{"title":"Farrenc, Louise","description":"Louise Farrenc was born in Paris in 1804 and died in Paris in 1875. Louise Farrenc was a French composer. Her compositions include three symphonies, several choral works, numerous chamber music pieces, and a wide variety of piano music. Her music is still performed and admired all over the world today. Through recordings and performances, this music continues to be introduced to new generations around the globe. Performers and scholars worldwide continue to explore the composer’s distinctive musical language. Concert programs and recordings keep this creative legacy accessible to modern listeners. The independent, expressive, imaginative, influential, and enduring musical legacy remains vibrant worldwide and continues to be received with attention.","products":[{"product_id":"farrenc-samtliche-klavierwerke-vol-4","title":"Farrenc: Complete Piano Works Vol. 4","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This is the fourth volume in the world premiere recording of Louise Farrenc’s complete piano works. While Louise Farrenc is represented in record catalogues, her piano works have been neglected, and a complete edition of her piano music is widely considered to be long overdue. This is confirmed by further world premiere recordings included in this fourth volume, which completes both parts of Farrenc’s \"Theme and Variations\" cycles. Louise Farrenc was one of the most respected pianists, composers, and teachers on the Parisian music scene of her time and earned the admiration of Robert Schumann. Her \"Theme and Variations\" cycles are considered among the most significant pieces she composed for piano. On this album, Farrenc draws inspiration from the famous bel canto operas of Bellini and Donizetti, as well as from popular melodies and dances that would have been heard in the fashionable salons of 19th-century Paris. Maria Stratigou continues her acclaimed exploration of Farrenc’s complete piano works. She studied at the Athens Conservatoire, the Royal Conservatoire of Scotland, and the Royal Northern College of Music, where she completed her doctoral thesis, \"Performance Aspects of Louise Farrenc’s Piano Études.\" She is currently a lecturer (performance) at the University of Sheffield. Stratigou has given lectures and lecture-recitals on this topic at numerous international conferences. She has performed throughout Europe and has been the recipient of numerous prestigious awards.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eVariations sur une galopade favorite op. 12\u003c\/td\u003e\n\n \u003ctd\u003e00:11:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/513\/996\/7f6c88a34e40711e2960c7986b1f03b2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eVariation Nos. 1-3 op. 14 (3 Variations on favourite cavatinas by Bellini and Carafa) \"Les Itallienes\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Cavatine de Norma\u003c\/td\u003e\n\n \u003ctd\u003e00:07:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/513\/996\/ef677616ea26b57271ee5c860ef9867e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Cavatine de la Straneira\u003c\/td\u003e\n\n \u003ctd\u003e00:08:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/513\/996\/8c8509e2ee222c06ced079e17d4d2ba4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Cavatine de Berenice\u003c\/td\u003e\n\n \u003ctd\u003e00:09:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/513\/996\/2cfd9c8a48c7f63e96e9934cf92fb502.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eVariations brillantes on the Cavatina d'Anna Bolena by Donizetti op. 15 \"Nel veder la tua Costanza\"\u003c\/td\u003e\n\n \u003ctd\u003e00:12:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/513\/996\/1c142e861611f665f36dd0eef59c415c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eMélodies favorites variées Nos. 1-2 op. 16 \"Les Allemandes\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Chanson autrichienne\u003c\/td\u003e\n\n \u003ctd\u003e00:05:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/513\/996\/52853beaf370bd09dd322320c00eb846.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Air de Weigl\u003c\/td\u003e\n\n \u003ctd\u003e00:06:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/513\/996\/026108ff43569090c64674e171c01abc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":58236545466700,"sku":"GP965","price":14.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313996513-Farrenc--Samtliche-Klavierwerke-Vol.webp?v=1792209289"},{"product_id":"farrenc-samtliche-klavierwerke-vol-5","title":"Farrenc: Complete Piano Works Vol. 5","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Louise Farrenc was admired by her contemporaries as one of the most distinguished pianists, composers, and pedagogues in 19th-century Paris. She was celebrated as an interpreter of Ludwig van Beethoven's music, and her graceful \"Melody in A-flat major\" was included in 1846 in an anthology of works by various composers who were inspired by Beethoven's music. The \"Melodies\" correspond to the style of her later piano compositions, which were created during her tenure at the Paris Conservatory, where she was allowed to teach exclusively female students. The multitude of renowned dedicators of these and other pieces, as well as Farrenc's inclusion in leading contemporary piano anthologies, bear witness to her central position in the Parisian music scene of the 19th century. Farrenc's \"Impromptu in B minor\" appeared in another publication, Gustave Vogt's \"Musical Album of Autographs\", alongside compositions by 62 other musicians, including Hector Berlioz, Charles Gounod, and Franz Liszt. The fugues were never published during Farrenc's lifetime and are heard here in a world-premiere recording. This is the fifth and penultimate part of the world-premiere edition of Louise Farrenc's collected piano works in six parts. Although several of Louise Farrenc's works are already available on recording, her piano works have been less comprehensively covered so far, and a complete edition of her piano works is long overdue. This fifth part follows Part 4, which was released in June 2026.\n \nDr. Maria Stratigou studied at the Conservatory of Athens, the Royal Conservatoire of Scotland, and the Royal Northern College of Music, where she completed her doctoral thesis on the topic of \"Performance Aspects of Louise Farrenc's Piano Études\". She performed across Europe and was awarded numerous renowned prizes, including the \"Eleni Tim. Mykoniou\" Prize for piano (Academy of Athens, 2013).\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eMelodies No. 1-3 op. 43\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Andante cantabile\u003c\/td\u003e\n\n \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/83e709c10a5d541b563ea2314ec7b1e8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Andante grazioso\u003c\/td\u003e\n\n \u003ctd\u003e00:05:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/26eb51caf9c334fef267e93c43dc7ef4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/082ce2b516c6cb456ce5ba9af0dae665.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eScherzo op. 47\u003c\/td\u003e\n\n \u003ctd\u003e00:04:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/b6b106f089e8ff2ebf16de4cb5a9d490.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eBrilliant Waltz No. 1 op. 48\u003c\/td\u003e\n\n \u003ctd\u003e00:08:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/7552d5b400992fda204bf65b84ead68c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eNocturne op. 49\u003c\/td\u003e\n\n \u003ctd\u003e00:05:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/5bf5989903ff758513a2363725ef208b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eBrilliant Waltz No. 2 op. 51\u003c\/td\u003e\n\n \u003ctd\u003e00:05:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/b96b4a41b78199598d02e8e5cb1e00cd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eFugues op. 22 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Fugue in F major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/6a65cb5c0f975291fcd0e76db9c4119b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Fugue in E-flat major\u003c\/td\u003e\n\n \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/dfb1329a8a8b87f003fb8afdc8607c95.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Fugue in C major\u003c\/td\u003e\n\n \u003ctd\u003e00:02:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/bc45b5e99c7f27b22764e007da406a0b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Fugue in D major\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/efe2bab09fbee306bd88aba4ca0eca49.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 Fugue in C-sharp minor\u003c\/td\u003e\n\n \u003ctd\u003e00:03:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/d909cdbe5660bab729f203b26d3d96eb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 Fugue in E minor\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/97322916d68dde520836ada0e6966acf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eMelody in A-flat major\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/d57d7c3a1a893594246faf7fac575667.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eImpromptu in B minor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/612\/996\/e853f19eddcfe1cc5ca078dadfa62060.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":58287523332428,"sku":"GP966","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313996612-Farrenc--Samtliche-Klavierwerke-Vol.webp?v=1792209304"},{"product_id":"la-muse-oubliee-ii","title":"The Forgotten Muse II","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eWet night on the highway\u003c\/td\u003e\n\n \u003ctd\u003e00:04:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/5e1f9da1508acbbe76f8a189ac1645c7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Piano in A major\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/c71ded7a89a203f0f4fbf8bab3cf227b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:04:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/08af28d0ba3c91ba2d0740d53ab8b6a1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Tempo di minuetto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/f30cf02bfe7430fb754f4bf8b4e47d6b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003e8 Pieces for Piano (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/fa37e96d05f88f38d8f83dac079276d8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eFrom the New Hampshire woods op. 12\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. White birches\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/5d9080eb412a37170551a56d39c73091.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Indian pipes\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/822219e4f6cccd517447649c0e7d456f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Pine trees\u003c\/td\u003e\n\n \u003ctd\u003e00:02:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/756daa02183e8cc695ec6599330806ca.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eAmerican nocturne\u003c\/td\u003e\n\n \u003ctd\u003e00:03:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/fd8fd48a34f8db4a78ec1e11772b5011.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003e3 Little Pieces for Piano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 (no movement title)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/913f72676d4f689dcd170edc77bfe58d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 (no movement title)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/f4b7d0e21339e1383b83739e112ed857.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Sans lenteur\u003c\/td\u003e\n\n \u003ctd\u003e00:01:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/e78a5a8b367f7ee841d5df700a193e40.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eEtudes op. 35 Nos. 1-6 (Concert Etudes) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Automne\u003c\/td\u003e\n\n \u003ctd\u003e00:06:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/297b44f3e5b03ce70b44299558ea297e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eEtudes for the Pianoforte (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Grazioso\u003c\/td\u003e\n\n \u003ctd\u003e00:02:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/d46b36b4352edbfbb02d9868fe8c5e69.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eBlumenleben op. 19 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 1\u003c\/td\u003e\n\n \u003ctd\u003eRose\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/e45106a55e62b6892589242474e9c1bf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003ePesma\u003c\/td\u003e\n\n \u003ctd\u003e00:01:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/b934c11979ad4fb289ab07c330dcb3ea.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eIgra\u003c\/td\u003e\n\n \u003ctd\u003e00:00:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/fcfff0e53a6a6a650b0f3870db9ef1ff.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eUkolébavka\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/8aab710494b5bec24f841ba2c6075f3c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eNorwegian Folk Songs and Dances op. 30\/33 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Fanitull (Con fuoco)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/11406cbdfd287dc286073503ec5520aa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Springdans (Allegro marcato)\u003c\/td\u003e\n\n \u003ctd\u003e00:00:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/ca016be97aa12b495144ca6ca1d30cf2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Baadn-Laat (Tranquillo)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/873c2afda58ec2f90fcb407246d00784.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Springdans (Allegretto)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/73a8c0747ae311d55cac2004843447c7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eSonatina\u003c\/td\u003e\n\n \u003ctd\u003e00:01:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/b0b93639b9ced6846ff408ea4e28575c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24\u003c\/td\u003e\n\n \u003ctd\u003eAlborada op. 91\u003c\/td\u003e\n\n \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/ad6b18e4d8e709daf6960873c8acf84c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25\u003c\/td\u003e\n\n \u003ctd\u003eZes Preludes (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Agitato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/a030031c6ec8253137aa0ca3d9d25662.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 (no movement title)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/fe028de61cfb02b6713f779b12ac6bcd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27\u003c\/td\u003e\n\n \u003ctd\u003eSketches in sepia\u003c\/td\u003e\n\n \u003ctd\u003e00:03:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/65705fb93320b39d2b223f8aba69fdde.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28\u003c\/td\u003e\n\n \u003ctd\u003eKhorumi\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/e777d7819e31c0d7159bb7be63486a8a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29\u003c\/td\u003e\n\n \u003ctd\u003eMelody\u003c\/td\u003e\n\n \u003ctd\u003e00:01:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/733\/700\/b97aab45206325f7f5add37bba623131.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"IBS Classical","offers":[{"title":"Default Title","offer_id":58354013667660,"sku":"IBS32024","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/8436597700733-La-Muse-Oubliee-Ii-cover.webp?v=1792491023"},{"product_id":"farrenc-samtliche-klavierwerke-vol-6","title":"Farrenc: Complete Piano Works Vol. 6","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n With this sixth and final album, Athens-born pianist Maria Stratigou completes her complete recording of Louise Farrenc's piano works. The focus is on five variations from the 1830s. The \"Air russe varié\" op. 17 is one of Farrenc's best-known piano compositions and was already appreciated by Robert Schumann. In \"Souvenir des Huguenots\" op. 19, she incorporates music from Giacomo Meyerbeer's opera \"Les Huguenots\", while the \"Hymne russe varié\" op. 27 uses the Russian national anthem of the time. Added to this are the large-scale \"Grandes Variations sur un Thème du Comte Gallenberg\" op. 25 and the \"Variations (brillantes) sur un Thème allemand\" op. 28, recorded here for the first time. Stratigou has also studied Farrenc's piano music academically; in 2013, she was awarded a piano prize by the Academy of Athens.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eRussian Air for Piano op. 17\u003c\/td\u003e\n\n \u003ctd\u003e00:12:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/015\/997\/8b2b6efc6813dd5c10ea960dfe8f1bb6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eFantasy and Variations for Piano (on Luther's Famous Protestant Chorale) \"Souvenir des Huguenots\"\u003c\/td\u003e\n\n \u003ctd\u003e00:06:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/015\/997\/64347221934554047557fa14e81b3158.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eGrandes variations sur un thème du comte Gallenberg op. 25 (Solo Piano Version)\u003c\/td\u003e\n\n \u003ctd\u003e00:16:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/015\/997\/8f7acec9d3c8d1c2adb9e081b87dee92.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eRussian Hymn Varié for Piano op. 27\u003c\/td\u003e\n\n \u003ctd\u003e00:14:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/015\/997\/ea731ef01f7b06c0eda9afab12ee6c2b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eBrilliant Variations on a German Theme op. 28\u003c\/td\u003e\n\n \u003ctd\u003e00:12:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/015\/997\/7d30b294517ce91f8043ee66fcba6c5e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":58901394719052,"sku":"GP970","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/0747313997015-Farrenc--Samtliche-Klavierwerke-Vol.webp?v=1792209335"},{"product_id":"compositrices-new-light-on-french-romantic-women-composers","title":"Compositrices - New Light on French Romantic Women Composers","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eLe Reve de CléopAtre\u003c\/td\u003e\n\n \u003ctd\u003e00:07:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eOphélie\u003c\/td\u003e\n\n \u003ctd\u003e00:04:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eSalomé\u003c\/td\u003e\n\n \u003ctd\u003e00:04:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSonate pour violoncelle et piano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAllegro appassionato\u003c\/td\u003e\n\n \u003ctd\u003e00:07:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAndante\u003c\/td\u003e\n\n \u003ctd\u003e00:07:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAllegro con fuoco\u003c\/td\u003e\n\n \u003ctd\u003e00:06:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eReve d'un soir\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eVeux-tu ?\u003c\/td\u003e\n\n \u003ctd\u003e00:02:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003ePetits Poèmes au bord de l'eau\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eLa Rivière\u003c\/td\u003e\n\n \u003ctd\u003e00:01:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003eLa Barque\u003c\/td\u003e\n\n \u003ctd\u003e00:01:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003eLes Saules\u003c\/td\u003e\n\n \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003eLa Lune\u003c\/td\u003e\n\n \u003ctd\u003e00:00:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 5\u003c\/td\u003e\n\n \u003ctd\u003eL'Ondine\u003c\/td\u003e\n\n \u003ctd\u003e00:00:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 6\u003c\/td\u003e\n\n \u003ctd\u003eL'Hiver\u003c\/td\u003e\n\n \u003ctd\u003e00:01:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eLes Orientales: Reverie\u003c\/td\u003e\n\n \u003ctd\u003e00:03:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eLa Mer: Quatre heures du matin\u003c\/td\u003e\n\n \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eBilitis: Berceuse\u003c\/td\u003e\n\n \u003ctd\u003e00:03:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eSonnet\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eLes Méditations\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePaix\u003c\/td\u003e\n\n \u003ctd\u003e00:04:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 2\u003c\/td\u003e\n\n \u003ctd\u003eConfiance\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 3\u003c\/td\u003e\n\n \u003ctd\u003eJoie\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSix Pièces romantiques\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrimavera\u003c\/td\u003e\n\n \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eLa Chaise à porteur\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eIdylle arabe\u003c\/td\u003e\n\n \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eSérénade d'automne\u003c\/td\u003e\n\n \u003ctd\u003e00:02:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eDanse hindoue\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eRigaudon\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eGrande Fantaisie-Quintette: Moderato maestoso\u003c\/td\u003e\n\n \u003ctd\u003e00:09:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eGrande Fantaisie-Quintette: Scherzo. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:04:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eGrande Fantaisie-Quintette: Intermezzo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eGrande Fantaisie-Quintette: Thème et variations\u003c\/td\u003e\n\n \u003ctd\u003e00:14:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eSymphonie en ut dièse mineur\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eLent. Vif\u003c\/td\u003e\n\n \u003ctd\u003e00:11:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003eVif. Lent. Vif\u003c\/td\u003e\n\n \u003ctd\u003e00:07:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003eVif\u003c\/td\u003e\n\n \u003ctd\u003e00:09:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eBarcarolle pour piano\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eLa Cathédrale blessée\u003c\/td\u003e\n\n \u003ctd\u003e00:06:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eRomance sans paroles\u003c\/td\u003e\n\n \u003ctd\u003e00:01:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eAu crépuscule\u003c\/td\u003e\n\n \u003ctd\u003e00:02:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eLa Chanson du rouet\u003c\/td\u003e\n\n \u003ctd\u003e00:02:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eD'un matin de printemps\u003c\/td\u003e\n\n \u003ctd\u003e00:04:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSymphonie no 3 en sol mineur\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAdagio. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:12:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAdagio cantabile\u003c\/td\u003e\n\n \u003ctd\u003e00:10:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003eScherzo. Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:06:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 4\u003c\/td\u003e\n\n \u003ctd\u003eFinale. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:06:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eTrois Pièces pour violoncelle et piano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eEn mi bémol mineur\u003c\/td\u003e\n\n \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003eEn la mineur\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003eEn ut dièse mineur\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eOssiane: Introduction\u003c\/td\u003e\n\n \u003ctd\u003e00:04:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eOssiane: Chant de douleur\u003c\/td\u003e\n\n \u003ctd\u003e00:05:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eCallirhoé, suite de ballet: Prélude\u003c\/td\u003e\n\n \u003ctd\u003e00:05:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eCallirhoé, suite de ballet: Pas des écharpes\u003c\/td\u003e\n\n \u003ctd\u003e00:04:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eCallirhoé, suite de ballet: Scherzettino\u003c\/td\u003e\n\n \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eCallirhoé, suite de ballet: Pas des cymbales\u003c\/td\u003e\n\n \u003ctd\u003e00:05:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eHuit Études mélodiques: Introduction\u003c\/td\u003e\n\n \u003ctd\u003e00:03:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eHuit Études mélodiques: La calma\u003c\/td\u003e\n\n \u003ctd\u003e00:02:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eHuit Études mélodiques: La disperata\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eHuit Études mélodiques: La Berceuse\u003c\/td\u003e\n\n \u003ctd\u003e00:04:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eHuit Études mélodiques: L'incertezza\u003c\/td\u003e\n\n \u003ctd\u003e00:02:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eHuit Études mélodiques: Barcarole\u003c\/td\u003e\n\n \u003ctd\u003e00:02:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eHuit Études mélodiques: Romanza\u003c\/td\u003e\n\n \u003ctd\u003e00:05:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eHuit Études mélodiques: Le Papillon\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eVers le pur amour\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eUn soir\u003c\/td\u003e\n\n \u003ctd\u003e00:02:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eViens\u003c\/td\u003e\n\n \u003ctd\u003e00:01:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eViola\u003c\/td\u003e\n\n \u003ctd\u003e00:02:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eImmortelle Tendresse\u003c\/td\u003e\n\n \u003ctd\u003e00:03:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eInvocation\u003c\/td\u003e\n\n \u003ctd\u003e00:02:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eÉlégie sur le mode antique\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eL'Amour s'éveille\u003c\/td\u003e\n\n \u003ctd\u003e00:03:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eSonatine for Violin and Piano: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:04:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22\u003c\/td\u003e\n\n \u003ctd\u003eSonatine for Violin and Piano: Scherzo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eSonatine for Violin and Piano: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Cello and Piano: Moderato quasi andante. Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:05:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Cello and Piano: Very Slow\u003c\/td\u003e\n\n \u003ctd\u003e00:04:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Cello and Piano: Finale: Moderato molto. Allegro con fuoco\u003c\/td\u003e\n\n \u003ctd\u003e00:05:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eConcertino for Flute and Orchestra\u003c\/td\u003e\n\n \u003ctd\u003e00:08:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eSuite in the Form of Waltzes: Ballabile\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eSuite in the Form of Waltzes: Slow Waltz\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSuite in the Form of Waltzes: Sacred Dance\u003c\/td\u003e\n\n \u003ctd\u003e00:03:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eSuite in the Form of Waltzes: Scherzo-Waltz\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eSuite in the Form of Waltzes: Interlude and Bacchanale\u003c\/td\u003e\n\n \u003ctd\u003e00:03:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eLove Me\u003c\/td\u003e\n\n \u003ctd\u003e00:02:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eHai-luli!\u003c\/td\u003e\n\n \u003ctd\u003e00:03:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eHere Below All the Lilacs Die\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eSolitude\u003c\/td\u003e\n\n \u003ctd\u003e00:02:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eThe Girls of Cadiz\u003c\/td\u003e\n\n \u003ctd\u003e00:02:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eHavanaise\u003c\/td\u003e\n\n \u003ctd\u003e00:04:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eAbsence\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Piano: Animé\u003c\/td\u003e\n\n \u003ctd\u003e00:08:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Piano: Lent\u003c\/td\u003e\n\n \u003ctd\u003e00:05:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Piano: Très vif\u003c\/td\u003e\n\n \u003ctd\u003e00:05:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eThe Siren: Scene 1\u003c\/td\u003e\n\n \u003ctd\u003e00:10:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eThe Siren: Scene 2\u003c\/td\u003e\n\n \u003ctd\u003e00:09:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eThe Siren: Scene 3\u003c\/td\u003e\n\n \u003ctd\u003e00:10:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eVoices of Spring: On the Great Road\u003c\/td\u003e\n\n \u003ctd\u003e00:01:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eVoices of Spring: In the Path\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eVoices of Spring: The Storm\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eVoices of Spring: Idylle\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eVoices of Spring: May Night\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eVoices of Spring: Full Day\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eMélisande\u003c\/td\u003e\n\n \u003ctd\u003e00:02:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eDesdemona\u003c\/td\u003e\n\n \u003ctd\u003e00:02:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eOmphale\u003c\/td\u003e\n\n \u003ctd\u003e00:04:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eOphélie\u003c\/td\u003e\n\n \u003ctd\u003e00:05:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eViviane\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003ePhoebe\u003c\/td\u003e\n\n \u003ctd\u003e00:02:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eSalomé\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eNocturne\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eCortège\u003c\/td\u003e\n\n \u003ctd\u003e00:01:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eSix Pieces for Four Hands: Caravan\u003c\/td\u003e\n\n \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eSix Pieces for Four Hands: Andante religioso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eSix Pieces for Four Hands: Festival Carillon\u003c\/td\u003e\n\n \u003ctd\u003e00:00:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22\u003c\/td\u003e\n\n \u003ctd\u003eSix Pieces for Four Hands: A matines\u003c\/td\u003e\n\n \u003ctd\u003e00:01:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eSix Pieces for Four Hands: Habanera\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24\u003c\/td\u003e\n\n \u003ctd\u003eSix Pieces for Four Hands: Midnight Strikes at the Great Clock\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eLudus pro patria: Interlude. Night and Love\u003c\/td\u003e\n\n \u003ctd\u003e00:05:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eTrio for Violin, Cello and Piano No. 2: Andante. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:12:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eTrio for Violin, Cello and Piano No. 2: Theme with Variations\u003c\/td\u003e\n\n \u003ctd\u003e00:07:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eTrio for Violin, Cello and Piano No. 2: Finale. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:05:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eDivine Tales: Path of Heaven\u003c\/td\u003e\n\n \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eThe Seven Sins: Love\u003c\/td\u003e\n\n \u003ctd\u003e00:02:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eThe Seven Sins: Wine\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eFrom the Heart to the Lips\u003c\/td\u003e\n\n \u003ctd\u003e00:02:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eLove Awakens\u003c\/td\u003e\n\n \u003ctd\u003e00:03:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eThree Melodies: The Cormorant\u003c\/td\u003e\n\n \u003ctd\u003e00:03:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eThree Melodies: By the Lake\u003c\/td\u003e\n\n \u003ctd\u003e00:01:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eThe Bohemian\u003c\/td\u003e\n\n \u003ctd\u003e00:03:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eSacrifice\u003c\/td\u003e\n\n \u003ctd\u003e00:02:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eTo a Woman\u003c\/td\u003e\n\n \u003ctd\u003e00:03:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eThe Child\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eIn My Heart\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eThe Song of the Spinning Wheel\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eThe Mortal Stars\u003c\/td\u003e\n\n \u003ctd\u003e00:03:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eTo Néré\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eSix Melodies: Moonlight\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eSix Melodies: The Finest Hour\u003c\/td\u003e\n\n \u003ctd\u003e00:02:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eAndromeda\u003c\/td\u003e\n\n \u003ctd\u003e00:15:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Piano in F Minor Op. 5 No. 2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAllegro moderato con espressione\u003c\/td\u003e\n\n \u003ctd\u003e00:13:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAria con espressione\u003c\/td\u003e\n\n \u003ctd\u003e00:04:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAgitato con fuoco\u003c\/td\u003e\n\n \u003ctd\u003e00:06:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eTwelve Melodies on Russian Poems: The Storm\u003c\/td\u003e\n\n \u003ctd\u003e00:03:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eTwelve Melodies on Russian Poems: Georgian\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eTwelve Melodies on Russian Poems: Cossack Lullaby\u003c\/td\u003e\n\n \u003ctd\u003e00:05:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eTwelve Melodies on Russian Poems: Evocation\u003c\/td\u003e\n\n \u003ctd\u003e00:03:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eTwelve Melodies on Russian Poems: Midnight Shadows\u003c\/td\u003e\n\n \u003ctd\u003e00:02:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eAndante and Intermezzo: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:04:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eAndante and Intermezzo: Intermezzo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eAlbum for the Very Young\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003eThe Spinning Top\u003c\/td\u003e\n\n \u003ctd\u003e00:00:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 2\u003c\/td\u003e\n\n \u003ctd\u003eThe Little Beggar\u003c\/td\u003e\n\n \u003ctd\u003e00:00:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 3\u003c\/td\u003e\n\n \u003ctd\u003ePuppets\u003c\/td\u003e\n\n \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 4\u003c\/td\u003e\n\n \u003ctd\u003eThe Baptism\u003c\/td\u003e\n\n \u003ctd\u003e00:00:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 5\u003c\/td\u003e\n\n \u003ctd\u003eA Gift for Grandma\u003c\/td\u003e\n\n \u003ctd\u003e00:00:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 6\u003c\/td\u003e\n\n \u003ctd\u003eThe Sewing Machine\u003c\/td\u003e\n\n \u003ctd\u003e00:00:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 7\u003c\/td\u003e\n\n \u003ctd\u003eGreat Sorrow\u003c\/td\u003e\n\n \u003ctd\u003e00:00:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 8\u003c\/td\u003e\n\n \u003ctd\u003eAnger\u003c\/td\u003e\n\n \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 9\u003c\/td\u003e\n\n \u003ctd\u003eRaindrop\u003c\/td\u003e\n\n \u003ctd\u003e00:00:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 10\u003c\/td\u003e\n\n \u003ctd\u003eMr. Vieuxbois\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 11\u003c\/td\u003e\n\n \u003ctd\u003eThe Key to the Fields\u003c\/td\u003e\n\n \u003ctd\u003e00:00:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 12\u003c\/td\u003e\n\n \u003ctd\u003eIn Days of Old\u003c\/td\u003e\n\n \u003ctd\u003e00:00:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 13\u003c\/td\u003e\n\n \u003ctd\u003eCalineries\u003c\/td\u003e\n\n \u003ctd\u003e00:00:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 14\u003c\/td\u003e\n\n \u003ctd\u003ePrayer\u003c\/td\u003e\n\n \u003ctd\u003e00:00:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 15\u003c\/td\u003e\n\n \u003ctd\u003eMeow! Purr!\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 16\u003c\/td\u003e\n\n \u003ctd\u003eMadrigal\u003c\/td\u003e\n\n \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 17\u003c\/td\u003e\n\n \u003ctd\u003eThe Flea\u003c\/td\u003e\n\n \u003ctd\u003e00:00:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 18\u003c\/td\u003e\n\n \u003ctd\u003eThe Shepherd in the Mountain\u003c\/td\u003e\n\n \u003ctd\u003e00:00:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 19\u003c\/td\u003e\n\n \u003ctd\u003eMireille at the Piano\u003c\/td\u003e\n\n \u003ctd\u003e00:00:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 20\u003c\/td\u003e\n\n \u003ctd\u003eSweet Friend\u003c\/td\u003e\n\n \u003ctd\u003e00:01:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Bru Zane","offers":[{"title":"Default Title","offer_id":59346246893900,"sku":"BZ2006","price":46.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/8055776010090-Compositrices---New-Light-on-French-Romantic-Women-cover.webp?v=1792487414"},{"product_id":"farrenc-variationen-fur-klavier","title":"Farrenc: Variations for Piano","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n \n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eBrilliant variations on the Cavatina Nel veder la tua costanza from Donizetti's opera Anna Bolena op. 15\u003c\/td\u003e\n\n \u003ctd\u003e00:12:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/748\/731\/7dc9a727982fcc7f4ab2b2013a758efe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eAir russe varié op. 17\u003c\/td\u003e\n\n \u003ctd\u003e00:13:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/748\/731\/60b22fd5bc6bcc7a851fc6af8aeff119.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eGrand variations on a theme by Count Gallenberg op. 25\u003c\/td\u003e\n\n \u003ctd\u003e00:17:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/748\/731\/5bacc35df4eba617fa1aae8525491a25.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eVariations on the duet C'est la fête de village from Le colporteur by George Onslow op. 10\u003c\/td\u003e\n\n \u003ctd\u003e00:09:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/748\/731\/e3790d137f70b75d16e25bcb7a8d563e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Paladino","offers":[{"title":"Default Title","offer_id":59355401748812,"sku":"PMR0088","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/9120040731748-Farrenc--Variationen-fur-Klavier-cover.webp?v=1792511332"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/collections\/Louise_Farrenc_painting.jpg?v=1785007981","url":"https:\/\/shop.naxos.de\/en\/collections\/farrenc-louise.oembed","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}