{"title":"Fehlendes Bild","description":"Products currently missing product images.","products":[{"product_id":"solo-pieces-for-lutha","title":"Solo Pieces for Lute","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Daphne","offers":[{"title":"Default Title","offer_id":58236559950156,"sku":"DAPHNE1088A","price":17.99,"currency_code":"EUR","in_stock":false}]},{"product_id":"bach-organ-sonata-concertos","title":"Bach: Organ Sonatas \u0026 Concertos","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Berlin Classics","offers":[{"title":"Default Title","offer_id":58351302607180,"sku":"0303253BC","price":50.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"chameleon","title":"Chameleon","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Berlin Classics","offers":[{"title":"Default Title","offer_id":58351302869324,"sku":"0303297BC","price":50.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"sleepwalking-again-lp","title":"Børud: Sleepwalking Again","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Connection Linx","offers":[{"title":"Default Title","offer_id":58352658022732,"sku":"CLPL9947","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7331720099580-Borud--Sleepwalking-Again-cover.webp?v=1792460847"},{"product_id":"tomorrow-is-today","title":"Tomorrow is today","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Founded in 2015, the a cappella vocal quintet Papagena consists of sopranos Elizabeth Drury, Imogen Ram-Prasad and Suzzie Vango, mezzo-soprano Shivani Rattan, and alto Sarah Tenant-Flowers. What distinguishes Papagena is their wonderfully adventurous programming, which defies categorization: medieval, classical, folk, and contemporary music from around the world, combined with repertoire ranging from Hildegard von Bingen to Katy Perry and everything in between. The new program on their album \"Tomorrow is Today: Songs of\nlove, beauty and the passing of time\" is characteristically eclectic. Some examples: \"The Gallant Weaver,\" set to a text by Robert Burns, tells of a humble girl's sincere love for her weaver. \"Sì Ch'io Vorrei Morire\" (Yes, I would like to die), a madrigal by Claudio Monteverdi, deals with passionate sexual attraction. \"Oy Khodyt Son\" (Oh, sleep is coming) is a traditional Ukrainian melody about love within a family. Henry Purcell’s \"Music for a while\" comes from his incidental music for John Dryden and Nathaniel Lee’s 1692 play Oedipus. \"Holi,\" in a setting by Papagena’s mezzo-soprano Shivani Rattan, is an Indian festival song. The song \"Ther is no rose\" comes from a collection of the earliest surviving examples of polyphonic music in the English language. The title track, \"Tomorrow is Today,\" which was commissioned by Papagena from Janet Wheeler and features text by the composer's daughter, Sarah Cattley, is subtitled \"Dawn Chorus\" and is full of allusions to birds, linking the ensemble's name to the bird-catcher's wife in Mozart’s The Magic Flute.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eThe gallant weaver (arr. by Sarah Tenant-Flowers)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/bb107a466c568203480522d209be5823.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eSì, ch'io vorrei morire (arr. by Sarah Tenant-Flowers)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/f8449e518b95a2460e5a6c4daa3c66ce.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eOy khodyt son (arr. by Sarah Tenant-Flowers)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/d7e973da17b767600c7a5547ff3d55ca.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eKaval sviri (arr. by Petar Lyondev)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/5a0637ecb8303bc6359a42b6f5b48617.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eMusic for a while (arr. by Gunnar Eriksson and Maria Gamborg Helbekkmo)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/0eb61094c56738ab178ed3db7686c608.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eHoli\u003c\/td\u003e\n\n \u003ctd\u003e00:03:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/8e74c60e83c2f793db784701d8473f92.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSicut lilium\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/bcb8a1d84a368feb145fc2b757e99ffe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eTher is no rose\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/de7c2806b484104b49a8d61be7e7f846.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eO cruor sanguinis (arr. by Papagena)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/4f1a3e32ff4c5dd07dcdf1dcfcd4d187.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eThis woman's work (arr. by Jim Clements)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/791e945832d13af8fed9ba0e23f7b231.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eCanto a Eleggua (arr. by Arlety Valdés and Yudelkis Lafuente)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/e40c934b6d783587b6c544dea4945624.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eTomorrow is today\u003c\/td\u003e\n\n \u003ctd\u003e00:04:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/95a8fe2a3fa040310cf3ceedc44e3ef7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eDolce cantavi\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/d4c238d9bda15ec6f977f786ad4d8d4d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eI courted a sailor (arr. by Suzie Vango)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/cd7d1a19e3002993be66ae0db391bdf8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eWelcome somer\u003c\/td\u003e\n\n \u003ctd\u003e00:04:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/19bf6ec444b1a2a00a88c02177cc0c63.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eWho knows where the time goes (arr. by Suzie Vango)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/ca0f23ff6ea9741509df2a2d4e3e58de.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eOrder \u0026amp; chaos (arr. by Hazel Askew, Hannah James and Rowan Rheingans)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/94266727c05e649b7d911f4963087b0d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eO du stille Zeit (arr. by Simon Wawer)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/072\/b4cd2058f087b8050fc1006e26bb23ae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58353263149388,"sku":"SOMMCD0721","price":16.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"klarinettenkonzerte-1","title":"Clarinet concertos","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n For his new release, which follows an album of clarinet concertos, clarinetist Peter Cigleris once again offers concertante works, and once again two premiere recordings, but here the tutti forces are not wind players, but the luminous strings of the London Mozart Players conducted by John Andrews. The three works, all composed in the late 1940s, are linked by the eminent English clarinetist Frederick Thurston (1901-1953). Denis ApIvor (1916-2004), born in Ireland to Welsh parents, was a chorister at Christ Church in Oxford and subsequently at Hereford Cathedral, where he also studied clarinet, piano, and organ. While there is a later version of his Concertante for clarinet that was orchestrated for an ensemble with strings, harp, and celesta, Peter Cigleris opens this album with ApIvor's original chamber music version for piano and two percussionists (one on timpani). This early work was composed during the composer’s wartime service in India. Many who know the name Freda Swain (1902-1985) will think of pedagogical piano solos and be surprised to learn that the Portsmouth-born composer created around 450 serious works, including large-scale opera, orchestral, and concertante music, as well as various chamber music works, which have unfortunately been neglected for far too long. Swain’s “Lumine naturi” Concertino for clarinet, presented here in a premiere recording, is an expressive work in a language that draws on tonality while remaining highly individual and stirringly melodic. Thurston played the world premiere of Gerald Finzi’s (1901-1956) Concerto for Clarinet and Strings at the Hereford Three Choirs Festival on September 9, 1949, and the masterpiece has rightly become the composer’s most performed concert work.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcertante for Clarinet, Piano and Percussion op. 7a\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Vivace e con fuoco\u003c\/td\u003e\n\n \u003ctd\u003e00:05:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/220\/072\/bf901b54a5b873854bce21f6e216950d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:08:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/220\/072\/ac414febc1cf5e9fbc90d2f075222d9a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Molto allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:06:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/220\/072\/840e269d66bac46f19b03d60a916e855.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eLumine naturi (Concertino for Clarinet, String Orchestra and Horn)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Pastorale: Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:06:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/220\/072\/74fcc702b81f2d046016112ab966b081.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Lento movimento\u003c\/td\u003e\n\n \u003ctd\u003e00:09:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/220\/072\/aa2fc74dd55463b51c5c6f866bb79e31.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:07:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/220\/072\/7756fe51333babcf64802a97d9e6cce3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Clarinet and Strings in C minor op. 31\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro vigoroso\u003c\/td\u003e\n\n \u003ctd\u003e00:08:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/220\/072\/1c2bfb5de929c45f18e5d8edcd43c280.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio, ma senza rigore\u003c\/td\u003e\n\n \u003ctd\u003e00:11:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/220\/072\/daa48383863183b24e1da0cb7e4cb046.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Rondo: Allegro giocoso\u003c\/td\u003e\n\n \u003ctd\u003e00:07:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/220\/072\/bb7790697a12e418176297c51a2e6ad2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58353263182156,"sku":"SOMMCD0722","price":16.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"wood-streichquartette","title":"Wood: String Quartets","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n To mark the centenary of the death of the Irish-born composer Charles Wood (1866–1926), this release presents the world premiere recordings of his String Quartet No. 2, \"Highgate,\" and his String Quartet No. 4, \"Harrogate,\" together with his \"Variations on an Irish Folk Tune.\" This follows the release of Wood’s sixth and final string quartet, performed by the London Chamber Ensemble Quartet. The London Chamber Ensemble, which also features on this album, was founded in 2019 and is led by violinist Madeleine Mitchell. The ensemble has been praised for its ‘passionate and persuasive advocacy [and] compelling interpretations’ (Gramophone). Charles Wood was born into a family of singers and musicians in Armagh, Ireland. He sang in the cathedral choir, became an organist as a student, and gained experience as a string player, particularly as a violist. Wood began writing chamber music at the age of sixteen. A year later, he became one of the fifty founding students of the Royal College of Music, where he studied composition under Sir Charles Villiers Stanford and Sir Hubert Parry. Wood, in turn, taught Ralph Vaughan Williams, Samuel Coleridge-Taylor, Herbert Howells, and Michael Tippett. Two years after graduating in 1890, Wood composed a second string quartet, which he nicknamed \"Highgate\" (presumably after visits to his brother at Highgate Grammar School). Although the quartet is slightly reminiscent of Brahms, it shows Wood’s emerging individuality. The unusual third movement, for example, uses a seven-bar ground bass combined with a strict theme for his own instrument, the viola. In 1912, he took a trip that led him to Harrogate and soon completed his fourth quartet—hence the nickname. Wood uses Irish folk melodies and dance tunes as thematic material, such as in the engaging, reel-like rondo theme of his finale.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 4 in E flat major, \"Harrogate\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:10:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/329\/072\/a826c950593f6f6892e58804da3c5bdc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Prestissimo\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/329\/072\/f8fca0cf5c86a2e6db40d48c7d60486a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:07:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/329\/072\/3bea7099429b1d9cd42f7d1b014dff65.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro molto - Presto - Prestissimo\u003c\/td\u003e\n\n \u003ctd\u003e00:07:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/329\/072\/c6c6c1377734ee18f7f6816224e11863.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eVariations on an Irish Folk Tune\u003c\/td\u003e\n\n \u003ctd\u003e00:12:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/329\/072\/03bf7965c4a987659d2115876633dc62.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 2 in E flat major, \"Highgate\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:11:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/329\/072\/bcd3eb38059dd0c9cf5bbad5f62d022d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Molto moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:04:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/329\/072\/c5d1ec0a0f5d911d430d20c963602068.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio ma non troppo - Più agitato - Tranquillo - A tempo\u003c\/td\u003e\n\n \u003ctd\u003e00:06:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/329\/072\/f7bcde1405af4d6c8fa9112a8b01813c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Molto animato - Più tranquillo - A tempo\u003c\/td\u003e\n\n \u003ctd\u003e00:06:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/329\/072\/c7139b141d42d76c0b101171cb310b91.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58353263214924,"sku":"SOMMCD0723","price":16.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"sheehan-ukrainian-war-requiem","title":"Sheehan: Ukrainian War Requiem","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Under the direction of Michael Zaugg, the Axios Men’s Ensemble and the tenors and basses of Pro Coro Canada from Edmonton perform the \"Ukrainian War Requiem\" by the multi-Grammy-nominated composer Benedict Sheehan. The recording is released on the third anniversary of the Russian invasion of Ukraine (February 24, 2022). Benedict Sheehan's \"Ukrainian War Requiem\" is a powerful tribute to the unbroken spirit of Ukraine, in memory of those who have fallen in the war. Rooted in the tradition of the Panakhyda (memorial service for the departed), it combines ancient Ukrainian prayers, Latin texts, and Jewish melodies, thereby symbolizing the complex past, present, and future of Ukraine. The work commemorates the ultimate sacrifice for freedom, democracy, and faith. The American conductor and composer Benedict Sheehan is considered one of the most important composers in the field of sacred music. Many renowned choirs and vocal ensembles, such as the BBC Singers, have already performed his pieces.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eUkrainian War Requiem\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eTrisagion Prayers\u003c\/td\u003e\n\n \u003ctd\u003e00:05:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/238c7d58396a8bc0b90c0272e2444714.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003ePsalm No. 90\u003c\/td\u003e\n\n \u003ctd\u003e00:06:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/13ddf93d6bf5a78689f6037dba993223.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eGreat Litany\u003c\/td\u003e\n\n \u003ctd\u003e00:05:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/e656dd71256d3b9bf394f7bb337c66d3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eAlleluia - Troparia\u003c\/td\u003e\n\n \u003ctd\u003e00:03:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/e87648bddf5061e9a7767e66f7e5b815.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eEvlogitaria of the Departed\u003c\/td\u003e\n\n \u003ctd\u003e00:09:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/90751636184abc9fe97468cc95197d1e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eSessional Hymn of the Departed\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/7d80360ff64aa1881dc31815b29c9aa8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003ePsalm No. 50\u003c\/td\u003e\n\n \u003ctd\u003e00:06:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/b437753abaf1bfb80bba43cfe423a680.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eCanon\u003c\/td\u003e\n\n \u003ctd\u003e00:11:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/d0154b0eae5d5b27d13dfd24b892a9d4.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eWith the Souls No. 3\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/f21e7f7e2741709ddc7dd593643c83e6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eLitany for the Dead\u003c\/td\u003e\n\n \u003ctd\u003e00:03:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/3fc91b743daa4f227914b920834d89ba.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eEternal Memory \u0026amp; Light\u003c\/td\u003e\n\n \u003ctd\u003e00:05:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/568f4b0861242104d0d7542dfb542d9e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eIn Paradisum\u003c\/td\u003e\n\n \u003ctd\u003e00:05:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/446\/810\/063b91baac8984568fc255d17d2b45de.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Cappella Records","offers":[{"title":"Default Title","offer_id":58353264755020,"sku":"CR-432","price":16.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"strauss-ein-heldenleben-beethoven-sinfonie-nr-8","title":"Strauss: A Hero's Life \/ Beethoven: Symphony No. 8","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Sir Thomas Beecham engaged with the works of Richard Strauss for a long time, leading Strauss to once tell him: \"What you have done for my works in England cannot be valued highly enough.\" This collaboration between two musical giants of the early 20th century is celebrated with this release – to which is added a powerhouse from the early 19th century – with the release of \"Beecham Conducts R. Strauss and Beethoven.\" This is the 33rd volume of SOMM’s popular \"The Beecham Collection\" series and marks the 70th anniversary of two remarkable 1956 recordings. Once again, audio engineer Lani Spahr brings his profound musicality and technical expertise to these newly restored masterpieces. Alongside his determined efforts to bring Strauss's operas to the London stage – starting with the British premiere of Strauss's opera \"Elektra\" in 1910 – Beecham was also an enthusiast for Strauss's tone poems. \"Ein Heldenleben,\" in particular, became a kind of calling card for him. In 1947, he recorded the tone poem in the studio with the recently founded Royal Philharmonic Orchestra. A few weeks after his death in 1961, his 1958 stereo recording of \"Ein Heldenleben\" was released. The live recording presented here comes from an all-Strauss concert given at the Royal Festival Hall on October 17, 1956. The first half of the program was released in 2023; the second half, heard here, was dedicated to \"Ein Heldenleben.\" Beecham's relationship with Ludwig van Beethoven was rather ambivalent. Although he regularly performed several of Beethoven's symphonies, his recordings were sporadic, and he never completed a full cycle. Featured here is Beecham's exciting, fleet-footed interpretation of the Eighth Symphony, recorded at the Festival Hall on December 12, 1956.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 8 in F Major, Op. 93\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro vivace e con brio\u003c\/td\u003e\n\n \u003ctd\u003e00:09:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/64f0420c5d2626e4fec5b659c76710a9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegretto scherzando\u003c\/td\u003e\n\n \u003ctd\u003e00:03:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/8522c7b5f2eea556b60769ccac04ca6a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Tempo di menuetto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/12c948273ec9907e8399f130b49e0c64.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:07:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/4e1747d1f1d859a76b33fe7f96f732ac.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eEin Heldenleben, Op. 40 (Tone Poem)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. The Hero\u003c\/td\u003e\n\n \u003ctd\u003e00:04:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/bcaeb5915210337c963386af678cc2a1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. The Hero's Adversaries\u003c\/td\u003e\n\n \u003ctd\u003e00:02:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/d45b5ea9f6cd9756c3b980f819ce2122.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. The Hero's Companion\u003c\/td\u003e\n\n \u003ctd\u003e 00:12:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/85159cc80e6896725569a859c47b57bd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. The Hero's Battlefield\u003c\/td\u003e\n\n \u003ctd\u003e00:08:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/ef0b34c062010d035f2e5b28a9cf50fa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. The Hero's Works of Peace\u003c\/td\u003e\n\n \u003ctd\u003e00:07:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/abe2271597b4f61eafba3fef3737a081.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. The Hero's Retirement from the World and Fulfillment\u003c\/td\u003e\n\n \u003ctd\u003e00:06:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/013\/7ee61f24318b4b1f0ed4f0dabd020869.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58353264918860,"sku":"SOMMBEECHAM33","price":16.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"rimsky-korsakov-scheherazade-saint-saens-bacchanale-cellokonzert-nr-1","title":"Rimsky-Korsakov: Scheherazade \/ Saint-Saëns: Bacchanale \/ Cello Concerto No. 1","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n On April 24, 1960, the 80-year-old Sir Thomas Beecham gave the last concert he conducted with the Royal Philharmonic Orchestra in London at the Festival Hall. The final work from this historic program is the \"Bacchanale\" from the opera \"Samson et Dalila\" by Camille Saint-Saëns. What the audience did not know during their stormy applause was that this performance marked Beecham's farewell to the London concert stage. In June 1960, he suffered a cerebral thrombosis and never conducted again; he passed away on March 8, 1961. This historic release also contains live recordings of Saint-Saëns' First Cello Concerto and \"Scheherazade\" by Nikolai Rimsky-Korsakov. The audio restoration was once again carried out by renowned sound engineer Lani Spahr, whose work was recently honored with four 'Gramophone Magazine Editor's Choice Awards'. The 1958 performance of Saint-Saëns' First Cello Concerto features the Ukrainian-born soloist Mischel Cherniavsky. Mischel Cherniavsky came from a family of nine musically gifted children and played with two of his brothers in the Cherniavsky Trio from 1901 to 1934, after which he lived mainly in London and France. The live performance of Rimsky-Korsakov's Scheherazade on this release was given on March 21, 1957, at the Royal Festival Hall. What Rimsky-Korsakov described as the \"various fairy-tale wonders\" he had in mind when composing the work come across in Beecham's live performance with a freshness and brilliance that make the work an unforgettable experience.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSamson et Dalila op. 47 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eBacchanale (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/420\/013\/bebd9c9e803d34cd50cdda27b25b6261.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Cello and Orchestra No. 1 in A minor, Op. 33\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/420\/013\/767d9ffb46c6f967f825ffd0d9421742.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegretto con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/420\/013\/fcfd10f96778b2b417407680f31acbcc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Tempo primo\u003c\/td\u003e\n\n \u003ctd\u003e00:09:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/420\/013\/19648b655266220005bbee5c25774b2f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eScheherazade Op. 35 (Symphonic Suite)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. The Sea and Sindbad's Ship\u003c\/td\u003e\n\n \u003ctd\u003e00:09:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/420\/013\/5c64db830d0486e25589433387112019.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. The Story of the Kalendar Prince\u003c\/td\u003e\n\n \u003ctd\u003e00:11:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/420\/013\/c86700ac567eebed8d742bf053e30b98.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. The Young Prince and the Young Princess\u003c\/td\u003e\n\n \u003ctd\u003e00:10:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/420\/013\/0990b46abc4efd6a20f860938f8a582b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Festival at Baghdad - The Sea - The Ship breaks against a Cliff surmounted by a bronze Horseman\u003c\/td\u003e\n\n \u003ctd\u003e00:12:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/420\/013\/8ff8392a135918bf35fa59450c456d9e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58353264951628,"sku":"SOMMBEECHAM34","price":16.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"elgar-from-the-archives-vol-1","title":"Elgar: From the Archives Vol. 1","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In January 2026, the Elgar Society celebrates its 75th anniversary. Since the late 1990s, it has provided SOMM Recordings with invaluable support in the release of new and archival recordings of works by Edward Elgar. To mark this occasion, SOMM is releasing Part 1 of the \"Elgar from the Archives\" series. The release features 'acoustic' recordings of Elgar's \"Enigma Variations,\" conducted by the composer himself in 1920 and by Sir Henry Wood in 1924. Also included is an abridged 1919 recording of Elgar's Violin Sonata featuring the virtuoso Marjorie Hayward, a member of the Royal Academy of Music, and the Australian pianist Una Mabel Bourne, which fits onto the original record sides. The London String Quartet, founded in 1908, can be heard in an abridged version of Elgar's String Quartet, which they recorded in 1921. Elgar's recordings of the \"Enigma Variations,\" the Violin Sonata, and the String Quartet are all remastered first recordings. Before the microphone emerged in 1926 and revolutionized the recording industry's technique with 'electrical' recordings, musical performances were captured through 'acoustic' recordings. A recording horn protruded from the wall in front of the musicians, wrapped in tape to dampen the 'tinny' sound and reduce vibrations. On the other side of the wall was a diaphragm that transferred the vibrations captured by the horn to a needle, which was positioned via a gimbal mechanism over the wax disc to be cut. The recordings on this release demonstrate the skill of the forgotten recording engineers of that time. Musician and master restoration engineer Lani Spahr discovered and processed their works. Elgar and Richard Strauss were the first major composers to take the recording of their music seriously, and the \"Enigma Variations\" were Elgar's most significant work during his ten years as a recording artist.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eEnigma (Variations on an Original Theme) Op. 36\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Theme\u003c\/td\u003e\n\n \u003ctd\u003e00:01:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/255b7f1b174cdd66086e7bb9a7023bcf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Variation 1\u003c\/td\u003e\n\n \u003ctd\u003e00:01:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/f9d6f9efb7d42111e8388eb5cfccedba.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Variation 2\u003c\/td\u003e\n\n \u003ctd\u003e00:00:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/e5658aa3f77559ac8e4776a500df6003.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Variation 3\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/12b738c7ecac37388cd7602947fcc275.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Variation 4\u003c\/td\u003e\n\n \u003ctd\u003e00:00:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/e93f5400b96ea6a024524260171ad646.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Variation 5\u003c\/td\u003e\n\n \u003ctd\u003e00:02:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/70e421b8b776cef5dda46ecd3fc813be.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Variation 6\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/31345acdf6f6eded8360bdba6851b735.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. Variation 7\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/09dbc4682fcbdbeffa35741ed5dfad73.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003e9. Variation 8\u003c\/td\u003e\n\n \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/f74be54c87d9f77b6469f9fdef67d7ae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003e10. Variation 9\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/dbfc0d095ba9d3a1d68637b235a932b5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003e11. Variation 10: Intermezzo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/c27016d7382b12c894b8233c11da9029.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003e12. Variation 11\u003c\/td\u003e\n\n \u003ctd\u003e00:00:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/422f7fe6cf64033fef7687858df06dd0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003e13. Variation 12\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/46c6f4c16c38041b00bde4d4df78a18b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003e14. Variation 13: Romanza\u003c\/td\u003e\n\n \u003ctd\u003e00:02:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/116f430a1917bb6705b98d927f431092.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003e15. Variation 14: Finale\u003c\/td\u003e\n\n \u003ctd\u003e00:04:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/824664e0a4bc22cc3e07f7faf41d5987.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Violin and Piano in E minor, Op. 82\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/ef74dce4efc555c8d4ce0e5d4d72c86e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Romanza\u003c\/td\u003e\n\n \u003ctd\u003e00:04:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/bcc663d9f65c6c01b3b05cd6f6a54971.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro, non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:08:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/b95a04681d5880d8b728f195e32cd30d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet in E minor, Op. 83\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:04:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/ce0764824e32b9d6feb1bee28e766f54.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Piacevole (Poco andante)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/9ba7ea7eafefe18031e6aa9a696d22f1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/ad91ef84a087efe3c66c331748b9c89b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22\u003c\/td\u003e\n\n \u003ctd\u003eEnigma (Variations on an Original Theme) Op. 36\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Theme\u003c\/td\u003e\n\n \u003ctd\u003e00:01:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/f8583a622c05d0cbfe9a6a81308f8d62.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Variation 1\u003c\/td\u003e\n\n \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/14759dd4e467d23e4107ffc81bc38ab3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Variation 2\u003c\/td\u003e\n\n \u003ctd\u003e00:00:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/14d8da6c518bd0b2d09461823b893b87.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Variation 3\u003c\/td\u003e\n\n \u003ctd\u003e00:00:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/ab73b5287143631c2f5fc729a40142d4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Variation 4\u003c\/td\u003e\n\n \u003ctd\u003e00:00:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/26cb0af4a9669ca349754ef58fb4da29.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Variation 5\u003c\/td\u003e\n\n \u003ctd\u003e00:01:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/22ce3fd03d68c2a7f081ac570456ff71.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Variation 6\u003c\/td\u003e\n\n \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/8ff6129c32aa126f1b8f4a55b295ec3c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. Variation 7\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/c41ab2c0d2c8c744d46a3d5661d3a234.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 9\u003c\/td\u003e\n\n \u003ctd\u003e9. Variation 8\u003c\/td\u003e\n\n \u003ctd\u003e00:01:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/589a21e287cc0b002d281cd14d2cd595.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 10\u003c\/td\u003e\n\n \u003ctd\u003e10. Variation 9\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/db887affd4bd17958455a3d634813084.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 11\u003c\/td\u003e\n\n \u003ctd\u003e11. Variation 10: Intermezzo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/29e1daa3b7155db1d6c5db9acbfc0b4f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 12\u003c\/td\u003e\n\n \u003ctd\u003e12. Variation 11\u003c\/td\u003e\n\n \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/57a68c4f6a90548b94499943769f9a55.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 13\u003c\/td\u003e\n\n \u003ctd\u003e13. Variation 12\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phon%20onet.de\/\/naxos\/\/621\/504\/ebaba6d0c29bafd427562f4ca6feb84d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 14\u003c\/td\u003e\n\n \u003ctd\u003e14. Variation 13: Romance\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/91586e21a049603d2b6dbfbfc91f9db6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 15\u003c\/td\u003e\n\n \u003ctd\u003e15. Variation 14: Finale\u003c\/td\u003e\n\n \u003ctd\u003e00:04:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/504\/8dc3caa1e2f54bca6a7a56da80d2d2c2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58353265672524,"sku":"ARIADNE5046","price":16.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"elgar-from-the-archives-vol-2","title":"Elgar: From the Archives Vol. 2","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n SOMM Recordings’ new series “Elgar from the Archives” explores Edward Elgar’s music through rare archival recordings, not only by well-known British performers but also by lesser-known yet equally meritorious international conductors and soloists. Volume 2 of the series features historic live performances of Sir Edward Elgar’s Violin Concerto in B minor, Op. 61 with Tibor Varga and the Cello Concerto in E minor, Op. 85 with André Navarra. Lani Spahr—whose work as a mastering recording engineer for historical reissues has been acclaimed by Gramophone magazine among others—has once again expertly handled the audio restoration of these performances. The Royal Philharmonic Society of London commissioned the Violin Concerto from Elgar in 1909. Composed within a year of his first symphony, it is one of his longest orchestral works and has a reputation for being one of the most difficult pieces in the violin repertoire. He dedicated it to the celebrated violin master of his day, Fritz Kreisler, who gave its premiere in 1910 under Elgar’s baton. The Hungarian violinist Tibor Varga (1921–2003) was 6 years old when he first performed in public and went on to become one of the most significant soloists of his generation. This recording from 1957 was made with the Dutch composer and conductor Jan Koetsier and the Bamberg Symphony. After the First World War, Lady Elgar noted that her husband’s compositions had changed. His four-movement Cello Concerto, completed in 1919, is barely longer than the first movement of his Violin Concerto, and it is a contemplative, elegiac work with a heart-rending Adagio in the third movement. The renowned cellist André Navarra (1911–1988) finished his studies at the Paris Conservatoire at the age of fifteen and was later mentored by Pablo Casals. He undertook extensive tours in the United States, Europe, Asia, and the Soviet Union. His recording here with the German conductor Fritz Rieger and the Munich Philharmonic dates from 1956.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Cello and Orchestra in E minor, Op. 85\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio - Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:07:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/720\/504\/ea6dec5d7da661688a0502b53ac06d4e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Lento - Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/720\/504\/647277653060f3ee4ee170c510752e72.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/720\/504\/d2df6ae81d0e952ce72af2e2f81cc9ff.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro - Moderato - Allegro, ma non troppo - Poco più lento - Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:09:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/720\/504\/4d03f244bd71a0d3903686251e3eba29.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Violin and Orchestra in B minor, Op. 61\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:17:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/720\/504\/b1731b5dcbdd5563b1dafb16143a339c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:11:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/720\/504\/f5f92f128dc1f3ee42cac00c80f81347.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:17:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/720\/504\/e3b15e076ddec5df0b4c693367698f86.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58353265705292,"sku":"ARIADNE5047","price":16.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"elgar-from-the-archives-vol-3","title":"Elgar: From the Archives Vol. 3","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The third installment in the \"Elgar from the Archives\" series features two historical recordings conducted by Sir Adrian Boult: the oratorio \"The Kingdom\", Op. 51, and the beloved \"Variations on an Original Theme 'Enigma'\", Op. 36. These variations provide an interesting comparison to the two acoustic versions from the highly acclaimed Vol. 1 of this series, one conducted by the composer in 1920 and the other by Sir Henry Wood in 1924. These recordings, available commercially for the first time, have been remastered by sound engineer Lani Spahr, whose work on \"Elgar from the Archives\" Vol. 1 was once again highly praised by the press. Inspired by a remark from one of his schoolteachers that the apostles were poor, young men, perhaps 'not cleverer than some of you here', Elgar conceived the idea for a work that portrays the apostles as ordinary men responding to extraordinary events. He envisaged an oratorio trilogy consisting of \"The Apostles\", Op. 49, \"The Kingdom\", and an unrealized work, \"The Last Judgement\". He made the first sketches for \"The Kingdom\" as early as 1882, while still working as an organist at St. George's Catholic Church in Worcester. Following an orchestral prelude that introduces the main musical themes and sets the mood of the work, the oratorio consists of five parts: I. In the Upper Room, II. At the Beautiful Gate, III. Pentecost, IV. The Sign of Healing, and V. The Upper Room. \"The Kingdom\" is scored for four soloists, chorus, and large orchestra - in this recording featuring Heather Harper, soprano (The Blessed Virgin), Helen Watts, alto (Mary Magdalene), William Herbert, tenor (St. John), and Gordon Clinton, baritone (St. Peter), with the Croydon Philharmonic Society and the BBC Symphony Orchestra conducted by Sir Adrian Boult. This program, performed on May 29, 1957, at the Royal Festival Hall, was part of the centenary celebrations of Elgar's birth. Boult admired \"The Kingdom\" more than any of Elgar's other major choral works, and his comprehensive understanding and identification with the piece are evident in his skillful choice of tempo and attention to dynamics.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eThe Kingdom, Op. 51 (Oratorio) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude\u003c\/td\u003e\n\n \u003ctd\u003e00:08:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/fdb8d74ada9971856756559dabdd8df7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eIn the upper room\u003c\/td\u003e\n\n \u003ctd\u003e00:18:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/4c0d52902128954f32d94fb0f626c8dc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAt the beautiful gate (The morn of Pentecost)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/bb260afd196431c71b0acdc5ace65ab2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003ePentecost (In the upper room)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/8860c53fd1a1205fdd874adcb7f4ca21.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eIn Solomon's porch\u003c\/td\u003e\n\n \u003ctd\u003e00:17:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/9859fc2f04e1c6c22f244dab83522514.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThe sign of healing (At the beautiful gate)\u003c\/td\u003e\n\n \u003ctd\u003e00:09:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/86b3a6e5c6bcd44c42c0f531950b818f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 7\u003c\/td\u003e\n\n \u003ctd\u003eThe arrest\u003c\/td\u003e\n\n \u003ctd\u003e00:10:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/413a07e9c6872a269ae94cf8a0ab2254.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 8\u003c\/td\u003e\n\n \u003ctd\u003eThe upper room (In fellowship)\u003c\/td\u003e\n\n \u003ctd\u003e00:19:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/e683b0cdc58ac92c42547076620e0bc4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eEnigma (Variations on an original theme), Op. 36\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Theme\u003c\/td\u003e\n\n \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/fdbfb51b10c55ccaee6c8a499dcb0481.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Variation 1: C.A.E.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/145d42f8e0c9f94e6447be121c23f0c0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Variation 2: H.D.S-P.\u003c\/td\u003e\n\n \u003ctd\u003e00:00:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/0aef111e4ff44d96309d8f97de91c4be.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Variation 3: R.B.T.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/1add1da244337ce1ffca956a3b7906e5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Variation 4: W.M.B.\u003c\/td\u003e\n\n \u003ctd\u003e00:00:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/cd9aa2aabddf1aeefacdba9ffb4e7bd7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Variation 5: R.P.A.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/998875d91474e5f9341b18476852fa22.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Variation 6: Ysobel\u003c\/td\u003e\n\n \u003ctd\u003e00:01:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/dfc02f434fb165de1e9401155c67869d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. Variation 7: Troyte\u003c\/td\u003e\n\n \u003ctd\u003e00:00:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/3a5b255be655f2143ce71d40d90586aa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 9\u003c\/td\u003e\n\n \u003ctd\u003e9. Variation 8: W.N.\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/c78ad53fe9294f3f3d2cb2ba5a5ac9d4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 10\u003c\/td\u003e\n\n \u003ctd\u003e10. Variation 9: Nimrod\u003c\/td\u003e\n\n \u003ctd\u003e00:04:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/c9dedc07b7f360c05984e1a7928c8931.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 11\u003c\/td\u003e\n\n \u003ctd\u003e11. Variation 10: Dorabella (Intermezzo)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/1d33812f96418255dbce1b97ad1dd5a0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 12\u003c\/td\u003e\n\n \u003ctd\u003e12. Variation 11: G.R.N.\u003c\/td\u003e\n\n \u003ctd\u003e00:00:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/fb30d561924a82567e24e93555241526.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 13\u003c\/td\u003e\n\n \u003ctd\u003e13. Variation 12: B.G.N.\u003c\/td\u003e\n\n \u003ctd\u003e00:02:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/9dceb20ce01ac2f7e742f9e769d47afe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 14\u003c\/td\u003e\n\n \u003ctd\u003e14. Variation 13: *** (Romanze)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/4420621cd8a53385e0761fe542f708f8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 15\u003c\/td\u003e\n\n \u003ctd\u003e15. Variation 14: E.D.U. (Finale)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/829\/504\/81d3b9b90e70bd9509b978313d0a8dc4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"SOMM Recordings","offers":[{"title":"Default Title","offer_id":58353265869132,"sku":"ARIADNE5048","price":26.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"shchedrin-die-dame-mit-dem-schosshund-concerto-dolce","title":"Shchedrin: The Lady with the Dog \/ Concerto dolce","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The composer Rodion Shchedrin (1932–2025) was one of the leading figures of post-war Soviet music. This album by the Turku Philharmonic Orchestra, conducted by Olli Mustonen, brings together four of his works, including music from his ballet \"The Lady with the Lapdog\" as well as a viola concerto, \"Concerto dolce,\" played by Lawrence Power, one of the greatest violists of our time. Rodion Shchedrin passed away while this album was being recorded – it thus becomes a monument to the unique, approximately thirty-year friendship and artistic collaboration between Olli Mustonen and Shchedrin. Shchedrin moved freely between different styles and combined influences and materials from various sources; he himself described himself as a \"post-avant-gardist.\" Shchedrin's five ballets make him a full-fledged heir to the Russian ballet tradition, which he simultaneously reformed. \"The Lady with the Lapdog\" was his last complete ballet, written for his wife’s 60th birthday. The concert piece is just as concertante as the original ballet. \"Shepherd’s Pipes of Vologda\" (1995) was commissioned by Hungarian Radio and is a tribute to the Hungarian master composer Béla Bartók – Shchedrin also traveled to Belarus and Vologda to study and record folk music. The internationally renowned violist Lawrence Power has performed regularly as a guest musician with top-tier orchestras over the last ten years and is also highly sought after as a chamber musician. The Turku Musical Society, from which the Turku Philharmonic Orchestra later emerged, was founded in 1790, making it one of the oldest in the world. Olli Mustonen holds a unique position in today's music scene. In the tradition of great masters like Sergei Rachmaninoff, he balances the roles of his musical output as a composer, pianist, and conductor, often uniting them in a fascinating triple role.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eMusic for String Instruments, Oboes, Horns and Celesta (based on the ballet \"The Lady with the Lapdog\")\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:04:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/826\/140\/f67984d7ae59797cffef1c69b1626880.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:02:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/826\/140\/2ce15ed4d67389b20eec1102cb63ed57.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Con passione\u003c\/td\u003e\n\n \u003ctd\u003e00:05:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/826\/140\/e237bd312af4dbc08a1d2986c3a4c300.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/826\/140\/f2370651d7e873010f80e2789cc73b21.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/826\/140\/5a90c9d12299e24efd4bb73cd06f7170.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Con passione\u003c\/td\u003e\n\n \u003ctd\u003e00:08:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/826\/140\/5b7416eb1d0d6cb14b94ab658ddec0a3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eShepherd's Pipes of Vologda for oboe, English horn, horn in F and string orchestra (homage to Béla Bartók)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/826\/140\/dc31fd157eb501d18bbb9f81e3955210.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for viola, string instruments and harp (Concerto dolce)\u003c\/td\u003e\n\n \u003ctd\u003e00:21:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/826\/140\/37e084bcc46bb9a573b914695135cd02.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eThe Frescoes of Dionysios for 9 instruments\u003c\/td\u003e\n\n \u003ctd\u003e00:11:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/826\/140\/d9ef64702dedad81a294898550dccf01.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Ondine","offers":[{"title":"Default Title","offer_id":58353266557260,"sku":"ODE1408-2","price":17.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"narbutaite-centones-meae-urbi","title":"Narbutaite: Centones for My City","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Onutė Narbutaitė’s (* 1956) oratorio “Centones Meae Urbi” (1997) is a key work of Lithuanian contemporary music and earned the composer the Lithuanian National Prize. This new 2024 recording, with Robertas Šervenikas conducting the Lithuanian National Symphony Orchestra, the Kaunas State Choir, and Lithuanian vocal soloists Gunta Gelgotė and Nerijus Macevičius, is an important addition to the discography of Lithuanian music. The Lithuanian capital, Vilnius, is a mosaic of cultures, music, and languages. This diversity finds its musical expression in the 70-minute multilingual oratorio “Centones Meae Urbi,” a work that can also be considered the composer's definitive breakthrough. For over 50 years, the Kaunas State Choir has been one of Lithuania's most renowned vocal ensembles. It prides itself on having been led by more than 70 Lithuanian and foreign conductors, and its discography comprises more than 60 albums. Its artistic director and principal conductor, Lithuanian National Culture and Art Prize laureate Professor Robertas Šervenikas, interprets both contemporary and classical repertoire and is frequently invited to premiere symphonic compositions by Lithuanian composers—or works such as the impressive opera “Cornet” by Onutė Narbutaitė. He has recorded several dozen albums of contemporary music. The Lithuanian National Symphony Orchestra (LNSO), one of Lithuania's most significant musical ensembles, has been part of the country’s cultural life since its founding in 1940. It regularly participates in the Gaida International Festival for Contemporary Music, premieres works by Lithuanian composers, contributes to recordings, and presents Lithuanian music in live broadcasts for Euroradio, while also touring internationally and presenting its program in Europe, Asia, and South America.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eCentones Meae urbi (Oratorio for soprano, bass, choir and orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOuvertüre - The Poet's Return\u003c\/td\u003e\n\n \u003ctd\u003e00:05:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/524\/145\/fe7e44b976d0d8d7f1e3280957d04a9a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAutumn\u003c\/td\u003e\n\n \u003ctd\u003e00:13:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/524\/145\/a9db34294103d6d7ceeef326f99af982.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eWinter\u003c\/td\u003e\n\n \u003ctd\u003e00:11:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/524\/145\/ac9762a4e1c97a42f8683b3e1443c914.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eSpring\u003c\/td\u003e\n\n \u003ctd\u003e00:17:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/524\/145\/0d5b311825c556f3b7d8f1805990fd5b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eSummer\u003c\/td\u003e\n\n \u003ctd\u003e00:14:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/524\/145\/845d0e88f7718f3192e84a5251384c08.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThe Poet's Farewell - Closing\u003c\/td\u003e\n\n \u003ctd\u003e00:07:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/524\/145\/0041e565b48d4fd6e2fafa33b5834b91.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Ondine","offers":[{"title":"Default Title","offer_id":58353266819404,"sku":"ODE1455-2","price":17.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"part-arefa","title":"Pärt: Arefa","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This album by pianist Reinis Zariņš and Trio Palladio is a special personal tribute to the composer Arvo Pärt, one of the most influential composers of our time. The album contains Pärt’s timeless piano works as well as a selection of his chamber music works, including the famous “Für Alina,” “Fratres,” and “Spiegel im Spiegel,” as well as his early works. The program also includes two works by Latvian composers, Georgs Pelēcis and Andrejs Selickis, both of whom have been strongly influenced by Arvo Pärt’s example and ideas. These two works, composed in 2025 for Arvo Pärt’s 90th birthday, are presented here in their first recording. Since his concert debut at the age of nine, Latvian pianist Reinis Zariņš has performed as a concert soloist, recitalist, and chamber musician throughout Europe, North America, and the Far East. He has participated in renowned music festivals such as the Lucerne Festival, and his thoughtful virtuosity has thrilled audiences at the Amsterdam Concertgebouw and other venues. Reinis has collaborated with leading orchestras such as the London Philharmonic Orchestra and world-class conductors. He performs regularly in his home country of Latvia and has been awarded the country’s Grand Music Award five times, in addition to receiving the Order of the Three Stars. Trio Palladio unites three distinguished Latvian soloists, dedicated chamber musicians, and acclaimed recording artists: violinist Eva Bindere, cellist Kristina Blaumane, and pianist Reinis Zariņš. All three are laureates of the Grand Music Award of Latvia and received this prestigious honor as a trio in 2024. Their first album – Pēteris Vasks’ music for piano trio – was named a Gramophone Editor’s Choice. Trio Palladio is known for its conceptual programs that encompass classical, romantic, and contemporary works, with a special emphasis on the music of Latvian and Baltic composers.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eFür Alina\u003c\/td\u003e\n\n \u003ctd\u003e00:02:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/fb8a746adbeb4fbead04fd3f7304700f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003ePari intervallo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/18ee91f6b75ea99b0ec2bef51aed8277.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003ePartita op. 2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Toccatina\u003c\/td\u003e\n\n \u003ctd\u003e00:00:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/fddd7b55bdb2eabf5b9ac407faa4cd30.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Fughetta\u003c\/td\u003e\n\n \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/c7a39081d84d6137df54c224d863d390.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Larghetto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/3e0750b01bc4325131d9b45ce1fd93f0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Ostinato\u003c\/td\u003e\n\n \u003ctd\u003e00:02:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/ee57ddccba65b8ab87ca09c4f06f166f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eDiagramme op. 11\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Unruhig\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/7d2336f9067372ad7fe56ceb679a9f88.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Ruhig\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/6294a6a5051c8398ee276f4e1a78de44.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eVariations for the Healing of Arinushka\u003c\/td\u003e\n\n \u003ctd\u003e00:05:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/43202d5c5d4ce72767f83c9d349e1151.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eArefa (For Arvo Pärt's 90th birthday)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/8dac2c6c2e68fd9272a55716a2ed55b4.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eVariations \"La-Re-Fa\" (For Arvo Pärt's 90th birthday)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/7c25eaaa826e204c8436f27f0e91f91f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eHymn to a Great City (for 2 pianos)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/c5a06c8ef737950cbc0ce4db77d62371.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003ePassacaglia for violin and piano\u003c\/td\u003e\n\n \u003ctd\u003e00:04:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/85ebf840c635c11169da80a5b5954b8d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eFratres (for violin and piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:11:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/fae4a4143962847ff0eaf3c7c1d61687.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eMozart-Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:06:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/392f346bb4230dfce1a783070c77dd67.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eSpiegel im Spiegel (for cello and piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:09:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/825\/147\/d7de7ad3652d4047fb4a25a2c65a01ad.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Ondine","offers":[{"title":"Default Title","offer_id":58353267704140,"sku":"ODE1478-2","price":17.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"vasks-80th-anniversary-edition","title":"Vasks: 80th Anniversary Edition","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This special three-album edition celebrates the 80th birthday of Pēteris Vasks in 2026. The release comprises the first three award-winning albums by Vasks that were issued on Ondine. The debut album of Vasks' music on Ondine, featuring his Symphony No. 2 and the violin concerto “Distant Light”, was a major international breakthrough for the composer and was awarded two Cannes Classical Awards in 2004, including “Album of the Year”. In addition to the second orchestral album (featuring Symphony No. 3 and Cello Concerto No. 1), released in 2006, this album also includes Vasks’ major choral work, the Missa, performed by the award-winning Latvian Radio Choir and Sinfonietta Rīga under the direction of Sigvards Kļava, for many years one of the great interpreters of Vasks' music. Other orchestras featured on this album include the Tampere Philharmonic Orchestra under John Storgårds and the Ostrobothnian Chamber Orchestra conducted by Juha Kangas.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 2 (1998)\u003c\/td\u003e\n\n \u003ctd\u003e00:39:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/e125cb2d535c66fbdc01a302bf728ba0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Violin and Orchestra No. 1 \"Tala gaisma\" (Distant Light) (1997)\u003c\/td\u003e\n\n \u003ctd\u003e00:33:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/e549b90a1ac1c0fb857f638251f4d0d7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 3 (2005)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Bars 1-437\u003c\/td\u003e\n\n \u003ctd\u003e00:10:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/6f978df6b23bc38b275ccf05501a2420.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Bars 438-777\u003c\/td\u003e\n\n \u003ctd\u003e00:09:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/534a4bb1d3961064aa486031e6c081a5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Bars 778-1215\u003c\/td\u003e\n\n \u003ctd\u003e00:09:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/e324bb9c2e4a92a995f6258b3d871562.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Bars 1216-End\u003c\/td\u003e\n\n \u003ctd\u003e00:12:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/b5ba5ab8cc8bf0e194fceb3a7bf8d4b5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Cello and Orchestra No. 1 (1994)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Cantus 1\u003c\/td\u003e\n\n \u003ctd\u003e00:07:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/6106d5c35b34d6109004ab7841fd4fc2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Toccata 1\u003c\/td\u003e\n\n \u003ctd\u003e00:04:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/44acf5b1637ea3a35bbfcc8ef4cc7c9d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Monologhi\u003c\/td\u003e\n\n \u003ctd\u003e00:08:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/d4317d0186619434c353fc823fe24c3a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Toccata 2\u003c\/td\u003e\n\n \u003ctd\u003e00:05:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/870dd6ceee743df5ac770b2c5ba58799.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Cantus 2\u003c\/td\u003e\n\n \u003ctd\u003e00:08:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/c7df7484da8ac410e5e283137b292825.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePater noster (1991)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/f8316e6e0e26d6946e834bdd13b70069.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eDona nobis pacem (1996)\u003c\/td\u003e\n\n \u003ctd\u003e00:14:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/d4cca531166dd47ded574766f693b353.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eMass (2000\/2005)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003eKyrie\u003c\/td\u003e\n\n \u003ctd\u003e00:05:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/1375bb975d5dfac76535cd87ae85f115.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 2\u003c\/td\u003e\n\n \u003ctd\u003eGloria\u003c\/td\u003e\n\n \u003ctd\u003e00:08:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/54c96dfd24e64609bfb116422c11eab6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 3\u003c\/td\u003e\n\n \u003ctd\u003eSanctus\u003c\/td\u003e\n\n \u003ctd\u003e00:06:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/9bcc54b678a73765d470787295726a8f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 4\u003c\/td\u003e\n\n \u003ctd\u003eBenedictus\u003c\/td\u003e\n\n \u003ctd\u003e00:05:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/7372c8bb2356d85f18991d0af65f69d1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 5\u003c\/td\u003e\n\n \u003ctd\u003eAgnus Dei\u003c\/td\u003e\n\n \u003ctd\u003e00:11:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/228\/148\/209085f0490353372d0a2dd053fd31df.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Ondine","offers":[{"title":"Default Title","offer_id":58353269277004,"sku":"ODE1482-2T","price":26.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"hasse-john-walshs-sonaten-fur-cembalo-op-vii","title":"Hasse: John Walsh's Sonatas for Harpsichord Op. VII","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In 1758, the London publisher John Walsh released a collection of harpsichord sonatas under the name Johann Adolf Hasse, sensing a profitable marketing opportunity. The volume contains genuine compositions by Hasse alongside some works that most likely did not originate from him. Walsh's editorial choices demonstrate a keen musical judgment, and the pieces gathered in the collection are of consistently high quality. This recording offers the complete set, played on an original harpsichord by the Amsterdam harpsichord maker Carl Fredrik Laescke from 1768. Harpsichordist and sound engineer Andrea Friggi holds a doctorate in philology in both Greek paleography and Byzantine studies. However, he also studied organ and harpsichord and completed a master's degree in basso continuo. He performs as a soloist, conductor, and basso continuo musician, including with well-known ensembles such as the Nederlandse Bachvereniging and Concerto Köln.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord No. 1 in B-flat major, A 47\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:04:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/9ba7336b5dfcb08e774b795c80ebdf26.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Largo\u003c\/td\u003e\n\n \u003ctd\u003e00:06:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/b745b07d81b378f9c1e527abeab82b8c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. A tempo di minuet\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/22b3f4d15fe713916fbe74a3f82690b4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord No. 2 in G major, A 29\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio - Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:02:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/b596a79cf91798abfb9dfe253d9ba342.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/988147b0bb9cfcb05adc58a9b08e91dc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Menuett: Allegro e staccato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/80d6c72d76e5acb964a59b2041145c46.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord No. 3 in B-flat major, A 48\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:06:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/8ec5baf1e42e701bad44e9825d0de064.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Larghetto un poco\u003c\/td\u003e\n\n \u003ctd\u003e00:05:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/101c1bc1d4fe26f39536d1354086f9ee.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/0023f4c75ceb88aedbf4aa24bab6e01a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Menuett\u003c\/td\u003e\n\n \u003ctd\u003e00:03:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/a6fc4187d3983b23b584cecf8696ca8e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord No. 4 in E-flat major, A 17a\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:05:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/5e21ec1e50304e454305b12eb3142073.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:07:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/8a6de05f95a9f0664717ed93fe041e36.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Menuett\u003c\/td\u003e\n\n \u003ctd\u003e00:03:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/bec00d7b4198f84b4d776e0698392cca.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord No. 5 in D minor, A 15\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/8cddc945467faabd5fdabb8f806b1c23.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/c4ed95f84f676dc51698570c9f935cdc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:02:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/aa8d90a73eebcd5db2cafe0b4285470d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord No. 6 in C minor, A 6 (after Baldassare Galuppi's Sonata T 18)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/1adb211977c0b92a91de0f7067f6a975.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/069051565d0e8a2d173dcc882b1d9d56.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:04:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/a6193b56eadb5526f430066719b114dc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/461\/693\/1103f682e5721f0845504460699e8f90.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Glaux Records","offers":[{"title":"Default Title","offer_id":58353269375308,"sku":"GL004","price":19.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"rolli-canzonette","title":"Rolli: Canzonettas","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The Canzonette by Paolo Rolli (1687–1765) were among the greatest lyrical successes of the 18th century in Europe. The poet was known for his cantatas, his extraordinary Italian translation of John Milton’s \"Paradise Lost,\" and the opera libretti he wrote for Nicola Antonio Porpora and George Frideric Handel. He set his Canzonette to music with his own compositional ideas and also adopted melodies or parts of works from Handel using parody techniques, as well as popular melodies of the time, such as the dance \"Aimable Vainqueur.\" They are simple yet charming melodies that illustrate amorous encounters between nymphs and shepherds, celebrating both wine and the joys of love. This collection offers a unique insight into the Arcadian world of the 18th century through the original work of one of its greatest poets. The cast for this recording includes the famous opera singers Ann Hallenberg and Giuseppina Bridelli. The album is produced as a hardcover book with CD, featuring high-quality printing and a design inspired by classical themes from the early history of photography.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eCanzonette\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Venni amore nel tuo regno\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/648b8a831a197cc49273e73945ba636d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 D'un visetto lusinghier\u003c\/td\u003e\n\n \u003ctd\u003e00:02:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/db7fb05e72571b07928d21bcf160daef.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 La bionda Eurilla\u003c\/td\u003e\n\n \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/47cda1efc02defbe1daa953db383f89e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 14 Si ride Amore\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/e3c1e46553f95f328d470870d57be9b1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Affannoso mio pensier\u003c\/td\u003e\n\n \u003ctd\u003e00:04:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/5a7541cec5c29f241666c4465796fbfc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 20 Con dolce forza\u003c\/td\u003e\n\n \u003ctd\u003e00:01:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/c4c36ff05996512f80d9536ed08c0290.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 18 Compagni Amor lasciate\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/ab2cc4b02a6550cd91f585b70ba9e669.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Dorilla e che sarà\u003c\/td\u003e\n\n \u003ctd\u003e00:02:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/f316894da5af8c175eab787942080f73.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 15 Due grand'uomini già furo\u003c\/td\u003e\n\n \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/2082986ec2d5fbb3b2516b03bd890fd3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNo. 14 Sì beviam, vezzosa Dori\u003c\/td\u003e\n\n \u003ctd\u003e00:03:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/ecc2003b32ade49569f2075e31ccd03d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 Soli, cagion crudel\u003c\/td\u003e\n\n \u003ctd\u003e00:02:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/c14dc5052fd13e4558f90f775cd5fe6a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Solitario bosco ombroso\u003c\/td\u003e\n\n \u003ctd\u003e00:05:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/1ffb009b72fbe17009495df4f4a3c24a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 Della noiosa Estate\u003c\/td\u003e\n\n \u003ctd\u003e00:05:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/41f68def596c21b4376b5567c15812d9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNo. 13 Se tu m'ami, se sospiri\u003c\/td\u003e\n\n \u003ctd\u003e00:05 :25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/b5eae3d521a6033128c870d5bd1223e4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Beviam, o Dori, godiam\u003c\/td\u003e\n\n \u003ctd\u003e00:05:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/0d15ad62e96257fcc38085ec44f2301a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Una breve lontananza\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/4847356f87546a2ac17cd1624d1b4275.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eNo. 17 Benchévita del desir\u003c\/td\u003e\n\n \u003ctd\u003e00:02:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/17c7418a867e41e85e758fa73d6016e1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eNo. 16 Dell'alme nostre amor\u003c\/td\u003e\n\n \u003ctd\u003e00:03:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/6f0ebc4409b4fe1e5be7bb32ac2170da.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eNo. 22 Tu fai la superbetta\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/94c2b0b8378c887bd3fe7be229717468.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Che ti giova, cara Fille\u003c\/td\u003e\n\n \u003ctd\u003e00:04:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/b5cf77ea05298a38d720906cce79bde3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Le splendor del primo sguardo\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/696e3af177217f02e8d2a0a25359dd57.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eNo. 21 No, mia bella, il sol diletto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/16de213ae62a1741499f96cd39af74b8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eNo. 23 Ruscelletto a far soggiorno\u003c\/td\u003e\n\n \u003ctd\u003e00:02:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/f6e688f1555e745b282411f6ab815124.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eNo. 24 Deh, placati, Amor\u003c\/td\u003e\n\n \u003ctd\u003e00:04:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/686\/241\/e19e57d176dea06beeb09fecd9e37cf9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Glaux Records","offers":[{"title":"Default Title","offer_id":58353269440844,"sku":"GL001","price":19.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"volkstanze-und-lieder-aus-dem-norden-sjungande-danser","title":"Folk dances and songs from the North [Sjungande Danser]","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In this recording, the ensemble Brú and its founder Krishna Nagaraja explore the folk dances and folk songs of Sweden, Finland, and Norway. Traditional melodies are blended with musical elements as diverse as Baroque, contemporary music, and a pinch of heavy metal. Tales of magical beings, spells, hope, and betrayal unfold against the fascinating backdrop of Nordic nature. The ensemble, which plays on period instruments, is invited to many festivals across Europe. The singer Luciana Mancini is known for her collaboration with Christina Pluhar.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNo.\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTrästad Collection (polka) \"Näs Ingars polska\" (excerpt) (arr. for ensemble by Krishna Nagaraja)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eTrall Set (polonaise)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/cc31c49a1db8c2d2cbaf04d960f2d44b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eMinuet - Minuet - Polka from Lappfjärd \"Lappfjärd Set\" (arr. for ensemble by Krishna Nagaraja)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/f1df5cfe2dfb729bcd503ec86c8688ce.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eThe Blue Goat Set (dance) (arr. for ensemble by Krishna Nagaraja)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/5907aaa34ffb861792acb2e2c4f3eb61.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eHerr Olof (ballad) (arr. for ensemble by Krishna Nagaraja)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/347dfc770cfee0cc348dd4ac526e1e9c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eDansen Ungdom (polka) (arr. for ensemble by Krishna Nagaraja)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/044aa74fdcb5458ac3d0b8a15fa37ed9.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eMartins Bergraving (polka) (arr. for ensemble by Krishna Nagaraja)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/baab03d1ae0f369c9154ed356b5b3dbd.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSong from Utanmyra (song) \"O Tysta Ensamhet\" (arr. for ensemble by Krishna Nagaraja and Luciana Mancini)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/da66552da407d0cfa18dec3d94935592.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eSwedish medieval ballad \"Näcken och Jungfrun\" (arr. for ensemble by Krishna Nagaraja)\u003c\/td\u003e\n\n \u003ctd\u003e00:09:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/68c69172ec20d3b4fa706aac03126b9c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003ePolka after Gubben Kihlstedt (arr. for ensemble by Krishna Nagaraja)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/22c4fb84d386fda00cbe0a8edf067279.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003ePolka after Lasse Lyby \"Brú(den)s Farväl\" (arr. for ensemble by Krishna Nagaraja)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/483\/770\/fc4ed76f68e0cbec0e89dbdda2ea3362.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Glaux Records","offers":[{"title":"Default Title","offer_id":58353269965132,"sku":"GL003","price":19.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"neue-judische-musik-vol-5","title":"New Jewish Music Vol. 5","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The biennial Azrieli Music Prizes were established in 2014 by Canadian singer and cantor Sharon Azrieli for the Azrieli Foundation to discover, promote, and bring to light outstanding achievements in composition. In addition to the world premiere of the works with the Orchestre symphonique de Montréal \u0026amp; OSM Chorus, the prize includes professional recordings released on the Analekta label. \nThis current album is the fifth to document the achievements of the Azrieli Music Prize laureates and highlights four world-premiere recordings from the 2024 winners.\nJordan Noble’s \"kanata\" is a sonic and healing reflection on place, landscape, and home, inspired by his travels across Canada.\nJosef Bardanashvili’s choral fantasy \"Light to My Path\" draws on both his Georgian choral heritage and the Book of Psalms to illuminate various states of faith – from doubt to ecstasy to gratitude.\nYair Klartag’s \"The Parable of the Palace\" sets to music the famous parable by the medieval Jewish philosopher Maimonides, creating a musical meditation on the limits of reason in explaining reality and our search for the divine; all sung in the original Judaeo-Arabic.\nThe album concludes with Juan Trigo’s \"Simetrías Prehispánicas,\" which pays homage to the cultural history of his native Mexico, specifically Aztec culture and cosmology – through fragments of original 15th-century texts in Spanish and Nahuatl by various poets.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eKanata for soprano, alto, tenor, and bass a cappella\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Kanata\u003c\/td\u003e\n\n \u003ctd\u003e00:11:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/95360241241e30430899ec73b20621ef.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Epilogue: Home\u003c\/td\u003e\n\n \u003ctd\u003e00:02:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/3c8f247a73624a4ed9f3629d04bf911d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eChoral fantasy for mixed choir, saxophone, percussion, and piano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Men's choir a cappella: Psalm 121\u003c\/td\u003e\n\n \u003ctd\u003e00:03:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/2e03094939c78d02df26166350fa34bb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Women's choir a cappella: Psalm 119:105\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/04e061e03339aaebacc6d5f34759e9c6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Mixed choir and instrumental ensemble: Psalm 146:1\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/6b04a73ff8bb0e701d728f7895854f3e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Mixed choir and instrumental ensemble \"You heard as I called you\"\u003c\/td\u003e\n\n \u003ctd\u003e00:03:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/2619f9bd0ce1280bb150363ca2749d54.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Mixed choir a cappella: Psalm 123:1-3\u003c\/td\u003e\n\n \u003ctd\u003e00:05:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/e5ebd34fff2aba68a218b3514d5f9fff.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eThe Parable of the Palace for choir and 4 double basses\u003c\/td\u003e\n\n \u003ctd\u003e00:16:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/032c3ff074f4c9e049c85da3df3adfbd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eSimetrías Prehispánicas (cantata-oratorio) for mixed choir and ensemble\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eReturn 1: Where do you live?\u003c\/td\u003e\n\n \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/09de0bac3592900825ab486b187eb4ce.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003eEagle and Snake\u003c\/td\u003e\n\n \u003ctd\u003e00:01:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/d36158c6e3a817b769188b18821a9966.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003eReturn 2: Where do you live?\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/423851c31c54d50110ee4f79a5b8c00c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003eFrom afar\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/486dfa1fe4a84001359161b7bda56857.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 5\u003c\/td\u003e\n\n \u003ctd\u003eMy little mother\u003c\/td\u003e\n\n \u003ctd\u003e00:02:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/3c8fb08864738d639fdc6034acba30dd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThe war is coming\u003c\/td\u003e\n\n \u003ctd\u003e00:02:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/feec6d42cf4d7d4be49cc5e598275b16.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 7\u003c\/td\u003e\n\n \u003ctd\u003eDrunkenness\u003c\/td\u003e\n\n \u003ctd\u003e00:03:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/a43bc905573e10a8a95595381bbf378e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 8\u003c\/td\u003e\n\n \u003ctd\u003eWar\u003c\/td\u003e\n\n \u003ctd\u003e00:05:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/526\/926\/4f29902b5c9742f94302a3749cb1b2fc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Analekta","offers":[{"title":"Default Title","offer_id":58353270391116,"sku":"AN29265","price":19.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"farina-venere-e-marte","title":"Farina: Venus and Mars","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n At the end of the 17th century, Antonio Farina, Giovanni Lorenzo Minei, and Giovanni Cesare Netti created some of the most popular works of their time. Their dialogues for soprano and bass offer a colorful palette of emotions. This recording presents the first modern performance of several pieces that once enchanted Neapolitan evenings. Their interplay of contrasting passions is a breathtaking musical postcard from the Bay of Naples. Soprano Valeria La Grotta and baritone Mauro Borgioni, who recorded these rediscovered treasures, belong to a new generation of Italian Baroque singers.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eVenere E Marte (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eGran dio delle battaglie\u003c\/td\u003e\n\n \u003ctd\u003e00:01:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/7f614c1161cfc86bc8d8637402a22697.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eBellezza tua vaga\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/98a7c3705b776f895482d013c47b0398.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eFerisci pur che sì piagata io godo\u003c\/td\u003e\n\n \u003ctd\u003e00:00:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/3c1c3c6869afbbe23bf2e8f4c0beb6c4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eDal folgorar del tuo sembiante vago\u003c\/td\u003e\n\n \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/b04691ecbe813487c0f0915d37532332.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eSon Salmoneo fulminato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/8a0980cc55b8b97aeb20873ccb128c2a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eTrafitta Citerea\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/62d80247c107a46c10d99f0cb23b5b91.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eFra quell'armi che spargono sangue\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/49bfd2378222cc6fa2ca69b6d9947e57.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eSì bella, sì, più delle fiamme e spade\u003c\/td\u003e\n\n \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/e19039fc110102d12cd2b25cecb51cb9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eDa' tuoi begl'occhi\u003c\/td\u003e\n\n \u003ctd\u003e00:01:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/ad47a0005d60d05053c4ec8e7a358286.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eSe adorata son io\u003c\/td\u003e\n\n \u003ctd\u003e00:00:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/18dfbb4216779d9ee1f1a7ff65d1d606.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eAmato mio core\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/46d2b59e4fed8f40ec09f49c30bdf760.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eHor Ch'in Morbide Piume (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSinfonia\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/a84479498f968183e23276181de111ac.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eOlimpia Abbandonata (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSemiviva e dolente\u003c\/td\u003e\n\n \u003ctd\u003e00:08:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/05d8bc40287ef39bda5a93f5e8eace6d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eEccomi, O Bella (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSinfonia\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/ff6f682ab911cdc91782c864c79459d5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eVizio E Umiltà (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 1\u003c\/td\u003e\n\n \u003ctd\u003eE pur mi tenta e pur mi chiama il Cielo\u003c\/td\u003e\n\n \u003ctd\u003e00:07:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/8ef1e43c96c5cdb811f7f34422c9b6aa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 2\u003c\/td\u003e\n\n \u003ctd\u003eTaci, frena l'ardir, frena il furore\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/9078e9840289538e9a00cdaca548b832.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 3\u003c\/td\u003e\n\n \u003ctd\u003eTu spirto plebeo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/0419b182ebaeab9a7b48b66ccf57c668.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 4\u003c\/td\u003e\n\n \u003ctd\u003eBen per certo l'umiltà\u003c\/td\u003e\n\n \u003ctd\u003e00:01:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/f07c272caf6517c9fb836db59b045057.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 5\u003c\/td\u003e\n\n \u003ctd\u003eOr via senza dimore\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/37cf85360ce459942e37b06cd0915236.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 6\u003c\/td\u003e\n\n \u003ctd\u003eVanne, spirto iniquo e indegno\u003c\/td\u003e\n\n \u003ctd\u003e00:00:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/2b30a869e0324f0e9e9e3883b408651b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 7\u003c\/td\u003e\n\n \u003ctd\u003eIo vado a suggerire a Lodovico\u003c\/td\u003e\n\n \u003ctd\u003e00:00:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/8d5a4d07448c2fb8e73036163a137293.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 8\u003c\/td\u003e\n\n \u003ctd\u003eInvan mi minacci\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/c227042b0de4abe0cbf653a64f7c774c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eFilli E Pastore (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSeguane pur che può, scoprirmi io voglio\u003c\/td\u003e\n\n \u003ctd\u003e00:00:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/d14e14e599fb213327ccea83431bc40f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 2\u003c\/td\u003e\n\n \u003ctd\u003eDisperata mia speranza\u003c\/td\u003e\n\n \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/7b8475e18d04c66503e3a32d64a3d3eb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 3\u003c\/td\u003e\n\n \u003ctd\u003eMio core, intendi a me\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/7e889022582099b62efce3f9325cc892.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 4\u003c\/td\u003e\n\n \u003ctd\u003eSeguane pur che può, scoprirmi io voglio\u003c\/td\u003e\n\n \u003ctd\u003e00:00:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/29cf19030cca4b2e945a753a8d4317e8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 5\u003c\/td\u003e\n\n \u003ctd\u003eSe un bel guardo t'assicura\u003c\/td\u003e\n\n \u003ctd\u003e00:00:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/f53a8e03014cd7dbc07f593b92e54773.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 6\u003c\/td\u003e\n\n \u003ctd\u003eMentre un sì cercando vai\u003c\/td\u003e\n\n \u003ctd\u003e00:02:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/b2b4a009b4e6aa20ab5106d0bcf809cf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 7\u003c\/td\u003e\n\n \u003ctd\u003eSeguane pur che può, scoprirmi io voglio\u003c\/td\u003e\n\n \u003ctd\u003e00:00:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/389\/034\/ae60678805121832fceae9b58b677d40.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Glaux Records","offers":[{"title":"Default Title","offer_id":58353270751564,"sku":"GL002","price":19.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"ashton-ballet-triple-bill-scenes-de-ballet-a-month-in-the-country-rhapsody","title":"Ashton: Ballet Triple Bill (Scènes de ballet \/ A Month in the Country \/ Rhapsody)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This collection celebrates the masterful art of the Royal Ballet's founding choreographer, Frederick Ashton, with three definitive works. As a pioneer of 20th-century dance, Ashton brought elegance, innovation, and emotional depth to the stage, shaping the identity of British ballet for generations. \"Scènes de ballet\" is a dance music suite composed by Igor Stravinsky for Broadway producer Billy Rose. Ashton gracefully interprets Ivan Turgenev's play \"A Month in the Country\" as a one-act ballet, in which the entire drama unfolds in the family's drawing room upon the arrival of a dashing young tutor. The music is by Frédéric Chopin. \"Rhapsody,\" created for Mikhail Baryshnikov and Lesley Collier, combines virtuosic movement with lyrical beauty set to Sergei Rachmaninoff's sweeping composition. Together, these works paint a vivid portrait of Ashton's genius.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eScènes de ballet\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eA Month in the Country\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eRhapsody\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Opus Arte","offers":[{"title":"Default Title","offer_id":58353271046476,"sku":"OA1396D","price":29.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"ballet-to-broadway-wheeldon-works","title":"Ballet to Broadway - Wheeldon Works","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This release brings together four short works by choreographer Christopher Wheeldon, Artistic Associate of The Royal Ballet. The selection showcases the stylistic breadth of his work, bridging contemporary ballet and musical theatre influences.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Featuring \"Fool’s Paradise\", \"The Two of Us\", \"Us\" and \"An American in Paris\", the program comprises key works from Wheeldon’s international career. His productions, created from London to New York, have won numerous awards, including Tony and Olivier Awards.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The collection offers a focused insight into Wheeldon’s choreographic signature and his versatility within the interplay of different dance traditions.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eThe Dying Swan (Ballet) (arr. for orchestra by Chester Music Ltd.): \"Fool's Paradise\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eThe Two Of Us (Ballet) (arr. for orchestra by Gordon Hamilton)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eI Don't Know Where I Stand\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eUrge for Going\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eBoth Sides Now\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eYou Turn Me On I'm a Radio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eUS (Ballet) (arr. for orchestra by Faber Music, London)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eAn American in Paris (Ballet) (based on the symphonic poem \"An American in Paris\" by George Gershwin)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Opus Arte","offers":[{"title":"Default Title","offer_id":58353271439692,"sku":"OA1397D","price":29.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"ashton-ballet-triple-bill-scenes-de-ballet-a-month-in-the-country-rhapsody-1","title":"Ashton: Ballet Triple Bill (Scènes de ballet \/ A Month in the Country \/ Rhapsody)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This collection celebrates the masterful art of the Royal Ballet's founding choreographer, Frederick Ashton, with three definitive works. A pioneer of 20th-century dance, Ashton brought elegance, innovation, and emotional depth to the stage, shaping the identity of British ballet for generations. \"Scènes de ballet\" is a dance music suite that Igor Stravinsky composed on commission for Broadway producer Billy Rose. Ashton gracefully interprets Ivan Turgenev's play \"A Month in the Country\" as a one-act ballet, in which the entire drama unfolds in the family living room upon the arrival of a dashing young tutor. The music is by Frédéric Chopin. \"Rhapsody,\" created for Mikhail Baryshnikov and Lesley Collier, blends virtuoso movement with lyrical beauty to Sergei Rachmaninoff's sweeping composition. Together, these works paint a vivid portrait of Ashton's genius.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eRunning time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eScènes de ballet\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eA Month in the Country\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eRhapsody\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Opus Arte","offers":[{"title":"Default Title","offer_id":58353272062284,"sku":"OABD7331D","price":35.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"ballet-to-broadway-wheeldon-works-1","title":"Ballet to Broadway - Wheeldon Works","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This release brings together four short works by choreographer Christopher Wheeldon, Artistic Associate of The Royal Ballet. The selection showcases the stylistic range of his work, bridging contemporary ballet and influences from musical theater.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Featuring \"Fool’s Paradise,\" \"The Two of Us,\" \"Us,\" and \"An American in Paris,\" the program includes key works from Wheeldon’s international career. His productions, created from London to New York, have received numerous accolades, including Tony and Olivier Awards.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n This collection offers a focused insight into Wheeldon’s choreographic signature and his versatility within the intersection of different dance traditions.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eThe Dying Swan (Ballet) (arr. for orchestra by Chester Music Ltd.): \"Fool's Paradise\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eThe Two Of Us (Ballet) (arr. for orchestra by Gordon Hamilton)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eI Don't Know Where I Stand\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eUrge for Going\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eBoth Sides Now\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eYou Turn Me On I'm a Radio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eUS (Ballet) (arr. for orchestra by Faber Music, London)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eAn American in Paris (Ballet) (based on the symphonic poem \"An American in Paris\" by George Gershwin)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Opus Arte","offers":[{"title":"Default Title","offer_id":58353272127820,"sku":"OABD7332D","price":35.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"reynolds-wisdoms-source-oo","title":"Reynolds: The Source of WISDOM 'O'o","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \"WISDOM’s Sources\/’O’o\" is the groundbreaking new album by Pulitzer Prize-winning American composer Roger Reynolds, continuing his visionary collaboration with producer Mathias Reumert and featuring exclusively first recordings. Each work discovers—in sound, and in the case of \"WISDOM’s Sources,\" also in imagery—a way of reflecting on the conditions of life in the 21st century. \"’O’o\" for flute and strings was written for and is performed by the renowned Canadian flutist Robert Aitken, a friend and collaborator of Reynolds since the 1960s. The work also features award-winning Canadian violinists Yolanda Bruno and Mark Lee, violist Rory McLeod, and cellist Leana Rutt. Similarly, \"WISDOM’s Sources,\" a duo for violin and viola, was composed for legendary violinist Irvine Arditti and celebrated violist Ralf Ehlers during a visit to San Diego in the summer of 2024. \"’O’o\" concerns an extinct Hawaiian bird; \"WISDOM’s Sources\" concerns the search for wisdom in different cultures. In \"’O’o,\" various string instruments are juxtaposed against the melodic flute, gradually revealing the outlines of call and response—those of the last pair of birds. \"WISDOM’s Sources\" emerged from Reynolds’ creative connection with Irvine Arditti during the COVID pandemic. The close bond of friendship, musical sensibility, and shared ways of thinking is echoed in the sonic interplay between viola and violin. From the outset, Reynolds envisioned \"WISDOM’s Sources\" as a multimedia work, and his longtime collaborator, filmmaker and video artist Kyle Johnson, created an independent visual composition that unfolds in parallel with the music.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eWISDOM's Sources\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Dedicated to Aeschylus\u003c\/td\u003e\n\n \u003ctd\u003e00:13:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/000\/9dd5a5580d7988a1efff3e1b26f50f87.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Dedicated to The Thirukkural (Fronsdal translation)\u003c\/td\u003e\n\n \u003ctd\u003e00:09:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/000\/e89802cc090def669104dc519987161d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Dedicated to W. E. B. Du Bois\u003c\/td\u003e\n\n \u003ctd\u003e00:13:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/000\/3c46a21238fa657953e14dae2c8ff499.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003e'O'o\u003c\/td\u003e\n\n \u003ctd\u003e00:20:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/621\/000\/36a93d7dba2fe68dbc65293ecee14e2a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Ekkozone","offers":[{"title":"Default Title","offer_id":58353272291660,"sku":"EKKOZONE06","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"cocteau","title":"Cocteau","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n On her album \"Cocteau,\" Isabelle O’Connell explores the musical references and artistic spirit of the versatile and influential French artist, filmmaker, novelist, and poet Jean Cocteau (1889–1963). Throughout his life, Cocteau collaborated with the legendary Ballets Russes, participated in significant art movements such as Cubism and Surrealism, and was one of the most important early avant-garde directors in cinema.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n O’Connell’s \"Cocteau\" centers around the brand-new work \"Cocteau\" by Irish composer Rhona Clarke, which was written specifically for O’Connell. It is presented alongside music by Cocteau’s contemporaries and companions in Paris a century ago. The listener hears music by Erik Satie, Igor Stravinsky, Darius Milhaud, as well as members of \"Les Six\" (Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, Francis Poulenc, Germaine Tailleferre), for whom Cocteau was a figurehead.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eRag-Time Parade (for piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/1ccfa8c3911ca5ed551075ee8f3106ab.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003ePas trop vite (for piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/1983433d809183af5e2c215843bcd75a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eHommage à Debussy (for piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/b99cb1934f48b27d76446b0d7cb715fd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eTrès vite (for piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/72d49c946f556b9c4fd9e8ae51d8792c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eRagtime (for piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/c449d5296bd285a795abbe37027c3c6a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eGnossiennes Nos. 1-3\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eGnossiennes No. 1\u003c\/td\u003e\n\n \u003ctd\u003e00:04:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/f2e43e3719855c70e8c7686697025e00.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003eGnossiennes No. 2\u003c\/td\u003e\n\n \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/c73464f6623aa14ce9748fc538ef3774.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003eGnossiennes No. 3\u003c\/td\u003e\n\n \u003ctd\u003e00:03:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/ad64ce293a80fe0507ce879e0df47733.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eThe Five Fingers (Les cinq doigts) (8 easy pieces)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Andantino\u003c\/td\u003e\n\n \u003ctd\u003e00:00:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/2fabe71a9d602d99b589cc36afaa0673.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/68d73dacca1aaf9ad370bc8aa18b56ab.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:00:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/b7d26cc04efc53f81e1039c59cf4193d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Larghetto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/e56772323fb656dfe955f44cb02a61ae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:00:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/989c1e25b953694431505b0841a59d1c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:00:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/e63997f3ceefb655b06e41b114b421c6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:00:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/3ca912dbf41c5cd6da4531778d418466.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Pesante\u003c\/td\u003e\n\n \u003ctd\u003e00:01:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/dc36915c1b45e3de89e9ae5aeb522e6e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eLe Tango des Fratellini\u003c\/td\u003e\n\n \u003ctd\u003e00:01:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/e04dcfc10b1521c542c67a3b77299c9d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eRêverie de l'enfance de Pantagruel\u003c\/td\u003e\n\n \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/25cb411b24046baab300b14cd0ae8af5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003ePrélude (No. 1 from L'Album des Six)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/2738279649532eb9d9b680efb7b72fcf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eRomance sans paroles (No. 2 from L'Album des Six)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/a5583ed19a2f447779ab1c3d900764b8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eSarabande (No. 3 from L'Album des Six)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/dd444a6c892c1454840df44767883005.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22\u003c\/td\u003e\n\n \u003ctd\u003eMazurka (No. 4 from L'Album des Six)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/9c1ce4d649a8bd14145cc41f322b7cec.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eValse C major FP 17 (No. 5 from L'Album des Six)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/9464d43c5c30dc55e34f799230e7340c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24\u003c\/td\u003e\n\n \u003ctd\u003ePastorale (No. 6 from L'Album des Six)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/6673b2cca7dd4b753203b9b56c6b898a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25\u003c\/td\u003e\n\n \u003ctd\u003eCocteau\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Antigone\u003c\/td\u003e\n\n \u003ctd\u003e00:04:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/f506dbe7770b37107cb0396a92d64336.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Portrait No. 1\u003c\/td\u003e\n\n \u003ctd\u003e00:04:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/3b00436ecf48b6d9ba75af033d2ac22e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Blood of a poet\u003c\/td\u003e\n\n \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/a540cc9d9113b8ab641204c89e0d670b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Orpheus\u003c\/td\u003e\n\n \u003ctd\u003e00:04:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/d76caa8c8b2544249814d1e40a814850.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Portrait No. 2\u003c\/td\u003e\n\n \u003ctd\u003e00:03:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/595ed081ca51c4d0269390261817243b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Oedipus\u003c\/td\u003e\n\n \u003ctd\u003e00:04:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/120\/114\/193d97b5d4bf5cb7234e3443a2ae1371.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"DIVINE ART","offers":[{"title":"Default Title","offer_id":58353272324428,"sku":"DDX21141","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"france-revisited-vol-2","title":"France Revisited Vol. 2","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The piano duo Piano Á Deux, consisting of Robert and Linda Stoodley, returns with part 2 of their \"France Revisited\" series. Gabriel Fauré’s \"Dolly Suite\" consists of six duets for four hands and was written for the daughter of Emma Bardac, who later married Claude Debussy. George Onslow, born in France but of English descent, was highly regarded by luminaries such as Robert Schumann and Felix Mendelssohn, and was hailed by his publisher and other contemporaries as the \"French Beethoven,\" though he later fell into obscurity. While researching lesser-known composers, Piano Á Deux discovered Onslow’s duo sonatas in a dusty library drawer. The Duo Sonata Opus 7 was recorded for the first part of \"France Revisited,\" and Sonata No. 2 in F minor, Opus 22, can be heard on this second volume. It was performed several times by Frédéric Chopin and Franz Liszt; it is grand in scale, symphonically structured, and reflects the Beethovenesque aspects of Onslow’s style. Liszt’s \"Hungarian Rhapsody\" No. 2 is arguably one of the most famous solo pieces in the piano repertoire, by a composer who is still revered worldwide. Piano Á Deux have taken Franz Bendel’s arrangement for four hands, adapted it, and written their own cadenzas, thereby giving the piece a new personal touch. As an adventurous piano duo with a wide-ranging repertoire that includes both great classical works and their own arrangements from the worlds of opera, film, and musical theatre, Piano Á Deux have performed in many countries and have been widely acclaimed. Through their concerts on cruise ships, they have since built up a large fan base of experienced concert-goers and new listeners alike, who are inspired by their unique themed programs, their exquisite musicianship, and their charisma paired with humor.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDolly op. 56 (Suite for piano 4 hands)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Berceuse\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/93e7dfbea345db8955958b6d62a28001.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Mi-a-ou\u003c\/td\u003e\n\n \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/bbdefd4ae05824d91c5f3759c820eb48.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Le jardin de Dolly\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/ff2c612f00fbdd029effed78c3de9514.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Kitty-Valse\u003c\/td\u003e\n\n \u003ctd\u003e00:02:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/d2f1fe7401bf00248d280f891f511ca8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Tendresse\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/e1116ca49fb3ef98238b72942823cbaf.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Le Pas Espagnol\u003c\/td\u003e\n\n \u003ctd\u003e00:02:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/ed54d2832aa5ca414199f1587aff4ea0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eHungarian Rhapsody for piano No. 2 in C-sharp minor (arr. for piano 4 hands by Franz Brendel)\u003c\/td\u003e\n\n \u003ctd\u003e00:11:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/3dcaea56d385a804867b9705d238fea3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eSonata for piano 4 hands No. 2 in F minor op. 22\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro moderato e patetico\u003c\/td\u003e\n\n \u003ctd\u003e00:13:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/0aa348375f3e573bd8a18941acf94f27.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Minuetto: Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:09:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/27394d2581ade16de231b0620b54071d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Largo - Finale: Allegro espressivo\u003c\/td\u003e\n\n \u003ctd\u003e00:12:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/229\/114\/226014081961ba6407b2348d23208178.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"DIVINE ART","offers":[{"title":"Default Title","offer_id":58353272357196,"sku":"DDX21142","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"liszt-klaviertranskriptionen","title":"Liszt: Piano Transcriptions","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This album features popular piano transcriptions by Franz Liszt of songs and arias by Robert Schumann, Richard Wagner, Franz Schubert, and Charles Gounod, performed by the Lithuanian pianist Indrė Petrauskaitė. Throughout his life and work, Franz Liszt shared his deep love for the music of his fellow composers, arranging their works for the piano, the most important instrument for home music-making in the 19th century. He wanted to help people enjoy popular musical works in a private atmosphere when access to orchestras and concerts was still limited. Liszt is one of the greatest transcribers of the 19th century, and perhaps even of all time. Almost half of his oeuvre consists of arrangements, ranging from strict transcriptions to freely re-composed paraphrases. Pianist Indrė Petrauskaitė first came into contact with Schubert's \"Der Müller und der Bach\" as a child, and this piece is the inspiration for the programming of this album, which was recorded in 2007. It was only around this time that her young, independent home country of Lithuania began acquiring concert grand pianos for its beautiful concert halls, such as the new Steinway in the Klaipėda Concert Hall, where this recording was made. After her undergraduate and postgraduate studies at the Lithuanian Academy of Music, Indrė entered the Royal Academy of Music, where she completed her master's degree. She has performed with several orchestras in Lithuania and other European countries and has given numerous solo and chamber music recitals. Today, she lives in London, balancing teaching with her concert career.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNo.\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eWidmung (arr. for piano by Franz Liszt S 566)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/114\/659128f06de573d3c01c54953bbb8b39.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eTristan und Isolde (opera in 3 acts) (arr. for piano by Franz Liszt S 447) (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eIsolde's Liebestod\u003c\/td\u003e\n\n \u003ctd\u003e00:07:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/114\/729daf4b42ad8caa09ed0f3eb6508ec6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eDer fliegende Holländer (opera in 3 acts) (arr. for piano by Franz Liszt S 440) (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSpinning Chorus\u003c\/td\u003e\n\n \u003ctd\u003e00:05:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/114\/39d3671a1d9b0c4bb30538173ee22682.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSchubert Songs (transcriptions for piano): Schwanengesang S 560 (arr. for piano by Franz Liszt) (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Der Doppelgänger\u003c\/td\u003e\n\n \u003ctd\u003e00:03:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/114\/312ee04ece62f8a6dbb08cecbb59aa2c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eSchubert Songs (transcriptions for piano): Müllerlieder S 565bis (arr. for piano by Franz Liszt) (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Der Müller und der Bach\u003c\/td\u003e\n\n \u003ctd\u003e00:05:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/114\/94b87a86b67dacef450b5eb73b0e63da.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eSchubert Songs (transcriptions for piano): 12 Songs S 558 (arr. for piano by Franz Liszt) (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Frühlingsglaube\u003c\/td\u003e\n\n \u003ctd\u003e00:03:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/114\/500643c5d101e03fa46ee35d68fda9b4.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSchubert Songs (transcriptions for piano): 12 Songs S 558 (arr. for piano by Franz Liszt) (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Shakespeare Serenade \"Hark, Hark! The Lark\"\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/114\/0e41007cd23c5009462bef826bc282a6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eSoirées de Vienne S 427 (Valse-Caprices after Franz Schubert) (arr. for piano by Franz Liszt) (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eValse Caprice No. 6\u003c\/td\u003e\n\n \u003ctd\u003e00:06:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/114\/7219d224b0f670b575370bb528e5f611.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eValse de l'opéra Faust (arr. for piano by Franz Liszt S 407)\u003c\/td\u003e\n\n \u003ctd\u003e00:11:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/427\/114\/c9fa0422606535bb08f4a9687b1d32cb.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"DIVINE ART","offers":[{"title":"Default Title","offer_id":58353272389964,"sku":"DDX21144","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"frisson-musik-fur-holzblaserorchester","title":"Frisson - Music for Woodwind Orchestra","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Conductor Shea Lolin presents \"Frisson,\" an exciting new album of music for wind orchestra and his third recording with soloists from the Czech Philharmonic (Gramophone’s Orchestra of the Year 2024). \"Frisson\" follows the release of the groundbreaking album \"Twisted Skyscape,\" the first album dedicated exclusively to new music for wind orchestra, and \"Chromosphere,\" which focuses on contemporary repertoire. \"Frisson\" marks Shea Lolin's 20-year commitment to the wind orchestra and celebrates its evolution from the \"Harmoniemusik\" genre of the early 18th century—formal ensemble music for pairs of wind instruments—to its modern form. The album features a superb program of arrangements for wind ensemble by Shea Lolin, all of which were originally commissioned by the Bloomsbury Woodwind Ensemble. He expands Franz Krommer's exquisite \"Octet – Partita in F major,\" Op. 57, and Richard Strauss's youthful \"Serenade,\" Op. 7, creating a broader soundscape without altering their essence. Also included is Cécile Chaminade's popular \"Concertino,\" Op. 107, arranged for wind orchestra and featuring young Glasgow-based flutist Fiona Sweeney, who makes her debut with the Czech Philharmonic on this release. The album is rounded off by \"More Gordian Knots\" by Guy Woolfenden OBE, a spirited reinterpretation of Purcell’s music for \"The Gordian Knot Unty’d,\" which emerged during Woolfenden's remarkable 40-year collaboration with the Royal Shakespeare Company. Shea Lolin has worked in almost every area of the classical music industry, including as a musician, conductor, and manager. In 2025, he was elected Chair of the BASBWE (British Association of Symphonic Bands and Wind Ensembles).\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePartita for Wind (Octet) in F major, Op. 57\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:05:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/11a6e60d58127561160e582cf9257a5d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Menuett: Presto - Trio\u003c\/td\u003e\n\n \u003ctd\u003e00:03:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/b43e543c81ffcf253a77df9f6869ad9c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio - Andante cantabile\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/c813eda864ae3d98767008074ce92996.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Alla polacca\u003c\/td\u003e\n\n \u003ctd\u003e00:04:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/c9017d28ae2cb134e6445f7ade440b01.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eSerenade for Wind, Op. 7\u003c\/td\u003e\n\n \u003ctd\u003e00:10:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/807ea2a2a285d42434ea21d8638243c5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eConcertino, Op. 107 (for Flute and Orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e00:08:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/9a36641d68cf1ae770ae3444176a8152.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSymphonic Suite \"Romeo and Juliet\" (Excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e6. Sinfonia: Romeo and Juliet meet at the ball\u003c\/td\u003e\n\n \u003ctd\u003e00:03:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/090da822cef410ea52fe552d7048479b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e4. Siciliana: The professor teaches a pas de deux\u003c\/td\u003e\n\n \u003ctd\u003e00:03:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/0592ab5b0c7a7f2c77ccd5554a6e4d34.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e5. Sonatina: The lovers are separated\u003c\/td\u003e\n\n \u003ctd\u003e00:02:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/c4bdeab14cdfd2245a018db846dd3fd2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 4\u003c\/td\u003e\n\n \u003ctd\u003e9. Adagietto: The death of Juliet\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/92317b22b78464179e63d98e0410e252.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 5\u003c\/td\u003e\n\n \u003ctd\u003e12. Finale: The curtain falls\u003c\/td\u003e\n\n \u003ctd\u003e00:03:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/6bc1cbfce9880d9d164e56699ef7857a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eMore Gordian Knots (Suite)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Air\u003c\/td\u003e\n\n \u003ctd\u003e00:04:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/8d7422995b73a351388932366b454ad3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Chaconne\u003c\/td\u003e\n\n \u003ctd\u003e00:04:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/757cfb86f8bdd69aa3845432fe4dddd0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Jig\u003c\/td\u003e\n\n \u003ctd\u003e00:04:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/625\/114\/f35aebd97166c24f701929a567b1d0c5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"DIVINE ART","offers":[{"title":"Default Title","offer_id":58353272488268,"sku":"DDX21146","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"expectations","title":"Erwartungen","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \"Expectations\" by organist Alexander Ffinch is a musical journey through the festivities surrounding Christmas, featuring original works and arrangements recorded on the magnificent organ of Cheltenham College. The organ's diverse tonal colors fire the imagination and provide a wonderfully immersive listening experience. In this regard, \"Expectations\" is a perfect successor and companion album to Ffinch’s 2024 album \"Parallels,\" which featured original works and arrangements as well as pieces not usually associated with the organ. Ffinch begins the seasonal journey at Halloween with Camille Saint-Saëns' spooky \"Danse Macabre\" in a transcription by E. H. Lemare. Alexandre Guilmant's powerful \"Marche Funèbre et Chant Séraphique\" maintains the somber atmosphere, depicting the arrival of a solemn funeral procession. A new interpretation of the Advent melody \"Nun komm der Heiden Heiland\" by the young composer William Mason gets us in the mood for the Christmas season. Christmas itself is celebrated with arrangements of the \"Overture,\" the \"Russian Dance\" (Trépak), and \"Dance of the Reed Flutes\" from Tchaikovsky's festive ballet \"The Nutcracker,\" complemented by the stunningly imaginative \"Variations sur un Noël\" by Marcel Dupré. The captivating \"Epilogue\" from Fanny Mendelssohn's \"Das Jahr\" is a poignant yet optimistic depiction of the midnight bells on New Year's Eve. Two works by master organist Marcel Lanquetuit, \"Toccata\" and his lesser-known \"Intermezzo,\" follow. Ffinch poses the question of expectations with David Bowie's haunting song \"Life on Mars?\" on the 10th anniversary of his death. Alexander Ffinch has established himself as a renowned organist with performances in the UK, Europe, the USA, and Asia. Following many radio appearances, concerts are coming up soon at Notre Dame and La Madeleine in Paris, as well as regular appearances in Cheltenham and further concerts in the UK and the USA.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDanse macabre op. 40 (arr. for organ by Edwin H. Lemare)\u003c\/td\u003e\n\n \u003ctd\u003e00:08:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/730f366a0760a4dfb8a88a21f8aa6b3e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eMarche funèbre - Chant séraphique op. 17 No. 2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Marche\u003c\/td\u003e\n\n \u003ctd\u003e00:08:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/eaa50b58e2276fae96cfdd6e2197775e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Chant\u003c\/td\u003e\n\n \u003ctd\u003e00:04:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/736df3a5843b472ee386d417e2ba16a4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSerenade op. 22\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/3fdc38ac95327207362ca182656c00dc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eNun komm der Heiden Heiland\u003c\/td\u003e\n\n \u003ctd\u003e00:02:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/21dd80898fe9894bd044c9d9777d7e25.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eThe Nutcracker op. 71 (Ballet): Suite op. 71a (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOuverture miniature (arr. for organ by Reginald Goss-Custard)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/4cbdf680be4c29c9d6edc2b7f1a0eea6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003eDanse Russe \"Trépak\" (arr. for organ by Alexander Ffinch)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/e935c3f2c55e1333b9b2affaa410886d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003eDanse des Mirlitons (arr. for organ by Reginald Goss-Custard)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/94f1ec98512f57e418684a10ec9a5b3b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eBrook Green (Suite for Strings) H190 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e2. Air (arr. for organ by Alexander Ffinch)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/805c82a5040a164e5e553ebae2d4aadf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eVariations sur un Noël op. 20\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/ca4408d6cc80f9666b54990227668e1b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Variation 1: Larghetto\u003c\/td\u003e\n\n \u003ctd\u003e00:00:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/9f70c4fb294b60bb669c0f3397767213.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Variation 2: Poco animato\u003c\/td\u003e\n\n \u003ctd\u003e00:00:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/7a9d3c3c13fc79cc10d57676519fb08a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Variation 3: Canon à l'octave\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/7659da084a871c9359be5351d5606cd0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Variation 4: Vif\u003c\/td\u003e\n\n \u003ctd\u003e00:00:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/79cc85bb2b08f6745186ba4e922b4dc0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Variation 5: Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:00:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/3cb654406d8349fc30b4e98c46124977.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Variation 6: Canon à la quarte et à la quinte\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/4f0fa85ef0dd299bde37675d66cba64f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. Variation 7: Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:00:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/32a337b7bdf80046b6aed2ac02f11e6d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 9\u003c\/td\u003e\n\n \u003ctd\u003e9. Variation 8: Canon à la seconde\u003c\/td\u003e\n\n \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/cf120a4adb54f49bd30765c628c1e9bf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 10\u003c\/td\u003e\n\n \u003ctd\u003e10. Variation 9: Animé\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/a565237b83742e21f3516b40f85a8396.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 11\u003c\/td\u003e\n\n \u003ctd\u003e11. Variation 10: Fugato\u003c\/td\u003e\n\n \u003ctd\u003e00:03:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/a735a549731defe1feb7379e1bac0ec8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eDas Jahr (Piano Cycle) (excerpt) (arr. for organ by Alexander Ffinch)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003e13. Epilogue\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/48d16a525f4ad4dbbab1ed53718250cd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22\u003c\/td\u003e\n\n \u003ctd\u003eLife on Mars? (arr. for organ by Alexander Ffinch)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/45dec4b69550cfe12b5331606d4ea398.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eIntermezzo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/482dcbdb335cf394bae4a5e1975c6f2c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24\u003c\/td\u003e\n\n \u003ctd\u003eToccata\u003c\/td\u003e\n\n \u003ctd\u003e00:06:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/724\/114\/38060f9429fb1389b208967485dc6bf9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"DIVINE ART","offers":[{"title":"Default Title","offer_id":58353272521036,"sku":"DDX21147","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"scott-burt-24-praludien-fur-klavier","title":"Scott-Burt: 24 Preludes for Piano","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Award-winning Korean pianist Da-Hee Kim presents the world premiere recording of Nicholas Scott-Burt’s “24 Preludes for Piano”. In this work, composed between 2019 and 2020, Bristol-born Scott-Burt pursues a postmodern approach to the long-standing tradition of presenting a cycle of works in all 24 major and minor keys. Drawing inspiration from composers such as Johann Sebastian Bach, Frédéric Chopin, and Dmitri Shostakovich, he seeks to capture the expressive qualities inherent in each key while bringing a unique architectural approach to the work. Each prelude is treated as a miniature, but also connects with the others to form a seamless, integrated structure—a vast “symphony” for the piano.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Da-Hee Kim was trained at the Paris Conservatory and subsequently studied at the University of Music and Performing Arts in Munich. She completed her studies at the Peabody Conservatory in the USA with a Doctor of Musical Arts degree in piano performance.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePreludes for Piano No. 1-24\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Prelude in C Major\u003c\/td\u003e\n\n \u003ctd\u003e00:03:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/ff2e1ab60489d4cef2625a91c8c421fd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Prelude in D minor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/d3d15385b152f66385bdcfef2a7dff8b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Prelude in D-flat minor\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/7058be39d9a5fb13ef06787834c77a24.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Prelude in E-flat minor\u003c\/td\u003e\n\n \u003ctd\u003e00:01:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/57af28b4f1514f1f21b087b2d06912e6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Prelude in D Major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/535452545cebe113f479bba1e32c7137.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Prelude in E minor\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/40b0934d51b578aca1b5739a9ae85553.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Prelude in E-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:03:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/10993275914c858812626d408bac710e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Prelude in F minor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/e5014618513607f7dc23e3e7f232b830.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Prelude in E Major\u003c\/td\u003e\n\n \u003ctd\u003e00:03:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/8ac11112fb580cc8bf6ccd4e2591172b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 Prelude in F-sharp minor\u003c\/td\u003e\n\n \u003ctd\u003e00:01:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/0664c718ed8cab7180a830c622b12327.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 Prelude in F Major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/2bc3fcf44f92df003490efabcd4a22f2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Prelude in G minor\u003c\/td\u003e\n\n \u003ctd\u003e00:04:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/2a15772d06bbfb7bf7e9e5d48c357322.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eNo. 13 Prelude in G-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/2a453f6b47ad1d0dd47cc898691ca9e8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNo. 14 Prelude in G-sharp minor\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/acc6fa4811a35d981fb382318145482b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eNo. 15 Prelude in G Major\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/25079c0e7435348a84fe4d1869f8068c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eNo. 16 Prelude in A minor\u003c\/td\u003e\n\n \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/8350d1d6f6928b3bf6e7b7206b2067f5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eNo. 17 Prelude in A-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:04:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/feb02ac61a60220e9d3a5eff8c66465e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eNo. 18 Prelude in B-flat minor\u003c\/td\u003e\n\n \u003ctd\u003e00:03:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/ffdfb895d579244dcbf5334e402e0374.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 19\u003c\/td\u003e\n\n \u003ctd\u003eNo. 19 Prelude in A Major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/4435977f02c0e0cb218499e163e9ef72.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 20\u003c\/td\u003e\n\n \u003ctd\u003eNo. 20 Prelude in B minor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/81ba41d43f25dc9e4fca6d76b7d0eab2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 21\u003c\/td\u003e\n\n \u003ctd\u003eNo. 21 Prelude in B-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/bd5fbe60e1893e079eb258331ab0e24f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 22\u003c\/td\u003e\n\n \u003ctd\u003eNo. 22 Prelude in C minor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/e029e46478261e476f3e84f6e0b09ba8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 23\u003c\/td\u003e\n\n \u003ctd\u003eNo. 23 Prelude in B Major\u003c\/td\u003e\n\n \u003ctd\u003e00:05:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/ea19eb8e7b08c14eb2b92c3227618c60.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 24\u003c\/td\u003e\n\n \u003ctd\u003eNo. 24 Prelude in C-sharp minor\u003c\/td\u003e\n\n \u003ctd\u003e00:16:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/ff3015bb62e51a1ab5137597333c81b6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eMinimalis No. 1\u003c\/td\u003e\n\n \u003ctd\u003e00:13:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/24526dea9f1690bb53a655f8a3a7db11.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eLove Song\u003c\/td\u003e\n\n \u003ctd\u003e00:06:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/822\/124\/4f911a740081eb650dfe7ab92e2a7a2d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"DIVINE ART","offers":[{"title":"Default Title","offer_id":58353272881484,"sku":"DDX21248","price":24.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"liszt-annees-de-pelerinage","title":"Liszt: Years of Pilgrimage","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The exciting Taiwanese-American pianist Brian Hsu plays the \"Années de pèlerinage\" suites for solo piano by Franz Liszt on this album. This monumental cycle, released as a 3-CD set, traces a physical and emotional journey of the composer through the magnificent Alpine landscapes of Switzerland, the art and literature of Italy, as well as a journey through his inner self. The album was recorded and edited in Dolby Atmos® spatial audio by Grammy-nominated producer Sergei Kvitko. Brian Hsu explains how the album came about during the COVID epidemic: \"These pieces became a way for me to travel through music - to hike through the mountains of Switzerland, to stroll through the canals of Venice, and to experience the art and architecture of Italy through Liszt's imagination. In a moment characterized by isolation, this repertoire offered connection, movement, and emotional liberation.\" A complete recording of the suites has been realized by fewer than two dozen pianists to date. Hsu presents Liszt not only as a virtuoso whose technical brilliance reshaped piano literature, but also as a poet, philosopher, and artist whose musical language evolved in parallel with his professional and personal life. Since his concert debut at the age of 16 with the Philadelphia Orchestra, Brian Hsu has established himself as a pianist of electrifying energy and highly communicative performance. Critics have praised his playing in superlatives, highlighting his \"breadth of expression and technical ability.\" An avid chamber musician, collaborator, and educator, Hsu performs constantly with renowned artists around the world and gives masterclasses at various colleges and universities in the United States and Asia. He is currently an Associate Professor of Piano at the University of Oregon.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eAnnées de pèlerinage, 1e année: Suisse S 160\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Chapelle de Guillaume Tell\u003c\/td\u003e\n\n \u003ctd\u003e00:05:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/8fe705494c6690c4dc781deb6b2dff79.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Au lac de Wallenstadt\u003c\/td\u003e\n\n \u003ctd\u003e00:02:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/c365276246eb3240f5b71af2dc73abf7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Pastorale\u003c\/td\u003e\n\n \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/73f3a1bd48a51de639f0dfac67d91973.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Au bord d'une source\u003c\/td\u003e\n\n \u003ctd\u003e00:03:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/55ae3ba49e05de11f2be9244921bd479.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Orage\u003c\/td\u003e\n\n \u003ctd\u003e00:04:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/386390bdf047a65b3a1a15f2628c79ed.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Vallée d'Obermann\u003c\/td\u003e\n\n \u003ctd\u003e00:12:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/67ec7160f110250e3944a96cd4547f69.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Eglogue\u003c\/td\u003e\n\n \u003ctd\u003e00:03:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/5e90e90fb670307e790d4feefdffebda.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Le mal du pays\u003c\/td\u003e\n\n \u003ctd\u003e00:06:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/aef0ac1d2d2bab074731935c1c2177ae.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Les cloches de Genève (Nocturne)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/26e0323cc97422951c0620a67f6e6849.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eAnnées de pèlerinage, 2e année: Italie S 161\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Sposalizio\u003c\/td\u003e\n\n \u003ctd\u003e00:07:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/b29c65a1b2e100e0deebd051f0fd30a1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Il Penseroso\u003c\/td\u003e\n\n \u003ctd\u003e00:03:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/0b17a9aef629879a2c2f9128e059ed01.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Canzonetta del Salvator Rosa\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/a9cf4a2bfe6dee625d28fc4a9050bbfd.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Sonetto 47 del Petrarca\u003c\/td\u003e\n\n \u003ctd\u003e00:05:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/b3ab64bec78597411245b9ebeb9a897c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Sonetto 104 del Petrarca\u003c\/td\u003e\n\n \u003ctd\u003e00:06:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/669ce07bd53cf1678b2c0c022cbacb4e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Sonetto 123 del Petrarca\u003c\/td\u003e\n\n \u003ctd\u003e00:06:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/6025e8ba89af5a9c108ee57f7164290a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Après une lecture du Dante\u003c\/td\u003e\n\n \u003ctd\u003e00:17:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/2901e656d0f670ed7d05346524328ce9.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eAnnées de pèlerinage: Venezia e Napoli S 162 (2nd version)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Gondoliera\u003c\/td\u003e\n\n \u003ctd\u003e00:05:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/2872954376b921f8e58308027debcab3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Canzone\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/28527955a86d5be6e89d96864afd2094.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Tarantella\u003c\/td\u003e\n\n \u003ctd\u003e00:09:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/414cb516d99c6fe7eaa4e7106bd826e8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eAnnées de pèlerinage, 3e année: Italie S 163\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Angélus! Prière aux anges gardiens\u003c\/td\u003e\n\n \u003ctd\u003e00:09:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/06c22927c90fe36906d43436b20d8b46.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Aux cyprès de la Villa d'Este No. 1: Threnody\u003c\/td\u003e\n\n \u003ctd\u003e00:06:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/e1df8ee96c2b839a2fde9af7ceac4665.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Aux cyprès de la Villa d'Este No. 2: Threnody\u003c\/td\u003e\n\n \u003ctd\u003e00:08:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/41e42d3a7d14a37733f2c087ed8cc3ed.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Les jeux d'eaux à la Villa d'Este\u003c\/td\u003e\n\n \u003ctd\u003e00:07:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/16f33b147eee34121243aca73b84c21b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Sunt lacrymae rerum\u003c\/td\u003e\n\n \u003ctd\u003e00:07:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/3724e02bd90fdb3444355e3cc7f43579.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Trauermarsch\u003c\/td\u003e\n\n \u003ctd\u003e00:06:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/03708f4af1dbe24ec588dc8273eda969.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Sursum corda\u003c\/td\u003e\n\n \u003ctd\u003e00:03:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/624\/137\/f2bd6f65dc23ead77be77a6596de4b5a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"DIVINE ART","offers":[{"title":"Default Title","offer_id":58353273078092,"sku":"DDX21376","price":31.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"schumann-fantasien","title":"Schumann: Fantasies","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The deluxe pressing of \"Fantasies,\" Burkard Schliessmann's wonderful interpretation of the solo piano works of Robert Schumann, is now being released as an audiophile edition with three gold-colored LPs, following the celebrated release of the album on SACD and Dolby Atmos Digital, which received much praise for both its sound fidelity and interpretive depth. The album was recorded at the renowned Teldex Studios in Berlin with producer Julian Schwenkner and sound engineer Jupp Wegner. Using a 14-microphone setup, the full spectrum of Schliessmann’s artistry was captured, revealing the complex emotional architecture and expressiveness of Schumann’s compositions. Schliessmann brings out the music's structural sophistication while making bold connections to Richard Wagner’s \"Tristan,\" all while demonstrating a sweeping, poetic lyricism. The result is an insightful journey through Schumann’s psyche – a journey that the Schumann Journal described as 'completely new, surprising and unexpected ... a MUST!' (Irmgard Knechtges-Obrecht), while the American Record Guide praised the 'perfect' sound of the album as 'one of the most beautiful recordings I have heard in a long time' (Rob Haskins). Pressed on heavy gold vinyl, this edition offers analog warmth and detail that will thrill even the most demanding listener. \"Fantasies\" is an essential collector's item and continues Burkard Schliessmann’s tradition of uncompromising interpretations and outstanding sound quality.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"DIVINE ART","offers":[{"title":"Default Title","offer_id":58353273373004,"sku":"DDL12404","price":73.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"bach-suiten-fur-altgitarre-water-through-ice","title":"Bach: Suites for Alto Guitar [Water Through Ice]","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Even today, it remains unclear whether Johann Sebastian Bach's lute suites were written for a lute-harpsichord or even for a harp. While the works have often been recorded on the modern guitar, Finnish guitarist Vesa Lassila presents his own arrangements for the alto guitar in \"Water Through Ice.\" Lassila explains: \"With a little imagination, one can easily think of the alto guitar as a modern version of the baroque alto lute.\" The alto guitar on the recording is an instrument created by Finnish luthier Keijo Krelin in 2009, which, in addition to a light treble and a clear voice, also offers a rich and powerful bass register, thus bridging the gap between modern sound and historical authenticity. \"Water Through Ice\" also contains alto guitar arrangements of two suites that Bach originally composed for solo violin, but which he later transcribed or arranged for lute-harpsichord. 'As a musician, the alto guitar opened up a greater range of bass lines for me, so that, unlike performing Bach on the modern guitar,' says Lassila, 'one does not have to reduce the full sonority in the lower register, but can instead use the full two octaves as they were written for the lute. The shorter scale of the fretboard allows for more open solutions in fingerings and articulations to better bring out Bach's glorious counterpoint.' Due to their extraordinary quality, these beautiful, complex, and technically demanding works continue to inspire musicians even today. Vesa Lassila works as a guitar professor at the Music Institute in Ylivieska in northern Finland.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSuite for Lute in G minor BWV 995 (in C minor)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude\u003c\/td\u003e\n\n \u003ctd\u003e00:05:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/c9f5f084187d27dbaa84a2f4b0863e95.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allemande\u003c\/td\u003e\n\n \u003ctd\u003e00:04:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/08804c315f8f3ec5d366b7d37a9ebcd0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Courante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/770300382feb22d9033bcd708a3c6fcb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Sarabande\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/3b329c0347906ec03dd2f9b30204b104.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Gavotte 1 - Gavotte 2 en rondeaux\u003c\/td\u003e\n\n \u003ctd\u003e00:04:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/4db3e67d268d867926dab004f92a8da5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Gigue\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/3bb48de61ecf2d56cf771d7f2ba6596f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSuite for Lute in E minor BWV 996 \"for the Lautenwerck\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude\u003c\/td\u003e\n\n \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/6711f0d8d59a1be35db3b999584cbbe7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allemande\u003c\/td\u003e\n\n \u003ctd\u003e00:02:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/9e836517cd8f3f4fd6cd7cb6fdb6af74.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Courante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/459e91ad9bd1f56ff7d849e4219dc53d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Sarabande\u003c\/td\u003e\n\n \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/5a572efd3f8e0699724cf66e090a6738.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Bourrée\u003c\/td\u003e\n\n \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/b98e8c23cf665458b61b17031c79b77f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Giga\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/eb04bde9e965d2612f24c7f5df606ac5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eSuite for Lute in C minor BWV 997 (Partita)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude\u003c\/td\u003e\n\n \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/47caa2eaab92c970edc407b62922ac16.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Fugue\u003c\/td\u003e\n\n \u003ctd\u003e00:06:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/51ffaff91d9733c01970155e5f09f071.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Sarabande\u003c\/td\u003e\n\n \u003ctd\u003e00:03:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/8e2d071f6a3e5bec57b2a0cea181e200.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Gigue\u003c\/td\u003e\n\n \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/f83b47dcf6ef98884f55ecd1eac3f5ba.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Double\u003c\/td\u003e\n\n \u003ctd\u003e00:03:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/cb40f921ebbd9d65ff9c2525f86c9b6b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSuite for Lute in E major BWV 1006a (in G major)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude\u003c\/td\u003e\n\n \u003ctd\u003e00:04:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/dacde4e07880413a541712a160bd1c73.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Loure\u003c\/td\u003e\n\n \u003ctd\u003e00:03:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/9bd0902647f3b96065bd9af5e13c4526.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Gavotte en rondeau\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/c497f5760d945ccc2953c8723fe8b3df.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Minuet 1 - Minuet 2\u003c\/td\u003e\n\n \u003ctd\u003e00:04:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/d930f095c3ba65249edfb02671dd9fa6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Bourrée\u003c\/td\u003e\n\n \u003ctd\u003e00:02:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/6680158fd2bd30a69f7333375eea16d5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Gigue\u003c\/td\u003e\n\n \u003ctd\u003e00:02:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/acf207685d5afee8bc335fd4f6d59c19.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003ePrelude, Fugue and Allegro in E-flat major BWV 998 (in F major)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude\u003c\/td\u003e\n\n \u003ctd\u003e00:02:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/a8c4a6ab05791ce350f39870b0f61de0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Fugue\u003c\/td\u003e\n\n \u003ctd\u003e00:05:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/2c0e3ca4ae34b8b4e884c2e3cfbe7f62.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/14df26faa23d733e4a4f306b8535f4d4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003ePartita in F minor BWV 1004 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChaconne in D minor\u003c\/td\u003e\n\n \u003ctd\u003e00:12:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/417\/5e5423f93a3114a33388773a03e01e47.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Diversions","offers":[{"title":"Default Title","offer_id":58353273536844,"sku":"DDV24173","price":22.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"casken-chormusik-uncertain-sea","title":"Casken: Choral Music [Uncertain Sea]","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Northumberland-based composer John Casken draws inspiration from the magnificent landscape and coastline of the region, their changing colors, their history and poetry. This recording was performed by the Joyful Company of Singers under the direction of Peter Broadbent and reflects their two-year collaboration with the composer. The album features settings of poems by various authors, from the 7th-century Northumbrian cowherd Caedmon to George Herbert, John Donne, Robert Burns, Gerard Manley Hopkins, Sylvia Townsend Warner, the Northumbrian poet Katrina Porteous, and John Casken himself. The works are grouped according to timeless and profound themes, with headings taken from the texts: the seascape and the Northumbrian dialect are at the heart of “Uncertain Sea.” The focus of “Sacred Shaper” is on early Christianity, followed by an Easter sequence “Stone and Thorn” and finally the farewell music “Fare thee weel.” The choir takes on various roles – sometimes as the voice of a community, sometimes as voices uniting to prompt reflection, or simply to tell a story through music. John Casken created a painting for the cover of this recording that depicts the stones of Dunstanburgh Castle at the edge of the sea. The digital edition of the album includes two additional tracks – “Tree of Angels” for solo cello and organ and “From One Thread” for solo viola. John Casken (born 1949) is one of the most distinctive composers of his generation. His works span all genres and are inspired by literature and legends as well as landscapes and visual arts. He maintains close relationships with a number of orchestras and ensembles, and his works are regularly performed in the UK, including at the BBC Proms, as well as worldwide. He is the recipient of several awards, including the Britten Award, the British Composer Award, and the Tippett Medal.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eUncertain Sea\u003c\/td\u003e\n\n \u003ctd\u003e00:07:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/625054ba95f05e3182209cc51d19a062.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eFor Dappled Things\u003c\/td\u003e\n\n \u003ctd\u003e00:02:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/95ec1b72598a1c6fc0583c8559ec5fcd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eThe Land of Spices\u003c\/td\u003e\n\n \u003ctd\u003e00:05:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/ed544567396d066b25b3b7ff0643fce5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eCaedmon's Hymn\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/22192e9253bad4e9a67384188f0c77be.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eFrom this Red Earth\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. The Father\u003c\/td\u003e\n\n \u003ctd\u003e00:03:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/d71357ae889da20e9e294626e1f2233b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. The Son\u003c\/td\u003e\n\n \u003ctd\u003e00:04:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/7372e408f737dddfc6ad20b8601af2cd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eFloore of Allegories\u003c\/td\u003e\n\n \u003ctd\u003e00:06:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/2b96dd3cf3f0460bb91a83894cafc34e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eThe Knight's Stone\u003c\/td\u003e\n\n \u003ctd\u003e00:09:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/9b019b2d74ebd309fc3f137d52b0dff9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eReturning from the Tomb\u003c\/td\u003e\n\n \u003ctd\u003e00:04:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/495662592e627e3d701e49d54f62c1c4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eSunrising\u003c\/td\u003e\n\n \u003ctd\u003e00:06:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/88c2165d1859d603375a6448e74db69a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eAe Fond Kiss\u003c\/td\u003e\n\n \u003ctd\u003e00:05:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/2a89a06bfcc1f044b24348766e0d6a11.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eMemorial\u003c\/td\u003e\n\n \u003ctd\u003e00:11:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/725\/711\/f942e4557f1586161ad40c3593de5470.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":58353273569612,"sku":"DDX77117","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"american-ethos","title":"American Ethos","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Acclaimed pianist Carolyn Enger presents an impressive collection of works by various American composers, including Leonard Bernstein, Aaron Copland, John Corigliano, Ned Rorem, William Grant Still, Florence Price, and many others. Just in time for the 250th anniversary of the American Declaration of Independence, Carolyn Enger poses the question of how to characterize American composition over so many years and in times of sharp division. 'I wanted to convey a comprehensive sense of Americana,' explains Enger. 'Voices that have been overlooked over the years then come to light because they influenced voices that are very familiar to us.' Enger has long been a champion of Ned Rorem's piano music, and \"American Ethos\" centers on his work \"The Wind Remains,\" alongside three excerpts from \"Soundpoints.\" Contemporary composer Daron Hagen was Rorem's first student, and we hear his \"Five Nocturnes,\" which tell of a family settling down for the night. Rorem's roots in American music also run deep, as he studied under composer Margaret Bonds, who in turn was a student and friend of composer Florence Price. Enger introduces the African American spiritual music traditions that underlie Florence Price's \"Adoration.\" Beyond Bonds and Rorem, Price influenced many American composers, including William Grant Still. The influence of Price on Grant Still is evident in his evocation of the divine in \"Seven Traceries: A Suite for Solo Piano,\" four of which Enger plays. Perhaps one of the most famous American voices is Leonard Bernstein, who spoke of the healing power of music in response to violence, and several works in this collection make reference to him. His \"Thirteen Anniversaries,\" which are at once tender and whimsical, celebrate 13 family members, friends, and colleagues. One of them is the composer Craig Urquhart, a former assistant who is represented here with \"The Awakening,\" and so it goes; all the works on this album are connected to one another in one way or another.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eAn Anniversary for Lenny\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/ad54f2c11d8487587a0e53032e3c8c5a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eAnniversaries No. 1-13\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 For Shirley Gabis Rhoads Perle\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/5dde0ad665d75e9eb24bc9a650e98d6a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 In Memoriam: William Kapell\u003c\/td\u003e\n\n \u003ctd\u003e00:00:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/34b5a77befbbdc2cb6f8e867142907da.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 For Stephen Sondheim\u003c\/td\u003e\n\n \u003ctd\u003e00:01:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/37acce9678d8bda7b70662dd57603301.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 For Craig Urquhart\u003c\/td\u003e\n\n \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/175feb6080945f719783fdf322292d17.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 For Leo Smit\u003c\/td\u003e\n\n \u003ctd\u003e00:00:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/d249fe5d332a288781e3d93d50c5ed3b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 For My Daughter, Nina\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/9a62c875b34d86c90cb0b0dca5bebc0e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 In Memoriam: Helen Coates\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/97f91734528dbbab96b2eb29328d27b9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 In Memoriam: Goddard Lieberson\u003c\/td\u003e\n\n \u003ctd\u003e00:01:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/9469f6fc71a1fe10a2dd376873d5bd59.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 For Jessica Fleischmann\u003c\/td\u003e\n\n \u003ctd\u003e00:01:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/6817aa05f9992b2476b94c6c667d8180.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 In Memoriam: Constance Hope\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/3f5f1cb3d5c66a7394c74f0f2d7eb72f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 For Felicia (on our 28th Birthday \u0026amp; her 52nd)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/be4d9a426a807985821fbed17a7ce30e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 For Aaron Stern\u003c\/td\u003e\n\n \u003ctd\u003e00:02:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/5cf8f4367ef14bff646eca65ced82da5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n \u003ctd\u003eNo. 13 In Memoriam: Ellen Goetz\u003c\/td\u003e\n\n \u003ctd\u003e00:02:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/8dd2247281fd326dea6f4844c2828dcd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eThe Awakening\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/f7613e2033662f2a16fafbdcfa367911.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eAdieu\u003c\/td\u003e\n\n \u003ctd\u003e00:05:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/f6c139c6778ada297817d2acf23ae67d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eTraceries No. 1-7 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Cloud Cradles\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/12950942077ecb540c82061b3634852f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Mystic Pool\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/c697e2b8326919e8f337479a2683462c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Woven Silver\u003c\/td\u003e\n\n \u003ctd\u003e00:01:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/6a137d55114ca61ec3f684811e1ea98d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Wailing Dawn\u003c\/td\u003e\n\n \u003ctd\u003e00:05:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/3fd8dab82d0209c224d0fe7b44b09726.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eUnder the Blue Dome (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003e5. The Vasland\u003c\/td\u003e\n\n \u003ctd\u003e00:04:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/fc7f1c1604ccbd5466732be7305c150d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22\u003c\/td\u003e\n\n \u003ctd\u003eRecalling (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 1\u003c\/td\u003e\n\n \u003ctd\u003e2. The Wind Remains (Remembering Paul Bowles)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/3b05802de029691039463ac48139cc48.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eSoundpoints (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Looking Forward\u003c\/td\u003e\n\n \u003ctd\u003e00:02:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/03169b4ebc5e082ecef2c843e53c11a9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 2\u003c\/td\u003e\n\n \u003ctd\u003e3. Short Bridge\u003c\/td\u003e\n\n \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/58ef58e70d190683fe231d9648ffaa51.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 3\u003c\/td\u003e\n\n \u003ctd\u003e5. Looking Back\u003c\/td\u003e\n\n \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/bd45aecbadc578f812e807a856bddfd3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26\u003c\/td\u003e\n\n \u003ctd\u003eNocturnes No. 1-5 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Gwen Leone Hagen (in memoriam)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/52ee081c7fee200aeb7fcf76e821fff1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27\u003c\/td\u003e\n\n \u003ctd\u003eOur Town (film score): piano reductions No. 1-3\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Story of Our Town\u003c\/td\u003e\n\n \u003ctd\u003e00:02:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/84b81dd85c099c4d184aa7e3ca82b335.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Conversations at the Soda Fountain\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/fa4f5c93a8722f2c9281f90af1c3b4cf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 The Resting-place on the Hill\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/1874a8747f8195500b3dd41af47c9e8a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30\u003c\/td\u003e\n\n \u003ctd\u003eTwilight\u003c\/td\u003e\n\n \u003ctd\u003e00:04:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/3e5ee871c6c938961aaa89fc2f430716.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31\u003c\/td\u003e\n\n \u003ctd\u003eAdoration\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/023\/714\/1b3580246714f9658d3ed9b18dc01091.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":58353275011404,"sku":"MEX77140","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"aitchison-klavierquintette","title":"Aitchison: Piano Quintets","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This release features two piano quintets by composer Jim Aitchison, both based on his unusual fusion of two arts, as he is both a composer and a visual artist. His music often responds to the works of his fellow artists. The works presented here were created as part of a project with the Tremenheere Sculpture Gardens, \"Hearing Shadows Wordless Light.\" Both piano quintets are based on his close collaboration with Peter Sheppard Skærved, Roderick Chadwick, and the Kreutzer Quartet, whose highly intelligent engagement and unique experience working in the context of the visual arts have shaped much of Aitchison's work over the last two decades. Aitchison has always been fascinated by chamber music for piano and strings, inspired by the interplay of texture and timbre and the enormous expressive range of the great masterpieces. His own piano quintets are astonishing and unexpected; they recreate the German canon and \"break down its walls\" at the same time. None of the quintets attempts to convey, \"explain,\" or illustrate the artworks. \"Rather, they are an exploration of territory that is provoked and revealed within me: I am not responding directly to the artworks themselves, but rather to the range of my own reactions resulting from experiencing them,\" says the composer. He has worked with a number of internationally significant visual artists, such as Gerhard Richter, and with various galleries, including the Tate Modern. This release is the 50th joint album by Peter Sheppard Skærved and the Kreutzer Quartet on the Divine Art, Metiér, and Athene labels.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eQuintet for Piano and String Quartet No. 1 \"Margarete\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude - Chorale\u003c\/td\u003e\n\n \u003ctd\u003e00:08:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/122\/714\/eb2c3046deffbbcc2433164519fa1856.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Magic Square\u003c\/td\u003e\n\n \u003ctd\u003e00:05:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/122\/714\/6b6210fd55180e92e37b814dea3ac00a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Dance Fugue\u003c\/td\u003e\n\n \u003ctd\u003e00:12:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/122\/714\/a4597161c9098e4f4c8901b975beedad.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eQuintet for Piano and String Quartet No. 2 \"Transience Patterns\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude\u003c\/td\u003e\n\n \u003ctd\u003e00:04:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/122\/714\/50ccdb7d55279c8d76f77511a322660d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Blind Tide\u003c\/td\u003e\n\n \u003ctd\u003e00:12:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/122\/714\/9f01b4d0768475b687b54222a99fa2ce.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Autumn\u003c\/td\u003e\n\n \u003ctd\u003e00:05:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/122\/714\/34bc2d9f5313aa6753d9447c93ca51bc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Fugue \"Winter\"\u003c\/td\u003e\n\n \u003ctd\u003e00:07:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/122\/714\/e01147d27f2eb641333a288acd6de753.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Spring\u003c\/td\u003e\n\n \u003ctd\u003e00:10:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/122\/714\/974afa5c2d54e08be0ee71f09a463524.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":58353275437388,"sku":"MEX77141","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"smith-the-girl-from-the-french-fort","title":"Smith: The Girl from The French Fort","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \"The Girl from the French Fort\" is an enchanting orchestral work by the Beijing-based composer and conductor Nicholas Michael Smith, based on a children's story by the renowned Chinese author Hong Ying. Gerry Cornelius conducts the New Music Players. The English version of the story is narrated by Timothy Bentinck, best known for his role as David in the BBC Radio 4 series \"The Archers\". The album also includes a version of the recording narrated in Mandarin by Niki Yan, who has acted in many Chinese and international films and television series. Set in 1970s Chongqing, \"The Girl from the French Fort\" tells the story of a boy who strikes up a friendship with a mysterious girl living in the old French fort high above the Yangtze River. She pulls him through ancient doors into a hidden, dreamlike world where time flows differently and everyday life is full of wonders and strangeness. The piece follows in the tradition of Sergei Prokofiev's \"Peter and the Wolf\" (a work with which it is often performed) and combines narration with orchestral tone color. Nicholas Michael Smith has lived and worked in China for over thirty years and was appointed an Officer of the Order of the British Empire (OBE) in 2011 for his services to music and British-Chinese relations. His achievements include the first Chinese performance of George Frideric Handel's \"Messiah\" and the founding of several choirs and orchestras. He has a distinctive and complex musical language: at times his melodic lines float freely around a tonal center, moving in the circularity of the pentatonic scale that forms the core of many traditional Chinese musical pieces; at other times, his music is driven by the harmonic tensions and chromatic developments of the Western classical tradition.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eThe Girl From The French Fort (Symphonic Poem)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Turtle Rock\u003c\/td\u003e\n\n \u003ctd\u003e00:02:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/42ab091ac80f1763c5c1fe37dcb31018.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Sansang saves a grey pigeon\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/0c416a0770e678ed8da192a4030d279e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Sansang goes for a walk and meets a girl in a grey dress\u003c\/td\u003e\n\n \u003ctd\u003e00:04:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/1336c60d91fb8ed0cf77954cd1999e0a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Inside the French Fort\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/f7895717cdcd8933bc9da5349f64ffdb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. A Chinese banquet and a unhappy love story\u003c\/td\u003e\n\n \u003ctd\u003e00:05:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/30d271bd9d281928a4b15f49286f4ecd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Sansang dances with some French sailors, then falls asleep\u003c\/td\u003e\n\n \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/45418d2858ecd7bb66dfc9a63f0a29f2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Sansang wakes to find the fort deserted\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/1ae5fb380647893ef1b8c24c05574768.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. Sansang returns home\u003c\/td\u003e\n\n \u003ctd\u003e00:06:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/63fa8e19e679cb677161a301900fc925.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003e9. The Chinese banquet with variations\u003c\/td\u003e\n\n \u003ctd\u003e00:04:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/1ccc7cc347e584439032de02dde8df35.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003e10. Meiniang is united with her true love\u003c\/td\u003e\n\n \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/d5eb4902ebb24658647b86185ed338f3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003e11. Sansang is reunited with his mother\u003c\/td\u003e\n\n \u003ctd\u003e00:01:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/14c3b4f39db67900ff21f88c693a2fe6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/82900eb49e12245ab0815aa7f48b30aa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 2\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:02:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/029097f945f0b959b6628a46a1bd924d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 3\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:04:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/67c76f0f101509e8d10fedcd764d15fe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 4\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/b26ee13e1a2080e4689759fb631fd2de.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 5\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:05:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/50c1d475f058fc14c0e64a0a89506807.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 6\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:01:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/b2cf7434d32ba7a63087c773dca2765d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 7\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/f7d7ce928d12c6120c29ab1a05180607.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 8\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:06:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/361621cc3e0af5262be79f6db35c9671.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 9\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:04:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/9c9334bcf07ab93deaef8a70c12ae3d4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 10\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/065adbb62f0bfd1471725b0f3eb25a0c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 11\u003c\/td\u003e\n\n \u003ctd\u003eIn a foreign script\u003c\/td\u003e\n\n \u003ctd\u003e00:01:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/221\/714\/c0c460eaf42ebf08cb174190a738f5cc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":58353275928908,"sku":"MEX77142","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"cowie-darkness-into-light","title":"Cowie: Darkness into Light","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Edward Cowie’s “Darkness into Light” is a breathtaking collection of works for harp and flute, performed by Alice Giles (harp) and Laura Chislett (flute), two of the world's leading soloists on these instruments. The album contains two major works for solo flute and solo harp, a duo for both instruments written specifically for Giles and Chislett, and the title track, a fantastic three-way improvisation for flautist, harpist, and Edward Cowie himself on piano. Edward Cowie is one of the most remarkable voices in contemporary music and is considered by many to be the ‘leading contemporary composer of music related to nature’ (Fanfare). Cowie is a remarkable polymath, known as a composer, visual artist, and scientist. “La Primavera” is a series of ‘sound portraits’ for solo flute, inspired by the nine figures in Botticelli's painting, one of the most beautiful, mysterious, and cryptic paintings of all time. The series of variants follows the figures on the painting from left to right, which are “blown” into the music by Zephyrus, corresponding to the flautist’s breath. In the painting, most of the figures are seen either dancing or in dance-like poses, which creates a connection to “Harlequin Dances” for solo harp, one of the ‘satellite’ works inspired by characters from Cowie's “Opera Commedia” (1977). In “Harlequin Dances”, Cowie combines 16th-century music with some of the gestures and theatrical devices of the Commedia itself. “Australian Water Music” for flute and harp is inspired by the oceans and freshwater lakes of Australia and also by Handel’s “Water Music”, which is a recurring theme for Edward Cowie both as a composer and as a visual artist. The enormous speeds of the flute and harp capture the velocity of a water current and its fluid sound.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eLa Primavera: Nine Figures in an Orange Garden (for solo flute)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude: The orange garden I\u003c\/td\u003e\n\n \u003ctd\u003e00:01:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/3350a169088a5d4c933398df0998e0d9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e1. Zephyrus\u003c\/td\u003e\n\n \u003ctd\u003e00:02:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/41083fbc1be663f3f033cc771238e0ac.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e2. Chloris\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/64910e7d271d38f3df616c4e364b3762.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e3. Flora\u003c\/td\u003e\n\n \u003ctd\u003e00:01:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/6b472ece47b16269f5f12f9ae9df96e2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e4. Venus\u003c\/td\u003e\n\n \u003ctd\u003e00:02:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/b26a4fc2cefe2b16886bfd1711475231.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e5. Cupid\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/2d800c3ad408f7d37f7ca8fb944a33c4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003e6. The three graces\u003c\/td\u003e\n\n \u003ctd\u003e00:02:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/7bdd31117756cf784a984e59cf9c4504.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003e7. Mercury\u003c\/td\u003e\n\n \u003ctd\u003e00:02:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/966c776e4f9a3a5e473bf9842cd10f90.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eHarlequin Dances (for solo harp)\u003c\/td\u003e\n\n \u003ctd\u003e00:13:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/cf4089ce4fae590c2d71936efef2d818.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eAustralian Water Music (for flute and harp)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Kiama blowhole\u003c\/td\u003e\n\n \u003ctd\u003e00:05:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/75e03c5aacf413f710d118059c60b260.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Black swans at Dangar Lagoon\u003c\/td\u003e\n\n \u003ctd\u003e00:05:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/9d99493622dcd29b639c6d7edf35845d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Whales - Hervey Bay. Qld\u003c\/td\u003e\n\n \u003ctd\u003e00:06:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/6e3c707fec97237ae12c2d9dd7805699.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eDarkness into Light (improvisation for flute, harp and piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:11:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/320\/714\/b9e125ea1a8eeb7c9aea4966e274505d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":58353279009100,"sku":"MEX77143","price":15.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"hersch-zwischen-leben-und-tod","title":"Hersch: Between Life and Death","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Violinist Peter Sheppard Skærved and pianist Roderick Chadwick interpret Michael Hersch’s monumental chamber work \"Between Life and Death\". The New York Times described Hersch’s music as 'profoundly compelling and emotionally transformative music...claustrophobic and exhilarating at once, with moments of sublime beauty embedded in a thicket of dark virtuosity'. In January of this year, he was selected as the first recipient of the John Hopkins University Affiliated Fellowship at the American Academy in Rome. \"Between Life and Death\" is a startling and moving 22-movement cycle for violin and piano, written based on paintings by the surrealist German artist, writer, and filmmaker Peter Weiss, with each movement corresponding to a specific image. With a duration of 100 minutes, it is one of the longest works for violin and piano. Peter Weiss is best known as the author of harrowing and often disturbing stage plays. Weiss' lesser-known paintings and drawings exhibit many of the same features: loneliness, violence, and grief (themes such as insane asylums, war, prisons, cannibalism), but also deeply meditative images (a string quartet, a garden concert, a boy on the grounds of a country house). Hersch found Weiss' spectrum of color and movement, of proportions and distances, to be particularly musical, and \"Between Life and Death\" is a deep and visceral engagement with these very explorations. The result is a complex, rich, and multi-layered work with extreme tempi, dynamics, and techniques, which demands enormous physical effort from the performers but is also highly rewarding. Violinist Peter Sheppard Skærved has known Michael Hersch for over twenty years and works closely with him; this is their first joint recording. Michael Hersch is a professor of composition at the Peabody Institute and a composer of \"uncompromising brilliance\" (The Washington Post). His work includes operas, as well as theatrical, chamber, vocal, and orchestral pieces performed throughout Europe and the USA.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eBetween Life and Death (22 pieces for violin and piano based on paintings by Peter Weiss)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Piece based on the painting Self-Portrait Between Death and Sister (1935)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/5b878a489c8492218aa94503b7253fc8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Piece based on the painting Sketch from Parade (1945)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/ce902c46e609212703e4922273cd7da9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Piece based on the painting Farewell to the Parents (1962)\u003c\/td\u003e\n\n \u003ctd\u003e00:10:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/6c160c75ad057e03b6cd1c4edf0c15ec.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Piece based on the painting In the Music Room (1937)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/a43d80160af4a14e0925f4f238a83414.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Piece based on the painting Anatomy (1946)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/a6eb5b7aa2d40a2ec081a8d15be22669.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Piece based on the painting Boy in the Garden (1938)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/b9edcceba44e1f399bbd1e42f7859231.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Piece based on the painting Mystery Play (1934)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/8562f094d80521a3e369f6e3205a6e0b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Piece based on the painting The Machines Attack Humanity (1935)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/095a4c02d6d1db861e0ced3fb6ae5e75.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Piece based on the painting The Steamroller and the Dragon (1940)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/1b4e56c31f36550ad125c907a916c5aa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 Piece based on the painting Illustration from Treatise on the Extinct World (1938\/39)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/8f961cfe0826dc60c532054eb45fc255.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 Piece based on the painting My Prisons (1938)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/9b1623d3818548d60072dd031e67e5fe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Piece based on the painting In the Courtyard of the Insane Asylum (1937\/38)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/b2e012a7e56147607309c6fa92578576.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 13\u003c\/td\u003e\n\n \u003ctd\u003eNo. 13 Piece based on the painting Fairground Life (1940)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/56eec4728463f6c0056ba92175d8998f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNo. 14 Piece based on the painting The Garden Concert (1938)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/380983ab3784ed7bf9c4af83737df159.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 15\u003c\/td\u003e\n\n \u003ctd\u003eNo. 15 Piece based on the painting The Tree (1936\/37)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/807e34dc348b8788233c11bba70cd6c1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 16\u003c\/td\u003e\n\n \u003ctd\u003eNo. 16 Piece based on the painting The War (1946)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/e52566d8b8630a64f5b575a0f1c4a934.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 17\u003c\/td\u003e\n\n \u003ctd\u003eNo. 17 Piece based on the painting The Quartet (1944)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/aefaa9aec4199f6c68dd2b37c3be1850.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 18\u003c\/td\u003e\n\n \u003ctd\u003eNo. 18 Piece based on the painting Illustration from Dream, Twilight and Night (1934)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/63b0337bdaa85236074a3fc016b478dd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 19\u003c\/td\u003e\n\n \u003ctd\u003eNo. 19 Piece based on the painting The Great World Theatre (1937)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/297575cbbe326948e23aeb3e7a51fb62.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 20\u003c\/td\u003e\n\n \u003ctd\u003eNo. 20 Piece based on the painting In the Backyard (1938)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/d05ed92916ce9b4b1effec49de91c25d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 21\u003c\/td\u003e\n\n \u003ctd\u003eNo. 21 Piece based on the painting The Cannibal Kitchen (1942)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/f9b8aaecfe6e821d958b776aea8aa110.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 22\u003c\/td\u003e\n\n \u003ctd\u003eNo. 22 Piece based on the painting Self-Portrait (1946)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/328\/721\/0e7df837441550c5984f40244c59abb6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":58353279205708,"sku":"MEX77213","price":22.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"mozart-don-giovanni-wiener-staatsoper-wien-2021-regie-kosky","title":"Mozart: Don Giovanni (Vienna State Opera, Vienna 2021, Director: Kosky)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Barrie Kosky, one of the most interesting opera directors of our time, opened his newly staged Da Ponte cycle at the Vienna State Opera with a character-oriented new production of Wolfgang Amadeus Mozart's \"Don Giovanni.\" Kyle Ketelsen in the title role and Philippe Sly as Leporello were praised by the press for playing with a wink in their eye. Hanna-Elisabeth Müller is a compelling Donna Anna, Patricia Nolz makes a remarkable role debut as Zerlina, and Peter Kellner shines as Masetto. Kate Lindsey presents a fascinating character study as Donna Elvira, and Stanislas de Barbeyrac excels as Don Ottavio. Philippe Jordan conducts the Vienna State Opera Orchestra—in a historically informed performance with subtly played recitatives on the fortepiano. The opera was recorded at the Vienna State Opera in December 2021. The American bass-baritone Kyle Ketelsen is successful both in his home country and in Europe and can already be seen in two other video recordings of this opera, albeit as Leporello there. His colleague Philippe Sly from Canada is also a specialist in Mozart and has already sung in \"Così fan tutte\" and \"Le nozze di Figaro.\" He even performed the title role in \"Don Giovanni\" at the Aix-en-Provence Festival. The German soprano Hanna-Elisabeth Müller is active internationally, including as a lieder singer, but above all she performs in many major European opera houses.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDon Giovanni KV 527 (Opera in 2 acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNotte e giorno faticar (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNon sperar, se non m'uccidi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eLasciala, indegno! Battiti meco!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eLeporello, ove sei?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eAh! Del padre in periglio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eFuggi, crudele, fuggi!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eOrsù, spicciati, presto. Cosa vuoi?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eAh, chi mi dice mai\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eSignorina... Chi è là?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eMadamina, il catalogo è questo\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eIn questa forma dunque mi tradì il scellerato\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eGiovinette che fate all'amore\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eManco male, è partita\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eHo capito, signor sì!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eAlfin siam liberati, Zerlinetta gentil\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eLà ci darem la mano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eFermati, scellerato!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eAh, fuggi il traditor!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eMi par ch'oggi il demonio si diverta\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eNon ti fidar, o midera\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003ePovera sventurata!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eDon Ottavio, son morta!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eOr sai chi l'onore\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eCome mai creder deggio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eDalla sua pace\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eIo deggio ad ogni patto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eFinch'han dal vino\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eMasetto: senti un po\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eBatti, batti, o bel Masetto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eGuarda un po' come seppe\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003ePresto, presto, pria ch'ei venga\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eTra quest' arbori celata\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eBisogna aver coraggio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n \u003ctd\u003eProtegga il giusto cielo\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 36\u003c\/td\u003e\n\n \u003ctd\u003eRiposate, vezzose ragazze\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e37 . 37\u003c\/td\u003e\n\n \u003ctd\u003eVenite pure avanti\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e38 . 38\u003c\/td\u003e\n\n \u003ctd\u003eEcco il birbo che t'ha offesa\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e39 . 39\u003c\/td\u003e\n\n \u003ctd\u003eTrema, trema, o scellerato!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 40\u003c\/td\u003e\n\n \u003ctd\u003eEh via, buffone, non mi seccar! (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 41\u003c\/td\u003e\n\n \u003ctd\u003eLeporello!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 42\u003c\/td\u003e\n\n \u003ctd\u003eAh taci, ingiusto core\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 43\u003c\/td\u003e\n\n \u003ctd\u003eAmico, che ti par?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 44\u003c\/td\u003e\n\n \u003ctd\u003eDeh vieni all finestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 45\u003c\/td\u003e\n\n \u003ctd\u003eV'è gente alla finestra!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 46\u003c\/td\u003e\n\n \u003ctd\u003eMetà di voi qua vadano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 47\u003c\/td\u003e\n\n \u003ctd\u003eZitto! Lascia ch'io senta\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 48\u003c\/td\u003e\n\n \u003ctd\u003eAhi! Ahi! La testa mia!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 49\u003c\/td\u003e\n\n \u003ctd\u003eVedrai, carino, se sei buonino\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 50\u003c\/td\u003e\n\n \u003ctd\u003eDi molte faci il lume s'avvicina\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 51\u003c\/td\u003e\n\n \u003ctd\u003eSola, sola, in buio loco\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 52\u003c\/td\u003e\n\n \u003ctd\u003eMille torbidi pensieri\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 53\u003c\/td\u003e\n\n \u003ctd\u003eDunque quello sei tu che il mio Masetto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 54\u003c\/td\u003e\n\n \u003ctd\u003eAh, pietà, signori miei!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 55\u003c\/td\u003e\n\n \u003ctd\u003eFerma, perfido, ferma\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 56\u003c\/td\u003e\n\n \u003ctd\u003eIl mio tesoro intanto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 57\u003c\/td\u003e\n\n \u003ctd\u003eIn quali eccessi, o Numi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 58\u003c\/td\u003e\n\n \u003ctd\u003eMi tradì quell'alma ingrata!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 59\u003c\/td\u003e\n\n \u003ctd\u003eQuesta è buona\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 60\u003c\/td\u003e\n\n \u003ctd\u003eO statua gentilissima\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 61\u003c\/td\u003e\n\n \u003ctd\u003eCalmatevi, idol mio!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 62\u003c\/td\u003e\n\n \u003ctd\u003eCrudele? Ah, no, mio bene!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 63\u003c\/td\u003e\n\n \u003ctd\u003eNon mi dir, bell'idol mio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 64\u003c\/td\u003e\n\n \u003ctd\u003eGià la mensa è preparata.\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 65\u003c\/td\u003e\n\n \u003ctd\u003eL'ultima prova dell'amor mio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 66\u003c\/td\u003e\n\n \u003ctd\u003eChe grido è questo mai?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 67\u003c\/td\u003e\n\n \u003ctd\u003eDon Giovanni, a cenar teco\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 68\u003c\/td\u003e\n\n \u003ctd\u003eDammi la mano in pegno!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 69\u003c\/td\u003e\n\n \u003ctd\u003eDa qual tremore insolito\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 70\u003c\/td\u003e\n\n \u003ctd\u003eAh, where is the villain? Where is the wretch?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 71\u003c\/td\u003e\n\n \u003ctd\u003eNow that everyone, O my treasure\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 72\u003c\/td\u003e\n\n \u003ctd\u003eThis is the end of those who do evil!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":58353280647500,"sku":"770508","price":38.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"mozart-don-giovanni-wiener-staatsoper-wien-2021-regie-kosky-1","title":"Mozart: Don Giovanni (Vienna State Opera, Vienna 2021, Director: Kosky)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Barrie Kosky, one of the most interesting opera directors of our time, opened his newly staged Da Ponte cycle at the Vienna State Opera with a character-oriented new production of Wolfgang Amadeus Mozart's \"Don Giovanni.\" Kyle Ketelsen in the title role and Philippe Sly as Leporello were praised by the press for playing with a twinkle in their eye. Hanna-Elisabeth Müller is a compelling Donna Anna, Patricia Nolz gives a remarkable role debut as Zerlina, and Peter Kellner shines as Masetto. Kate Lindsey presents a fascinating character study as Donna Elvira, and Stanislas de Barbeyrac excels as Don Ottavio. Philippe Jordan conducts the Vienna State Opera Orchestra—in a historically informed performance with subtly played recitatives on the fortepiano. The opera was recorded at the Vienna State Opera in December 2021. US bass-baritone Kyle Ketelsen is successful both in his home country and in Europe and can already be seen in two other video recordings of this opera, though as Leporello in those. His Canadian colleague Philippe Sly is also a Mozart specialist and has already sung in \"Così fan tutte\" and \"Le nozze di Figaro.\" He has already appeared in the title role in \"Don Giovanni\" at the Aix-en-Provence Festival. The German soprano Hanna-Elisabeth Müller is internationally active, including as a lieder singer, but she primarily performs at many major European opera houses.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDon Giovanni KV 527 (Opera in 2 Acts) (Complete Recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNotte e giorno faticar (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNon sperar, se non m'uccidi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eLasciala, indegno! Battiti meco!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eLeporello, ove sei?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eAh! Del padre in periglio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eFuggi, crudele, fuggi!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eOrsù, spicciati, presto. Cosa vuoi?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eAh, chi mi dice mai\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eSignorina... Chi è là?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eMadamina, il catalogo è questo\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eIn questa forma dunque mi tradì il scellerato\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eGiovinette che fate all'amore\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eManco male, è partita\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eHo capito, signor sì!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eAlfin siam liberati, Zerlinetta gentil\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eLà ci darem la mano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eFermati, scellerato!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eAh, fuggi il traditor!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eMi par ch'oggi il demonio si diverta\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eNon ti fidar, o midera\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003ePovera sventurata!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eDon Ottavio, son morta!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eOr sai chi l'onore\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eCome mai creder deggio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eDalla sua pace\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eIo deggio ad ogni patto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eFinch'han dal vino\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eMasetto: senti un po\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eBatti, batti, o bel Masetto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eGuarda un po' come seppe\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003ePresto, presto, pria ch'ei venga\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eTra quest' arbori celata\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eBisogna aver coraggio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n \u003ctd\u003eProtegga il giusto cielo\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 36\u003c\/td\u003e\n\n \u003ctd\u003eRiposate, vezzose ragazze\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e37 . 37\u003c\/td\u003e\n\n \u003ctd\u003eVenite pure avanti\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e38 . 38\u003c\/td\u003e\n\n \u003ctd\u003eEcco il birbo che t'ha offesa\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e39 . 39\u003c\/td\u003e\n\n \u003ctd\u003eTrema, trema, o scellerato!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e40 . 40\u003c\/td\u003e\n\n \u003ctd\u003eEh via, buffone, non mi seccar! (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e41 . 41\u003c\/td\u003e\n\n \u003ctd\u003eLeporello!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e42 . 42\u003c\/td\u003e\n\n \u003ctd\u003eAh taci, ingiusto core\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e43 . 43\u003c\/td\u003e\n\n \u003ctd\u003eAmico, che ti par?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e44 . 44\u003c\/td\u003e\n\n \u003ctd\u003eDeh vieni all finestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e45 . 45\u003c\/td\u003e\n\n \u003ctd\u003eV'è gente alla finestra!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e46 . 46\u003c\/td\u003e\n\n \u003ctd\u003eMetà di voi qua vadano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e47 . 47\u003c\/td\u003e\n\n \u003ctd\u003eZitto! Lascia ch'io senta\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e48 . 48\u003c\/td\u003e\n\n \u003ctd\u003eAhi! Ahi! La testa mia!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e49 . 49\u003c\/td\u003e\n\n \u003ctd\u003eVedrai, carino, se sei buonino\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e50 . 50\u003c\/td\u003e\n\n \u003ctd\u003eDi molte faci il lume s'avvicina\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e51 . 51\u003c\/td\u003e\n\n \u003ctd\u003eSola, sola, in buio loco\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e52 . 52\u003c\/td\u003e\n\n \u003ctd\u003eMille torbidi pensieri\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e53 . 53\u003c\/td\u003e\n\n \u003ctd\u003eDunque quello sei tu che il mio Masetto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e54 . 54\u003c\/td\u003e\n\n \u003ctd\u003eAh, pietà, signori miei!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e55 . 55\u003c\/td\u003e\n\n \u003ctd\u003eFerma, perfido, ferma\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e56 . 56\u003c\/td\u003e\n\n \u003ctd\u003eIl mio tesoro intanto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e57 . 57\u003c\/td\u003e\n\n \u003ctd\u003eIn quali eccessi, o Numi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e58 . 58\u003c\/td\u003e\n\n \u003ctd\u003eMi tradì quell'alma ingrata!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e59 . 59\u003c\/td\u003e\n\n \u003ctd\u003eQuesta è buona\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e60 . 60\u003c\/td\u003e\n\n \u003ctd\u003eO statua gentilissima\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e61 . 61\u003c\/td\u003e\n\n \u003ctd\u003eCalmatevi, idol mio!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e62 . 62\u003c\/td\u003e\n\n \u003ctd\u003eCrudele? Ah, no, mio bene!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e63 . 63\u003c\/td\u003e\n\n \u003ctd\u003eNon mi dir, bell'idol mio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e64 . 64\u003c\/td\u003e\n\n \u003ctd\u003eGià la mensa è preparata.\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e65 . 65\u003c\/td\u003e\n\n \u003ctd\u003eL'ultima prova dell'amor mio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e66 . 66\u003c\/td\u003e\n\n \u003ctd\u003eChe grido è questo mai?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e67 . 67\u003c\/td\u003e\n\n \u003ctd\u003eDon Giovanni, a cenar teco\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e68 . 68\u003c\/td\u003e\n\n \u003ctd\u003eDammi la mano in pegno!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e69 . 69\u003c\/td\u003e\n\n \u003ctd\u003eDa qual tremore insolito\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e70 . 70\u003c\/td\u003e\n\n \u003ctd\u003eAh, where is the traitor? Where is the wretch?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e71 . 71\u003c\/td\u003e\n\n \u003ctd\u003eNow that all, oh my treasure\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e72 . 72\u003c\/td\u003e\n\n \u003ctd\u003eThis is the end for those who do evil!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":58353280680268,"sku":"770604","price":35.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"wagner-tristan-und-isolde-semperoper-dresden-2024-regie-marelli","title":"Wagner: Tristan und Isolde (Semperoper, Dresden 2024, Director: Marelli)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In 2024, the Semperoper Dresden staged Richard Wagner’s \"Tristan und Isolde\" in a production originally created by Marco Arturo Marelli in 1995. Even after many years, the simple stage design and the subtly employed lighting effects by Friedewalt Degen continue to impress the audience. Christian Thielemann conducts the Staatskapelle Dresden, and the leading roles are all prominently cast: Klaus Florian Vogt as a brilliantly heroic Tristan, Camilla Nylund as an expressive Isolde, and Georg Zeppenfeld as a soulful King Marke. The DVD and Blu-ray are released by Unitel.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOpening credits\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eTristan und Isolde (Opera in 3 acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:08:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eWestwärts schweift der Blick\u003c\/td\u003e\n\n \u003ctd\u003e00:06:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eFrisch weht der Wind der Heimat zu\u003c\/td\u003e\n\n \u003ctd\u003e00:09:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eWeh, ach wehe! Dies zu dulden!\u003c\/td\u003e\n\n \u003ctd\u003e00:19:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eAuf! Auf! Ihr Frauen!\u003c\/td\u003e\n\n \u003ctd\u003e00:09:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eBegehrt, Herrin, was Ihr wünscht\u003c\/td\u003e\n\n \u003ctd\u003e00:18:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eTristan! - Isolde!\u003c\/td\u003e\n\n \u003ctd\u003e00:05:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003ePrelude (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eHörst du sie noch?\u003c\/td\u003e\n\n \u003ctd\u003e00:12:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eIsolde! - Tristan!\u003c\/td\u003e\n\n \u003ctd\u003e00:17:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eO sink hernieder, Nacht der Liebe\u003c\/td\u003e\n\n \u003ctd\u003e00:04:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eEinsam wachend in der Nacht\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n \u003ctd\u003eLausch, Geliebter!\u003c\/td\u003e\n\n \u003ctd\u003e00:04:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n \u003ctd\u003eDoch unsre Liebe\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 15\u003c\/td\u003e\n\n \u003ctd\u003eSo starben wir, um ungetrennt\u003c\/td\u003e\n\n \u003ctd\u003e00:07:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 16\u003c\/td\u003e\n\n \u003ctd\u003eRette dich, Tristan!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 17\u003c\/td\u003e\n\n \u003ctd\u003eTatest du's wirklich?\u003c\/td\u003e\n\n \u003ctd\u003e00:12:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 18\u003c\/td\u003e\n\n \u003ctd\u003eO König, das kann ich dir nicht sagen\u003c\/td\u003e\n\n \u003ctd\u003e00:07:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 19\u003c\/td\u003e\n\n \u003ctd\u003ePrelude (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 20\u003c\/td\u003e\n\n \u003ctd\u003eKurwenal! He!\u003c\/td\u003e\n\n \u003ctd\u003e00:07:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 21\u003c\/td\u003e\n\n \u003ctd\u003eHei nun! Wie du kamst?\u003c\/td\u003e\n\n \u003ctd\u003e00:08:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 22\u003c\/td\u003e\n\n \u003ctd\u003eNoch losch das Licht nicht aus\u003c\/td\u003e\n\n \u003ctd\u003e00:05:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 23\u003c\/td\u003e\n\n \u003ctd\u003eNoch ist kein Schiff zu sehn!\u003c\/td\u003e\n\n \u003ctd\u003e00:11:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 24\u003c\/td\u003e\n\n \u003ctd\u003eBist du nun tot? Lebst du noch?\u003c\/td\u003e\n\n \u003ctd\u003e00:09:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 25\u003c\/td\u003e\n\n \u003ctd\u003eO diese Sonne! Ha, dieser Tag!\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 26\u003c\/td\u003e\n\n \u003ctd\u003eHa! Ich bin's, ich bin's, süßester Freund!\u003c\/td\u003e\n\n \u003ctd\u003e00:05:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 27\u003c\/td\u003e\n\n \u003ctd\u003eKurwenal! Hör! Ein zweites Schiff\u003c\/td\u003e\n\n \u003ctd\u003e00:08:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 28\u003c\/td\u003e\n\n \u003ctd\u003eMild und leise, wie er lächelt\u003c\/td\u003e\n\n \u003ctd\u003e00:07:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30\u003c\/td\u003e\n\n \u003ctd\u003eApplause - Closing credits\u003c\/td\u003e\n\n \u003ctd\u003e00:04:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":58353288872268,"sku":"770708","price":38.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"wagner-tristan-und-isolde-semperoper-dresden-2024-regie-marelli-1","title":"Wagner: Tristan and Isolde (Semperoper, Dresden 2024, Director: Marelli)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The Semperoper Dresden presents a historic performance of \"Tristan und Isolde,\" directed by Marco Arturo Marelli and conducted by the world-renowned maestro Christian Thielemann. Klaus Florian Vogt, making his debut as Tristan, is \"fully present and convincing with natural phrasing and clear diction,\" praises the *Opernmagazin*, while Camilla Nylund as Isolde \"impresses with her still incredibly lyrical, light soprano voice,\" according to the *Sächsische Zeitung*. At the height of his career, Christian Thielemann succeeds in setting new standards with his interpretation of this difficult score, leading the Staatskapelle Dresden to new heights of artistic expression.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOpening credits\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eTristan und Isolde (Opera in 3 Acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:08:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eWestwärts schweift der Blick\u003c\/td\u003e\n\n \u003ctd\u003e00:06:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eFrisch weht der Wind der Heimat zu\u003c\/td\u003e\n\n \u003ctd\u003e00:09:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003eWeh, ach wehe! Dies zu dulden!\u003c\/td\u003e\n\n \u003ctd\u003e00:19:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 5\u003c\/td\u003e\n\n \u003ctd\u003eAuf! Auf! Ihr Frauen!\u003c\/td\u003e\n\n \u003ctd\u003e00:09:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 6\u003c\/td\u003e\n\n \u003ctd\u003eBegehrt, Herrin, was Ihr wünscht\u003c\/td\u003e\n\n \u003ctd\u003e00:18:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 7\u003c\/td\u003e\n\n \u003ctd\u003eTristan! - Isolde!\u003c\/td\u003e\n\n \u003ctd\u003e00:05:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 8\u003c\/td\u003e\n\n \u003ctd\u003ePrelude (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 9\u003c\/td\u003e\n\n \u003ctd\u003eHörst du sie noch?\u003c\/td\u003e\n\n \u003ctd\u003e00:12:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 10\u003c\/td\u003e\n\n \u003ctd\u003eIsolde! - Tristan!\u003c\/td\u003e\n\n \u003ctd\u003e00:17:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 11\u003c\/td\u003e\n\n \u003ctd\u003eO sink hernieder, Nacht der Liebe\u003c\/td\u003e\n\n \u003ctd\u003e00:04:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 12\u003c\/td\u003e\n\n \u003ctd\u003eEinsam wachend in der Nacht\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 13\u003c\/td\u003e\n\n \u003ctd\u003eLausch, Geliebter!\u003c\/td\u003e\n\n \u003ctd\u003e00:04:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 14\u003c\/td\u003e\n\n \u003ctd\u003eDoch unsre Liebe\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 15\u003c\/td\u003e\n\n \u003ctd\u003eSo starben wir, um ungetrennt\u003c\/td\u003e\n\n \u003ctd\u003e00:07:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 16\u003c\/td\u003e\n\n \u003ctd\u003eRette dich, Tristan!\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 17\u003c\/td\u003e\n\n \u003ctd\u003eTatest du's wirklich?\u003c\/td\u003e\n\n \u003ctd\u003e00:12:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 18\u003c\/td\u003e\n\n \u003ctd\u003eO König, das kann ich dir nicht sagen\u003c\/td\u003e\n\n \u003ctd\u003e00:07:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 19\u003c\/td\u003e\n\n \u003ctd\u003ePrelude (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 20\u003c\/td\u003e\n\n \u003ctd\u003eKurwenal! He!\u003c\/td\u003e\n\n \u003ctd\u003e00:07:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 21\u003c\/td\u003e\n\n \u003ctd\u003eHei nun! Wie du kamst?\u003c\/td\u003e\n\n \u003ctd\u003e00:08:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 22\u003c\/td\u003e\n\n \u003ctd\u003eNoch losch das Licht nicht aus\u003c\/td\u003e\n\n \u003ctd\u003e00:05:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 23\u003c\/td\u003e\n\n \u003ctd\u003eNoch ist kein Schiff zu sehn!\u003c\/td\u003e\n\n \u003ctd\u003e00:11:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 24\u003c\/td\u003e\n\n \u003ctd\u003eBist du nun tot? Lebst du noch?\u003c\/td\u003e\n\n \u003ctd\u003e00:09:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 25\u003c\/td\u003e\n\n \u003ctd\u003eO diese Sonne! Ha, dieser Tag!\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 26\u003c\/td\u003e\n\n \u003ctd\u003eHa! Ich bin's, ich bin's, süßester Freund!\u003c\/td\u003e\n\n \u003ctd\u003e00:05:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 27\u003c\/td\u003e\n\n \u003ctd\u003eKurwenal! Hör! Ein zweites Schiff\u003c\/td\u003e\n\n \u003ctd\u003e00:08:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 28\u003c\/td\u003e\n\n \u003ctd\u003eMild und leise, wie er lächelt\u003c\/td\u003e\n\n \u003ctd\u003e00:07:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30\u003c\/td\u003e\n\n \u003ctd\u003eApplause - Closing credits\u003c\/td\u003e\n\n \u003ctd\u003e00:04:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":58353288905036,"sku":"770804","price":35.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"mozart-cosi-fan-tutte-wiener-staatsoper-wien-2024-regie-kosky","title":"Mozart: Così fan tutte (Vienna State Opera, Vienna 2024, Director: Kosky)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n With “Così fan tutte,” Barrie Kosky concludes his series of Da Ponte operas. This opera by Wolfgang Amadeus Mozart is the third in collaboration with Lorenzo Da Ponte, and it was long controversial. Antonio Salieri received the first draft, but he decided against working on the piece. This time, the story came from Da Ponte’s own pen. Philippe Jordan conducts the Vienna State Opera Orchestra in this production. The cast features Federica Lombardi, Emily D’Angelo, Peter Kellner, Kate Lindsey, Filipe Manu, Christopher Maltman, and the Vienna State Opera Chorus. Jordan comes from an artistic family; he learned piano and violin as a child and became a member of the Zurich Boys' Choir. After his studies, he worked at the Philharmonic Orchestra at the Theater Ulm, as an assistant to Daniel Barenboim at the Staatsoper Unter den Linden in Berlin, as chief conductor of the Graz Philharmonic Orchestra and the Graz Opera House, and as musical director of the Opéra National de Paris. Starting in 2027, he will be the chief conductor of the Orchestre National de France.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eCosì fan tutte K. 588 (Opera in 2 acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eLa mia Dorabella capace non è (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eFuor la spada!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eE la fede delle femmine\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eScioccherie di poeti!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eUna bella serenata\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eAh, guarda, sorella\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eMi par che stamattina\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eVorrei dir, e cor non ho\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eStelle! Per carità, signor Alfonso\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eSento, oddio, che questo piede cielo!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eO cielo!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eBella vita militar!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNon v'è più tempo, amici - Di scrivermi ogni giorno\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eBella vita militar!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eDove son?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eSoave sia il vento\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eNon son cattivo comico!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eChe vita maledetta\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eSmanie implacabili che m'agitate\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eSignora Dorabella, signora Fiordiligi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eIn uomini, in soldati\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eChe silenzio! Che aspetto di tristezza\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eAlla bella Despinetta vi presento\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eChe sussurro! Che strepito!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eCome scoglio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eAh, non partite!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eNon siate ritorsi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eE voi ridete?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eSi può sapere un poco\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eUn'aura amorosa\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003eAmor cos'è?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eAh, che tutta in un momento\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eEccovi il medico, signore belle\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n \u003ctd\u003eDove son?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 36\u003c\/td\u003e\n\n \u003ctd\u003eDammi un bacio, o mio tesoro\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 37\u003c\/td\u003e\n\n \u003ctd\u003eAndate là, che siete (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 38\u003c\/td\u003e\n\n \u003ctd\u003eUna donna a quindici anni\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 39\u003c\/td\u003e\n\n \u003ctd\u003eSorella, cosa dici?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 40\u003c\/td\u003e\n\n \u003ctd\u003ePrenderò quel brunettino\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 41\u003c\/td\u003e\n\n \u003ctd\u003eAh! Correte al giardino\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 42\u003c\/td\u003e\n\n \u003ctd\u003eSecondate, aurette amiche\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 43\u003c\/td\u003e\n\n \u003ctd\u003eCos'è tal mascherata?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 44\u003c\/td\u003e\n\n \u003ctd\u003eLa mano a me date\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 45\u003c\/td\u003e\n\n \u003ctd\u003eOh, che bella giornata!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 46\u003c\/td\u003e\n\n \u003ctd\u003eIl core vi dono\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 47\u003c\/td\u003e\n\n \u003ctd\u003eBarbara! Perché fuggi?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 48\u003c\/td\u003e\n\n \u003ctd\u003eEi parte... senti... ah no...\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 49\u003c\/td\u003e\n\n \u003ctd\u003ePer pietà, ben mio, perdona\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 50\u003c\/td\u003e\n\n \u003ctd\u003eAmico, abbiamo vinto!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 51\u003c\/td\u003e\n\n \u003ctd\u003eDonne mie, la fate a tanti\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 52\u003c\/td\u003e\n\n \u003ctd\u003eIn qual fiero contrasto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 53\u003c\/td\u003e\n\n \u003ctd\u003eTradito, schernito\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 54\u003c\/td\u003e\n\n \u003ctd\u003eBravo, questa è costanza!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 55\u003c\/td\u003e\n\n \u003ctd\u003eOra vedo che siete una donna di garbo\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 56\u003c\/td\u003e\n\n \u003ctd\u003eCome tutto congiura\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 57\u003c\/td\u003e\n\n \u003ctd\u003eFra gli amplessi in pochi istanti\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 58\u003c\/td\u003e\n\n \u003ctd\u003eAh, poveretto me! Cosa ho veduto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 59\u003c\/td\u003e\n\n \u003ctd\u003eTutti accusan le donne\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 60\u003c\/td\u003e\n\n \u003ctd\u003eFate presto, o cari amici\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 61\u003c\/td\u003e\n\n \u003ctd\u003eBenedetti i doppi coniugi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 62\u003c\/td\u003e\n\n \u003ctd\u003eMiei signori, tutto è fatto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 63\u003c\/td\u003e\n\n \u003ctd\u003eSani e salvi, agli amplessi amorosi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":58353288970572,"sku":"770908","price":38.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"mozart-cosi-fan-tutte-wiener-staatsoper-wien-2024-regie-kosky-1","title":"Mozart: Così fan tutte (Vienna State Opera, Vienna 2024, Director: Kosky)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n With \"Così fan tutte,\" Barrie Kosky concludes his series of Da Ponte operas. This opera by Wolfgang Amadeus Mozart is the third in collaboration with Lorenzo Da Ponte and was long controversial. Antonio Salieri received the first draft, but he decided against working on the piece. This time, the story came from Da Ponte's own pen. Philippe Jordan conducts the Vienna State Opera Orchestra in this production. Featured performers include Federica Lombardi, Emily D’Angelo, Peter Kellner, Kate Lindsey, Filipe Manu, Christopher Maltman, and the Chorus of the Vienna State Opera. Jordan comes from an artistic family; he learned piano and violin as a child and became a member of the Zurich Boys' Choir. After his studies, he worked at the Philharmonic Orchestra at the Theater Ulm, as an assistant to Daniel Barenboim at the Staatsoper Unter den Linden in Berlin, as chief conductor of the Graz Philharmonic Orchestra and the Graz Opera House, and as music director of the Opéra National de Paris. As of 2027, he will be the chief conductor of the Orchestre National de France.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eCosì fan tutte K. 588 (Opera in 2 acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOverture\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eLa mia Dorabella capace non è (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eFuor la spada!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eE la fede delle femmine\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eScioccherie di poeti!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eUna bella serenata\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eAh, guarda, sorella\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eMi par che stamattina\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eVorrei dir, e cor non ho\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eStelle! Per carità, signor Alfonso\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eSento, oddio, che questo piede cielo!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eO cielo!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eBella vita militar!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNon v'è più tempo, amici - Di scrivermi ogni giorno\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eBella vita militar!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eDove son?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eSoave sia il vento\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eNon son cattivo comico!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eChe vita maledetta\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eSmanie implacabili che m'agitate\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eSignora Dorabella, signora Fiordiligi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eIn uomini, in soldati\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eChe silenzio! Che aspetto di tristezza\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eAlla bella Despinetta vi presento\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eChe sussurro! Che strepito!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eCome scoglio\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eAh, non partite!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eNon siate ritorsi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eE voi ridete?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eSi può sapere un poco\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eUn'aura amorosa\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003eAmor cos'è?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eAh, che tutta in un momento\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eEccovi il medico, signore belle\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n \u003ctd\u003eDove son?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 36\u003c\/td\u003e\n\n \u003ctd\u003eDammi un bacio, o mio tesoro\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e37 . 37\u003c\/td\u003e\n\n \u003ctd\u003eAndate là, che siete (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e38 . 38\u003c\/td\u003e\n\n \u003ctd\u003eUna donna a quindici anni\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e39 . 39\u003c\/td\u003e\n\n \u003ctd\u003eSorella, cosa dici?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e40 . 40\u003c\/td\u003e\n\n \u003ctd\u003ePrenderò quel brunettino\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e41 . 41\u003c\/td\u003e\n\n \u003ctd\u003eAh! Correte al giardino\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e42 . 42\u003c\/td\u003e\n\n \u003ctd\u003eSecondate, aurette amiche\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e43 . 43\u003c\/td\u003e\n\n \u003ctd\u003eCos'è tal mascherata?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e44 . 44\u003c\/td\u003e\n\n \u003ctd\u003eLa mano a me date\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e45 . 45\u003c\/td\u003e\n\n \u003ctd\u003eOh, che bella giornata!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e46 . 46\u003c\/td\u003e\n\n \u003ctd\u003eIl core vi dono\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e47 . 47\u003c\/td\u003e\n\n \u003ctd\u003eBarbara! Perché fuggi?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e48 . 48\u003c\/td\u003e\n\n \u003ctd\u003eEi parte... senti... ah no...\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e49 . 49\u003c\/td\u003e\n\n \u003ctd\u003ePer pietà, ben mio, perdona\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e50 . 50\u003c\/td\u003e\n\n \u003ctd\u003eAmico, abbiamo vinto!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e51 . 51\u003c\/td\u003e\n\n \u003ctd\u003eDonne mie, la fate a tanti\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e52 . 52\u003c\/td\u003e\n\n \u003ctd\u003eIn qual fiero contrasto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e53 . 53\u003c\/td\u003e\n\n \u003ctd\u003eTradito, schernito\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e54 . 54\u003c\/td\u003e\n\n \u003ctd\u003eBravo, questa è costanza!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e55 . 55\u003c\/td\u003e\n\n \u003ctd\u003eOra vedo che siete una donna di garbo\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e56 . 56\u003c\/td\u003e\n\n \u003ctd\u003eCome tutto congiura\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e57 . 57\u003c\/td\u003e\n\n \u003ctd\u003eFra gli amplessi in pochi istanti\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e58 . 58\u003c\/td\u003e\n\n \u003ctd\u003eAh, poveretto me! Cosa ho veduto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e59 . 59\u003c\/td\u003e\n\n \u003ctd\u003eTutti accusan le donne\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e60 . 60\u003c\/td\u003e\n\n \u003ctd\u003eFate presto, o cari amici\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e61 . 61\u003c\/td\u003e\n\n \u003ctd\u003eBenedetti i doppi coniugi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e62 . 62\u003c\/td\u003e\n\n \u003ctd\u003eMiei signori, tutto è fatto\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e63 . 63\u003c\/td\u003e\n\n \u003ctd\u003eSani e salvi, agli amplessi amorosi\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":58353289036108,"sku":"771004","price":35.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"gounod-faust-teatro-real-2018-regie-olle","title":"Gounod: Faust (Teatro Real, 2018, Director: Ollé)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n To mark the start of its 200th season, the Teatro Real presents a spectacular new production of Charles Gounod's \"Faust,\" directed by Àlex Ollé (La Fura dels Baus). Set in a futuristic laboratory, Goethe's timeless themes of knowledge, desire, and redemption are reinterpreted through the lens of artificial intelligence and human emotion. Vocal stars such as Piotr Beczała, Marina Rebeka, and Luca Pisaroni lead the cast in this gripping drama. Under the baton of Dan Ettinger, the Teatro Real Orchestra and Chorus deliver a rousing performance that, as Bachtrack wrote, \"keeps its eye on Goethe, but does not shy away from dramaturgical imagination.\"\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eFaust (Opera in 5 acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eIntroduction (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eRien! En vain j'interroge\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eMais ce Dieu, que peut-il pour moi?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eMe voici!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eVin ou bière, bière ou vin (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eO sainte médaille\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eAvant de quitter ces lieux\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eAllons, amis! Point de vaines alarmes!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eLe veau d'or est toujours debout!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eMerci de ta chanson!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eAinsi que la brise légère\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNe permettrez-vous pas\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eEntr'acte (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eFaites-lui mes aveux\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eC'est ici? - Suivez-moi.\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eQuel trouble inconnu me pénètre?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eSalut, demeure chaste et pure...\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eAlerte, la voilà!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eJe voudrais bien savoir\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eIl était un roi de Thulé\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eLes grands seigneurs ont seuls\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eJe ris de me voir si belle\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eSeigneur Dieu, que vois-je?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003ePrenez mon bras un moment!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eIl était temps!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eIl se fait tard.\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eEternelle!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eDivine pureté\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eEntr'acte (Act 4)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eIl ne revient pas\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eMarguerite! - Siébel!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003eSoyez béni, Siébel\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eSeigneur, daignez permettre à votre humble servante\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eDéposons les armes\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n \u003ctd\u003eGloire immortelle de nos aïeux\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 36\u003c\/td\u003e\n\n \u003ctd\u003eAllons, Siébel!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e37 . 37\u003c\/td\u003e\n\n \u003ctd\u003eQu'attendez-vous encore?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e38 . 38\u003c\/td\u003e\n\n \u003ctd\u003eVous qui faites l'endormie\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e39 . 39\u003c\/td\u003e\n\n \u003ctd\u003eQue voulez-vous, messieurs?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e40 . 40\u003c\/td\u003e\n\n \u003ctd\u003ePar ici, mes amis!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e41 . 41\u003c\/td\u003e\n\n \u003ctd\u003eDans les bruyères (Act 5)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e42 . 42\u003c\/td\u003e\n\n \u003ctd\u003eJusqu'aux premiers feux du matin\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e43 . 43\u003c\/td\u003e\n\n \u003ctd\u003eQue ton ivresse\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e44 . 44\u003c\/td\u003e\n\n \u003ctd\u003eScène de la prison\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e45 . 45\u003c\/td\u003e\n\n \u003ctd\u003eVa-t'en!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e46 . 46\u003c\/td\u003e\n\n \u003ctd\u003eMon c ur est pénétré d'épouvante!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e47 . 47\u003c\/td\u003e\n\n \u003ctd\u003eC'est la voix du bien-aimé!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e48 . 48\u003c\/td\u003e\n\n \u003ctd\u003eAlerte! Ou vous êtes perdus!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e49 . 49\u003c\/td\u003e\n\n \u003ctd\u003eSauvée!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":58353289101644,"sku":"771108","price":38.99,"currency_code":"EUR","in_stock":true}]},{"product_id":"gounod-faust-teatro-real-2018-regie-olle-1","title":"Gounod: Faust (Teatro Real, 2018, Director: Ollé)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n To mark the start of its 200th season, the Teatro Real presents a spectacular new production of Charles Gounod’s \"Faust,\" directed by Àlex Ollé (La Fura dels Baus). In a futuristic laboratory, Goethe’s timeless themes of knowledge, desire, and redemption are reinterpreted through the lens of artificial intelligence and human emotion. Vocal stars such as Piotr Beczała, Marina Rebeka, and Luca Pisaroni lead the cast in this gripping drama. Under the baton of Dan Ettinger, the Teatro Real orchestra and chorus deliver a rousing performance that, as Bachtrack wrote, \"is guided by Goethe, but does not shy away from dramaturgical imagination.\"\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eFaust (Opera in 5 acts) (Complete recording)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eIntroduction (Act 1)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eRien! En vain j'interroge\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eMais ce Dieu, que peut-il pour moi?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eMe voici!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eVin ou bière, bière ou vin (Act 2)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eO sainte médaille\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eAvant de quitter ces lieux\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eAllons, amis! Point de vaines alarmes!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eLe veau d'or est toujours debout!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eMerci de ta chanson!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eAinsi que la brise légère\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNe permettrez-vous pas\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003eEntr'acte (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eFaites-lui mes aveux\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003eC'est ici? - Suivez-moi.\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eQuel trouble inconnu me pénètre?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003eSalut, demeure chaste et pure...\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eAlerte, la voilà!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003eJe voudrais bien savoir\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eIl était un roi de Thulé\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003eLes grands seigneurs ont seuls\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eJe ris de me voir si belle\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003eSeigneur Dieu, que vois-je?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003ePrenez mon bras un moment!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 25\u003c\/td\u003e\n\n \u003ctd\u003eIl était temps!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 26\u003c\/td\u003e\n\n \u003ctd\u003eIl se fait tard.\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 27\u003c\/td\u003e\n\n \u003ctd\u003eEternelle!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 28\u003c\/td\u003e\n\n \u003ctd\u003eDivine pureté\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 29\u003c\/td\u003e\n\n \u003ctd\u003eEntr'acte (Act 4)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 30\u003c\/td\u003e\n\n \u003ctd\u003eIl ne revient pas\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 31\u003c\/td\u003e\n\n \u003ctd\u003eMarguerite! - Siébel!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 32\u003c\/td\u003e\n\n \u003ctd\u003eSoyez béni, Siébel\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 33\u003c\/td\u003e\n\n \u003ctd\u003eSeigneur, daignez permettre à votre humble servante\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e34 . 34\u003c\/td\u003e\n\n \u003ctd\u003eDéposons les armes\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e35 . 35\u003c\/td\u003e\n\n \u003ctd\u003eGloire immortelle de nos aïeux\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e36 . 36\u003c\/td\u003e\n\n \u003ctd\u003eAllons, Siébel!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e37 . 37\u003c\/td\u003e\n\n \u003ctd\u003eQu'attendez-vous encore?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e38 . 38\u003c\/td\u003e\n\n \u003ctd\u003eVous qui faites l'endormie\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e39 . 39\u003c\/td\u003e\n\n \u003ctd\u003eQue voulez-vous, messieurs?\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e40 . 40\u003c\/td\u003e\n\n \u003ctd\u003ePar ici, mes amis!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e41 . 41\u003c\/td\u003e\n\n \u003ctd\u003eDans les bruyères (Act 5)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e42 . 42\u003c\/td\u003e\n\n \u003ctd\u003eJusqu'aux premiers feux du matin\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e43 . 43\u003c\/td\u003e\n\n \u003ctd\u003eQue ton ivresse\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e44 . 44\u003c\/td\u003e\n\n \u003ctd\u003eScène de la prison\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e45 . 45\u003c\/td\u003e\n\n \u003ctd\u003eVa-t'en!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e46 . 46\u003c\/td\u003e\n\n \u003ctd\u003eMon c ur est pénétré d'épouvante!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e47 . 47\u003c\/td\u003e\n\n \u003ctd\u003eC'est la voix du bien-aimé!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e48 . 48\u003c\/td\u003e\n\n \u003ctd\u003eAlerte! Ou vous êtes perdus!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e49 . 49\u003c\/td\u003e\n\n \u003ctd\u003eSauvée!\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"C Major","offers":[{"title":"Default Title","offer_id":58353289363788,"sku":"771204","price":35.99,"currency_code":"EUR","in_stock":true}]}],"url":"https:\/\/shop.naxos.de\/en\/collections\/missing-picture.oembed","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}