666f0b3d03edc76ef5431.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 The Graveney Gyp\u003c\/td\u003e\n\n \u003ctd\u003e00:01:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/88b673a37a2f7ca62dd81e93dbd09b8e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Upper Fool's Stomp\u003c\/td\u003e\n\n \u003ctd\u003e00:01:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/9a544bb386c2b5699a48aba9596c08ef.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Amen Corner\u003c\/td\u003e\n\n \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/2d310c96b0499ee49883152bc5ba0f60.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 The Antelope\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/ccf517081cfeb98d5c0b42ef576f285e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Tooting Hobby Horse\u003c\/td\u003e\n\n \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/b26aae13c6b7ae6e45fb3453bc61fd3a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eVersets Nos. 1-7 op. 395\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/94776a9bbf460d05c09926d00b59fa7a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/780336b5a9c0d07f86f25a92e3a2eebc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Lento e rubato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/2ac56c15626fe49726d7ab2c0cc1e247.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Allegretto - Alla danza\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/203967cee2986bff66a921896f9a718a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Charles Péguy - Chemin de Croix - Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/954c1be070c9f1d4327ad91bbcf3c53e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Tempo di valse - Malizioso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/c3e9597ddecfd4c89b8229e66bc2fd10.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:02:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/a9e92883d690d5e465517f8e5823a04f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24\u003c\/td\u003e\n\n \u003ctd\u003eAlleyway, Pastoral, River Falls op. 439\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/ed4173c6ef0302e568aca4cc91deb736.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25\u003c\/td\u003e\n\n \u003ctd\u003ePreludes Nos. 1-3 for the Jacob Rayman Viola 1641 op. 393\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Moderato flessibile\u003c\/td\u003e\n\n \u003ctd\u003e00:03:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/fa297052c324ea731e5f2334a9e0d2b0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/cbf64cb191c7ebe817a414627a19d252.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Poco lento\u003c\/td\u003e\n\n \u003ctd\u003e00:03:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/527063b7e2cdc11a8a0d0b29028766df.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28\u003c\/td\u003e\n\n \u003ctd\u003eWill Rosin of Wapping (with words from Tatler Volume 1709) op. 429\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 This degenerate age...\u003c\/td\u003e\n\n \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/099f0895f07f2edfee62506f6fa00aa6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 For she is a woman...\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/19344cfa3ece99b12191a836238d73db.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 For her gallant, Mr. Ezekial Boniface...\u003c\/td\u003e\n\n \u003ctd\u003e00:01:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/88b6233e0f58073cd1cc2175f7c32330.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Far gone in that distemper...\u003c\/td\u003e\n\n \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/b2e815b64537e27a7f98dbe8729e4fb8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 The occasion of her melancholy...\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/9859fdc182990c1093c190c7684d016b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNr. 6 A perjured wretch...\u003c\/td\u003e\n\n \u003ctd\u003e00:00:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/0a5603bc64e61772344e30f0256860d3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNr. 7 Laughed at all over Wapping...\u003c\/td\u003e\n\n \u003ctd\u003e00:01:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/dabdeac2dab6f8256d06e27c9e38f2a0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNr. 8 Here is a man of tranquility...\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/b50e659e49c2b3086e861f99d2794d13.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNr. 9 Who would believe...\u003c\/td\u003e\n\n \u003ctd\u003e00:02:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/714\/f703acf20ce3db482e324a8e8a993be2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":58236244492620,"sku":"MEX77148","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0809730714825-Johnson--A-Pocket-Full-of-Tunes-cover.webp?v=1786304799"},{"product_id":"mussorgski-bilder-einer-ausstellung","title":"Mussorgsky: Pictures at an Exhibition","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n 'You think the piano is an instrument? It is like a hundred instruments!' These are the words that one of the truly greatest 'keyboard lions' of the second half of the 19th century used to impress upon his piano students time and again: Anton Rubinstein, the Russian pianist, composer, and conductor who, following Franz Liszt's departure from the concert stage, rose to become the undisputed leading international concert pianist due to his hyper-virtuosity and powerful expressive capability. In offering this advice to his students, Rubinstein was, of course, also thinking of the 'modern' concert grands of his time, with their vast tonal range, powerful basses, sonorous mid-ranges, and shimmering upper registers—instruments that provided players with a broad palette of colors and nuances at their fingertips. It was for such instruments that Modest Mussorgsky composed his only major piano work—\"Pictures at an Exhibition\"—which maximizes the potential of these instruments, from the finest shadings to the most massive clusters of sound, and in which the solo piano indeed seems to multiply into a hundred instruments. Stefan Arnold performs this work on a Steinway Model D concert grand built around 1900. The piano was carefully restored, a prerequisite for which was an intact soundboard with balanced curvature and stringing adapted to the structural forces of the instrument. Based on existing measurements of the grand, a new keyboard with optimized lever ratios was crafted as the fundamental requirement for a modern touch. Additionally, a set of hammer heads, modified after an old model, was created, as modern hammer heads sometimes tend to overdrive historical instruments. Thus, this grand piano offers an impressive symbiosis between a modern touch and the original soundscape and sonic ideal.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePictures at an Exhibition (for piano)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Promenade: Allegro giusto, nel modo russico, senza allegrezza, ma poco sostenuto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/46b07e61a82969290c106522d48bddeb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Gnomus: Sempre vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/626390a9d436eb24b2ea7a7cc13e67d5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Promenade: Moderato comodo e con delicatezza\u003c\/td\u003e\n\n \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/1931902d195af5b35d127eac92baa867.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Il vecchio castello: Andante molto cantabile e con dolore\u003c\/td\u003e\n\n \u003ctd\u003e00:04:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/19431aed2d7bea1aa54153b8411e6a74.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Promenade: Moderato con tanto, pesamente\u003c\/td\u003e\n\n \u003ctd\u003e00:00:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/35a60770fe1efd7f4057d2fe6ebb052d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Tuileries: Dispute d'enfants après jeux. Allegretto non troppo - Capriccioso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/e6c3018a9b80838ccc8f482ccd1f65b3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Bydlo: Sempre moderato - Pesante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/1a3f53a0badb7bc5394549d7c17a708b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. Promenade: Tranquillo\u003c\/td\u003e\n\n \u003ctd\u003e00:00:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/3a4662bd16f5c4c74dd396173767d27d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003e9. Ballet of the Unhatched Chicks\u003c\/td\u003e\n\n \u003ctd\u003e00:01:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/d15e4006d0babdc7f21106b0942272fe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003e10. Samuel Goldenberg and Schmuyle: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/2efa1f2e4ba9e520b7f7f368c26cc051.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003e11. Promenade: Allegro giusto - Nel modo russico - Poco sostenuto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/d78793d065b2e54cb88f39782c7ca9eb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003e12. Limoges, le marché: Allegro vivo - Sempre scherzando\u003c\/td\u003e\n\n \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/3630786e9b512c78d29348b2cd1643e6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003e13. Catacombae, sepulchrum romanum: Largo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/4d1399e21b2d611b0194c666b359f7a3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003e14. Cum mortuis in lingua mortua: Andante non troppo - Con lamento\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/4736785dd7d2f653a119c7c7563796ec.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003e15. The Hut on Hen's Legs (Baba-Yaga)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/424587f3608061b0799bae2146712c6e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003e16. The Bogatyr Gate (in the Capital in Kiev): Allegro alla breve - Maestoso - Con grandezza\u003c\/td\u003e\n\n \u003ctd\u003e00:05:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/c396d3f2e1e557317bb65b2810b4cc79.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003ePréludes (12 pieces for piano, Book 1) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 La sérénade interrompue: Modérément animé\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/53d8f2fe42ac8249b1fa66ab6e2218b0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 La cathédrale engloutie: Profondément calme\u003c\/td\u003e\n\n \u003ctd\u003e00:06:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/b908925cd63a54a04e11a1f29087cae8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 La danse de Puck: Capricieux et lèger\u003c\/td\u003e\n\n \u003ctd\u003e00:02:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/a9b274d551cdcf36489fa3304cdc17e7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Minstrels: Modéré, nerveux et avec humour\u003c\/td\u003e\n\n \u003ctd\u003e00:02:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/34453a4f7ead187fa6252b8427ea0cf9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces, Op. 47, Nos. 1-7 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Melody: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/da0ce17de398fd5d7c9c36bd2c01df1a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Elegy: Poco Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:04:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/6e8292ec524dd7e7ef3337bfdd216889.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces, Op. 57, Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Nocturne: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/727\/969\/c9379fb44cf2310761ef512a869a1231.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"ambitus","offers":[{"title":"Default Title","offer_id":58236245442892,"sku":"AMB96972","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/4011392969727-Mussorgski--Bilder-einer-Ausstellung-cover.webp?v=1792348731"},{"product_id":"italiana","title":"Italian!","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n What happens when the famous brass players of the Berlin and Vienna Philharmonic orchestras come together? The answer: The Philharmonic Brass. The ensemble gave its acclaimed debut at the Vienna Musikverein in April 2023. The group includes some of the best-known names in the brass world from Berlin and Vienna, as well as musician friends, including horn player Sarah Willis and tubist Paul Halwax. Their second album, “Italiana!”, was released digitally and on CD last March. Now, this successful album is also being released on vinyl. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Under the baton of Maestro Riccardo Muti, it contains virtuoso arrangements of some of the best-known musical pieces by Italian composers, including Giuseppe Verdi’s “Sinfonia di Nabucco,” Gioachino Rossini’s William Tell Overture, and many more. The musicians come from different backgrounds and training, but they are united by a common goal: to achieve a harmonious understanding.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Supreme Classics","offers":[{"title":"Default Title","offer_id":58236246720844,"sku":"SMGG076","price":52.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/4028098001118-Italiana_-cover.webp?v=1792349345"},{"product_id":"moore-cathedral-music","title":"Moore: Cathedral Music","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Philip Moore is a prolific British composer who served for 25 years as organist and director of music at York Minster. Before moving to York, he held positions at Guildford Cathedral, Canterbury Cathedral, and Eton College. He retired from York Minster in 2008 and was appointed organist emeritus. The Archbishop of York awarded him the Order of St. William. Moore’s sacred choral music is extremely popular with church choirs all over the world. This recording contains a number of works composed specifically for the choir of St. Albans Cathedral, and the album also includes five premiere recordings. The choir of St. Albans Cathedral is among the best church choirs in the United Kingdom. It performs throughout Europe and the USA and is frequently heard on the radio. Previous recordings have been highly praised by leading music magazines such as Gramophone.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"First Hand Records","offers":[{"title":"Default Title","offer_id":58236271329612,"sku":"FHR170","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/5060216341170-Moore--Cathedral-Music-cover.webp?v=1792416521"},{"product_id":"mendelssohn-orgelsonaten","title":"Mendelssohn: Organ Sonatas","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Following a successful concert series featuring Felix Mendelssohn’s complete organ works at St. Paul’s Cathedral in 2021, Samuel Bristow celebrates the 30th anniversary of the installation of the Mander organs at Chelmsford Cathedral with a recording of Mendelssohn’s groundbreaking work, the \"Organ Sonatas, Op. 65.\" The sonatas encompass such a wide range of moods and tonal colors that an equally broad spectrum of sounds can be explored on the two contrasting yet complementary instruments. This album serves as a testament to the realization of a unique musical vision, with Mendelssohn’s music proving the perfect vehicle to celebrate their strengths. Samuel Bristow has been the Assistant Director of Music at Chelmsford Cathedral since 2023, following various posts at the cathedrals of Coventry, Birmingham, and Salisbury. He has participated in the world premieres of works by composers such as Francis Jackson and Owain Park.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"First Hand Records","offers":[{"title":"Default Title","offer_id":58236272869708,"sku":"FHR180","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/5060216348780-Mendelssohn--Orgelsonaten-cover.webp?v=1792416805"},{"product_id":"bach-erlebt-xviii","title":"Bach Experienced XVIII","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The individual DVDs contain complete live film recordings of the respective cantata as well as a musical-theological introduction to the work. The performances are supplemented by a reflection from a contemporary perspective on the cantata text, presented in German by well-known personalities from culture, business, and the arts. The J. S. Bach Foundation's choir and orchestra perform on historical instruments under the direction of Rudolf Lutz. The live recordings were made in various churches in the Appenzell region and in St. Gallen, Switzerland. Elegantly designed and informative booklets contain the German cantata texts, theological-musical notes, and a worksheet by Rudolf Lutz.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eLiebster Gott, wenn werd ich sterben BWV 8 (Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Liebster Gott, wenn werd ich sterben?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAria: Was willst du dich, mein Geist, entssetzen\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Zwar fühlt mein schwaches Herz furcht, Sorge, Schmerz\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAria: Doch weichet, ihr tollen, vergeblichen Sorgen!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Behalte nur, o Welt, das Meine!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Herrscher über Tod und Leben,...\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDazu ist erschienen der Sohn Gottes BWV 40 (Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Dazu ist erschienen der Sohn Gottes\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Das Wort ward Fleisch und wohnet in der Welt\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Die Sünd macht Leid; Christus bringt Freud\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAria: Höllische Schlange wird dir nicht bange?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Die Schlange, so im Paradies auf alle Adamskinder\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Schüttle deinen Kopf und sprich\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eAria: Christenkinder, freuet euch!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Jesu, nimm dich deiner Glieder ferner in Genaden an\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eLobe den Herrn, meine Seele BWV 69 (Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Lobe den Herrn, meine Seele und vergiss nicht,\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Wie groß ist Gottes Güte doch!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAria: Meine Seele, auf! erzähle, was dir Gott erwiesen hat.\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Der Herr hat große Ding an uns getan\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eAria: Mein Erlöser und Erhalter\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Es danke, Gott und lobe dich das Volk\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eWas Gott tut, das ist wohlgetan BWV 100 (Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Was Gott tut, das ist wohlgetan, es bleibt gerecht sein Wille\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eDuet: Was Gott tut, das ist wohlgetan, er wird mich nicht betrügen\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAria: Was Gott tut, das ist wohlgetan, er wird mich wohl bedenken\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAria: Was Gott tut, das ist wohlgetan, er ist mein Licht, mein Leben\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eAria: Was Gott tut, das ist wohlgetan, muss ich den Kelch gleich schmecken\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Was Gott tut, das ist wohlgetan, darbei will ich verbleiben\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDer Herr ist mein getreuer Hirt BWV 112 (Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Der Herr ist mein getreuer Hirt\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAria: Zum reinen Wasser er mich weist\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Und ob ich wandert im finstern Tal\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAria: Du bereitest vor mir einen Tisch\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Gutes und die Barmherzigkeit folgen mir nach im Leben\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTritt auf die Glaubensbahn BWV 152 (Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSinfonia\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAria: Tritt auf die Glaubensbahn\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Der Heiland ist gesetzt\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAria: Stein, der über alle Schätze,\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Es ärgre sich die kluge Welt\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eAria: Wie soll ich dich, Liebster der Seelen, umfassen?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eGott, wie dein Name, so ist auch dein Ruhm BWV 171 (Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Gott, wie dein Name\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAria: Herr, so weit die Wolken gehen\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Du süßer Jesus-Name du\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAria: Jesus soll mein erstes Wort\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Und da du, Herr gesagt\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Lass uns das Jahr vollbringen\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDem Gerechten muß das Licht immer wieder aufgehen BWV 195 (Wedding Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Dem Gerechten muss das Licht immer wieder aufgehen\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Dem Freudenlicht gerechter Frommen\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAria: Rühmet Gottes Güt und Treu\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Wohlan, so knüpfet denn ein Band\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Wir kommen, deine Heiligkeit\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Nun danket all und bringet Ehr\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eGott ist unsre Zuversicht BWV 197 (Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAria: Bist du bei mir, geh ich mit Freuden (Bonus Aria)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Gott ist unsre Zuversicht (Part 1)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Gott ist und bleibt der beste Sorger\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAria: Schläfert allen Sorgenkummer\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Drum folget Gott und seinem Triebe\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eChorale: Du süße Lieb, schenk uns deine Gunst\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eAria: O du angenehmes Paar (Part 2)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: So wie es Gott mit dir\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eAria: Vergnügen und Lust\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Und dieser frohe Lebenslauf\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eChorale: So wandelt froh auf Gottes Wegen\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSchleicht, spielende Wellen BWV 206 (Congratulatory Cantata)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Glide, playful waves, and murmur gently!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: O happy change!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAria: Close the doors of the temple of Janus\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Just so! Happy Vistula stream!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eAria: Every billow of my waves calls out the golden word, August!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: I, too, share in your joy\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eAria: Branch of the lofty Habsburg line\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: Forgive, moss-grown heads of mighty rivers\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eAria: Just listen! The choir of gentle flutes\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eRecitative: I must, I want to be obedient.\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eChorus: The heavenly providence of eternal goodness\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSinget dem Herrn ein neues Lied BWV 225 (Motet)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Sing to the Lord a new song\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAria - Chorale: As a father has compassion\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eChorus: Praise the Lord in his deeds\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"J.S. Bach-Stiftung","offers":[{"title":"Default Title","offer_id":58236273754444,"sku":"C520DVDSET","price":239.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7640151163181-Bach-Erlebt-XVIII-cover.webp?v=1792464638"},{"product_id":"williams-flotenkonzert-herrmann-souvenirs-de-voyage","title":"Williams: Flute Concerto \/ Herrmann: Souvenirs de Voyage","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n With this recording, the Singapore Symphony Orchestra, under the direction of Darrell Ang and Joshua Tan, explores the fascinating connection between film and concert music. The focus is on three well-known composers whose work extends far beyond the silver screen: John Williams, Bernard Herrmann, and Hugo Friedhofer. The latter is less well-known today, but in the 1930s and 1940s, he created numerous soundtracks for blockbusters. In 1947, he was awarded an Oscar for his score to \"The Best Years of Our Lives.\"\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Featured here are rarely performed concert works, including John Williams’ Concerto for Flute, Strings and Percussion from 1969 and the even earlier \"Essay for Strings\" (1965), which already reveals the hallmarks of the future master of film music. The program is rounded out by Bernard Herrmann's \"Souvenirs de Voyage\" (1967) in a current arrangement for clarinet and string orchestra, as well as Friedhofer’s colorful suite for five woodwinds (from 1973).\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Flute Solo, String Instruments and Percussion\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato - Poco meno e calmando\u003c\/td\u003e\n\n \u003ctd\u003e00:03:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/a78247bae084688ec666479c642e37d5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Cadenza\u003c\/td\u003e\n\n \u003ctd\u003e00:01:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/1e616bbc3491ff03b8e78213ede16cae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Andante - Cadenza\u003c\/td\u003e\n\n \u003ctd\u003e00:04:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/b72a6901b2169ef8e65aaf92430678b2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/67c41f33e99b9ee2259e8a44cc1d1b8a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eEssay for Strings\u003c\/td\u003e\n\n \u003ctd\u003e00:10:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/d8a3fecd3666e63501ac483c9771ab70.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eQuintet for Clarinet and String Quartet \"Souvenirs de Voyage\" (arr. for Clarinet and String Orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Lento: Molto tranquilo\u003c\/td\u003e\n\n \u003ctd\u003e00:13:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/78cc73a238bf96c791180fa6877aea57.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Berceuse: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:07:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/0ba81be65e66504a30938bf47ce492f3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Canto amoroso: Andantino\u003c\/td\u003e\n\n \u003ctd\u003e00:08:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/02647367dd820854297c19d9e8b77161.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eSuite for 5 Woodwind Instruments \"Wind Quintet\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Lento sostenuto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/b9ee48c653b18a9d109ce0ea8ea212af.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Scherzando\u003c\/td\u003e\n\n \u003ctd\u003e00:00:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/31dd5b0a541996c91e562f23a99b1bd3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Lento ben sostenuto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/0aa1b4397e12ad5baee55782d154819e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Alla marcia solonelle\u003c\/td\u003e\n\n \u003ctd\u003e00:00:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/42fb29e649f88201fc24c0c8f8b0eeb0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Moderato poco mosso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/a38aa7e06a3015b67a74770d3ea5436f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Mosso e ritmico\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/15f21c1fbd36be85b2231598f539cc2b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Tranquillo\u003c\/td\u003e\n\n \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/287\/265\/9a7e6dcb7d26ea1d72d07c2772f97e10.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Pentatone","offers":[{"title":"Default Title","offer_id":58236274901324,"sku":"PTC5187528","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/8717306265287-Williams--Flotenkonzert---Herrmann--Souvenirs-de-cover.webp?v=1792492053"},{"product_id":"theme-varie","title":"Varied Theme","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The duo Elena Urioste (violin) and Tom Poster (piano) has conceived \"Thème varié\" as a treasure trove of lesser-known French and Belgian works. The pieces on this album span a period of forty years, from 1892 to 1932. A number of common threads run through the program, perhaps the most significant of which is the influence of a composer whose music is not heard here at all: César Franck. Franck taught and encouraged Guillaume Lekeu and Mel Bonis; and Bonis in turn taught Charlotte Sohy, whose most important composition teacher was Vincent d’Indy, one of Franck’s most dedicated followers. The artists decided against including Franck's violin sonata in favor of the work by his Belgian compatriot Lekeu, which is much less frequently recorded and almost never heard in concert halls. A series of shorter works frames this sonata to create a uniquely rewarding program, starting with Charlotte Sohy's \"Thème varié.\" Three works by Mel Bonis complement the recording of her violin sonata featured on the duo's previous album. The two Élégies by Camille Saint-Saëns have also been unfairly neglected. Intriguingly, only about twelve years separate the second Élégie from Messiaen's \"Thème et variations,\" even though they inhabit sound worlds that seem decades apart. Elsa Barraine was a contemporary and lifelong friend of Messiaen. Her haunting Nocturne provides an exceptionally fitting conclusion to this program.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTheme and Variations for Violin and Piano in D minor, Op. 15 (à Nadia Boulanger)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eLent- Animez peu à peu - Allegro - Même mouvement - Même mouvement - Même mouvement - Même mouvement - Lent - ...\u003c\/td\u003e\n\n \u003ctd\u003e00:08:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/f46effce1015b8a56b4db3e5e7588967.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eAndante religioso for Violin and Piano in D major, Op. 78 (A mademoiselle Sophie Baudot, affectueux souvenir)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSostenuto - Con anima - Crescendo ed animato\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/0bfa60811d9ab0e55a7a6bcd1f6ac6e4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eAllegretto non troppo (Andante) for Violin and Piano in D major, Op. 84 (A Monsieur Raphaël Kellert)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAllegretto non troppo (Andantino con moto) - Languidamente - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/97bc8c508de3d7d947eff3ab4bf329f7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Violin and Piano in G major (arr. for Violin and Piano by Mathieu Crickboom) (A Eugène Ysaÿe)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Très modéré - Vif et passioné - Très modéré\u003c\/td\u003e\n\n \u003ctd\u003e00:12:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/b7f2f84d85b9ee0de003364838742586.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Très lent - (Très simplement et dans le sentiment d'un chant populaire)\u003c\/td\u003e\n\n \u003ctd\u003e00:10:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/e757b94f690ff92ea2ace9ea030493f0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Très animé - Très modéré - Très animé (1st movement) - Très modéré - Très animé (1st movement) - Très modéré - Très vite\u003c\/td\u003e\n\n \u003ctd\u003e00:10:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/0028940db837764b33fb4d70c0da1221.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eElegie for Violin and Piano in D major, Op. 143 (à Sir Henry Heyman)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAndantino (sans lenteur) - (No movement title) - Tempo 1 - Poco a poco stringendo - Allegro - ...\u003c\/td\u003e\n\n \u003ctd\u003e00:04:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/d8ee8dbd74a192388f8b8b171c2684ca.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eElegie for Violin and Piano in F major, Op. 160 (à Monsieur Charles Galland)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eModerato, espressivo - Poco più lento - Tempo 1 - Allegro non troppo - Più allegro - Largamente: Sostenuto - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:04:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/81c1e176c2e62553733e9f469ebc6716.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eLargo for Violin and Piano in E flat major (à Monsieur Paulin Gaillard)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eLargo - Crescendo ed animato\u003c\/td\u003e\n\n \u003ctd\u003e00:03:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/1db1fada55ee28e1a3f08608620075a3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eTheme and Variations for Violin and Piano (Simeone No. 1\/10)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Thème. Modéré -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/eb54f70fb63d205151d4227f43878f66.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Variation 1 Modéré -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/66ec934021d3d69a4fec9e22fd48aa1e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Variation 2 Un peu moins modéré -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/29ab341aa1d85143ed103405d8b6cc5e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Variation 3 Modéré, avec éclat -\u003c\/td\u003e\n\n \u003ctd\u003e00:00:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/b5c5357599e42ccfc5ca6306bdd44df2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Variation 4 Vif et passioné -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/d3bb9b558490767ed2de0b4c57095b5c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Variation 5 Très modéré\u003c\/td\u003e\n\n \u003ctd\u003e00:03:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/4dbfb8a6b869bb3ac32f2bd565a75a3b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eNocturne for Violin and Piano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 1\u003c\/td\u003e\n\n \u003ctd\u003eLent et doux - Un peu plus animé - (Lent et doux)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/028\/238\/c9889d612b0ad38db631cbe7e7f79bfc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Chandos","offers":[{"title":"Default Title","offer_id":58236283486540,"sku":"CHAN20380","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0095115238028-Theme-Varie-cover.webp?v=1792191186"},{"product_id":"the-chopin-i-love","title":"The Chopin I Love","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Peter Donohoe has performed with all the major London orchestras as well as numerous European and American orchestras. He has played at the BBC Proms no fewer than 18 times. His impressive discography includes the complete recordings of the sonatas by Sergei Prokofiev and Alexander Scriabin as well as all of Wolfgang Amadeus Mozart’s piano sonatas. Now comes his latest release: \"The Chopin I Love\" – a title borrowed from one of the most formative recordings of his youth, an LP by Arthur Rubinstein. Donohoe's personal selection includes works that have always particularly appealed to him and which are simultaneously among the most demanding, unique, and significant piano pieces ever written. The most important works in this collection are the Preludes Op. 28, which, due to their technical demands, rank among Frédéric Chopin’s most virtuosic works. Although Chopin did not necessarily intend for all 24 preludes – one in each key – to be played as a group, they are performed here as a complete cycle, offering a fascinating and satisfying listening experience. Chopin wrote one further, individual prelude, Op. 45, which represents a longer and more detailed etude than the individual pieces of the Opus 28 cycle, with the exception of the \"Raindrop\" prelude. Chopin’s Barcarolle, Op. 60, is inspired by the rocking rhythm of the traditional folk song sung by Venetian gondoliers. It is also, along with his Polonaise-Fantaisie, Op. 61, one of his last major compositions. Chopin’s unmistakable sound often incorporates the national character of his home country, Poland, and this piece draws its character from the Polish dance, while the fantasy provides it with harmonic complexity and an intricate form. For Peter Donohoe, the 2 Nocturnes, Op. 62, are the pinnacle of this musical form; these intimately expressive works are Chopin’s final compositions in this genre. The 3 Écossaises, Op. 72 No. 3, which conclude this recital, were among the first pieces Donohoe ever encountered.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePréludes Op. 28 Nos. 1-24\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Prélude in C Major\u003c\/td\u003e\n\n \u003ctd\u003e00:00:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/3a65b895f79f4cdd8beb10d0071115fa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Prélude in A Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/73d2c532f0eeea40e7989cccc05efd4d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Prélude in G Major\u003c\/td\u003e\n\n \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/5015db7bdb2c462b6dbdc6e41b437ce7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Prélude in E Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:01:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/43fe38c02e79c94d07f3fac462b2ae79.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Prélude in D Major\u003c\/td\u003e\n\n \u003ctd\u003e00:00:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/e925cdb5df0ed9cf5a65ad7b7d49af71.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Prélude in B Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/0c17ac51e5b8de823a80f17cc881c3c2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Prélude in A Major\u003c\/td\u003e\n\n \u003ctd\u003e00:00:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/966b5e6f6ba6c8fdfc49bcd8f8f5041d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Prélude in F-sharp Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:01:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/ab428a58cd51f2a26021a1cde971a1d3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Prélude in E Major\u003c\/td\u003e\n\n \u003ctd\u003e00:01:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/2b3f5f669a930e8c390c6bdab918efaa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 Prélude in C-sharp Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:00:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/24195e6691e41b3ce0b9f636e52b7750.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 Prélude in B Major\u003c\/td\u003e\n\n \u003ctd\u003e00:00:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/d9b5eaacd3300dab46272422fcfdb8a6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Prélude in G-sharp Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:01:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/5d8d369fe18d92493ba96d7d43d6ea0f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eNo. 13 Prélude in F-sharp Major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/e21166781965f403e4cae6a3d7696921.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNo. 14 Prélude in E-flat Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/342a0aa4d3bff4907e1d8e5d6bf6a7ed.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eNo. 15 Prélude in D-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/8315dd558c5bd09ff0e66a6ffb721448.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eNo. 16 Prélude in B-flat Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:01:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/568c44fe37b4c8dc5441080678d9349a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eNo. 17 Prélude in A-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/068ee0128e8e29abf5bbf6d2e5074dc6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eNo. 18 Prélude in F Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:00:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/19ebed56a8ce0cd959f208565ea41738.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eNo. 19 Prélude in E-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:01:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/6e4a3bcaf046261756a6b49614be94d1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eNo. 20 Prélude in C Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/c13a3c14fb21085c12cbe7e9c9e35ba4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eNo. 21 Prélude in B-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/8afed61c0c683a9f7ff823c7b5918c32.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eNo. 22 Prélude in G Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/0908789fca3b3227415e81cfc33f6888.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eNo. 23 Prélude in F Major\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/1646112d049320fd90ff18b435e567c2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eNo. 24 Prélude in D Minor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/dfbf4c874e97b0c8f378f2f220dc4760.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25\u003c\/td\u003e\n\n \u003ctd\u003ePrélude No. 25 in C-sharp Minor, Op. 45\u003c\/td\u003e\n\n \u003ctd\u003e00:04:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/7e3db7577f707257f140494d5bab7822.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26\u003c\/td\u003e\n\n \u003ctd\u003eBarcarolle in F-sharp Major, Op. 60\u003c\/td\u003e\n\n \u003ctd\u003e00:08:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/993e6aacc56b6726d6bad102a2d489a9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27\u003c\/td\u003e\n\n \u003ctd\u003ePolonaise No. 7 in A-flat Major, Op. 61 \"Polonaise-Fantaisie\"\u003c\/td\u003e\n\n \u003ctd\u003e00:12:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/ebd3a65609a6a3395ecedbb69b11b5a1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28\u003c\/td\u003e\n\n \u003ctd\u003eNocturnes Nos. 17-18, Op. 62 Nos. 1-2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNocturne No. 17 in B Major, Op. 62 No. 1: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:07:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/27873105f8cb67396aa9865d8282763d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNocturne No. 18 in E Major, Op. 62 No. 2: Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:05:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/8bd62246b66c63666857845e2496cc91.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30\u003c\/td\u003e\n\n \u003ctd\u003eÉcossaises Nos. 1-3, Op. 72 No. 3\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Écossaise in D Major - No. 2 Écossaise in G Major - No. 3 Écossaise in D-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/626\/072\/8ac05a1ec1cb99ea76f3f58a7d33b082.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58236283879756,"sku":"SOMMCD0726","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0748871072626-The-Chopin-I-Love-cover.webp?v=1786304508"},{"product_id":"quiet-summer-evening","title":"Ruhiger Sommerabend","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The Chamber Ensemble of London is a virtuoso ensemble of hand-picked string players directed by violinist Peter Fisher, whom The Times has described as being among 'a handful of the world's finest musicians.' \"Quiet Summer Evening – British Light Classics\" is a collection that draws on the rich tradition of light classical music. The program begins with Geoffrey Bush’s \"Rhapsody for Clarinet \u0026amp; Strings,\" performed by sought-after clarinetist Peter Cigleris. He is also the soloist in the \"5 Pieces for Clarinet \u0026amp; String Orchestra\" by Clive Jenkins, the CEOL’s associate composer. Jenkins was born in Plymouth and reflects his roots in many of his compositions. Another work by Jenkins featured here is the \"Fantasy for Horn \u0026amp; Strings\" with Alexei Watkins, a graduate of the Royal Academy of Music. Watkins can also be heard in \"Orion\" (Serenade for horn and strings) by the award-winning conductor and composer Andy Meyers, as well as in \"Lullaby,\" an expressive and programmatic piece by Luke Whitlock. Bassoonist Sarah Watts is a multi-instrumentalist who has become widely known as a prolific composer. Here, she performs her composition \"Everywhere Is Somewhere Else\" and is the soloist for the contemplative \"Sunday Afternoon\" by arranger, conductor, and composer Nigel Brooks, as well as \"A Little Waltz\" by composer, arranger, and master orchestrator Gordon Jacob. Other pieces by composers of earlier generations include \"Canto popolare,\" an excerpt from Edward Elgar’s concert overture \"In the South\"; Lennox Berkeley’s one-movement \"Andantino,\" adapted from his \"Festival Anthem\"; and one of the earliest surviving compositions by Frederick Delius, \"Romance.\" The soloist for Berkeley’s \"Andantino\" and Delius’ \"Romance\" is cellist Michael Mace. Peter Fisher is the violinist for Elgar’s \"Canto popolare\" and the engaging \"Vers le Sud\" (Towards the South) by Terence Higgins. Fisher also plays the album’s title track, \"Quiet Summer Evening,\" a contemplative piece by composer and pianist Don Shearman, who enjoyed a long career in light music.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eRhapsody for Clarinet and Strings\u003c\/td\u003e\n\n \u003ctd\u003e00:09:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/f1f28b69f1c379d1bfa7bd53a198257b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eVers le sud (arr. for violin and chamber ensemble by David Stowe)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/0851f02df946ae6ec1624465bbee0b16.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eFantasy for Horn and Strings\u003c\/td\u003e\n\n \u003ctd\u003e00:05:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/26721a49176fa397145b406c180cff2a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSunday afternoon\u003c\/td\u003e\n\n \u003ctd\u003e00:05:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/0ba50073e2f91b8d6eec22146ef10026.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eEverything is somewhere else\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/2f6ea2a3f4c3e03ea7402c99cc20c3b2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003ePieces for Clarinet and String Orchestra No. 1-5\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Richmond Walk\u003c\/td\u003e\n\n \u003ctd\u003e00:02:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/c0bb988ffc16fb0e586e2671e3164583.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Plym Valley\u003c\/td\u003e\n\n \u003ctd\u003e00:02:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/e2beec12007daab6de00be9f4f57dfaa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Tamarside\u003c\/td\u003e\n\n \u003ctd\u003e00:03:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/5f69cd6633b7bbe3803540ce3dc9e495.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 The Barbican\u003c\/td\u003e\n\n \u003ctd\u003e00:01:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/d12d94c67076e0c7a8cb012df046c746.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Drake Circus\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/b86b1ed8b392cce1987f0e402862f341.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eSerenade for Horn and Strings\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/7964c2b5e1a648a87b46453e1df55f5b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eA Little Waltz\u003c\/td\u003e\n\n \u003ctd\u003e00:01:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/e13b4ac697b0d54445b5123e3b9de623.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eLullaby\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/d6a31c9fd0750f6eae0b152468d2c294.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eCanto popolare (arr. for violin and chamber ensemble by Clive Jenkins)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/7d6b29713f9613f18e14923ff511002e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eAndantino (arr. for cello and chamber ensemble by Clive Jenkins)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/42b39ddff405e5026551a2947840235c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eRomance for Cello and Piano (arr. for cello and chamber ensemble by Clive Jenkins)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/b8e8cf98543c0d9ee03f0483fc989bfc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eQuiet Summer Evening\u003c\/td\u003e\n\n \u003ctd\u003e00:06:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/072\/cb382b24c9ea6d3439441c70262cc9dc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58236284600652,"sku":"SOMMCD0727","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0748871072725-Quiet-Summer-Evening-cover.webp?v=1786304536"},{"product_id":"elgar-from-the-archives-vol-4","title":"Elgar: From the Archives Vol. 4","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This album is another release in the highly acclaimed \"Elgar from the Archives\" series, drawn from the remarkable collection of producer and restorer Lani Spahr, which comprises over 5,000 historical Elgar recordings. \"In the South\" is a 1954 release featuring the Leipzig Radio Symphony Orchestra. The ensemble is conducted by Gerhard Pflüger (1907–1991), who was born and trained in Dresden and had the misfortune of coming of age during the years of National Socialism, the destruction of large parts of Germany, and the founding of the German Democratic Republic. He joined the Nazi Party in 1940 and, as a member of the GDR's Communist Party from 1946, held conducting posts in Rostock and Weimar in addition to Leipzig. Against this background, it was not only rare but courageous for an East German orchestra and an East German conductor to release the work of a British composer. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Elgar completed his first symphony in 1908, and it was premiered on December 3rd of the same year in Manchester, conducted by Hans Richter with the Hallé Orchestra – a great success. On the evening of January 30, 1958, the city of Manchester celebrated the centenary of the Hallé Orchestra with a concert that was broadcast on both radio and television, and it is this very live recording that is presented here. The orchestra was led by Sir John Barbirolli, its chief conductor from 1943 to 1970.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eIn the South (Alassio) op. 50 (Concert Overture)\u003c\/td\u003e\n\n \u003ctd\u003e00:20:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/928\/504\/9913f23b1c0fc2f0b73e131641ef1703.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 1 in A flat major, Op. 55\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante: Noblimente e semplice - Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:20:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/928\/504\/683a8719a1051c7a7fe552f28337d7cd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/928\/504\/c38b4887d53d3b5ff9a580d5c89bda25.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:11:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/928\/504\/56c9ea9dfbcdfc12a3226815d48b1325.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Lento - Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:11:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/928\/504\/3721b6a03c6845a897b512fa0a1d4d47.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58236284928332,"sku":"ARIADNE5049","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0758871504928-Elgar--From-the-Archives-Vol.webp?v=1786304566"},{"product_id":"fortmann-liederzyklen","title":"Fortmann: Song Cycles","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Contemporary Swiss composer Thomas Fortmann presents his new album, \"Lieder Zyklen\" (Song Cycles). These works, which include settings of poems and texts by authors such as Hugo von Hofmannsthal, Christian Haller, Prolitheus Pfenninger, and Fortmann himself for voice and piano trio, testify to the composer's versatile and unusual style, which blends postmodern music, serial techniques, rock, and jazz. Swiss tenor Tino Brütsch and Swiss soprano Nuria Richner perform alongside the Trio Accademia Amiata and a soloist trio consisting of Malwina Sosnowski (violin), Donitille Jordan (cello), and Talvi Hunt (piano). The album also features Fortmann's tribute to Schubert's \"Winterreise,\" and his arrangement of this iconic song cycle for baritone and string quartet is powerfully interpreted by Florian Prey, son of the great German baritone Hermann Prey, together with the Amar Quartett. Fortmann's setting of the fascinating poem \"Am Ende des Flurs, 4. Stock\" (\"At the End of the Hall, 4th Floor\") by his close friend, the Swiss literary prize winner Christian Haller, is followed by \"Hofmannsthal Verse.\" Fortmann set these poems to music in his 20s as rock songs, as he was moved by their linguistic power and their social and political statements. \"Geschichten\" (\"Stories\") are concise, short songs that intertwine the timeline of a love affair with that of human history and the dimensions of the cosmos. The \"Prolitheus Lieder\" (\"Prolitheus Songs\") are based on emails from the extraordinary visual artist Prolitheus Pfenninger. Schubert was the favorite composer of Fortmann's mother, a well-known soprano – she often sang his lieder to him and his sisters, and the empathetic emotions of the music find a deep resonance. The tribute to Schubert's \"Winterreise,\" \"Der Süsse Ton\" (\"The Sweet Tone\"), is Fortmann's setting of a text collage by Joachim Ringelnatz, who often referred to Schubert in his poetry, text passages by Eduard von Bauernfeld about Schubert's funeral, and excerpts from poems by Schubert himself.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eAm Ende des Flurs\u003c\/td\u003e\n\n \u003ctd\u003e00:08:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/6e274267f9483a0be3280e26061088b3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eHofmannsthal Verse Nr. 1-5\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNr. 1 Doch ein Schatten fällt\u003c\/td\u003e\n\n \u003ctd\u003e00:04:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/a5a3f9403ca61604532dbaeb4b2133bd.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNr. 2 Wüsste ich\u003c\/td\u003e\n\n \u003ctd\u003e00:03:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/91c2331b2639b48eefd0934747de1f1c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNr. 3 Ein Fetzen Schuld\u003c\/td\u003e\n\n \u003ctd\u003e00:02:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/0f41306cc30b7980cac4757550958e87.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNr. 4 Seltsame Kreise\u003c\/td\u003e\n\n \u003ctd\u003e00:03:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/0d1a093e438f9c4829088deeeed98a86.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNr. 5 Und Psyche\u003c\/td\u003e\n\n \u003ctd\u003e00:03:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/e1a758f982ed51ee6c95defc683cf80b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eGeschichten Nr. 1-8\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNr. 1 So fing es an\u003c\/td\u003e\n\n \u003ctd\u003e00:00:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/3f34831718333a8cd969e18d85947963.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNr. 2 Kiste Zwei\u003c\/td\u003e\n\n \u003ctd\u003e00:02:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/eea25044531a6805d250867a30f49196.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNr. 3 Von Römern, Griechen und Etruskern\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/1b7b64ffaf5aff4825494adda1e3b5f6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNr. 4 Heute Morgen Gestern\u003c\/td\u003e\n\n \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/a654a1d20be02f8131d9c01137ac22e3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNr. 5 Der zerbrochne Krug\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/4e9f1abbfc930e7b5212882a971742a7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNr. 6 Die Ungeschichte\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/7d1861864dc377236d5aa3c73992f13e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNr. 7 Ein schwarzes Loch\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/5761d5339cb252215b85f1e72febff3a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNr. 8 Mir lieb\u003c\/td\u003e\n\n \u003ctd\u003e00:01:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/7201877509a15ea094df51417242cb44.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eLieder Nr. 1-5 (Prolitheus Lieder)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNr. 1 Es sprach Prolitheus\u003c\/td\u003e\n\n \u003ctd\u003e00:04:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/715d3110ad57a255449419b7d45a8819.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNr. 2 Herbst auf der Lenzburg\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/d36e64672b913ef14c49cc5f6507eccb.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNr. 3 Der frühe Vogel\u003c\/td\u003e\n\n \u003ctd\u003e00:03:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/bca0516bfb2905e12ba8c4893d1e58bf.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNr. 4 Nachruf auf einen Vorwurf\u003c\/td\u003e\n\n \u003ctd\u003e00:03:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/c952bad8ee452ca2d7322fe5ef185b4c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNr. 5 Massaker\u003c\/td\u003e\n\n \u003ctd\u003e00:05:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/a9c0006a062e849f2e10c38111d94958.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eDer süsse Ton (Homage to Schubert's Winterreise)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 1\u003c\/td\u003e\n\n \u003ctd\u003eErste Abteilung\u003c\/td\u003e\n\n \u003ctd\u003e00:05:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/2b332584cc604369e827990e6e01d307.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 2\u003c\/td\u003e\n\n \u003ctd\u003eZweite Abteilung\u003c\/td\u003e\n\n \u003ctd\u003e00:08:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/e85f712eafc525eeee40f3d92f5fae1f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eWinterreise op. 89 D 911 (Song cycle based on poems by Wilhelm Müller) (arr. for string quartet by T. Fortmann)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNr. 1 Gute Nacht\u003c\/td\u003e\n\n \u003ctd\u003e00:05:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/0391f5ed08a716b01496a2e7dd40478e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNr. 2 Die Wetterfahne\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/b75f3a971d443f1b8949970760f3daf7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNr. 3 Gefrorne Tränen\u003c\/td\u003e\n\n \u003ctd\u003e00:02:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/7eb5ee489ecf6d75e61564aa8f493e51.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNr. 4 Erstarrung\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/5b8cd9630357ebfceca5b0df6253c114.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNr. 5 Der Lindenbaum\u003c\/td\u003e\n\n \u003ctd\u003e00:04:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/60359ef01cb07efabed52acc9b2ead23.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNr. 6 Wasserflut\u003c\/td\u003e\n\n \u003ctd\u003e00:04:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/d441a4f8d91cbe603b266d6f53b07f3a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNr. 7 Auf dem Flusse\u003c\/td\u003e\n\n \u003ctd\u003e00:02:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/5c05f3ca814d15dbccc7fa909c9ffce1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNr. 8 Rückblick\u003c\/td\u003e\n\n \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/a5070c774091c6d99c8e744b92e80acc.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNr. 9 Irrlicht\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/9a00e9d56ce7f99ff240fba1a6f2d5a6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNr. 10 Rast\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/7c5d959a90c2501009513c105987cbcf.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNr. 11 Frühlingstraum\u003c\/td\u003e\n\n \u003ctd\u003e00:03:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/2dfeccbdd51be8b6f53529817fe9fb34.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNr. 12 Einsamkeit\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/cabcbb4cdf0c66d37c4c7f5bf4d62e7e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eNo. 13 The Post\u003c\/td\u003e\n\n \u003ctd\u003e00:02:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/ef9ecaa2b378f02ee1378497556f9101.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNo. 14 The Greying Head\u003c\/td\u003e\n\n \u003ctd\u003e00:03:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/ca87b4483b045ebaeb76beb47b1af041.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eNo. 15 The Crow\u003c\/td\u003e\n\n \u003ctd\u003e00:01:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/1049627ab9908134a50624694eb63a08.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eNo. 16 Last Hope\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/f31ecd6f84d3bcbe822411eeea0d7adc.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eNo. 17 In the Village\u003c\/td\u003e\n\n \u003ctd\u003e00:02:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/3c8f9027f1653a702a477659cd9a73c0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eNo. 18 The Stormy Morning\u003c\/td\u003e\n\n \u003ctd\u003e00:00:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/1778cb312f026c6015df56b303d0e1e7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eNo. 19 Deception\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/5bfcc269637d299b17b8a06b4777604d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eNo. 20 The Signpost\u003c\/td\u003e\n\n \u003ctd\u003e00:04:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/8f9961c5150922c47766363fe9cf5772.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eNo. 21 The Inn\u003c\/td\u003e\n\n \u003ctd\u003e00:04:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/c3994ce5a68bd9522718f269b50899b9.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eNo. 22 Courage\u003c\/td\u003e\n\n \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/615cd86e61a77a4e66e9fee2be7e6184.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eNo. 23 The Mock Suns\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/9b0cb716f789b1909a62cc38756f8ef6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eNo. 24 The Hurdy-Gurdy Man\u003c\/td\u003e\n\n \u003ctd\u003e00:03:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/721\/0af9ac6a517965d3dd264151b9d057f5.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":58236285681996,"sku":"MEX77214","price":22.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0809730721427-Fortmann--Liederzyklen-cover.webp?v=1786304816"},{"product_id":"pergolesi-lolimpiade","title":"Pergolesi: L'Olimpiade","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n More than 60 composers have set Metastasio’s libretto for L’Olimpiade to music. Among them are Caldara, Vivaldi, Hasse, Leo, and Scarlatti, as well as Piccinni, Paisiello, and Cherubini, but also Pergolesi, who performed his “Olimpiade” during the 1735 carnival season at the Teatro Tordinona in Rome. It was to be his last opera seria, as the composer died at the age of only twenty-five in the following year. His version is considered by many to be the most inspired of all, characterized by musical originality of joyful freshness that is both brilliant and sophisticated.\nFollowing the rediscovery of the unpublished Mass in D major, Giulio Prandi and his Ghislieri Ensemble return to Pergolesi with a recording of his operatic masterpiece, which was produced in the 18th-century theater in Jesi, his hometown: an initiative of the Pergolesi Spontini Foundation, which has been committed to his legacy for many years.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eL'Olympiade (Opera in 3 acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Introduction: Allegro assai e spiritoso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/2669ae486c94cf3094ed35516b702eeb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/984183453a2db37266356c390691dfde.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/1e365f132478df92079c5c1389466c55.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eHo risoluto, Aminta (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/abf3dff7855640f2b83f090fca506533.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eSuperbo di me stesso\u003c\/td\u003e\n\n \u003ctd\u003e00:05:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/11e74dab1a1694d209e501540bd23234.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eO generoso amico!\u003c\/td\u003e\n\n \u003ctd\u003e00:00:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/6a373f3bae98f5dd8eaecdcd2080a8c4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eTalor guerriero invitto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/7b07d0dfa180c86e2b91c7e42da421b7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eOh, sei pure importuno\u003c\/td\u003e\n\n \u003ctd\u003e00:00:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/e47c2bc42ce86bb62309552a58a15925.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eQuel destrier che all'albergo è vicino\u003c\/td\u003e\n\n \u003ctd\u003e00:06:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/ebea1b381de944d0392599f5ac246a54.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eO care selve, o cara\u003c\/td\u003e\n\n \u003ctd\u003e00:01:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/533226baa359631f706e5c041dd32b07.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eEcco Aristea.\u003c\/td\u003e\n\n \u003ctd\u003e00:04:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/0b225ac420b0b7e8b1a0baabfee59a9c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eDel destin non vi lagnate\u003c\/td\u003e\n\n \u003ctd\u003e00:03:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/d98adb761b5b99034a77e83f104f8d63.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eUdisti, o principessa?\u003c\/td\u003e\n\n \u003ctd\u003e00:00:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/d7e384bc1c36a21a359c474d173443fe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eTu di saper procura\u003c\/td\u003e\n\n \u003ctd\u003e00:03:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/eb561d160513b10affd79010726d7dc0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eLicida.\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/a4797a81f1304f98de4b44dcd6213143.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eMentre dormi Amor fomenti\u003c\/td\u003e\n\n \u003ctd\u003e00:06:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/3288fb651313182d502ca13509bb9d66.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eChe intesi, eterni dei! Quale improvviso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/68117bb001be41c006fff5d7bdfcd260.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eNe' giorni tuoi felici\u003c\/td\u003e\n\n \u003ctd\u003e00:03:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/8a665dde82cea8f063462a02908a21c1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eAh, bella Argene. (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/9d7fab9094e50e2ed1a33371e121c3a0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eApportator son io\u003c\/td\u003e\n\n \u003ctd\u003e00:03:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/1afd09c2ece03c0e7807d7b20db06d32.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eE trovar non poss'io\u003c\/td\u003e\n\n \u003ctd\u003e00:01:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/30ffb58ee34f64d2f62234ae74b6751b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eChe non mi disse un dì?\u003c\/td\u003e\n\n \u003ctd\u003e00:06:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/2a9a8e5c7e98994932882a5d5a229529.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eDolce è il mirar dal lido\u003c\/td\u003e\n\n \u003ctd\u003e00:00:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/b21f6e5edfb0baf9f2dda6d643e60004.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eSiam navi all'onde algenti\u003c\/td\u003e\n\n \u003ctd\u003e00:05:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/da62dd7ff54faac6b14848a16bfe6589.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 25\u003c\/td\u003e\n\n \u003ctd\u003eGiovane valoroso\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/e96fc2c34815274c6c91dd5f42e05499.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 26\u003c\/td\u003e\n\n \u003ctd\u003eSo ch'è fanciullo Amore\u003c\/td\u003e\n\n \u003ctd\u003e00:02:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/420f6736d6022784117872785804f408.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 27\u003c\/td\u003e\n\n \u003ctd\u003eArdir mio core.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/fea96dc4fd91473dd84f87c7e4a64071.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 28\u003c\/td\u003e\n\n \u003ctd\u003eSe cerca, se dice\u003c\/td\u003e\n\n \u003ctd\u003e00:05:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/5c0562c3f3d4c95d377f4cbd2f3c3a77.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 29\u003c\/td\u003e\n\n \u003ctd\u003ePartì l'ingrato!\u003c\/td\u003e\n\n \u003ctd\u003e00:00:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/4427416fc07616fea654a00d605f5a69.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 30\u003c\/td\u003e\n\n \u003ctd\u003eTu me da me dividi\u003c\/td\u003e\n\n \u003ctd\u003e00:02:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/b93a117606be2515fe285fca1fb265a2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 31\u003c\/td\u003e\n\n \u003ctd\u003eA me barbaro! O numi!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/11237e2816e22f0cb026b35a5521380f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 32\u003c\/td\u003e\n\n \u003ctd\u003eNo, la speranza\u003c\/td\u003e\n\n \u003ctd\u003e00:02:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/4538cf38acecdf1515f2f76f2a1d1f15.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 33\u003c\/td\u003e\n\n \u003ctd\u003eIn angustia più fiera\u003c\/td\u003e\n\n \u003ctd\u003e00:03:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/7ed82865a407b5cee18be10fab904e1c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 34\u003c\/td\u003e\n\n \u003ctd\u003eGemo in un punto, e fremo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/757887ebaf2191fac7bb3dc00a2cb577.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 35\u003c\/td\u003e\n\n \u003ctd\u003eLasciami. (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/c806c353f65ad7358a49a14efdf1d5d0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 36\u003c\/td\u003e\n\n \u003ctd\u003eL'infelice in questo stato\u003c\/td\u003e\n\n \u003ctd\u003e00:03:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/08c2ac3e636a0a8733a77cddb2a7f132.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 37\u003c\/td\u003e\n\n \u003ctd\u003ePiù resister non posso.\u003c\/td\u003e\n\n \u003ctd\u003e00:00:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/76814ac7c1766b476c0d28de407afef0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 38\u003c\/td\u003e\n\n \u003ctd\u003eCaro son tua così\u003c\/td\u003e\n\n \u003ctd\u003e00:05:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/21c5ef3fd8c009e193e5b292ade018c1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 39\u003c\/td\u003e\n\n \u003ctd\u003eArgene, io voglio\u003c\/td\u003e\n\n \u003ctd\u003e00:00:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/71a503686d0a1bb775d8f4bdf5417ee3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 40\u003c\/td\u003e\n\n \u003ctd\u003eTorbido in volto e nero\u003c\/td\u003e\n\n \u003ctd\u003e00:03:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/348841909b0f2c39b479b75bbec8fe28.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 41\u003c\/td\u003e\n\n \u003ctd\u003eMisero dove fuggo? O dì funesto!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/880d5e37b041c00457252cc83d91c058.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 42\u003c\/td\u003e\n\n \u003ctd\u003eSon qual per mare ignoto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/cf1cc98a802d3323fc77bacac3c6bae6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 43\u003c\/td\u003e\n\n \u003ctd\u003eMarcia\u003c\/td\u003e\n\n \u003ctd\u003e00:01:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/f44f867ead52ae73ea77f0434a7b9673.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 44\u003c\/td\u003e\n\n \u003ctd\u003eGiovane sventurato, ecco vicino\u003c\/td\u003e\n\n \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/568edef91ecce55ec2c99e9041d9bbd4.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 45\u003c\/td\u003e\n\n \u003ctd\u003eNella fatal mia sorte\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/d386ee978121295dfc973d1b60b0ee69.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 46\u003c\/td\u003e\n\n \u003ctd\u003eT'appagherò.\u003c\/td\u003e\n\n \u003ctd\u003e00:00:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/b067599eec63e650c0ca3d517f71ae84.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 47\u003c\/td\u003e\n\n \u003ctd\u003eNon so donde viene\u003c\/td\u003e\n\n \u003ctd\u003e00:03:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/89773e2c16f95bb4eb0cf573cd328efb.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 48\u003c\/td\u003e\n\n \u003ctd\u003eAh vieni illustre esempio\u003c\/td\u003e\n\n \u003ctd\u003e00:00:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/ac5b75e8a2681338b464fc3ec2608f7c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 49\u003c\/td\u003e\n\n \u003ctd\u003eO degli uomini padre, e degli dei\u003c\/td\u003e\n\n \u003ctd\u003e00:01:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/0d4c25667d7bb2eb3276213ec4e884b0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 50\u003c\/td\u003e\n\n \u003ctd\u003eFermati, o re. Fermate, sacri ministri!\u003c\/td\u003e\n\n \u003ctd\u003e00:05:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/2aeebd4cd0fda31b95227f44f1d03d2f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 51\u003c\/td\u003e\n\n \u003ctd\u003eViva il figlio delinquente\u003c\/td\u003e\n\n \u003ctd\u003e00:00:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/985\/735\/a99baff38ea7859ccb5884f5eee22da6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Arcana","offers":[{"title":"Default Title","offer_id":58236286173516,"sku":"A598","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/3760195735985-Pergolesi--L_Olimpiade-cover.webp?v=1792340718"},{"product_id":"out-into-the-open","title":"Hinaus ins Freie","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The album \"out into the open,\" featuring the four works written for Trio Accanto by Brice Pauset, Rebecca Saunders, Misato Mochizuki, and Beat Furrer, is the document of a collective journey into the open and, at the same time, the conclusion of an intense \"triangular relationship\" that connected Nicolas Hodges, Marcus Weiss, and Christian Dierstein over twelve years together. Before Nicolas Hodges left the trio in 2024, the three went into the studio for one last recording session: with four works that span even more than just their time together. Brice Pauset’s \"Adagio dialettico\" was already part of the core repertoire when Nicolas Hodges took over from pianist Yukiko Sugawara in 2012, and it was on the concert program for his Accanto debut in Prague on November 1, 2013. The music of Brice Pauset means a great deal to Trio Accanto—and to Nicolas Hodges in particular. The three more recent compositions by Rebecca Saunders, Beat Furrer, and Misato Mochizuki were all written specifically for the Weiss, Dierstein, Hodges lineup. From a wide variety of perspectives, the composers play with this unique constellation while simultaneously writing for three distinct musical personalities: thoughtful, virtuosic, sonically sensual, and experimental. And more than once, through this exemplary trio configuration, they pose the question of the compatibility of individuality and society, of freedom and public spirit.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eIn's offene (for soprano or baritone saxophone, piano and percussion)\u003c\/td\u003e\n\n \u003ctd\u003e00:16:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/926\/741\/93b06fda11520376cd8d0e22096649d8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eAdagio dialettico (for soprano saxophone, percussion and piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:16:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/926\/741\/8938abe4ff%201a118c82aa83b15e2d4986.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eSatellites (for soprano saxophone, piano and percussion)\u003c\/td\u003e\n\n \u003ctd\u003e00:14:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/926\/741\/039e3cfa05bfc3afa41ddea40ea8ad7a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eThat time (for baritone saxophone, percussion and piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:23:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/926\/741\/3cc9edec0079d22b99d009af56275876.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"WERGO","offers":[{"title":"Default Title","offer_id":58236286566732,"sku":"WER74192","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/4010228741926-Out-into-the-Open-cover.webp?v=1792348070"},{"product_id":"musik-der-romantik","title":"Romantic music","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The DVD \"Music of the Romantic Era\" is a live recording of the highly acclaimed 2026 Epiphany Concert from the Großes Festspielhaus in Salzburg. Works represented include pieces by Felix Mendelssohn Bartholdy, Carl Maria von Weber, Antonín Dvořák, and Dmitri Shostakovich, among others. Their unique sonorous culture as well as their exceptional artistic interpretations distinguish the Salzburg Wind Philharmonic as one of the world's leading wind orchestras. Founded by chief conductor Hansjörg Angerer in 2002, the ensemble has realized an extraordinary range of CD and DVD releases throughout its more than 20-year history. Wenzel Fuchs, one of the leading clarinetists of his time, was born in Innsbruck and performed as a guest with all major Viennese orchestras during his studies, including the Vienna Philharmonic and the Vienna State Opera Orchestra. At just 19 years of age, he began his professional career as principal clarinetist with the Vienna Volksoper orchestra, and later in other orchestras such as the Berlin Philharmonic. In addition to his orchestral work, Wenzel Fuchs also performs as a soloist and chamber musician. He has held a professorship at the University Mozarteum Salzburg since October 2015. Furthermore, he holds a visiting professorship at the Geidai University of the Arts in Tokyo as well as an honorary professorship at the Shanghai Conservatory, and he gives masterclasses worldwide.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Salzburg Wind Philharmonic","offers":[{"title":"Default Title","offer_id":58236287517004,"sku":"BPSREC-DVD9","price":27.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/4028098002191-Musik-der-Romantik-cover.webp?v=1792349446"},{"product_id":"bach-violinkonzerte-the-bach-project","title":"Bach: Violin Concertos [The Bach Project]","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Just in time for their 75th anniversary, Daniel Geiss and the Neubrandenburg Philharmonic have given us a very special gift: \"The Bach Project\" is a homage to Johann Sebastian Bach, the court conductor in Köthen. He composed a large portion of his orchestral works and instrumental concertos while in the service of Prince Leopold before leaving that prestigious position in 1723 to take up his lifelong appointment in Leipzig. Chief Conductor Daniel Geiss explains why the members of the Neubrandenburg Philharmonic chose \"The Bach Project\" in particular: The synthesis of tradition and vision, structure and expression, mathematical clarity and emotion – the essential characteristics of Johann Sebastian Bach’s visionary music – offers ideal possibilities for the performance of 'great chamber music,' in which solo parts and every conceivable nuance of the tutti blend with unique eloquence. This also explains the program. In addition to the (authentic) Violin Concerto in A minor and the Air from the Third Orchestral Suite, the orchestra presents three 'hypothetical' reconstructions from the 20th century. These are based on later harpsichord versions from Leipzig and have since become firmly established. These pieces create 'great chamber music': two or three violins compete with one another, separate, and reunite with the self-confident string section; a violin and an oboe exchange intimate details against moving backdrops – and once again, this Bach, whom the Leipzig city fathers once hired only as a last resort, shows that no one can hold a candle to him.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Harpsichord, Strings and Basso Continuo No. 13 in C Major, BWV 1064 (for 3 violins)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. (Allegro)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/2a8b87f6cacb3c8d86bac0eb23d00775.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:06:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/f4454507b93a52c27512124cf0fe7823.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/7343a4c6595d7730128a5d7fb58bf5b5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Violin, Strings and Basso Continuo No. 3 in D minor, BWV 1043 (for 2 violins)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/c9724b7ecac09117f71dc9771a5e74e4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Largo ma non tanto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/790f2da85230ea85b97623fd1fe6efd7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/5264ea1564730dac9f7d91c2beeba10d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSuite (Overture) for Orchestra No. 3 in D Major, BWV 1068 (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e2. Air on the G String\u003c\/td\u003e\n\n \u003ctd\u003e00:05:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/096ba49c213899ac8a15531cca883711.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Violin, Strings and Basso Continuo No. 1 in A minor, BWV 1041\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. (Allegro)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/924fd8843e3e61b665bccdc4bedea0d1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:05:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/49940604080831990e87a2c5e0d15544.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/850fa2c20e3c5dce35d6cf6ab2e5e510.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Harpsichord, Strings and Basso Continuo No. 9 in C minor, BWV 1060 (for oboe and violin)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/1223d9686d12e57b3bfa6576d3a4bf4d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:05:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/8dfb37b9c6a8a95dec32bbeb3d28d251.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:03:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/921\/100\/bf7bd885f163be7385e2ebedc3f0c1fd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"PASCHENrecords","offers":[{"title":"Default Title","offer_id":58236287680844,"sku":"PR260092","price":17.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/4250976100921-Bach--Violinkonzerte-_The-Bach-Project_-cover.webp?v=1792354997"},{"product_id":"from-another-world","title":"From Another World","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \"From Another World\" is more than just an album title: it is an invitation to a journey through centuries, continents, and emotions. At its heart lies the encounter between two musical traditions: the elegance and structure of European classical music and the expressive rhythm of the Argentine tango. Bridging these worlds is the Guttman Tango Quintet, composed of musicians who, under the direction of violinist Michael Guttman, naturally draw from both traditions. In \"From Another World,\" tango is not nostalgia. It is evolution. Just as Astor Piazzolla once brought the tango from the dance hall to the concert hall, Guttman enters into a dialogue with the classics that have shaped Western music. Each track on this album begins with a well-known theme (Beethoven, Mozart, Mahler, Dvořák, and others) and lets it wander to Buenos Aires. What emerges is neither parody nor pastiche, but a transformation. Recorded in January 2025 at the Queen Elisabeth Music Chapel, this debut album captures a moment of creative alchemy: an ensemble of classical virtuosos surrendering to the irresistible pull of the tango.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 5 in C minor, Op. 67 (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/8d1c34f4b1952fc638e9fc8ebe010727.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eGnossiennes Nos. 1-3 (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/b63b729ada65a1b5117fd6e76d615c33.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eThe Love for Three Oranges, Op. 33bis (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/0c2a3cc5dc81802e6e098e7e7e798453.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 1 in D major, \"Titan\" (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/079f2ec7fe3ca51081266db1f6a0226d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eThe Well-Tempered Clavier, Book I, BWV 846-869 (24 Preludes and Fugues) (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude in B-flat minor, BWV 853 (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/b8a191c51213ea8aba59556905ac7f59.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eÉtudes, Op. 10, Nos. 1-12 (excerpt) (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eÉtude No. 12\u003c\/td\u003e\n\n \u003ctd\u003e00:04:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/76be01193b19442ace47721641215bd2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSerenade No. 13 in G major, K. 525, \"Eine kleine Nachtmusik\" (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/4db1c8edffac407f95c44f2921f59e3d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 3 (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/c8ffa331552a2fc2ba47c58ebb291a49.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003ePiano Quintet in E-flat major, Op. 44 (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/0633d62d77bdc60c299794bccb0c27b3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eSerenade for String Orchestra in E major, Op. 22 (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/3ac3826d7cf3d5c8c0b304e4640cc98a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eThe Hebrides, Op. 26, \"Fingal's Cave\" (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/924d50153ff833539f443967d06f8631.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eSuite for Variety Orchestra No. 1 (arr. for mixed quintet by Chloë Pfeiffer)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/107\/20ecbfd82fa081a09568f7522ddb8a7f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Avanti Classic","offers":[{"title":"Default Title","offer_id":58236293513548,"sku":"AVA10782","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/5414706107829-From-Another-World-cover.webp?v=1792423423"},{"product_id":"conversations","title":"Discussions","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \"Conversation\" consists of more than just words – it is also art and music, creating a unique dialogue between composer, performer, and listener. The latest album from the Barvinsky Duo invites the listener to just such a conversation: one full of emotions, meanings, and individual interpretations. The album's program leads the listener through various facets of the human experience – from pain, loss, and the trauma of war to a longing for normalcy and harmony. This narrative is framed by works by Vasyl Barvinsky and Aleksandra Brejza – both world premiere recordings – which relate to the dramatic events in Ukraine. They are accompanied by pieces by Sergei Rachmaninoff, Robert Schumann, and Frédéric Chopin, which inspire reflection and convey both melancholy as well as light and hope. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Pianist Anna Stempin-Jasnowska is in demand both in Poland and abroad as both a soloist and chamber musician. Her repertoire ranges from the Baroque to the most contemporary pieces. She is also a professor at the Music Academy in Bydgoszcz, Poland.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSuite for Cello and Piano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Introduction - Chant\u003c\/td\u003e\n\n \u003ctd\u003e00:04:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/9f20e510abf2104a816394f0b98de3bb.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Humoresque\u003c\/td\u003e\n\n \u003ctd\u003e00:03:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/9cf4a594414d0e366158f3c591a2b33a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Lullaby\u003c\/td\u003e\n\n \u003ctd\u003e00:05:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/e470daa04c46607ff55a17bf854dc574.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Dance\u003c\/td\u003e\n\n \u003ctd\u003e00:09:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/0986e743f739544a371a9afb7dda1519.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eFantasiestücke op. 73 Nos. 1-3 (for Cello and Piano)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Zart und mit Ausdruck\u003c\/td\u003e\n\n \u003ctd\u003e00:03:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/95c28254a92f63795167ea56c378d503.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Lebhaft, leicht\u003c\/td\u003e\n\n \u003ctd\u003e00:03:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/a698c86022057a8447a5a38440cf0161.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Rasch und mit Feuer\u003c\/td\u003e\n\n \u003ctd\u003e00:04:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/047eda28ec727a0b3b0c179ff7f9b914.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eÉtudes op. 25 Nos. 1-12 (excerpt) (arr. for Cello and Piano in E minor by Alexander Glazunov)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Étude in C-sharp minor\u003c\/td\u003e\n\n \u003ctd\u003e00:05:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/604ea33e737f35327126d4201d0f9246.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eIntroduction and Polonaise brillante in C major op. 3 (for Cello and Piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:09:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/992f09130c49c82512b4c980581e602b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eSongs op. 34 Nos. 1-14 (excerpt) (arr. for Cello and Piano by Leonard Rose)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 14 Vocalise\u003c\/td\u003e\n\n \u003ctd\u003e00:06:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/37a77716e3f6c860bc2329264da068d3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eDead Butterflies for piano\u003c\/td\u003e\n\n \u003ctd\u003e00:05:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/574\/503\/7d3137e48dcdda6e83ab754a51f87c33.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"CD Accord","offers":[{"title":"Default Title","offer_id":58236294037836,"sku":"ACD357","price":24.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/5902176503574-Conversations-cover.webp?v=1792424627"},{"product_id":"fagerlund-beneath","title":"Fagerlund: Beneath","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Sebastian Fagerlund is one of Finland's most renowned contemporary composers, creating works of vivid narrative power and emotional depth in the genres of orchestral, operatic, and chamber music. This recording features four works for various instrument combinations, which demonstrate Fagerlund's ability to interweave his compositions through strong spiritual and stylistic connections. \"Beneath\" for string orchestra operates in the tension between concerto and ensemble work. The solo violin – a \"first among equals\" – emerges from the orchestra and merges with it, tracing a journey from rising chord sequences through energetic passages to a calm resolution. \"Remain,\" a piano trio completed on the day Russia invaded Ukraine, weaves quotes from Ravel, Bach, and Brahms into three emotionally charged movements dedicated to the people of Ukraine. \"Materie,\" a solo piece for violin written for the Kuopio Violin Competition, combines technical brilliance with expressive nuances, unfolding in two powerful waves between contemplation and intensity. The finale, \"Stilla\" for violin and piano, moves from introspective exploration through energetic highlights to a hauntingly silent, mysterious conclusion. The violinist and conductor Malin Broman runs through all four works, appearing both as a soloist and as part of the Kungsbacka Piano Trio, while simultaneously conducting the Ostrobothnian Chamber Orchestra.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eBeneath (for string orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e00:14:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/84aa71f6513fde9cdeeee86860a7ad9d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eRemain (for violin, cello and piano)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Capriccio, ben ritmico\u003c\/td\u003e\n\n \u003ctd\u003e00:08:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/d84a3ffaad4ca9b40ffd491f8030a473.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio di molto\u003c\/td\u003e\n\n \u003ctd\u003e00:07:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/b816f800c2f1ef053daf6618defb798e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Esaltato\u003c\/td\u003e\n\n \u003ctd\u003e00:06:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/140c3f5200ef77252fd3f5f204535efc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eMaterie (for violin solo)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003eMisterioso, con anima\u003c\/td\u003e\n\n \u003ctd\u003e00:08:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/0487000aef1a8fbc1c631c912e7532b8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eStilla (for violin and piano)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eMisterioso\u003c\/td\u003e\n\n \u003ctd\u003e00:09:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/4e6552c171fc5a9df114a173f8d33113.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58236294725964,"sku":"BIS2682","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926827-Fagerlund--Beneath-cover.webp?v=1792459561"},{"product_id":"harfenmusik-kammermusik-harfenkonzert","title":"Harp music \/ Chamber music \/ Harp concert","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The idea behind this recording by the renowned harpist Oliver Wass (winner of the first prize at the international 'Suoni d'Arpa' competition and currently a professor at the Royal College of Music in London) is to juxtapose the music of Misha Mullov-Abbado with works by mainly Italian composers, spanning four centuries. He wanted to record the music he had commissioned from Misha Mullov-Abbado and combine it with music for modern harp and Italian triple harp. The album was recorded on an Italian triple harp for the early repertoire and on a modern pedal harp for the classical and contemporary repertoire. The recording also includes a chamber music section with Henry Roberts on flute, Luba Tunnicliffe on viola – both of whom, like Wass, are members of the Pelléas Ensemble – and Gabriela Opacka-Boccadoro on violin. The album also features a highly fascinating world premiere recording (and performance) of the Concerto for Harp and Orchestra by Luigi Molino, recorded live at the opening concert of the 'Suoni d'Arpa' festival in Saluzzo in the Italian Piedmont on August 24, 2024. Oliver Wass is accompanied here by the Ensemble APM under the direction of Luca Vacchetti.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eToccata No. 2 (Ligature for harp)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/42f6f9ce3a8faedda5cf5ce2cb96e096.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eRicercare in the 1st tone\u003c\/td\u003e\n\n \u003ctd\u003e00:02:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/dba506dd20253e5236e71aa58eec0291.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eO che nuovo stupor mirate intorno\u003c\/td\u003e\n\n \u003ctd\u003e00:02:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/f2a7f057570c217b0cc89e4cd4254c51.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eAl battitor di bronzo della suacrudelissima Dama (arr. for flute, viola and harp by Luba Tunnicliffe)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/81f94d1f8644bf4cc5cfbfcba294a3a1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eChe si può fare (arr. for flute, viola and harp by Luba Tunnicliffe)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/2fa2f9dc26a6386b6765c270153cbf1b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eSilentio nocivo (arr. for flute, viola and harp by Luba Tunnicliffe)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/1135792cc19a7069e6ea764315fdfa61.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eRed Ruth\u003c\/td\u003e\n\n \u003ctd\u003e00:07:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/8009c03891583e67f97bc796bfbf0d2b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eCanzoni italiane Nos. 1-2\u003c\/td\u003e\n\n \u003ctd\u003e00:04:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/ecf39272c7ce59df003f0bab63f19b57.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eTreachery\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Gabi\u003c\/td\u003e\n\n \u003ctd\u003e00:05:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/c0a8f618926a8296f27258446de361ec.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Keren\u003c\/td\u003e\n\n \u003ctd\u003e00:06:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/aa560723efaf2c6a17a78a4ad6793855.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Jellyfish\u003c\/td\u003e\n\n \u003ctd\u003e00:03:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/d62964375a5157a288e8571961822abb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eRecuerdos de la Alhambra\u003c\/td\u003e\n\n \u003ctd\u003e00:05:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/63fb784ed28770ef0d3ad809908a0b2f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eMeditation Songs Nos. 1-3\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Watercolour\u003c\/td\u003e\n\n \u003ctd\u003e00:04:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/4f9d03614287c5430d53f42c62f5f3d2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Clear Green Sky\u003c\/td\u003e\n\n \u003ctd\u003e00:04:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/4128ecdb627920b284715911e233e3fe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Little Fire Drum\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/c49b3a577783acdb3aef2211066d8475.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Harp and Orchestra Op. 1\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Maestoso\u003c\/td\u003e\n\n \u003ctd\u003e00:12:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/b49389ff74c6a0cb9b8d6a842ccd37ea.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Romanze: Andantino\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/179d1312850341fcd18746c77b4997ca.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Polacca: Allegro non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:09:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/751\/200\/ad693eb81713e7ae481cc41535e7d1f1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Tactus","offers":[{"title":"Default Title","offer_id":58236295053644,"sku":"TC760090","price":26.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/8007194200751-Harfenmusik---Kammermusik---Harfenkonzert-cover.webp?v=1792486916"},{"product_id":"sierra-klaviersonaten-nr-13-14","title":"Sierra: Piano Sonatas Nos. 13 + 14","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \"Piano Sonatas and Estudios Trascendentales\" is a new monograph dedicated to Roberto Sierra, the Grammy-nominated and Latin Grammy-winning Puerto Rican composer whose music is regularly performed by leading orchestras and ensembles worldwide. This album features Piano Sonatas Nos. 13 and 14, as well as the \"Estudios de Ejecución Trascendental\" (written after an intensive engagement with the music of Franz Liszt), performed by American pianist Matthew Bengtson, a long-standing artistic partner of Sierra and one of the most compelling current interpreters of his piano works. Sonata No. 13 presents itself as a bold, fragmented sonata with a mosaic-like structure that reinterprets Ludwig van Beethoven’s legacy through a distinctly contemporary lens. Sonata No. 14, inspired by the \"Moonlight Sonata,\" explores musical memory as a sonic phantasm in which fragments appear, dissolve, and transform. The \"Transcendental Etudes\" are a homage to Liszt while remaining unmistakably Sierra: virtuosic, rhythmically pulsating, imbued with Afro-Caribbean energy, and rich in harmonic tone color and pedal resonance. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Critically acclaimed, Matthew Bengtson enjoys an international career as a soloist, chamber musician, scholar, and educator. Widely recognized for his interpretations of Alexander Scriabin and Karol Szymanowski, he has performed throughout Europe and the United States, including at Carnegie Hall. A committed advocate of contemporary music, he has premiered numerous works and maintains an especially close artistic partnership with Roberto Sierra. Bengtson is an Associate Professor of Piano Literature at the University of Michigan and a Steinway Artist.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 13\u003c\/td\u003e\n\n \u003ctd\u003e00:14:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/8f245156c413bee76e72d1bd5fa3121f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eEstudios Nos. 1-12 (Estudios de Ejecución Trascendental)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Estudio No. 1\u003c\/td\u003e\n\n \u003ctd\u003e00:01:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/37b857fc4d15835ef2b12439cbda82a3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Estudio No. 2\u003c\/td\u003e\n\n \u003ctd\u003e00:02:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/53073fa7297b89a0224a0748ac29d5b2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Estudio No. 3\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/d6f995348f92c8fef6282933cb944c87.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Estudio No. 4\u003c\/td\u003e\n\n \u003ctd\u003e00:05:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/96606dce2526d4530c4f71cc45b8b5c6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Estudio No. 5\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/9e2fedf38869c181f5e44af478c6a29d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Estudio No. 6\u003c\/td\u003e\n\n \u003ctd\u003e00:04:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/56b2c81a136192290aee13ec6282e6d7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Estudio No. 7\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/1da7448021921883b64f15abe0497c31.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Estudio No. 8\u003c\/td\u003e\n\n \u003ctd\u003e00:03:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/589eebce03e6512f3601fdaa6969e6de.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Estudio No. 9\u003c\/td\u003e\n\n \u003ctd\u003e00:06:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/479f37db318a250dbe54df463deb7763.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 Estudio No. 10\u003c\/td\u003e\n\n \u003ctd\u003e00:04:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/3fd775dcbf2eb9d622c0907d46b4ef64.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 Estudio No. 11\u003c\/td\u003e\n\n \u003ctd\u003e00:05:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/704931f6155d3b6f4dbce28a36c149c9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Estudio No. 12\u003c\/td\u003e\n\n \u003ctd\u003e00:03:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/b419b2f289133737fb648ca4c70fc13e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 14 \"Moonlight\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio sostenuto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/17d9cec5404e3c3d8d5b33fa3d0f6281.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/7f55cd6e48b148b8a38b63794714e79c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Presto agitato\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/198\/701\/ed41688cfe3e2bd19493369ad26800a3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"IBS Classical","offers":[{"title":"Default Title","offer_id":58236295184716,"sku":"IBS32026","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/8436597701198-Sierra--Klaviersonaten-Nr.webp?v=1792491363"},{"product_id":"nin-culmell-tonadas-fur-klavier","title":"Nin-Culmell: Tonadas for Piano","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \"Tonadas\" is the new release by Spanish pianist Pablo Martínez, dedicated to the 48 Tonadas for piano by Joaquín Nin-Culmell (1908–2004), one of the most distinctive yet still little-regarded figures in 20th-century Spanish music. As a student of Manuel de Falla and working within the tradition of Isaac Albéniz and Enrique Granados, Nin-Culmell developed a highly personal musical language rooted in the Spanish folk music tradition while simultaneously shaped by a refined and modern pianistic aesthetic. Divided into four parts, the Tonadas form a fascinating musical journey through the diverse cultural landscapes of Spain – from Galicia and the Basque Country to Catalonia, Castile, Murcia, the Balearic Islands, and the Canary Islands. Far from being simple folk music arrangements, these miniatures transform traditional melodies, rhythms, and keys into concise, sophisticated concert pieces of remarkable expressive power. For Pablo Martínez, this recording represents both an artistic rediscovery and a deeply personal connection to his own Spanish roots while living abroad in the United States. Inspired by Nin-Culmell's lifelong longing for Spain, Martínez approaches these works not as historical artifacts, but as living musical expressions full of color, intimacy, and poetic resonance. Recorded at the Auditorio Manuel de Falla in Granada and produced by Paco Moya, \"Tonadas\" continues IBS Classical's commitment to the rediscovery and international promotion of the Spanish repertoire. With this release, Pablo Martínez establishes himself as a compelling advocate for a composer whose music deserves a central place in the Spanish piano canon.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTonadas for Piano Nos. 1-48 (Books 1-4)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Saratarra naizela (Basque Country) (Book 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/fb0890a32f3c6c756abe13532de1e2bd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Jota castellana (Palencia)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/ce0bf75d015853faf37732bb9a57ccc6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Canción de labrador (Balearic Islands)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/af1baf9f24657ffbb2011099b4d67d4b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Arada de Salamanca\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/9e770553d6606fc4af675f0da386057b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Diferencia sobre la arada de Salamanca\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/02c0440cdbcaa5e297ab95d0019b8788.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Charrada de Salamanca\u003c\/td\u003e\n\n \u003ctd\u003e00:00:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/87a025502f77200c88d6a982fca8225e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Baile de Burgos\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/6ee32d170ad51740f2b377486ebc97b7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Vaqueirada (Asturias)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/fe3feeb89f2af759f9976ca7d1e6ec5d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Jota alicantina\u003c\/td\u003e\n\n \u003ctd\u003e00:01:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/f5a36a3867db24dd920ee929aed313a5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 Muñeira (Galicia)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/1dd0329587e876b698602578a84282eb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 Cantar de pandeiro (Galicia)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/8fa7c2440e2cf280f060b3bebe74d2b9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Alalá (Galicia)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/c9d54630b46a0daaf8008a20aafa1e6b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eNo. 13 Jota castellana (Book 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/737b579aa2b0ed7d921f75d992af90d2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNo. 14 Canción de labrador (Léon)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/97be9ff47c5588145eef91da3569059c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eNo. 15 Copla castellana\u003c\/td\u003e\n\n \u003ctd\u003e00:01:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/f60df642e26e7c6b4f5e413c86facdf3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eNo. 16 Canto de ronda (Castile)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/1fc34f3040a312ba81bb68b6e1d54ccd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eNo. 17 Copla extremeña\u003c\/td\u003e\n\n \u003ctd\u003e00:00:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/bf7ba0b65295128eb0e31a81f0091295.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eNo. 18 Jota extremeña\u003c\/td\u003e\n\n \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/69406518cb4f242392834ec31e45cc9a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eNo. 19 Canción otoñal (Basque Country)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/5ff15f7eb5d9e4a85eda48b33bce65d8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eNo. 20 Copla asturiana\u003c\/td\u003e\n\n \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/c73ce774849f59d6692eb695d0e6c963.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eNo. 21 Seguidilla murciana\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/e5348a1241b4f3a757325e445f32db7c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eNo. 22 Canción de trilla (Murcia)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/0f488da29899f125f1ae6597596e05ee.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eNo. 23 Canto de arriero (Galicia)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/2059bb03d46559fabc642c9eaf1fbbfe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eNo. 24 Muñeira (Galicia)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/cf1790c5dfc24e63461fa748541a9fb7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eNo. 25 Falias (Valencia) (Book 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/e3535098ceb505ee6fbf65bd30278170.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eNo. 26 Copla asturiana\u003c\/td\u003e\n\n \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/abb4956a518d1570bd614bdb0689cd18.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eNo. 27 Baile de gaita (Asturias)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/7c12873e64d32286acdba2afc5975bed.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eNo. 28 Canción asturiana\u003c\/td\u003e\n\n \u003ctd\u003e00:00:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/3a06e7006a410c5171250e643e87eefd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eNo. 29 Pandeirada (Galicia)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/2da3f2e22e1e52025e9a7e5bd17cf251.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eNo. 30 Motivo de Santo Domingo (Canary Islands)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/9f3c574fb22a8e89365af9ea47ec16a9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eNo. 31 Mateixa (Balearic Islands)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/f04799801ca00e6cab42a1205ec3e902.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003eNo. 32 Vou-veri-vou (Balearic Islands)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/166ffd06754fa85e413ed7f44ab8d163.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eNo. 33 Copeo de Sineu (Balearic Islands)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/1651547f70586e9213a09dd799e25655.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eNo. 34 Cavallets de Felanitx (Balearic Islands)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/313d2e8976075a3b02252fc7c1a06a05.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n \u003ctd\u003eNo. 35 Baill d'Artà (Balearic Islands)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/5784965c73d34e65d4a74ef81a328079.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 36\u003c\/td\u003e\n\n \u003ctd\u003eNo. 36 Mateixa (Balearic Islands)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/02c908219b6900f631e437974d07f5aa.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e37 . 37\u003c\/td\u003e\n\n \u003ctd\u003eNo. 37 Ball del vano i del ram (Catalonia) (Book 4)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/85f28ab8af9f522aac1bb330e5dab16f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e38 . 38\u003c\/td\u003e\n\n \u003ctd\u003eNo. 38 Ratolinesa (Catalonia)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/f8e80c8cbe55b1dcbc01d0b39106739d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e39 . 39\u003c\/td\u003e\n\n \u003ctd\u003eNo. 39 Ball de garlandes (Catalonia)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/913a0d24a6345d2b064b9be17edd94e0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e40 . 40\u003c\/td\u003e\n\n \u003ctd\u003eNo. 40 Ball de Sant Farriol i bolangera (Catalonia)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/939a98b14c1f1dc2c4b5d31af65e01b8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e41 . 41\u003c\/td\u003e\n\n \u003ctd\u003eNo. 41 El cant dels ocells (Catalonia)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/60e256afce4f3d9f7d785f1fb88f71a3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e42 . 42\u003c\/td\u003e\n\n \u003ctd\u003eNo. 42 Ball pla i l'esquerrana (Catalonia)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/fab20d3699fa66e95e5120a85d309442.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e43 . 43\u003c\/td\u003e\n\n \u003ctd\u003eNo. 43 Canción de campo (León)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/d340dab2d686ef69ad88aa6719fbf270.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e44 . 44\u003c\/td\u003e\n\n \u003ctd\u003eNo. 44 Paleo (Extremadura)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/ef5fa29c9516eb90a9a67f90629e84fe.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e45 . 45\u003c\/td\u003e\n\n \u003ctd\u003eNo. 45 Jota extremeña\u003c\/td\u003e\n\n \u003ctd\u003e00:00:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/4b5facd7b48551ddfc979d00ad622068.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e46 . 46\u003c\/td\u003e\n\n \u003ctd\u003eNo. 46 Canción (Basque Country)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/6ddedcae09a8e272847e4b2556d52a02.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e47 . 47\u003c\/td\u003e\n\n \u003ctd\u003eNo. 47 Zortzico (Basque Country)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/ea227bb654c9d6d4141dbe8e7ecd61b4.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e48 . 48\u003c\/td\u003e\n\n \u003ctd\u003eNo. 48 Jota castellana\u003c\/td\u003e\n\n \u003ctd\u003e00:01:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/211\/701\/a1bf659fb4f8ea44b8073aef5ea043ec.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"IBS Classical","offers":[{"title":"Default Title","offer_id":58236295807308,"sku":"IBS62026","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/8436597701211-Nin-Culmell--Tonadas-fur-Klavier-cover.webp?v=1792491374"},{"product_id":"breton-lieder-klaviertrios","title":"Bretón: Songs \/ Piano Trios","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n “Tomás Bretón: Songs \u0026amp; Piano Trios” is a remarkable double album that illuminates two complementary facets of one of Spain’s most significant yet still underrated composers. This release presents Bretón not only as the celebrated creator of “La verbena de la Paloma,” but also as a cultured, European-influenced musician who was deeply committed to the artistic renewal of Spanish music. The project is divided into two clearly delineated programs. The first part focuses on Bretón’s songs for voice and piano, led by the exquisite “Seis poesías de Gustavo Adolfo Bécquer” (1887), alongside “Désir” and “La castañera.” These works reveal a composer deeply influenced by the German Lied tradition, combining lyrical intimacy, operatic intensity, and highly expressive piano writing. Through Bécquer’s poetry and his sophisticated harmonic language, Bretón proves himself a natural heir to Franz Schubert and Robert Schumann, while maintaining a distinctly Spanish sensibility. The second part is dedicated to chamber music and includes the substantial Piano Trio in E major as well as the late “Quatre morceaux espagnols” (1913). Together, these works illustrate Bretón’s cosmopolitan musical language and his gradual opening toward the national colors and modern aesthetics that shaped Spanish music in the early 20th century. Recorded by soprano Natalia Labourdette, pianist Victoria Guerrero, violinist Carles Civera, and cellist Alejandro Olóriz, this recording unites stylistic elegance, technical brilliance, and deep musical insight. Recorded at the Auditorio Manuel de Falla in Granada, this release offers an essential re-evaluation of Bretón’s contribution to Spanish Romanticism and chamber music.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSongs for Soprano and Piano Nos. 1-6 \"Seis poesías de Bécquer\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Saeta que voladora (Rima No. 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/50aa5df0d1c036f9eae6f0c95e1cba8d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Cendal flotante de leve bruma (Rima No. 15)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/bedbd869c2822b22b375a019cbcfff5c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Cuando miro el azul horizonte (Rima No. 8)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/7b8c17576a3caab6a812422d3939a419.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Cuando en la noche te envuelven (Rima No. 25)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/bc5a175d7032de076a0023486b067968.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Cuando entre la sombra oscura (Rima No. 28)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/18868990d0ff2ba06e13cb1aa5ad99ff.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Al ver mis horas de fiebre (Rima No. 61)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/acb3721893f79d4503abd55a5c4cc322.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eVolverán las oscuras golondrinas (Rima No. 52)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/7592d55408facbe87f233fecc923cf4e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eDésir\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/8f43aff2ee21bc7cf58dfa2ba192b832.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eLa castañera\u003c\/td\u003e\n\n \u003ctd\u003e00:04:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/b452d9b05b5a02f89f2af449a458c84a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTrio for Piano, Violin and Cello\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro comodo\u003c\/td\u003e\n\n \u003ctd\u003e00:12:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/ea9384d3aa14228dcca324e7865a2278.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:08:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/948e50c1584eafebfdc0fb3ae1b95993.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:07:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/fde2e7e9516f5b2866538a354367cc14.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro energico\u003c\/td\u003e\n\n \u003ctd\u003e00:08:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/877e2827e97592d7f9a0bd6eb85e2c03.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eSpanish Pieces Nos. 1-4 (Quatre morceaux espagnols)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Danse orientale\u003c\/td\u003e\n\n \u003ctd\u003e00:04:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/638e130cb2597e96434982f9388ecb1b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Boléro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/0bfdd5d43a3db626953a57818f7513d0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Polo gitano\u003c\/td\u003e\n\n \u003ctd\u003e00:03:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/18ce4d2db41b90ebe7a8d7ccafeb22a4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Scherzo andalou\u003c\/td\u003e\n\n \u003ctd\u003e00:06:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/701\/1ec75f64b72e81020b43ad8b3c79c690.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"IBS Classical","offers":[{"title":"Default Title","offer_id":58236297150796,"sku":"IBS72026","price":22.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/8436597701228-Breton--Lieder---Klaviertrios-cover.webp?v=1792491390"},{"product_id":"over-my-head","title":"Over My Head","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Countertenor John Holiday presents \"Over My Head,\" a striking and deeply personal debut that reflects both the breadth of his artistic work and the clarity of his expressive power. Holiday, hailed as one of the finest countertenors of his generation, has carefully curated a program ranging from spirituals and contemporary works to art songs. From intimate moments at the piano to collaborations with pianist Kevin Miller, the album includes works by Hall Johnson, Robert L. Morris, and H. Leslie Adams, world premiere recordings by Theo Morrison and Carlos Simon, and arrangements by Holiday himself, highlighting a repertoire defined by curiosity, individuality, and expressive depth. Rooted in themes of resilience, faith, and love, \"Over My Head\" offers a heartfelt musical journey. Each work was chosen for its emotional resonance and ability to connect across time and experience, forming a narrative that feels both personal and universal. Kevin Miller accompanies Holiday on piano.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eI'm gontertell God all o' my troubles\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/52c5817e8c748bbf3c8e95f7ccb9f076.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eVocalise No. 1\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/590a3024a0ba9c293d578092490ff837.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eStrings in the Earth and Air\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/f21f23211047c09003a09bc5b90dbc8e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eO Cool is the Valley Now\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/ae3eaafce4b66c674629f8644589a2b2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eLightly Come or Lightly Go\u003c\/td\u003e\n\n \u003ctd\u003e00:00:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/a30390b3f2f595be6d583353bdafc814.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eNow, O Now, in thos Brown land\u003c\/td\u003e\n\n \u003ctd\u003e00:04:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/a8d1200a899d008887b6854832b2ffa0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eI Hear an Army Charging Upon the Land\u003c\/td\u003e\n\n \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/ffd24334e1147aa93b7843e447e76283.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eVocalise No. 2\u003c\/td\u003e\n\n \u003ctd\u003e00:04:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/cd9a3294b443e1f52f1414178948d1a6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eHumoresque\u003c\/td\u003e\n\n \u003ctd\u003e00:02:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/db35f82a2ee0225ef06544543d2aabe8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eGospel Blues\u003c\/td\u003e\n\n \u003ctd\u003e00:04:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/015c24237120bf8d6857199370a8726d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eJuba: Ev'rytime I Feel the Spirit (arr. for countertenor and piano by John Holiday Jr.)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/88b31ae575441bbcaeba415cc59d5968.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eFly Me to the Moon\u003c\/td\u003e\n\n \u003ctd\u003e00:03:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/5ca402bc505ce55aa7e481f08d66b6a8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eSummertime\u003c\/td\u003e\n\n \u003ctd\u003e00:03:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/d7c1df282c980cbee9de4212753c1039.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eVocalise No. 3 (arr. for countertenor and piano by John Holiday Jr.)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/fe7cb212eb08d1a59dbf51c8de3b0e65.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eStrange Fruit\u003c\/td\u003e\n\n \u003ctd\u003e00:03:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/8fb35cf05516bab1157afa04cd370640.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003ePrayer\u003c\/td\u003e\n\n \u003ctd\u003e00:03:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/a10816b54dc954c9115c25c74df747b5.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eThe Heart of a Woman\u003c\/td\u003e\n\n \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/f4bbaadcc3023b42aae836bb3ef2f6d5.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eNight Song\u003c\/td\u003e\n\n \u003ctd\u003e00:02:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/1740846a5f2d727302ad66d32d0ef945.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eSence You Went Away\u003c\/td\u003e\n\n \u003ctd\u003e00:04:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/557b963b9173ce4beb444c1bad8b165d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eOver My Head and Amazing Grace (arr. for countertenor and piano by John Holiday Jr.)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/836\/265\/c1903bcc6bf974b6eaaa6ce7ebafd203.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Pentatone","offers":[{"title":"Default Title","offer_id":58236297871692,"sku":"PTC5187583","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/8717306265836-Over-My-Head-cover.webp?v=1792492165"},{"product_id":"lipkis-pierrot-and-friends","title":"Lipkis: Pierrot and Friends","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Musician, professor, and composer Larry Lipkis has written over 100 works for various vocal and instrumental ensembles. Lipkis’s love for the Commedia dell’arte stems from his career as a performer of Renaissance music, and these four concertos are musical portraits of characters from this popular theatrical tradition. The mischievous and impetuous “Pierrot” is embodied by the bassoon, while his beloved “Columbina” flutters and charms as a lively violin. The gentle, youthful “Innamorata” is expressed through a transparently accompanied flute, and the romantic entanglements and acrobatic humor of “Harlequin” are a perfect match for the larger-than-life musical personality of the bass trombone. This release consists entirely of world premiere recordings by Larry Lipkis, whose accessible yet highly personal style will appeal to a wide audience. As a performer of early music, he has always felt a strong connection to these whimsical, theatrical figures of the Renaissance and has been repeatedly drawn to compose works in which he attempts to capture the essence of their irrepressible spirit in music.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Multiple award-winning conductor Theodore Kuchar, who here leads the Lviv National Philharmonic Symphony Orchestra, of which he is the principal conductor, can be heard on nearly 150 albums. He was recently appointed principal conductor of the National Philharmonic of Ukraine. Previously, he served as artistic director and principal conductor for orchestras in Venezuela and Australia.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePierrot (Concerto for Bassoon and Orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. In the Dancing Master's Palace\u003c\/td\u003e\n\n \u003ctd\u003e00:07:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/324\/996\/76bcd4587b27b7be497073417211db15.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. The Magic Garden\u003c\/td\u003e\n\n \u003ctd\u003e00:09:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/324\/996\/dae7ae59ecdad924f45ef75b91ef29ad.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. The Flight to Seventh Heaven\u003c\/td\u003e\n\n \u003ctd\u003e00:11:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/324\/996\/e79786c81a8a71f906d7480be5993e12.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eColumbina (Concerto for Violin and Orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Ciaconne\u003c\/td\u003e\n\n \u003ctd\u003e00:06:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/324\/996\/fe1bf66e8655834f13b03c0411f16669.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Siciliana\u003c\/td\u003e\n\n \u003ctd\u003e00:05:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/324\/996\/4e814b37ea0a11f3ae65206c309f7e48.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eInnamorata (Concerto for Flute and Orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Pastorale\u003c\/td\u003e\n\n \u003ctd\u003e00:07:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/324\/996\/275586fe454edadad87a97e59caa72e9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Scherzo\u003c\/td\u003e\n\n \u003ctd\u003e00:03:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/324\/996\/c9ce3b8023d892b47769b8d80abfc387.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eHarlequin (Concerto for Bass Trombone and Orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e00:17:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/324\/996\/77e58bc0e39fd2b47863f3660b185499.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos","offers":[{"title":"Default Title","offer_id":58236299247948,"sku":"8.559963","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0636943996324-Lipkis--Pierrot-and-Friends-cover.webp?v=1792196012"},{"product_id":"donizetti-maria-stuarda-teatro-real-madrid-2024-regie-roussillon","title":"Donizetti: Maria Stuarda (Teatro Real, Madrid 2024, Director: Roussillon)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Gaetano Donizetti's tragic opera \"Maria Stuarda\" depicts the ruthless rivalry between Elizabeth I and Mary Stuart, Queen of Scots, who is portrayed as a martyr standing up to the illegitimate Queen of England. The opera fell victim to censorship at its premiere and was plagued by problems during rehearsals, but it is now considered one of Donizetti's great operatic masterpieces. From the extravagant, lyrical confrontations of the queens to the poignant final execution scene, this highly acclaimed production by David McVicar captivates with its monumental sets and magnificent Elizabethan costumes, bringing the majesty and merciless brutality of Elizabeth I's reign to life. Over the last few years, director David McVicar has produced an enviable series of acclaimed opera stagings, including an earlier production of \"Maria Stuarda\" at the Metropolitan Opera in 2013. His staging at the Teatro Real addresses the dangers and tensions faced by women in a male-dominated political world—a historical context that remains relevant even today. For this production of Donizetti's masterpiece, the Teatro Real presents an outstanding cast under the direction of José Miguel Pérez-Sierra. The American soprano Lisette Oropesa, who was awarded \"Female Performer of the Year\" at the 2024 International Opera Awards, sings the title role.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eMaria Stuarda (Mary Stuart, Opera in 3 acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture - Prelude\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eQui si attenda (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eSì, vuol di Francia il rege ... Ah, quando all'ara scorgemi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eIn tal giorno do contento\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eFra voi perché non veggio Leicester?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eHai nelle giostre\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eQuest'immago, questo foglio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eSei tu confuso?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eQuali sensi!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eAllenta il piè, regina\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eOh, nube! che lieve per l'aria t'aggiri\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eQual suono!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eAh! Non m'inganna la gioia?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eOh, ciel! Che ascolto?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eDa tutti abbandonata\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eDel suo cor convinta io sono!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eQual loco è questo?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eE sempre la stessa\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eDeh! L'accogli\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eVa', preparati furente\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eE pensi? E tardi? (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eQuella vita a me funesta\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eAh! Deh! Per pità sospendi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eD'una sorella, o barbara\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eLa perfida insultarmi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eOh, mio buon Talbot!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eQuando di luce rosea\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eUn'altra colpa a piangere\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eVedeste? - Vedemmo\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eAnna - Qui più sommessi favellate\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eDeh! Tu d'un'umile\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003eOh, colpo!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eGiunge il conte\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eAh! Se un giorno\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos Audiovisual","offers":[{"title":"Default Title","offer_id":58236302426444,"sku":"NBD0192V","price":30.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0730099019262-Donizetti--Maria-Stuarda-_Teatro-Real_-Madrid-2024-cover.webp?v=1792203438"},{"product_id":"halevy-die-judin","title":"Halévy: The Jewess","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Fromental Halévy’s five-act grand opera \"La Juive\" tells the story of the forbidden love between a Christian man and a Jewish woman and the tragedy that ensues. The work's splendor, opulence, and stirring music made it one of the most enduringly successful operas of the 19th century, with more than 500 performances in Paris alone. This acclaimed contemporary production from Oper Frankfurt features Ambur Braid as the heroine Rachel and John Osborn as her father, Éléazar. This release is the audio version of a video production released in April 2026. The role of Rachel is taken by the increasingly sought-after Canadian soprano Ambur Braid. Regarding this performance, Concerti.net wrote: \"Ambur Braid’s effortless use of her resonant voice makes every portrayal of Rachel an event.\" Éléazar is the American tenor John Osborn, who \"is a vocal phenomenon, astonishing in both bel canto and 19th-century French opera. He was able to convey Éléazar’s piety, anger, fatherly love, and tormented soul\" (www.concertonet.com). Léopold is sung by the Austrian-Australian lyric tenor Gerard Schneider. \"With his gentle voice and lively stage presence, he was convincing as the lover of Rachel, Éléazar's daughter. His lighter tenor provided a good contrast to Osborn's more powerful voice, especially where both tenors sang\" (www.concertonet.com).\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Henrik Nánási was General Music Director of the Komische Oper Berlin from 2012 to 2017, where he conducted a wide-ranging repertoire. The Hungarian native performs regularly at the world’s most prestigious international opera houses, including the Metropolitan Opera in New York and the Teatro alla Scala in Milan.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eLa Juive (The Jewess, opera in 5 acts) (complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture\u003c\/td\u003e\n\n \u003ctd\u003e00:05:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/d9e444fbfa1ce894ae6b50fc2cf8568b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eTe Deum laudamus - En ce jour de fête publique - Sous ce déguisement - Hosanna, plaisir, ivresse (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/0bc7f8927be35e418b930381d1f6a0ae.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eDans ce jour solennel\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/f43a171c8ff52a4f02d26e066160e343.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAh! Mon père! Ah! je vous en supplie!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/5776aaf998acefe68bbe8335da1a6649.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eO ciel! le président suprême du concile!\u003c\/td\u003e\n\n \u003ctd\u003e00:03:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/7cbe38b25a91dec93eb917027dc4ba01.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eSi la rigueur et la vengeance\u003c\/td\u003e\n\n \u003ctd\u003e00:05:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/5f4c029eddabfa77808b56182b95d352.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eCette foule importune\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/e4dd2af8137c375694d7b909febd1650.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eLoin de son amie . Samuel, c'est donc vous!\u003c\/td\u003e\n\n \u003ctd\u003e00:06:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/a8419112f8bc3c1c3e5a71a791ba7dca.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eHâtons-nous, car l'heure s'avance\u003c\/td\u003e\n\n \u003ctd\u003e00:01:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/62aa79985f65cc35d7b31f7acc6fe268.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNoël! Noël! Noël! - Et comment dan cette foule immense - Ah! QU'ai-je-vu!... Rachel, ma bien aimée!...\u003c\/td\u003e\n\n \u003ctd\u003e00:05:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/060cc21c8271114c8d75e2936b41b0eb.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eO surprise nouvelle!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/a3205d80f2750aa090afb9b222754e0d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eDe ces nobles guerriers\u003c\/td\u003e\n\n \u003ctd\u003e00:05:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/67f054f12a695f29d6d3b542c16f2fd6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eEntr'acte: Moderato e maestoso (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/792e39c5772057399cd8d91c05269969.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eO Dieu, Dieu de nos Pères\u003c\/td\u003e\n\n \u003ctd\u003e00:05:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/2a719cc856fc02cec8bc2a9c10792a6d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eDieu, que ma voix tremblante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/e372a38c6885d56280346068c4ab047c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eOn frappe, ô terreur! - Entrez! Une femme!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/303ba97b022e2f1dd4ff0993e08e8394.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eTu possèdes, dit-on, un joyau magnifique!\u003c\/td\u003e\n\n \u003ctd\u003e00:07:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/68bc52d0e8f5d6a70b6d6b1e2db0a560.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eMon père n'est plus là - Quel trouble à mon apsect! - O Dieu, Dieu de nos Pères\u003c\/td\u003e\n\n \u003ctd\u003e00:03:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/62fe6c454d77adc04749dc109ef4adcf.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 19\u003c\/td\u003e\n\n \u003ctd\u003eIl va venir!\u003c\/td\u003e\n\n \u003ctd\u003e00:05:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/e468338fdf37c161da314854ba5791f2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 20\u003c\/td\u003e\n\n \u003ctd\u003eC'est lui! La force m'abandonne!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/bb2bb667fe1633728c221441afbec044.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 21\u003c\/td\u003e\n\n \u003ctd\u003eLorsqu'à toi je me suis donnée - Où courez-vous?\u003c\/td\u003e\n\n \u003ctd\u003e00:07:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/f24cbcf5d52e2a06719aaa57fb229f1d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 22\u003c\/td\u003e\n\n \u003ctd\u003eJe vois son front coupable\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/a840ce96192620501cd1ca990d8a4ebc.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 23\u003c\/td\u003e\n\n \u003ctd\u003eEt toi que j'accueillis\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/ec9be6d8e10444ff896b01c22b1d8392.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 24\u003c\/td\u003e\n\n \u003ctd\u003ePour lui, pour moi, mon père\u003c\/td\u003e\n\n \u003ctd\u003e00:03:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/a7f04efcb5e782a0eb92bfaa0516a40d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 25\u003c\/td\u003e\n\n \u003ctd\u003eEh bien donc\u003c\/td\u003e\n\n \u003ctd\u003e00:03:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/1fe2abd70995cc335b0c0c8c9b6f16e0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 26\u003c\/td\u003e\n\n \u003ctd\u003eAssez longtemps la crainte et la tristesse (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/5e46adf688f952d51395b06f06d0f643.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 27\u003c\/td\u003e\n\n \u003ctd\u003eTandis qu'il sommeille\u003c\/td\u003e\n\n \u003ctd\u003e00:02:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/94f28c5485ce04e0130f14a06112f8aa.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 28\u003c\/td\u003e\n\n \u003ctd\u003eJe l'ai revu, j'ai pu lui dire\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/b563d0f7d39a319f5f08b50689adc1f0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 29\u003c\/td\u003e\n\n \u003ctd\u003eQui vous amène?\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/edd63a3b3b8ffcf3c7711a1eee2e7c03.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 30\u003c\/td\u003e\n\n \u003ctd\u003eTriste présage, sombre nuage - J'accapte désor mais\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/40e2666c7f71266238b47c698a1d164f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 31\u003c\/td\u003e\n\n \u003ctd\u003eMon doux seigneur et maître\u003c\/td\u003e\n\n \u003ctd\u003e00:05:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/f3e1bf4af4202e1c36a3ce56a563424c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 32\u003c\/td\u003e\n\n \u003ctd\u003eAh! C'est trop supporter ce supplice infernal!\u003c\/td\u003e\n\n \u003ctd\u003e00:00:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/7f94a75e8867c8c3a9118875687aeb5c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 33\u003c\/td\u003e\n\n \u003ctd\u003eAllegretto non troppo - Con grazia - Allegro marziale e vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/9862b18160098fd4fef49171e1902c26.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 34\u003c\/td\u003e\n\n \u003ctd\u003eSonnez, clairons!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/f8d46d19ede12dc857fb2e47bb1f0d64.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 35\u003c\/td\u003e\n\n \u003ctd\u003eA vos ordres soumis j'apporte\u003c\/td\u003e\n\n \u003ctd\u003e00:03:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/8aebe37d0fd27d07400da6f4616055a2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 36\u003c\/td\u003e\n\n \u003ctd\u003eJe frisonne et succombe\u003c\/td\u003e\n\n \u003ctd\u003e00:04:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/79012fe8d8b9af181a6b1e91cd8ff597.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 37\u003c\/td\u003e\n\n \u003ctd\u003eEh bien! Nobles seigneurs!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/2fd5d4f682c32376b92b5d06d8c7f772.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 38\u003c\/td\u003e\n\n \u003ctd\u003eVous qui du Dieu vivant outragez la puissance\u003c\/td\u003e\n\n \u003ctd\u003e00:02:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/6c084e6e74b89b65a75c9ace40b37e6c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 39\u003c\/td\u003e\n\n \u003ctd\u003eAh! Sur eux anathème - Justice suprême\u003c\/td\u003e\n\n \u003ctd\u003e00:03:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/89edb5673453e653f373b2a5d21a1767.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 40\u003c\/td\u003e\n\n \u003ctd\u003eDu cardinal voici l'ordre suprême - Pourquoi m'arrachez-vous à ma sombre demeure? (Act 4)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/9da972b20303f1a3aec70113672cfc46.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 41\u003c\/td\u003e\n\n \u003ctd\u003eAh! que ma voix plaintive\u003c\/td\u003e\n\n \u003ctd\u003e00:06:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/27be363e0e204e03ddf178c8f614360d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 42\u003c\/td\u003e\n\n \u003ctd\u003eDevant le tribunal vous allez comparaître!\u003c\/td\u003e\n\n \u003ctd\u003e00:03:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/6ed295b45eb07917af26c3d3059dad00.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 43\u003c\/td\u003e\n\n \u003ctd\u003eMourir si jeune!\u003c\/td\u003e\n\n \u003ctd\u003e00:01:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/d0dd3a3b9e8cde51aece45bce4e8e1ff.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 44\u003c\/td\u003e\n\n \u003ctd\u003eTa fille en ce moment est devant le concile\u003c\/td\u003e\n\n \u003ctd\u003e00:05:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/9d73b95f8647f24f9cd24c99c3cd0918.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 45\u003c\/td\u003e\n\n \u003ctd\u003eQuand les Napolitains dans Rome sont entrés\u003c\/td\u003e\n\n \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/a41270c5239759580b2f761b3b5b48f0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 46\u003c\/td\u003e\n\n \u003ctd\u003eAh! J'implore en tremblant ta clémence\u003c\/td\u003e\n\n \u003ctd\u003e00:02:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/b8d788c9f9b99380ff5d0892d66cba92.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 47\u003c\/td\u003e\n\n \u003ctd\u003eVa prononcer ma mort\u003c\/td\u003e\n\n \u003ctd\u003e00:02:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/a168797aaf9f8bd2c957357c2cb078ba.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 48\u003c\/td\u003e\n\n \u003ctd\u003eRachel, quand du Seigneur la grâce tutélaire\u003c\/td\u003e\n\n \u003ctd\u003e00:07:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/c9e647003a9a1d2821613f8966829ee5.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 49\u003c\/td\u003e\n\n \u003ctd\u003eAh! J'abjure 'a jamais ma vengeance\u003c\/td\u003e\n\n \u003ctd\u003e00:03:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/820d7a60fde0d8a979b12e01bb5cc001.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 50\u003c\/td\u003e\n\n \u003ctd\u003eMarche funèbre (Act 5)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/ed27fa74dbba9aa6dc071ce0b8b10414.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 51\u003c\/td\u003e\n\n \u003ctd\u003eFinale: Le concile prononce un arrêt rigoureux! - Au pécheur Dieu soyez propice\u003c\/td\u003e\n\n \u003ctd\u003e00:06:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/ee9086d778fdad3e5598da7e70263ec4.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 52\u003c\/td\u003e\n\n \u003ctd\u003eJe vais quitter la terre\u003c\/td\u003e\n\n \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/6ab71731a094782524e138088d0b626c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 53\u003c\/td\u003e\n\n \u003ctd\u003eIl est temps!\u003c\/td\u003e\n\n \u003ctd\u003e00:04:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/179\/061\/ed8551b06289957f543d3a0900ea80b1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos","offers":[{"title":"Default Title","offer_id":58236303245644,"sku":"8.660611-13","price":27.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0730099061179-Halevy--Die-Judin-cover.webp?v=1792203979"},{"product_id":"pleyel-streichquintette-ben-271-273","title":"Pleyel: String Quintets Ben. 271 - 273","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The name Pleyel is known today primarily as a piano maker, but the company founder Ignaz Pleyel, a former pupil of Joseph Haydn, was one of the most renowned composers of the late 18th century. The success of Pleyel’s finely crafted twelve string quintets, three of which are featured on this album and inspired Wolfgang Amadeus Mozart to compose his own quintets in C major and G minor, lies in their balanced equilibrium between sparkling energy and lyrical breadth. These masterful works are lively, cheerful, and filled with such inner lightness and grace that they are guaranteed to delight today just as much as they did centuries ago. The previously released string quartets Op. 2 were very well received by the press. Although they inspired Mozart, Pleyel's string quintets are a true rarity on recordings; apparently, these works are otherwise only available in a complete set from the ARS label, which was released back in 2016. This excellent new recording therefore joins a relatively sparse collection of Pleyel works.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The Pettman Ensemble is a flexible touring group of musicians from New Zealand and Australia, dedicated to performing chamber music from the early classical repertoire to the music of today. Core members include Michael Endres (piano), Uwe Grodd (flute), Curt Thompson (violin), and Edith Salzmann (cello). The most talented young artists from New Zealand and Australia regularly join the ensemble to perform music for larger ensembles at festivals and concerts. The Pettman Ensemble has already performed many times in New Zealand, Australia, and throughout Europe, and has toured the United Kingdom in recent years.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet in C major\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:09:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/279\/449\/4a108897a9e004d973b273024a1b0164.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/279\/449\/1897d8d651b9322e5171d53d219eedd7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Rondo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/279\/449\/3cbd0cb5c55d3571ae574c5fb0951dfc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eQuintet for Piano and String Quartet in E-flat major\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro spiritoso\u003c\/td\u003e\n\n \u003ctd\u003e00:11:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/279\/449\/0408c0a50465ec08af9f10ddb7797f0d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/279\/449\/f5bc5b0edd72ea2586233825830565d2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Rondo: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/279\/449\/47c3018a45a999bc9c4fec5645b56b25.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eQuintet for Piano and String Quartet in G minor\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:08:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/279\/449\/977195ff74d62f44e17aae051f988667.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante grazioso\u003c\/td\u003e\n\n \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/279\/449\/ad64356565ba52d2dbe995651b000630.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/279\/449\/a5a7985b13f38c6a2a562cc74f5cabe3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos","offers":[{"title":"Default Title","offer_id":58236303868236,"sku":"8.574492","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313449279-Pleyel--Streichquintette-Ben.webp?v=1792205731"},{"product_id":"rheinberger-klaviersonaten-nr-2-4","title":"Rheinberger: Piano Sonatas Nos. 2–4","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Joseph Gabriel Rheinberger’s musical legacy is reflected in his reputation as a renowned organist and professor, as well as his extraordinary talent and productivity as a composer in all genres. He left behind a considerable number of works for solo piano. From the spirited Second Sonata to his final Fourth Sonata with its defiant opening and hymn-like romance, Rheinberger’s piano sonatas are polished, beautifully balanced, and tasteful; they draw on established classical-romantic traditions while being distinguished by particularly effective, flowing, and memorable melodies. This is volume 10 of the \"Romantic Piano\" series. The first volume appeared in September 2025 with works by Julius Benedict and was met with enthusiasm by MusicWeb International: \"We must be grateful above all to Naxos... for their commitment to exploring an area of the repertoire that is likely completely unknown to all but a few experts of this era.\" With numerous world-premiere recordings, the series explores and promotes little-known composers and unusual repertoire, including rarely heard music by Friedrich Kiel and piano sonatas by Józef Wieniawski. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Dmytro Semykras was born in Sumy, Ukraine, and graduated from the local music conservatory before continuing his education at the University of Music and Performing Arts Graz under Milana Chernyavska. He has won numerous prizes, including at the international Siegfried Weishaupt Piano Competitions, and is also a scholar of the Yamaha program.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 2 in D-flat major, Op. 99\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Non troppo mosso\u003c\/td\u003e\n\n \u003ctd\u003e00:07:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/cd9831e1b72c09c53036b27b8552614f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Romanze: Andante espressivo\u003c\/td\u003e\n\n \u003ctd\u003e00:06:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/8e3860ff3e2766eecf4e48b25134c3f9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Finale: Con fuoco ed espressivo\u003c\/td\u003e\n\n \u003ctd\u003e00:06:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/2af74dfcb3d4eb9355c0051206261bde.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 3 in E-flat major, Op. 135\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato e con espressione\u003c\/td\u003e\n\n \u003ctd\u003e00:08:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/86968cc14209db777e8f2ca793969db0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Scherzo: Vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/84604da82b13625d0547a7870e10ed19.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Poco adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:08:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/48f4e2bdab38f8c7a5b9b236bfa2e706.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Finale: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:06:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/b90d6435fc991b4ff85a4afbb6a2854d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 4 in F-sharp minor, Op. 184 \"Romantic\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:08:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/a91973277952408ebc15c586c72ffe59.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Romanze: Andante molto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/68f9ccdc3cdbc06f75a9598d6c7874a1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Intermezzo: Largo - Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:06:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/76c4d5bc7c207b0fb8a722b99060b87a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Finale: Presto agitato\u003c\/td\u003e\n\n \u003ctd\u003e00:06:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/679\/467\/54280aae248a86550068580bf9ad150e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos","offers":[{"title":"Default Title","offer_id":58236305572172,"sku":"8.574676","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313467679-Rheinberger--Klaviersonaten-Nr.webp?v=1792206202"},{"product_id":"donizetti-maria-stuarda-teatro-real-madrid-2024-regie-roussillon-1","title":"Donizetti: Maria Stuarda (Teatro Real, Madrid 2024, directed by Roussillon)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Gaetano Donizetti's tragic opera \"Maria Stuarda\" depicts the ruthless rivalry between Elizabeth I and Mary Stuart, Queen of Scots, who is portrayed as a martyr standing against the illegitimate Queen of England. The opera fell victim to censorship at its premiere and was plagued by problems during rehearsals, but today it is considered one of Donizetti’s great operatic masterpieces. From the extravagant, lyrical confrontations of the queens to the poignant final scene of the execution, this acclaimed production by David McVicar captivates with monumental stage designs and magnificent Elizabethan costumes that bring to life the majesty and merciless brutality of Elizabeth I’s reign. In recent years, director David McVicar has boasted an enviable series of celebrated opera productions, including a previous staging of \"Maria Stuarda\" at the Metropolitan Opera in 2013. His production at the Teatro Real captures the dangers and tensions faced by women in a male-dominated political world—a historical context that remains relevant today. For this staging of Donizetti's masterpiece, the Teatro Real presents an outstanding cast led by José Miguel Pérez-Sierra. American soprano Lisette Oropesa, who was named \"Female Performer of the Year\" at the 2024 International Opera Awards, sings the title role.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eMaria Stuarda (Mary Stuart, opera in 3 acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture - Prelude\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eQui si attenda (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eSì, vuol di Francia il rege ... Ah, quando all'ara scorgemi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eIn tal giorno do contento\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eFra voi perché non veggio Leicester?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eHai nelle giostre\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eQuest'immago, questo foglio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eSei tu confuso?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eQuali sensi!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eAllenta il piè, regina\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eOh, nube! che lieve per l'aria t'aggiri\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eQual suono!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eAh! Non m'inganna la gioia?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eOh, ciel! Che ascolto?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eDa tutti abbandonata\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eDel suo cor convinta io sono!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eQual loco è questo?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eE sempre la stessa\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eDeh! L'accogli\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eVa', preparati furente\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eE pensi? E tardi? (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eQuella vita a me funesta\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eAh! Deh! Per pità sospendi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eD'una sorella, o barbara\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eLa perfida insultarmi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eOh, mio buon Talbot!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eQuando di luce rosea\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eUn'altra colpa a piangere\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eVedeste? - Vedemmo\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eAnna - Qui più sommessi favellate\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eDeh! Tu d'un'umile\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003eOh, colpo!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eGiunge il conte\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eAh! Se un giorno\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Naxos Audiovisual","offers":[{"title":"Default Title","offer_id":58236310356300,"sku":"2.110782","price":27.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313578252-Donizetti--Maria-Stuarda-_Teatro-Real_-Madrid-2024-cover.webp?v=1792206740"},{"product_id":"trio-e-t-a-plays-un-known","title":"Trio E.T.A. plays un\/\/\/known","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Three works, three worlds—and yet a common core: the search for that moment when music transcends itself. César Franck’s youthful Trio in F-sharp minor sparkles with creative energy, full of melodies that immediately touch the heart and a freedom that opens up the space wide. Edvard Grieg’s only movement for piano trio is a cycle of light and movement: probing, glowing, shimmering—a serious game that constantly reinvents itself. The enigmatic Trio in A major, long attributed to Brahms, speaks in a warm, expansive tone, familiar yet from an unknown hand. Together, these works draw a panorama of chamber music: youthful and bold, poetic and searching, deeply rooted and full of open questions. For the E.T.A. Trio, they become a mirror of their music-making: an ensemble that combines alertness, curiosity, and the joy of a shared sound—always searching for the moment when three voices merge into a lively dialogue. ‘SWR Kultur New Talent’ is a support program for young classical musicians. For three years, exceptional artistic personalities are promoted and supported by SWR with concerts, studio productions, and media presence. Following Janina Ruh, Robert Neumann, and Lionel Martin, the album by the E.T.A. Trio is now being released; the ensemble celebrated several brilliant debuts in 2025, including \nat the Elbphilharmonie Hamburg and London's Wigmore Hall—following celebrated appearances at the Rheingau Musik Festival and the Oberstdorf Music Summer 2024.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTrio in F-sharp minor, Op. 1 No. 1\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:10:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/280\/917\/8649782367c6c3af5095d5e7f8ec24e1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/280\/917\/849d8b776d264c179b7a46f308ecb441.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Finale: Allegro maestoso\u003c\/td\u003e\n\n \u003ctd\u003e00:12:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/280\/917\/3d09650b2a7fe941c2c4f91d01c38537.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eAndante con moto in C minor, EG 116\u003c\/td\u003e\n\n \u003ctd\u003e00:08:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/280\/917\/2f3ba17c086a38dc0de41a2ca407296d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eTrio for Piano, Violin, and Cello No. 4 in A major, Op. posth. (Anh. 4 \/ No. 5)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:11:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/280\/917\/c3bf3b955c923f142d8959609e83352b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Vivace - Trio\u003c\/td\u003e\n\n \u003ctd\u003e00:06:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/280\/917\/87f0804970f5848f95042d87323bfad0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:08:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/280\/917\/d4b8959baa32e59a77474ad534e318fd.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/280\/917\/af349123ac289f0fe8d459f1ab50786d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SWRmusic","offers":[{"title":"Default Title","offer_id":58236310552908,"sku":"SWR19172CD","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313917280-Trio-E.T.A.webp?v=1792208481"},{"product_id":"craven-set-two-fur-klavier","title":"Craven: Set Two for Piano","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In July 2026, Métier presents “Set Two for Piano” by the visionary composer Eric Craven, the latest release in a series introducing his ‘non-prescriptive’ compositional method. This unique method is characterized by different levels of notation that offer the performer varying degrees of freedom to shape the music around a fixed core. The composer explains his hope is to ‘enable immediate success for every pianist, even those with modest skills’ (Pieces for Pianists Vol. 1 \u0026amp; 2), by creating something beautiful and expressive, while simultaneously offering more accomplished pianists the challenge of exploring new territory. Irish pianist Mary Dullea is Eric Craven’s partner on all these recordings. This new collection offers 12 highly entertaining pieces in a range of different styles, from toccata-like etudes to jaunty waltzes, often with a jazzy framework, and all varying between low-, mid-, and high-order notation – the levels of ‘non-prescription’ with which Craven annotates the score. ‘Low-Order' refers to music that is notated with pitch and rhythm as well as bar lines; ‘High-Order' comprises only pitches; and ‘Middle-Order' lies somewhere in between. No further details such as tempo, time signatures, dynamics, articulation, character, or duration are specified. In the ‘High Order’ pieces, the pianist has the option to play them differently in every performance.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Mary Dullea enjoys a highly successful career as a soloist and chamber musician, performing and broadcasting regularly on the international stage. Her extraordinary discography testifies to her commitment to new music. She is currently Head of Performance at Royal Holloway, University of London, where she also serves as a Professor of Music. She has collaborated for many years with Eric Craven, with whom she has released numerous recordings.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSet for 2 Pianos\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. one\u003c\/td\u003e\n\n \u003ctd\u003e00:12:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/542582fa461c8d6df00e998ae2f74f89.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. two\u003c\/td\u003e\n\n \u003ctd\u003e00:14:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/a4d30b6f1dff344ce3f5c01af4c29534.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. three\u003c\/td\u003e\n\n \u003ctd\u003e00:08:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/0b495521aacd9154818677f0c76c1e82.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. four\u003c\/td\u003e\n\n \u003ctd\u003e00:08:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/aeeda99e5ec2b5e460cdcd4d343a67cf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. five\u003c\/td\u003e\n\n \u003ctd\u003e00:08:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/27c35ea85ee1f54f7eda17f8dcf27e5a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. six\u003c\/td\u003e\n\n \u003ctd\u003e00:11:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/2e77491dc861972c885326bcfa512942.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. seven\u003c\/td\u003e\n\n \u003ctd\u003e00:07:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/213c141b241ab16c657668094befe87d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. eight\u003c\/td\u003e\n\n \u003ctd\u003e00:09:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/1e57dcb4340bdf736912ecb64a82d227.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 9\u003c\/td\u003e\n\n \u003ctd\u003e9. nine (a) -\u003c\/td\u003e\n\n \u003ctd\u003e00:11:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/47d6cf16b1f80b49afd6290265216d4a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 10\u003c\/td\u003e\n\n \u003ctd\u003e10. nine (b)\u003c\/td\u003e\n\n \u003ctd\u003e00:08:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/6f7d9417056ddcd64515ba1fc8187e61.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 11\u003c\/td\u003e\n\n \u003ctd\u003e11. ten\u003c\/td\u003e\n\n \u003ctd\u003e00:08:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/0f169d546c065d05a53d8bb2675dd937.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 12\u003c\/td\u003e\n\n \u003ctd\u003e12. eleven\u003c\/td\u003e\n\n \u003ctd\u003e00:13:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/a59eb9c1fcaee4dd64433833934c1aed.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 13\u003c\/td\u003e\n\n \u003ctd\u003e13. twelve\u003c\/td\u003e\n\n \u003ctd\u003e00:07:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/927\/713\/7e4fd1cfb4ac61f515f5d4148383709b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":58236310946124,"sku":"MEX77139","price":22.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0809730713927-Craven--Set-Two-fur-Klavier-cover.webp?v=1786304759"},{"product_id":"goldmark-sibelius-werke-fur-violine-und-orchester","title":"Goldmark \/ Sibelius: Works for Violin and Orchestra","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This recording brings together two great violin composers: Karl Goldmark and Jean Sibelius. The starting point is their actual meeting in Vienna, where Goldmark was briefly one of the young Sibelius's teachers – an inspiring connection that sparked violinist Sueye Park's interest in this program.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n At the heart of the recording is Goldmark's rarely heard Violin Concerto in A minor, Op. 28 – a work that sits between virtuosity, Hungarian color, and German Romanticism. It is complemented by concertante works by Sibelius, including the late Suite for Violin and String Orchestra, the \"Serious Melodies,\" and the two Humoresques, Op. 87 – music that balances Nordic elegance, lyrical intimacy, and brilliant virtuosity.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The multi-award-winning Korean violinist Sueye Park, winner of the 2025 International Jean Sibelius Violin Competition, impresses with her technical mastery and subtle sense for tonal colors. She is accompanied by the long-established Rundfunk-Sinfonieorchester Berlin under the baton of Valentin Egel, one of the most exciting young conductors of his generation.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Violin and Orchestra in A minor, Op. 28\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:16:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/aa2202ef5c83467df18cbcbe5605d8e2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Air: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:07:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/c045f191264843dd842d32dcecf2e528.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Moderato - Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:17:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/37f123a46bbe0a1e8c86c968d2af8a97.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSuite for Violin and String Orchestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Country Scenery: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/ce02a57d2b8159be804003110deac01a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Serenade: Andantino \"Evening in Spring\"\u003c\/td\u003e\n\n \u003ctd\u003e00:04:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/78065fb0dee55aafb6b8646a04514a98.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. In the Summer: Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/8c4071623d93da3e9e16485095c0e81f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSerious Melodies, Op. 77 Nos. 1-2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Cantique: Moderato assai \"Laetare anima mea\"\u003c\/td\u003e\n\n \u003ctd\u003e00:05:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/4fbc287aff44b3cb97c195655ebc556a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Devotion: Tempo molto moderato \"Ab imo pectore\"\u003c\/td\u003e\n\n \u003ctd\u003e00:03:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/4d2511b09bc43491664ff2b426d592fb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eHumoresques, Op. 87 Nos. 1-2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Humoresque in D minor: Comodo\u003c\/td\u003e\n\n \u003ctd\u003e00:03:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/c0c9afa9e4c2c778b841dea7ba47c090.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Humoresque in D major: Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:02:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/e0cba4afcb34ab30e646ee5189ac5950.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58236311109964,"sku":"BIS2782","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927824-Goldmark---Sibelius--Werke-fur-Violine-und-Orches-cover.webp?v=1792460377"},{"product_id":"moore-giants-in-the-earth","title":"Moore: Giants in the Earth","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Douglas Moore’s opera \"Giants in the Earth\" receives its world premiere recording with the South Dakota Symphony Orchestra under the musical direction of Delta David Gier. Set in the barren, uninhabited plains of Dakota, the drama follows Beret and Per Hansa, whose deep love is tested by the isolation and harsh realities of pioneer life. Moore’s text-oriented vocal lines flow with natural expression, weaving short, expressive ariosi into a seamless melodic tapestry. At the heart of the story is Beret’s intricately decorated Norwegian chest, which serves as an altar, refuge, and symbol of home, underscoring the opera’s themes of memory, tradition, and human longing. Moore’s tonal score contrasts strength and fragility through vocal registers and builds tension as Beret makes a fateful decision amidst blizzards and profound loss. Every nuance is vividly realized, from intimate lyrical passages to the opera’s harrowing climax. This groundbreaking recording illuminates the emotional intensity, psychological depth, and lyrical beauty of a work that has long awaited its complete version, making it an essential addition for lovers of American opera. The libretto is based on the novel of the same name by Ole Edvart Rølvaag, and the opera was awarded the Pulitzer Prize for Music in 1951. The South Dakota Symphony Orchestra rediscovered, recorded, and performed it again in Sioux Falls on April 26, 2025. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Douglas Moore (1893–1969) was a composer, pianist, conductor, and author. Although he created a number of operas and other stage works, only his folk opera \"The Ballad of Baby Doe\" (1956) has remained popular to this day.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eGiants in the Earth (Opera in 3 Acts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/ec0f91fb0f9d0dfca77685d8de74566f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNot a thing in sight yet, far as I can see.\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/ab8730edc414f0465b892de2d916ec50.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eGood morning, good morning!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/b73f529db123b57adecde510aafbb4ff.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eJa, vi elsker dette landet som det stiger frem. (Norwegian National Anthem)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/1fa0f9da574a9470401450f2bf829679.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eSo this is it! The pastures of Goshen in the land of Egypt. (Home Founding)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/c85654f6cd93c3b846da5fefe105a816.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eOh, dear God, bless them.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/7f3adec7c7f11548f412eee10c624ae3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eWhat happened to Borghild?\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/170cc6f5f8ed9a485cbe1e767b4f6593.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eWell, what about it Hans?\u003c\/td\u003e\n\n \u003ctd\u003e00:02:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/fda2d94060d88118dab1aff9ab49ee48.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eWe're not staying, we can't, we can't!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/b8100b6fc940a0de720adc480b735f2a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eHeave a line.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/f1b83e4f5bd3f590cde90efe2379d200.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eThe quiet, the quiet, the deep, the deep quiet.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/687aadb4e1d08c9425eac15efa001855.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eMama! Mama! Look at this.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/a43d37b475ccb2ece8b5262e4705ce4d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eWe can't stay.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/29549a7149ef4151a3047ea5e7baa72c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNo, no, no, aren't you afraid here? (Home Founding Reprise)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/6c3cd8f98e3b5f6ee6c449ab298d4f95.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eDoesn't it feel strange with everyone gone? (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/00a2696b51496c225b97a2bfeb613fc7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eWhat do you think they will bring us from town?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/ac038d94fd18b33fb49f4ccca3b30855.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003ePer Hansa came to court me on Sunday afternoon.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/78b60f3fdadd4cae78cee1f97cd04b64.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eWhat are these?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/cbac995cecf41858d3fe016d6668501b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eCoffee is ready. Let's sit down and drink.\u003c\/td\u003e\n\n \u003ctd\u003e00:00:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/e96f7a791e7ac880efaa8965f596e9fb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eIs the man of the house about this place?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/f74be321222ce031d6e92db044a9cee4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eThe stakes!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/2744d059b8bdf5de28e5d98ded220b09.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eWe're home, home again!\u003c\/td\u003e\n\n \u003ctd\u003e00:03:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/5d38b0c2f61dba8ff07419a4c3335af4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eWhat do you think, our last surprise of all?\u003c\/td\u003e\n\n \u003ctd\u003e00:00:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/a4f865b93db6faf171906dbfa4ee137d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eShe was working in the fields.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/70bb9c31ba2e54f474bdf0a969aca2cb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eAnd when did you get married?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/ee8d6363c8ea5c66ae33bce4e845ae11.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eWe'd better get home. (Home Again Reprise)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/b166e2ade977457c6490a25978eecb58.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eNo, let that go for now.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/543717f6736e65e5ab510d47b3171a03.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eYou ask what you have done?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/f1f7ab2f73e6e23f80bbd9e342bf9580.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eWho do you say these belong to?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/b3bafc06d0ad63004ec7747fe362814c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eDo you see that field of green out there?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/437c2e1af5a045eddd4d6f97f8e01222.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eBut the stakes, Per, what of the stakes?\u003c\/td\u003e\n\n \u003ctd\u003e00:02:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/e40d9fea91b435af0a973f3835ec46ae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003ePer, Per, can we talk to you here?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/1b1acc54f225f192cbb08e1ca52037d9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eI will thank you to go now.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/cf3d40a26bf43e5416c8871b4167e8ed.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 34\u003c\/td\u003e\n\n \u003ctd\u003eThe Wedding (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/e9267021289377ca870f15f8eed66e41.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 35\u003c\/td\u003e\n\n \u003ctd\u003eI now pronounce you Man and Wife.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/312b91194efc0e9dbc5c735b1cfa5302.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 36\u003c\/td\u003e\n\n \u003ctd\u003eWe're ready for the baptism next.\u003c\/td\u003e\n\n \u003ctd\u003e00:03:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/6679cd97d6ac501accdee9c219b37e52.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 37\u003c\/td\u003e\n\n \u003ctd\u003eNo, no this evil deed shall not be done.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/2fa58877cc268cecd8b999a84a30920b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 38\u003c\/td\u003e\n\n \u003ctd\u003eTake her inside.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/f908e97a8b103c83d8ed40a0cc9e299f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 39\u003c\/td\u003e\n\n \u003ctd\u003eRain. We are going to have rain.\u003c\/td\u003e\n\n \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/a9ebc5c949cd0aea08ffb182a8897778.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 40\u003c\/td\u003e\n\n \u003ctd\u003eWhy have they gone away?\u003c\/td\u003e\n\n \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/4e9d38711d00f01c0609e9bd200adc3c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 41\u003c\/td\u003e\n\n \u003ctd\u003eGod help all of us.\u003c\/td\u003e\n\n \u003ctd\u003e00:03:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/fdae354cea3424b8725ed210c39ad478.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 42\u003c\/td\u003e\n\n \u003ctd\u003ePrelude\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/2d278c34868b3f1c39961366a8495cfb.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 43\u003c\/td\u003e\n\n \u003ctd\u003eWhere go the sheep?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/d6f989dc0955896da286a5c658cbc5eb.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 44\u003c\/td\u003e\n\n \u003ctd\u003eForget it, Henry. Nobody can go out there tonight.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/2f41f3d4cefaec3ce54e516ccaf0dbb4.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 45\u003c\/td\u003e\n\n \u003ctd\u003eStop it! How can you be brawling now?\u003c\/td\u003e\n\n \u003ctd\u003e00:03:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/e80222bbabac64abb7e0d743606634af.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 46\u003c\/td\u003e\n\n \u003ctd\u003eWhat can you hear in a storm?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/f5ae525a12664cf5d1295515b6c4f1ee.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 47\u003c\/td\u003e\n\n \u003ctd\u003eBeret, stop it. Do you hear me?\u003c\/td\u003e\n\n \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/9319e951e9980616730b057de7758e50.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 48\u003c\/td\u003e\n\n \u003ctd\u003eI remember the day that we came here.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/d9df1cd9564a5fec5b702ed18f79f254.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 49\u003c\/td\u003e\n\n \u003ctd\u003eMay God go with you, Per.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/577\/265\/7fff75c27dc84607651214633f2a15f5.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Pentatone","offers":[{"title":"Default Title","offer_id":58236311273804,"sku":"PTC5187557","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/8717306265577-Moore--Giants-in-the-Earth-cover.webp?v=1792492122"},{"product_id":"foote-samtliche-cellowerke","title":"Foote: Complete Works for Cello","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Cellist Julian Schwarz makes his Delos debut with a landmark album containing Arthur Foote’s complete cello works, including the world’s first commercial recording of the Cello Concerto. As the only member of the “Boston Six” to have received his entire education in the United States, Arthur Foote is considered America’s first native-born talent. Although his works are performed and appreciated far less than they should be for reasons that remain unclear, his keen sense of melody and rich harmonic language are captivating; he composed a wealth of music for cello and piano, which is performed here by GRAMMY®-nominated cellist Julian Schwarz, pianist and partner Marika Bournaki, and internationally renowned conductor Gerard Schwarz with the Buffalo Philharmonic Orchestra.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNo.\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePieces No. 1–3 op. 1 (for cello, piano and orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Andante con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:05:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/dc905dc8e7b78d0e439b14abfbc90df5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/cd41b550a7709012d2cd002fc9488697.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Allegro con fuoco\u003c\/td\u003e\n\n \u003ctd\u003e00:04:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/b4d7dd040c2855daeee492df374b1159.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eAubade op. 77 (for cello, piano and orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/be3ef5b4db73c85b7f43b5e5662547a4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eScherzo op. 22 (for cello, piano and orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/61159780d260a6b0c7df4b8f7c9f2977.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eSonata for cello and piano in E minor op. 78\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro appassionato\u003c\/td\u003e\n\n \u003ctd\u003e00:09:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/bac40857676a9421e047f4bb8aca7da0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andantino con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:07:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/55a5fa0184590888941bde994c847960.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Vivace assai\u003c\/td\u003e\n\n \u003ctd\u003e00:04:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/b195948594e1d65897bfc341442ce661.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for cello and orchestra in G minor op. 33\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro ma non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:11:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/fd252ebdfdfe654d3fb83956c9a4a46a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/8e0fdebd04e3315b0d6b943bb5e9669d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro comodo\u003c\/td\u003e\n\n \u003ctd\u003e00:07:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/925\/361\/b9941b4607814837f3177c12f7b8c8d7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Delos","offers":[{"title":"Default Title","offer_id":58286983807308,"sku":"DE3619","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0013491361925-Foote--Samtliche-Cellowerke-cover.webp?v=1792181381"},{"product_id":"katchen-die-brahms-aufnahmen","title":"Katchen: The Brahms Recordings","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n To mark the 100th anniversary of Julius Katchen’s birth, “The Brahms Recordings” presents a comprehensive edition of all recordings of Brahms by the legendary American-born pianist of Russian-Jewish descent for Decca. The limited-edition 17-CD box set documents Katchen’s extraordinary affinity for Johannes Brahms—as a soloist, concert pianist, and chamber musician—and brings together his landmark interpretations of the piano concertos, solo works, and chamber music.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Several previously unreleased recordings deserve special attention, including the clarinet sonatas with Michel Portal and the first cello sonata with János Stark. Together with renowned partners such as Josef Suk, Pierre Monteux, János Ferencsik, Thea King, and Ruggiero Ricci, they create a compelling portrait of a pianist whose powerful yet nuanced interpretations of Brahms remain among the most important to this day.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Eloquence","offers":[{"title":"Default Title","offer_id":58286992458060,"sku":"ELQ4848167","price":157.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0028948481675-Katchen--Die-Brahms-Aufnahmen-cover.webp?v=1792182869"},{"product_id":"riley-the-holy-liftoff","title":"Riley: The Holy Liftoff","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n With \"The Holy Liftoff,\" the American composer Terry Riley presents one of his most recent and, at the same time, most ambitious works. The starting point was a sketchbook created in 2022 filled with drawings, graphic notations, and musical ideas, from which a multi-layered work developed over the following years. Characteristic of Riley, \"The Holy Liftoff\" combines precisely crafted composition with open formal concepts that allow the performers freedom regarding instrumentation, duration, and execution.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The approximately one-hour version recorded here by Samuel Clay Birmaher was created in close collaboration with Riley and the participating musicians. It combines multiple flutes with a string quartet and allows the work's extraordinary sound world to be experienced in all its diversity.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n \"The Holy Liftoff\" marks the eleventh installment of Claire Chase’s long-term project \"Density 2036,\" through which the flutist is commissioning new repertoire for her instrument leading up to the centenary of Edgard Varèse’s pioneering solo work \"Density 21.5.\" Together with the JACK Quartet, one of the leading ensembles for contemporary music, she dedicates herself to this fascinating fusion of composition, improvisation, and sonic exploration.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Sono Luminus","offers":[{"title":"Default Title","offer_id":58286993965388,"sku":"DSL92290","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0053479229007-Riley--The-Holy-Liftoff-cover.webp?v=1792188107"},{"product_id":"legends-rebellion","title":"Legends: Rebellion","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \"Legends: Rebellion\" is the latest installment in a series of recordings that honor women as storytellers and bearers of cultural memory. The Grammy-nominated, long-time collaborating duo – soprano Laura Strickling and pianist Joy Schreier – return with this project, which includes several world premiere recordings, to enrich the ever-evolving genre of the modern art song. The album explores rebellion in its many forms: political, emotional, erotic, maternal, and spiritual. From the Landay poetry of Afghan women, written in defiance of oppression, to mythical heroines reclaiming their own narratives, to an unflinching portrayal of new motherhood and a powerful meditation on love as resistance. This album defies conventional expectations of what art song \"should be,\" offering a kaleidoscopic variety of harmonic and rhythmic expressions alongside captivating, deeply human lyrics; a program that fascinates, challenges, illuminates, and delights – inviting both die-hard art song lovers and those less familiar with the genre into an expressive sound world that celebrates the contemporary song as a space for courage, vulnerability, testimony, and transformation.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Sono Luminus","offers":[{"title":"Default Title","offer_id":58286995276108,"sku":"DSL92291","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0053479229106-Legends--Rebellion-cover.webp?v=1792188123"},{"product_id":"valtysdottir-a-letter-from-helga","title":"Valtýsdóttir: A Letter from Helga","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The soundtrack to “A Letter From Helga” combines Kristín Anna Valtýsdóttir’s sonic world with a blend of chamber music intimacy and postmodern timbres. All the compositions are by Valtýsdóttir, complemented by a reinterpretation of John Cale’s “I’m Not The Loving Kind”. The arrangements were created in collaboration with Davíð Þór Jónsson and Gyða Valtýsdóttir.\n \u003c\/p\u003e\n\n \n\n \u003cp\u003e\n The performers are Kristín Anna Valtýsdóttir herself (accordion, piano, melodica, synthesizer and vocals), Ingi Garðar Erlendsson (tuba, trombone, alto horn and euphonium), Gyða Valtýsdóttir (cello) and Áki Ásgeirsson (cornet). Davíð Þór Jónsson contributes Hammond organ and additional vocals to “I’m Not The Loving Kind”.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNo.\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eA Letter From Helga (Film Music)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eDoorway\u003c\/td\u003e\n\n \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/6334b12f088af9868adb14a77d39a81b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eOpening\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/a15f6b93c94de617cafc6fb10d53e405.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eGlahn\u003c\/td\u003e\n\n \u003ctd\u003e00:01:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/a9c9079b808473f1f963b435988429ce.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eDesire\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/f13a67582d6139ff0473e041ee769fd9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eLove\u003c\/td\u003e\n\n \u003ctd\u003e00:00:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/4898d5d5e86ff98f86fd1a20debd7186.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eArrival of Spring\u003c\/td\u003e\n\n \u003ctd\u003e00:00:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/aebefebb81053ae35786fed4fbb3004f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eThe kiss\u003c\/td\u003e\n\n \u003ctd\u003e00:00:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/a68f9a8b9c27268a3c1227d6f6924d6d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eGolden age\u003c\/td\u003e\n\n \u003ctd\u003e00:01:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/e3cbbdbdc107f9e37e9fcf543020a044.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eI'm pregnant\u003c\/td\u003e\n\n \u003ctd\u003e00:02:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/a72e6a14d35d6b36a1a4c1205b89f83d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eYou don't have much time\u003c\/td\u003e\n\n \u003ctd\u003e00:00:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/8ccd9a8cbc57ab1895aca652d3b2d348.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eWhere are you going\u003c\/td\u003e\n\n \u003ctd\u003e00:01:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/c3eef3eb277fb26a7f61a91dc8739b9d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eHay cutting\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/84ff31fb3fea5c92d86a307d3154efc5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eDrowning\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/2151932d1ecca9ab81f9868c5f0206ed.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eHelga's dream\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/e0f72ca11860ffec489c1c8eee717e2d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eI'm not the loving kind\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/00c37a1e2773c9964c2ef7ccfecab182.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eTransition\u003c\/td\u003e\n\n \u003ctd\u003e00:00:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/15fc37f44f9572c3869d31adec78cbd8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eBjarni's longing\u003c\/td\u003e\n\n \u003ctd\u003e00:01:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/b0c5dc08f4d05488358bc30104cb842d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eThe letter\u003c\/td\u003e\n\n \u003ctd\u003e00:02:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/702\/704\/af4b1621124d12d2d18893ec8911d24e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Sono Luminus","offers":[{"title":"Default Title","offer_id":58286997635404,"sku":"SLE70047","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0053479704702-Valtysdottir--A-Letter-from-Helga-cover.webp?v=1792189113"},{"product_id":"brahms-samtliche-klarinettenwerke","title":"Brahms: Complete Clarinet Works","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Johannes Brahms' four late clarinet works are among the composer's most personal and beloved creations. Inspired by the playing of clarinetist Richard Mühlfeld, the Clarinet Trio Op. 114, the Clarinet Quintet Op. 115, and the two Clarinet Sonatas Op. 120 are works of particular tonal warmth, lyrical intimacy, and chamber-musical sophistication.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n This album brings together all of Brahms' compositions for clarinet. Icelandic clarinetist Rúnar Óskarsson explores this repertoire together with pianist Helga Bryndís Magnúsdóttir, cellist Sigurður Bjarki Gunnarsson, and the Siggi String Quartet. The musicians combine years of experience with these works with a refined sense for their intimate expressive world.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Sono Luminus","offers":[{"title":"Default Title","offer_id":58286998094156,"sku":"SLE70048","price":24.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0053479704801-Brahms--Samtliche-Klarinettenwerke-cover.webp?v=1792189129"},{"product_id":"matteis-spice-of-italy","title":"Matteis: Spice of Italy","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n After exploring Gottgried Finger's violin sonatas, it was a natural next step for the Duo Dorado to delve into the music of his London contemporaries. Although they are no longer completely unknown today, neither Matteis Senior nor his son receive the full recognition they deserve: In their countries of origin, they were overlooked because they had emigrated, and in their new home countries, because they were foreigners. Determined to remedy this, Hazel Brooks and David Pollock spent countless hours exploring their music and were fascinated by their vibrant and ever-changing musical worlds. It was difficult for them to make a selection for the recording. Modern violin playing has its roots in the Italian style of musicians such as Matteis, and we take it for granted that the violin can move us with a wealth of expressive timbres and effects. In Restoration-era London, the situation was different. The musical style was largely French, and no one had previously heard a style of playing like that of Matteis Senior. As the first major Italian violinist to come to England, he must have seemed like a musical visitor from another planet. The extent of his influence through his performances, teaching, and publications cannot be overstated. Violin playing and musical taste turned entirely toward the Italian style.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eAyres for the Violin in D minor (Book 4) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude in D major\u003c\/td\u003e\n\n \u003ctd\u003e00:01:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/371443cdee84728119015051f3f4e8d9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eFugue Fantasia: Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/3b2d22dfd87a1e634646d08bae869143.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eGrave: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/e8a5f6a76dc646541809cc7604cc3297.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eGround in D major: Allegro (per far la mano)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/081d6a49ec328fa1fa5e21335498e9b9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eAyres for the Violin in E minor (Book 4) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/47d0ebe8c87037cb9dad9e3c6be57fd4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003eFugue\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/53ae9d0d80a5c52e49132ef002654aab.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAria amorosa: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:03:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/819f5a0ce573f5cd881cbfba5f0ec0b2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAria: Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/ae9e135d12a810fa5d3f9dc4db49e6c2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eAyres for the Violin in E minor (Books 1 and 4) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePassagio à solo - Adagio (Book 4)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/f39d8e0d0fe30e4a09580289410d74f1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAllegro (Book 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/d535cec08992d04013dadaa42d119c17.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eAyres for the Violin in F major (Books 3 and 4) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude: Prestissimo (Book 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/bcb34159ae45f35fe3cbe3975fb1d73c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003eUn poco si Grave: adagio (Book 4)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/961e68c73658c504e32cb5e4737c5e5f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003eGavotta con divisioni (Book 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/3fac522b67e56aa85447db338233ffc8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Violin and Basso continuo in C minor\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/5b5c108ccbe00c9d35d0a94a11075aec.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/f45b3dc6b547a71a940679d859272543.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio - Grave - Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:05:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/945bb787d64c03f803603554efd7f6da.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Violin and Basso continuo in A major\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:01:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/38e71477c57318b6c81cad02d153dd4a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:00:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/16f24115968178e14b61d269881d65d0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. (No movement title)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/95410e449b9e4edb53cfa33fdd7a709f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Grave\u003c\/td\u003e\n\n \u003ctd\u003e00:01:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/7b1806537efa4056c3ff938d827aa09f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eVariations on \"La Folia\" by N. M.\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003e(No movement title)\u003c\/td\u003e\n\n \u003ctd\u003e00:11:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/e55cc0cca28fd8e66d6bb4b0c8f4a3a7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22\u003c\/td\u003e\n\n \u003ctd\u003eAyres for the Violin in F major: Ground after the Scotch Humour in F major (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAllegro\u003c\/td\u003e\n\n \u003ctd\u003e00:02:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/a03b816968d8e9e7b9eb05b4fb94f7a0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eAyres for the Violin in G minor (Book 2) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude in ostinato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/5be19b05abee46fc0786435870df0507.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 2\u003c\/td\u003e\n\n \u003ctd\u003eFugue\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/dc9b836aac6267d74836b1fe31b1f7ac.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAndamento malinconico\u003c\/td\u003e\n\n \u003ctd\u003e00:03:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/8ac50a9cb567ac834976e0c7b5794820.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 4\u003c\/td\u003e\n\n \u003ctd\u003eCorrente da Orecchi\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/48a3dcdeaf3dda7e3723d18ba5806489.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 5\u003c\/td\u003e\n\n \u003ctd\u003eGiga\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/ddaf365914c68b59c6389fdc87d554b4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28\u003c\/td\u003e\n\n \u003ctd\u003eAyres for the Violin in G major (Book 2) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePreludio\u003c\/td\u003e\n\n \u003ctd\u003e00:01:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/1c8334a74557385963000021b2faaef3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 2\u003c\/td\u003e\n\n \u003ctd\u003eMusica Grave - Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/7adf97eddcb85c20a5668b6cc989b3da.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 3\u003c\/td\u003e\n\n \u003ctd\u003eSarabanda: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/2a9395326cecab4fd3bd4b947aadbc11.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 4\u003c\/td\u003e\n\n \u003ctd\u003eOstinatione\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/b82635e85fbca5ebf7edcec62fb42cb3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 5\u003c\/td\u003e\n\n \u003ctd\u003eGiga: Al genio Turchesco\u003c\/td\u003e\n\n \u003ctd\u003e00:01:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/123\/083\/cb8bb2b10d33333ed40f029fb7db114d.mp3\"\u003elisten\u003c\/a\u003e\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Chandos","offers":[{"title":"Default Title","offer_id":58287000551756,"sku":"CHAN0831","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0095115083123-Matteis--Spice-of-Italy-cover.webp?v=1792189315"},{"product_id":"grieg-lyrische-stucke-vol-2","title":"Grieg: Lyric Pieces Vol. 2","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Peter Donohoe was born in Manchester in 1953, attended Chetham’s School of Music for seven years, completed his music studies at the University of Leeds, and subsequently studied with Derek Wyndham at the Royal Northern College of Music and in Paris with Olivier Messiaen and Yvonne Loriod. He is considered one of the most outstanding pianists of our time, renowned for his musicality, stylistic versatility, and masterful technique. One critic concluded in the magazine “Musical Opinion”: “I cannot imagine any living pianist who could surpass Donohoe’s extraordinary artistry.” Following his previous album of Grieg’s “Lyric Pieces,” this double album presents the remaining thirty-nine pieces as well as the Ballade op. 24. Edvard Grieg, born in Bergen in 1843, is widely regarded as Norway’s “national composer.” He composed for the piano throughout his life, but—with one exception—eschewed the German sonata in favor of miniatures he called “Lyriske stykker” (Lyric Pieces). These works, often influenced by the folk music of his native Norway, were published in ten parts. Rather than recording them in order, Peter Donohoe has arranged the pieces in an order of his own choosing.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eBallade in G minor op. 24 (in the form of variations on a Norwegian melody)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eTheme: Andante espressivo - Poco animato - Tempo 1 - Variation No. 1: Poco meno Andante, ma molto tranquillo - ...\u003c\/td\u003e\n\n \u003ctd\u003e00:16:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/b846c622bbc97b2df351a32b4e4afff4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 12 Nos. 1-8 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eArietta in E-flat major: Poco Andante e sostenuto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/ab03a9d1bd2381ddb3d6bbbbf519ede2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Patriotic Song in E-flat major: Maestoso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/39cfeb9ceb0b245ba25954e0eb0dc10a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 65 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 in C minor (in the ballad style): Lento lugubre - Un poco mosso - Tempo 1 - Un poco mosso - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:02:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/36ee1c165a270b1f6cd03d1467869185.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 38 Nos. 1-8 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Halling (Norwegian dance) in G minor: Allegro marcato\u003c\/td\u003e\n\n \u003ctd\u003e00:00:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/1753dbdfafe2d3a00349986099d2edfd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 57 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 She Dances in C major: Tempo di Valse - Cantabile - Animato - (Tempo 1) - Cantabile - Animato - (Tempo 1) - Più vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/1cb620d26c4fa26fdb954ecd34234b40.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 47 Nos. 1-7 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Melody in A minor: Allegretto - Più mosso - Tempo 1 - Più mosso - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:02:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/dcadcc17ec3d611b2ad560dba5471c87.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 57 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Homesickness in E minor: Andante - Molto più vivo - Tempo 1 - Poco a poco più lento al Fine\u003c\/td\u003e\n\n \u003ctd\u003e00:04:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/4d88b29ddd7663a8d85bae8245f2bf09.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 47 Nos. 1-7 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Spring Dance in G major: Allegro vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/2b68b3cbbae082584aabc0238ae86e94.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 68 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Evening in the High Mountains in E minor: Allegretto - Andante espressivo - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/127cda4c0316af5c3c0624f684d40ae6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 38 Nos. 1-8 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Folk Song in E minor: Allegro con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/6208350a9108c588b9b86dd2f878e8a2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 68 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Sailor's Song in C major: Allegro vivace e marcato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/e5abcab8b4540710178e38480392abfe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 57 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Illusion in A minor: Allegretto serioso\u003c\/td\u003e\n\n \u003ctd\u003e00:03:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/9910fb55b902f96de318897467bd48a5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 62 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Dream Vision in A major: Poco Andante ed espressivo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/1e43898907a6a32267689b357dbe16a3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 65 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Salon in A major: Allegretto con grazia\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/b45c16574961bb03e5324c9b45ee52f0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 54 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 March of the Dwarves in D minor: Allegro moderato - Cantabile - (Tempo 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/edf1b53ae80631ac5f23cc5e28f580f0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 68 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Grandmother's Minuet in G major: Allegretto grazioso e leggierissimo - Con moto - Tempo 1 - Con moto - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/b545cd93a1b1ed3b265a1dba518609a1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 At Your Feet in D major: Poco Andante e molto espressivo - Più mosso - A tempo, ma agitato - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:02:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/b83de83a49ade1014eb4f9cda47a56ac.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 62 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Sylph in A minor: Allegretto con moto - Allegro - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/69e8fc4374cad7a87057695273dd3bf6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 47 Nos. 1-7 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Elegy in A minor: Poco andante - Poco mosso - Tempo 1 - Poco mosso - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/9cf9c0f55ce7ca914b79f00ec11c9901.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Halling (Norwegian dance) in D major: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/96500fc593fb0684eb3be153d1b01d7e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 65 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 From Early Days in D minor: Allegro moderato e tranquillo - Molto più vivo - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:04:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/4ad8bd4f81a66d02a6fcfe9eb6ea9b79.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 43 Nos. 1-6 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Little Bird in D minor: Allegro leggiero\u003c\/td\u003e\n\n \u003ctd\u003e00:01:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/8b0f5fbabc57236dc974cce8918f384f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eLyric Pieces op. 38 Nos. 1-8 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Elegy in A minor: Allegretto semplice\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/8de533351339b0f0037d5e8b1dff16ba.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 47 Nos. 1-7 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 a minor: Allegro con moto - Molto più lento - Tempo 1 - Molto più lento - Tempo 1 - Molto più lento\u003c\/td\u003e\n\n \u003ctd\u003e00:03:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/af7008d84806fff29c0aad70420b136a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 71 Nos. 1-7 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Once upon a time e minor: In a Swedish folk style: Andante con moto - Animato - ...\u003c\/td\u003e\n\n \u003ctd\u003e00:03:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/bba42d095f8903cbe7531d89a08bf922.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 38 Nos. 1-8 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Spring Dance G major: Allegro giocoso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/3d1770c3c47f851eefa9e76291b4567f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 12 Nos. 1-8 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Watchman's Song: Molto andante e semplice - Intermezzo (Spirits of the Night) - (Tempo 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/8c2d6591d5f641fdce875bd5ce9085ae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 43 Nos. 1-6 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Butterfly A major: Allegro grazioso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/112b358a950b3c4ea9fcb5f698c2017f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 12 Nos. 1-8 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Folk Song f minor: Con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/86d1c141bd84cf142f2528b0a86deeb1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 62 Nos. 1-6 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 French Serenade A major: Andantino grazioso\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/99c82231899dff3ea5fdda80ea6915d8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Homeward E major: Allegro giocoso alla marcia - Molto allegro - Tempo 1 - Molto allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:02:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/a9e1750d66f33dee42b2eafd50f7fcb1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 68 Nos. 1-6 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 At the Cradle E major: Allegretto tranquillamente\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/3eddc7230129884232cf8f92930be023.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 38 Nos. 1-8 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Waltz e minor: Poco allegro - Presto - Tempo 1 - Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/a05287da921a0271261f5362aaf90ec5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 43 Nos. 1-6 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Lonely Wanderer h minor: Allegretto semplice\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/3aec42855b2311d01253d86c7efadb22.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 71 Nos. 1-7 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Farewell e minor (In Memoriam): Andante doloroso\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/b077a17814ece50a6e3be24b641ec89f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 38 Nos. 1-8 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Lullaby G major: Allegretto tranquillo - Con moto - A tempo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/4a20a7b4511025d1f667002fdfff7664.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 54 Nos. 1-6 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Norwegian Peasant March C major: Allegretto marcato\u003c\/td\u003e\n\n \u003ctd\u003e00:02:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/5117233b344d98800bf309c00ccc3f18.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 62 Nos. 1-6 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Thanksgiving G major: Allegretto semplice\u003c\/td\u003e\n\n \u003ctd\u003e00:03:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/7687ebb3854bf5037d133718b8d24255.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24\u003c\/td\u003e\n\n \u003ctd\u003eLyrical Pieces op. 71 Nos. 1-7 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Echoes E-flat major: Tempo di Valse\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/428\/256\/2649d1b1fd63d17c78b357554c106cdd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Chandos","offers":[{"title":"Default Title","offer_id":58287454519628,"sku":"CHAN20464","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0095115256428-Grieg--Lyrische-Stucke-Vol.webp?v=1792191377"},{"product_id":"scenes-from-finland","title":"Szenen aus Finnland","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Jean Sibelius composed “Scaramouche”, a ballet-pantomime commissioned by his publishers in 1912 for a play by Poul Knudsen. The plot reflects the immense early 20th-century interest in clowns and commedia dell’arte, as well as erotic desire, death and the macabre—the same phenomena that gave rise to Igor Stravinsky’s “Pétrouchka” and Arnold Schoenberg’s “Pierrot Lunaire”. Selim Palmgren, a younger contemporary of Sibelius known chiefly as a composer of piano music, also wrote music for the theatre; his score for the fairy-tale play “Tuhkimo ja kuninkaantytär” (Cinderella and the Princess) dates from 1902–03. Larin-Kyösti’s play tells of the adventures of a passionate young man named Tuhkimo, combining features of the familiar “Cinderella” story with elements from a variety of folk tales and fables. Einar Englund studied composition with Palmgren (and later with Aaron Copland). His film score for Erik Blomberg’s 1952 film “Valkoinen peura” (The White Reindeer) was particularly acclaimed, winning the award for Best Original Score at the Jussi Awards (the Finnish Oscars) in its year of release. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Kalervo Tuukkanen taught for three years at the University of Viipuri before serving as conductor in Pori, on Finland’s Baltic coast, from 1942 to 1944. He was one of the founding members of “Suomen Säveltäjät” (the Finnish Composers’ Association), and his composition “Karhunpyynti” (Bear Hunt) was awarded a silver medal at the 1948 Cultural Olympiad in London (where Finland topped the medal table in impressive fashion). “Joulusarja” (Christmas Suite) comes from his 1953 score for a production of Walter Bauer’s play “The Tale of the Last Shepherd”; its five movements cover the most significant episodes of the Christmas story.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eScaramouche (Ballet-Pantomime in 2 Acts): Suite op. 71 (arr. for orchestra by Rumon Gamba)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eIntroduction: Lento assai - Lento assai - Un poco meno lento -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/47a8be16de3abf51dadd76a2659a2ca7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eTempo di Bolero -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/90dcd357d39898daca9125117241a2f3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eTempo di Valse - Lento -\u003c\/td\u003e\n\n \u003ctd\u003e00:03:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/36b720f4abf0b0ce8924a310c5d2502b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAdagio - Allegro - Poco tranquillo - Adagio - Allegro - Adagio -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/ecbfaa86b09189c02ba4a16e04f5fcf2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eAndantino cantabile - Poco stretto -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/4c45cf012a88f8588114bacb565c80b9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eTranquillo assai -\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/b28feb10c9d1fc81a42256e870013dd0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003e(Allegretto) - Allegro - Poco stretto -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/967a40c439161a2a493155054676a880.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003e(Coda): (Lento) - A tempo ma più energico - Risoluto - Grave assai\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/055f6a5e09b87b2ec237d03016973378.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eCinderella and the Princess (Incidental Music): Suite op. 21\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude: Allegro - Con brio\u003c\/td\u003e\n\n \u003ctd\u003e00:04:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/eaf73d7fd68cb0483aa137c84baafbbd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Musette: Allegro vivace - Poco tranquillo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/5eca6848a70df24608cfc20807c22b0b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Intermezzo: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/04ada3fa0a6c62cf03817066a577dda3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Scherzo: Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/438b8b08008cc4a0b738fc2ae43ced0e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Waltz: Tempo di valse - (no tempo marking) - Tempo 1\u003c\/td\u003e\n\n \u003ctd\u003e00:02:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/0d616b96fda32f1f6125a09a8c63d551.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Intermezzo: Grave\u003c\/td\u003e\n\n \u003ctd\u003e00:03:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/319bb64690787ba46e458c263e8c7aa6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Dance on the Hangman's Mountain: Molto allegro - Brioso - (Fine) - L'istesso tempo - Da capo al Fine senza repetizione\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/5c7c2198efaa073f9233d0c0fa9d6670.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eThe White Reindeer (Film Score Suite)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude: Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/d69d98b0a3a5afd22fe756a058dda58c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. The Fell: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:03:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/3b63f7df7f52fd657f663fa6487897a9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. The Reindeer Race: Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/51446c3c7b9f5fa73b8bb55bdbbc1bc7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Marcia funebre: Grave\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/7e641d57c2ad97199d5e442e1a20a2c8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Finale: Allegro giocoso\u003c\/td\u003e\n\n \u003ctd\u003e00:02:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/b34c3a9f629cb8e96551fab9cd2b3992.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eChristmas Suite for Small Orchestra op. 41 (from \"The Tale of the Last Shepherd\")\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Introduction: Shepherds in the field: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/675434a1cd4cc010eae594d48133df30.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. A Message from the Angels: Moderato - Poco meno mosso\u003c\/td\u003e\n\n \u003ctd\u003e00:02:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/434304cf08db1676fcfbd56ef6371e4b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. A Message of Peace: Andante maestoso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/a0b88b1aa3f27cfbefd6e8bbdaf59f8b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Lullaby at the Manger: Andantino\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/b960fafcd35d9a41c949d521dec225ab.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Intermezzo: The Night of Death in Bethlehem: Moderato alla marcia\u003c\/td\u003e\n\n \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/024e6a9c8546d60875f6f9e822e62718.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. The Shepherd's Joy: Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/125\/539\/5dcc940a380b0058901a06f8fcbc495e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Chandos","offers":[{"title":"Default Title","offer_id":58287457272140,"sku":"CHSA5391","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0095115539125-Scenes-from-Finland-cover.webp?v=1792192624"}],"url":"https:\/\/shop.naxos.de\/en\/collections\/naxos-homepage-newest.oembed","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}