{"title":"BIS","description":null,"products":[{"product_id":"fagerlund-beneath","title":"Fagerlund: Beneath","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Sebastian Fagerlund is one of Finland's most renowned contemporary composers, creating works of vivid narrative power and emotional depth in the genres of orchestral, operatic, and chamber music. This recording features four works for various instrument combinations, which demonstrate Fagerlund's ability to interweave his compositions through strong spiritual and stylistic connections. \"Beneath\" for string orchestra operates in the tension between concerto and ensemble work. The solo violin – a \"first among equals\" – emerges from the orchestra and merges with it, tracing a journey from rising chord sequences through energetic passages to a calm resolution. \"Remain,\" a piano trio completed on the day Russia invaded Ukraine, weaves quotes from Ravel, Bach, and Brahms into three emotionally charged movements dedicated to the people of Ukraine. \"Materie,\" a solo piece for violin written for the Kuopio Violin Competition, combines technical brilliance with expressive nuances, unfolding in two powerful waves between contemplation and intensity. The finale, \"Stilla\" for violin and piano, moves from introspective exploration through energetic highlights to a hauntingly silent, mysterious conclusion. The violinist and conductor Malin Broman runs through all four works, appearing both as a soloist and as part of the Kungsbacka Piano Trio, while simultaneously conducting the Ostrobothnian Chamber Orchestra.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eBeneath (for string orchestra)\u003c\/td\u003e\n\n \u003ctd\u003e00:14:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/84aa71f6513fde9cdeeee86860a7ad9d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eRemain (for violin, cello and piano)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Capriccio, ben ritmico\u003c\/td\u003e\n\n \u003ctd\u003e00:08:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/d84a3ffaad4ca9b40ffd491f8030a473.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio di molto\u003c\/td\u003e\n\n \u003ctd\u003e00:07:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/b816f800c2f1ef053daf6618defb798e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Esaltato\u003c\/td\u003e\n\n \u003ctd\u003e00:06:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/140c3f5200ef77252fd3f5f204535efc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eMaterie (for violin solo)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003eMisterioso, con anima\u003c\/td\u003e\n\n \u003ctd\u003e00:08:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/0487000aef1a8fbc1c631c912e7532b8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eStilla (for violin and piano)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eMisterioso\u003c\/td\u003e\n\n \u003ctd\u003e00:09:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/827\/926\/4e6552c171fc5a9df114a173f8d33113.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58236294725964,"sku":"BIS2682","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926827-Fagerlund--Beneath-cover.webp?v=1792459561"},{"product_id":"goldmark-sibelius-werke-fur-violine-und-orchester","title":"Goldmark \/ Sibelius: Works for Violin and Orchestra","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This recording brings together two great violin composers: Karl Goldmark and Jean Sibelius. The starting point is their actual meeting in Vienna, where Goldmark was briefly one of the young Sibelius's teachers – an inspiring connection that sparked violinist Sueye Park's interest in this program.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n At the heart of the recording is Goldmark's rarely heard Violin Concerto in A minor, Op. 28 – a work that sits between virtuosity, Hungarian color, and German Romanticism. It is complemented by concertante works by Sibelius, including the late Suite for Violin and String Orchestra, the \"Serious Melodies,\" and the two Humoresques, Op. 87 – music that balances Nordic elegance, lyrical intimacy, and brilliant virtuosity.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The multi-award-winning Korean violinist Sueye Park, winner of the 2025 International Jean Sibelius Violin Competition, impresses with her technical mastery and subtle sense for tonal colors. She is accompanied by the long-established Rundfunk-Sinfonieorchester Berlin under the baton of Valentin Egel, one of the most exciting young conductors of his generation.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Violin and Orchestra in A minor, Op. 28\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:16:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/aa2202ef5c83467df18cbcbe5605d8e2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Air: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:07:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/c045f191264843dd842d32dcecf2e528.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Moderato - Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:17:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/37f123a46bbe0a1e8c86c968d2af8a97.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSuite for Violin and String Orchestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Country Scenery: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/ce02a57d2b8159be804003110deac01a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Serenade: Andantino \"Evening in Spring\"\u003c\/td\u003e\n\n \u003ctd\u003e00:04:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/78065fb0dee55aafb6b8646a04514a98.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. In the Summer: Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/8c4071623d93da3e9e16485095c0e81f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSerious Melodies, Op. 77 Nos. 1-2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Cantique: Moderato assai \"Laetare anima mea\"\u003c\/td\u003e\n\n \u003ctd\u003e00:05:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/4fbc287aff44b3cb97c195655ebc556a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Devotion: Tempo molto moderato \"Ab imo pectore\"\u003c\/td\u003e\n\n \u003ctd\u003e00:03:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/4d2511b09bc43491664ff2b426d592fb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eHumoresques, Op. 87 Nos. 1-2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Humoresque in D minor: Comodo\u003c\/td\u003e\n\n \u003ctd\u003e00:03:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/c0c9afa9e4c2c778b841dea7ba47c090.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Humoresque in D major: Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:02:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/824\/927\/e0cba4afcb34ab30e646ee5189ac5950.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58236311109964,"sku":"BIS2782","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927824-Goldmark---Sibelius--Werke-fur-Violine-und-Orches-cover.webp?v=1792460377"},{"product_id":"bortz-double-concerto-for-one-sinfonie-nr-14-klaviertrio","title":"Börtz: Double Concerto for One \/ Symphony No. 14 \/ Piano Trio","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Daniel Börtz, who has been active as a composer since the mid-1960s, is now widely regarded as one of the most important composers in Swedish music history. His music has always been characterized by its simplicity and precision, which emphasize the power of its emotionally charged messages. The three works presented here are united by a personal common thread: his collaboration with violinist and violist Malin Broman. She was a direct source of inspiration for all three works, first as a member of the Kungsbacka Piano Trio, later as artistic director of the string orchestra Musica Vitae, and finally as a soloist in “Double Concerto for One”. In her various roles, she served as both performer and inspiration. Regarding “Double Concerto for One”, Broman said: ‘An incredibly beautiful and dramatic work. Daniel’s music is very close to song; you feel as though you are singing when you play it.’ The “Sinfonia 14” follows, which was composed exclusively for string orchestra. This large-scale, emotionally intense work is characterized by volcanic outbursts alongside moments of silence. The “Piano Trio” concludes the program with a powerful, driving opening, a deeply emotional slow middle movement, and a finale of irresistible energy.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDouble Concerto for One for viola, violin and orchestra (2019-20)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Mesto, molto espressivo e improvisando\u003c\/td\u003e\n\n \u003ctd\u003e00:10:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/020c2eabfa145dcce6a82137e0851134.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Largo\u003c\/td\u003e\n\n \u003ctd\u003e00:06:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/7ea2005f7171b0fd506c8866c731ffd8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Poco più mosso\u003c\/td\u003e\n\n \u003ctd\u003e00:05:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/f60228558c72e4b65fb9bb0371c8a763.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSinfonia 14 for string orchestra (2018-19)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:08:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/a36dff9abf3e6a5a4415e58a5cd1b448.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Elegi\u003c\/td\u003e\n\n \u003ctd\u003e00:06:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/d28ebeba0cee3bce405be3e3431ac73a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Prestissimo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/239d53cb57c2c8889a011b906910a16f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:05:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/549803913ff8601b02de22c56ab02f25.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003ePiano Trio (2000)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:05:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/a645155ef1e21c3d10f11766247cabcd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Ballata: Mesto\u003c\/td\u003e\n\n \u003ctd\u003e00:08:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/64a24ec912972f0216f12c8b3b36f36b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/339\/926\/3abe7710da68b24d505179d2533e468e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58291623592268,"sku":"BIS2633","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926339-Bortz--Double-Concerto-for-One---Sinfonie-Nr.webp?v=1792459030"},{"product_id":"zeitgenossische-finnische-werke-fur-cello-kaiku-echo","title":"Contemporary Finnish works for cello [Kaiku (Echo)]","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Finnish-Dutch cellist Jonathan Roozeman presents a program of contemporary works for cello by Finnish composers. He is accompanied by pianist and composer Johannes Piirto on some of the pieces. At the center is a sonata by the experienced composer Kalevi Aho; the six works in the program reflect the diversity of contemporary Finnish music and were all composed in the last fifteen years. Sauli Zinovjevs’s “Sustained” appears as a ghostly, dissonant, fragmented reflection on the music of Romanticism. Cecilia Damströms “Aveo” was composed for people suffering from long Covid who had to say goodbye to their normal lives. “Recitativo” by Sebastian Fagerlund, a commissioned work for a cello competition, challenges not only the cellists’ mastery of the instrument but also their interpretive skills. “Sanasi, kiveen uponneet” by Outi Tarkiainen, a composer who brings the perspective of someone born in the north, in Finnish Lapland, into her music, is characterized by powerful soundscapes inspired by natural phenomena, as well as by human themes that appeal to the deepest emotions of humanity. The program concludes with “We Lie Down Only to Get Up Again” by Lauri Porra, a composer who embodies the complexity of contemporary Finnish music. This work evokes the atmosphere of a summer morning—full of warmth, perhaps even with a touch of longing.\n \u003c\/p\u003e\n\n \n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNo.\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSustained (for cello and piano)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eLento ma preciso\u003c\/td\u003e\n\n \u003ctd\u003e00:06:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/aa9cac9242424cbff4fb8305027c7760.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eSonata for cello and piano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegretto - Furioso, presto - Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:08:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/f3be4731e298dd5829c2a3195ea92b65.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:07:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/0094357fbf71c5e7b49fa7dcf8da9e1b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Cadenza\u003c\/td\u003e\n\n \u003ctd\u003e00:03:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/e44c48af9f3786f2c2399e20888688d8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro - Tranquillo\u003c\/td\u003e\n\n \u003ctd\u003e00:07:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/9ab89dd2f71c7cd4527d10381c1510c7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eAveo op. 81 (for solo cello)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eVery freely\u003c\/td\u003e\n\n \u003ctd\u003e00:05:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/10b6dc0462cd69297ddcb7af3ec9a6f4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eRecitativo for solo cello\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eEspressivo, liberamente\u003c\/td\u003e\n\n \u003ctd\u003e00:03:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/fe037017c1359b073fa83260271de891.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eSanasi, kiveen uponneet (for solo cello)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eLento\u003c\/td\u003e\n\n \u003ctd\u003e00:07:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/e2904974b5712d2a5c3c8f2f04e73b58.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eWe Lie Down Only to Get Up Again (for solo cello)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Rubato: Quarter note = ca. 60 -\u003c\/td\u003e\n\n \u003ctd\u003e00:03:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/d9ad6bd1bf02456c88a9882d376a767e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Più mosso: Quarter note = 75\u003c\/td\u003e\n\n \u003ctd\u003e00:02:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/145\/927\/01d849b16420e73de00fc5a8ad578683.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58291624051020,"sku":"BIS2714","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927145-Zeitgenossische-finnische-Werke-fur-Cello-_Kaiku-cover.webp?v=1792459917"},{"product_id":"brahms-reger-klarinettenquintette","title":"Brahms \/ Reger: Clarinet Quintets","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Although Michael Collins has already made numerous recordings both as a clarinetist and as a conductor, one of the masterpieces of the clarinet chamber repertoire was still missing: Johannes Brahms’ Clarinet Quintet. Here he plays together with the Escher Quartet, whose recent recording of Leoš Janáček’s Quartets was highly acclaimed by critics. Although the combination of clarinet and string quartet offers rich potential, Wolfgang Amadeus Mozart’s brilliant Clarinet Quintet cast a long shadow, into which only a few composers dared to venture. Brahms’ Quintet, which he composed at the end of his creative life, is an elegiac masterpiece. It radiates poignant nostalgia and a heartbreaking sense of lost love, ultimately culminating in a melancholic serenity. Its emotional directness occasionally surprises, without ever sacrificing subtlety. Max Reger drew inspiration for his own Clarinet Quintet from the works of Mozart and Brahms. In this final work before his early death, Reger explores tonal boundaries without compromising the structure. Through the seamless integration of the clarinet, he creates a beautifully balanced ensemble capable of producing both powerful outbursts and delicate sonic textures. Reger’s remarkably rich work, created on the threshold of the 20th century, is a profound homage to the past.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eQuintet for Clarinet and String Quartet in B-flat minor, Op. 115\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:13:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/371\/928\/261af1aa7d42a87438f8819538db975d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio - Più lento\u003c\/td\u003e\n\n \u003ctd\u003e00:11:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/371\/928\/7fd7bd7cf20a0fe73a1f192c3bcf1cba.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Andantino - Presto non assai, ma con sentimento\u003c\/td\u003e\n\n \u003ctd\u003e00:04:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/371\/928\/0242632869869e5f1ba55de8b69ba508.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:09:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/371\/928\/c78fd1ae4a89b1ed187bb2348cde4d63.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eQuintet for Clarinet and String Quartet in A major, Op. 146\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato ed amabile\u003c\/td\u003e\n\n \u003ctd\u003e00:10:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/371\/928\/cc712c3e79f58fe7b15fd9ac47284296.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Vivace - Un poco meno mosso - Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:06:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/371\/928\/a130a3ad4a7134be5c2817a99f6ba023.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Largo\u003c\/td\u003e\n\n \u003ctd\u003e00:09:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/371\/928\/6d74ce041b016ff7ee78b0e0f8b8ef19.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Poco allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:10:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/371\/928\/512ebaaa7ee1c03c87952b476e3cd452.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58291624608076,"sku":"BIS2837","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599928371-Brahms---Reger--Klarinettenquintette-cover.webp?v=1792460447"},{"product_id":"mendelssohn-bruch-violinkonzerte","title":"Mendelssohn \/ Bruch: Violin Concertos","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Swedish-Norwegian violinist Johan Dalene dedicates himself to three of the most popular concert works for violin from the entire repertoire, composed in three different eras.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Felix Mendelssohn's Concerto in E minor needs no introduction: this masterpiece from the composer's mature period is one of the best-known and most beloved works in classical music, thanks to its freshness, its original composition, and its magnificent themes. Max Bruch's first Violin Concerto, another milestone of the violin repertoire, is cherished for its natural lyricism and memorable melodies. In both these works, Johan Dalene is accompanied by the Swedish Radio Symphony Orchestra, conducted by its concertmaster Malin Broman (Mendelssohn) and by Gemma New (Bruch). Permeated by a calm, meditative mood and a sense of connection with nature, Ralph Vaughan Williams' \"The Lark Ascending\" concludes the program. However, the work is performed here not in its well-known orchestral version, but in an arrangement for choir by Paul Drayton. The Swedish Radio Choir is led by its conductor Kaspars Putniņš.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Violin and Orchestra in E minor, Op. 64\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro molto appassionato\u003c\/td\u003e\n\n \u003ctd\u003e00:13:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/100\/926\/5956b793abbbaf99a13be70048d6046b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:07:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/100\/926\/d0f7c33ad00cdf541878f7f74b67fb44.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro molto vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:06:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/100\/926\/ebb61ee12e763638e2f29bdaf1b626b6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Violin and Orchestra No. 1 in G minor, Op. 26\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude: Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:08:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/100\/926\/6407bcf798c49db962e3b2acab6fe413.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:08:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/100\/926\/890d40a7350aea0988bb60ad45f1d800.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Finale: Allegro energico\u003c\/td\u003e\n\n \u003ctd\u003e00:07:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/100\/926\/66617e7f9b405103da3a64f92716d584.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eThe Lark Ascending (Romance for Violin and Orchestra) (arr. for violin and choir by Paul Drayton)\u003c\/td\u003e\n\n \u003ctd\u003e00:16:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/100\/926\/218ede4231adcbb1c1f25d16f6441b2c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58291664027980,"sku":"BIS2610","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926100-Mendelssohn---Bruch--Violinkonzerte-cover.webp?v=1792458712"},{"product_id":"autumn-aubade","title":"Autumn Aubade","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Håkan Hardenberger and Roland Pöntinen have been connected by a fruitful artistic collaboration for over forty years. Their new album features newly composed works, arrangements, favorite pieces of both musicians, and standards from the Great American Songbook.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n At the heart of the program is \"Three Autumns\" by Staffan Storm, which atmospherically ties in with Anna Akhmatova’s poems and serves as a reflection on elegiac autumnal moods. Contemporary composers such as Mark-Anthony Turnage and HK Gruber are also represented. Roland Pöntinen contributes two pieces. The recital is complemented by shorter pieces, arrangements, and new interpretations of classic American songs, and also includes \"Chanting\" by jazz legend Ornette Coleman, a popular encore in the programs of Hardenberger\/Pöntinen – always improvised, different every time.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eNature Boy (arr. for trumpet and piano by Roland Pöntinen)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/73d72bb1e39571d44321146501dcf550.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eAutumn Aubade for flugelhorn and piano\u003c\/td\u003e\n\n \u003ctd\u003e00:06:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/cf387a6f68564f138d9f26d57cff70cc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eMOB Pieces Nos. 1-3 for violin and piano op. 21 e (arr. for trumpet and piano by Håkan Hardenberger)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003eBossa nova\u003c\/td\u003e\n\n \u003ctd\u003e00:02:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/9a52a964ba6665fc5625517d75c3e184.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eBluebird Dream for trumpet and piano\u003c\/td\u003e\n\n \u003ctd\u003e00:05:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/9e457108f3b9c001f25e51b8a7ba6458.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eLégende (for trumpet and piano)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/05cafb495fbfcf18469423591f085d2c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003ePrélude d'automne for piano solo\u003c\/td\u003e\n\n \u003ctd\u003e00:03:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/cbe974fae8991fc28c31b83e25d5c458.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003ePréludes op. 28 Nos. 1-24 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 in A minor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/4d19677760320072c0bf72da1e576ec9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eAutumns Nos. 1-3 for trumpet and piano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Very slow - Slow - Fast, aggressive - (part 1)\u003c\/td\u003e\n\n \u003ctd\u003e00:08:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/2595ae5b59d1bf8c38ad2609e32dba6a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Moderately fast - Fast, aggressive - Very fast -\u003c\/td\u003e\n\n \u003ctd\u003e00:06:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/9e3083545ff8a9bb661d814a5b9104c8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 3\u003c\/td\u003e\n\n \u003ctd\u003eVery fast - Fast, intense - (part 2)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/8a5a7fcbf7648b3c804eaa0d4ab8d1d3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 4\u003c\/td\u003e\n\n \u003ctd\u003e3. Nocturne - Slow - Bleak, very slow\u003c\/td\u003e\n\n \u003ctd\u003e00:10:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/534e034fe2334b3a158bf9e3b9ba58eb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eChanting (arr. for trumpet and piano by Roland Pöntinen)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/d131c32fcf01ef9ef72c1a4a8b1c9828.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eThe September of my Years\u003c\/td\u003e\n\n \u003ctd\u003e00:03:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/237\/927\/4cf40a9ee220153eaa35af4499c14716.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58291664486732,"sku":"BIS2723","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927237-Autumn-Aubade-cover.webp?v=1792459995"},{"product_id":"beethoven-spate-klaviersonaten-nr-28-32","title":"Beethoven: Late Piano Sonatas Nos. 28 – 32","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The pianist (and lawyer!) Paul Wee has made recordings of the virtuoso repertoire of the 19th century that have earned him the highest praise from the music press. He also dedicated himself to Beethoven with Franz Liszt's transcription of the Eroica Symphony, which was lauded by critics for its consummate musicality. Perhaps it was therefore only a matter of time before he turned his attention to the summit of piano literature: Beethoven's late sonatas.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Although the Sonata Op. 101 is the least well-known of this group of works, it opens Beethoven's third and most prophetic creative period. It is followed by the Sonata Op. 106, the so-called \"Hammerklavier Sonata,\" a massive work in every respect, which, as the author of the liner notes writes, \"makes such demands that one almost needs a new listening apparatus.\" As for the final three sonatas, which were composed at the same time and conceived as a triptych, Beethoven knew that they would represent his final contributions to the genre of the sonata.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 28 in A Major, Op. 101\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Etwas lebhaft und mit der innigsten Empfindung: Allegretto, ma non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/0d4595b372e51a8108e623aa4477abd9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Lebhaft - Marschmäßig: Vivace alla Marcia\u003c\/td\u003e\n\n \u003ctd\u003e00:06:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/3b151bd130731e7a4ed4ef1a97ead973.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, con affetto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/835aa54e713d349efa4eedf92a12a88e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Geschwinde, doch nicht zu sehr und mit Entschlossenheit: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:07:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/44ed26ec0276ce24389d9f1a2f463db1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 29 in B-Flat Major, Op. 106 \"Große Sonate für das Hammerklavier\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:10:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/045c6194b3a5b68b894c02c9960c5e10.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Scherzo: Assai vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/aca75d3e968047a77dd685d8e0b7b9f2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio sostenuto: Appassionato e con molto sentimento\u003c\/td\u003e\n\n \u003ctd\u003e00:18:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/cab9ad558c007bcba6fc2abdf150362b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Largo - Allegro risoluto - Fuga a tre voci, con alcune licenze\u003c\/td\u003e\n\n \u003ctd\u003e00:12:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/5c20a171549c945516d5af3e7702bf69.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 30 in E Major, Op. 109\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Vivace, ma non troppo - Adagio espressivo\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/0ec4bbbf7a0b21b3bb0f659aea24b72d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Prestissimo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/5f3ef44c7fa77e5d9fa8d9f37a0d9d7c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Gesangvoll, mit innigster Empfindung: Andante molto cantabile ed espressivo\u003c\/td\u003e\n\n \u003ctd\u003e00:12:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/440838e091e21e7747514208acfb1133.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 31 in A-Flat Major, Op. 110\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato cantabile molto espressivo\u003c\/td\u003e\n\n \u003ctd\u003e00:06:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/fde4597733bbf25e1766a016f744d53b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/eca4d9db720ff3b2d8c7baa639a7c0a6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio ma non troppo - Fuga: Allegro ma non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:10:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/dc79080194706d739cd29b8f71bb38a9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 32 in C Minor, Op. 111\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Maestoso - Allegro con brio ed appassionato\u003c\/td\u003e\n\n \u003ctd\u003e00:08:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/a1c91fe2e4759607695a11946e143fa5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Arietta: Adagio molto semplice e cantabile\u003c\/td\u003e\n\n \u003ctd\u003e00:18:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/657\/927\/98446a35830f6fedbfbb80e7883b4693.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58291666288972,"sku":"BIS2765","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927657-Beethoven--Spate-Klaviersonaten-Nr.webp?v=1792460275"},{"product_id":"tippett-klavierkonzert-britten-diversions-walton-sinfonia-concertante","title":"Tippett: Piano Concerto \/ Britten: Diversions \/ Walton: Sinfonia Concertante","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Three significant works for piano and orchestra by English composers, all of which diverge in different ways from the traditional 19th-century model in which a virtuoso soloist competes against an orchestra. Together with the BBC Symphony Orchestra under George Vass, Clare Hammond presents an original program that provides insight into how the piano concerto reflected musical trends in mid-20th-century Great Britain.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n William Walton's \"Sinfonia Concertante for Orchestra with Piano Obbligato\" began as ballet music. After being rejected by Sergei Diaghilev, Walton arranged his score into a leaner, more direct, and more effective work. Benjamin Britten's \"Diversions\" was commissioned by the left-handed pianist Paul Wittgenstein. Michael Tippett's Piano Concerto rounds off the program. Inspired by a performance of Beethoven's Fourth Piano Concerto, Tippett was convinced that a contemporary concerto could be written \"in which the piano is again used for its poetic qualities.\"\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Soloist Clare Hammond is known for her imaginative playing, imaginative programming, and communicative performance style. In 2016, she won the Royal Philharmonic Society's Young Artist Award.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSinfonia concertante for piano and orchestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Maestoso\u003c\/td\u003e\n\n \u003ctd\u003e00:08:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/a606bff3bb6bec3322c3d0aaa27ffe17.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante comodo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/a341a8a30679aa3f63b3366a4b809ae6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro vivo, sempre scherzando\u003c\/td\u003e\n\n \u003ctd\u003e00:04:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/ce23f0646ce8cf8c60c854415c85228a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eDiversions for piano (left hand) and orchestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Theme\u003c\/td\u003e\n\n \u003ctd\u003e00:01:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/40aae583b8deacfc80c78ed2059e0861.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Variation 1: Recitative\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/24251d0e08088ba5619e9b5f269c6a1a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Variation 2: Romance\u003c\/td\u003e\n\n \u003ctd\u003e00:01:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/b5dd9bf4eaa29be9013baa286b35663c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Variation 3: March\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/4ca4e85c1f54abc56ee31878d9d69659.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Variation 4: Arabesque\u003c\/td\u003e\n\n \u003ctd\u003e00:01:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/f4452d37f5dba533ab069a881db8f11e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Variation 5: Chant\u003c\/td\u003e\n\n \u003ctd\u003e00:01:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/ea34b9a25ee89308662f91005d395642.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Variation 6: Nocturne\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/6551e03b600f23a89ff79b24e9d70f8b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. Variation 7: Badinerie\u003c\/td\u003e\n\n \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/506e70233f1cb18cc3654475bf2438c7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 9\u003c\/td\u003e\n\n \u003ctd\u003e9. Variation 8: Burlesque\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/ef1715681cc63bf62f8615249b53e512.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 10\u003c\/td\u003e\n\n \u003ctd\u003e10. Variation 9a: Toccata 1\u003c\/td\u003e\n\n \u003ctd\u003e00:00:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/46eb438c33b8c94d502de2ea8420b147.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 11\u003c\/td\u003e\n\n \u003ctd\u003e11. Variation 9b: Toccata 2\u003c\/td\u003e\n\n \u003ctd\u003e00:02:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/9154a858b0b7cbaa3a4b00adcda98a89.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 12\u003c\/td\u003e\n\n \u003ctd\u003e12. Variation 10: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:04:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/651f3cde3e1a9320137d99eba13a82e7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 13\u003c\/td\u003e\n\n \u003ctd\u003e13. Finale (Variation 11): Tarantella\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/8913e5e4116366a4d50c132cb78bf884.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for piano and orchestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:17:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/716abe3452c13fca28d3fa89767311e5.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Molto lento e tranquillo\u003c\/td\u003e\n\n \u003ctd\u003e00:09:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/ac76a7fd050d9669aceadc5bc79da606.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:09:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/049\/926\/7d1faeaf3901bdbc2435d249b51b0a72.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58291986661708,"sku":"BIS2604","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926049-Tippett--Klavierkonzert---Britten--Diversions---Wa-cover.webp?v=1792458650"},{"product_id":"aho-moonlight-concerto-konzert-fur-altflote-und-streicher","title":"Aho: Moonlight Concerto \/ Concerto for Alto Flute and Strings","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n This recording is dedicated to two recent concertos by Kalevi Aho, one of Finland's most significant contemporary composers. As the creator of an equally significant and diverse oeuvre, Aho enjoys collaborating with outstanding soloists, for whom he composes works that showcase their musical qualities, inventiveness, and personality. The \"Concerto for Alto Flute and Strings\" employs an instrument with a mellow tone that is well-suited as a soloist with a small string orchestra. The work consists of six movements played without interruption, and soloist Sharon Bezaly sometimes switches to the bass flute, which lends a mystical quality to the music. The St Michel Strings and their conductor Erkki Lasonpalo contribute to the mysterious atmosphere, in which lyrical and dramatic episodes abound. The double concerto for viola, percussion, and orchestra titled \"Moonlight Concerto\" was composed at the initiative of a Berlin-based musician couple, violist Hiyoli Togawa and percussionist Alexej Gerassimez. Here, we immerse ourselves in a Japanese atmosphere that reveals echoes of the 1,000-year-old tradition of ritual Gagaku music. In this work, the percussionist plays instruments not typically heard in orchestral concerts, such as the moon gong, waterphone, a hang drum, and nine Thai gongs. The Lahti Symphony Orchestra, conducted by Anja Bihlmaier, provides the rich orchestral commentary.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Alto Flute and Strings\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Misterioso -\u003c\/td\u003e\n\n \u003ctd\u003e00:06:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/45ca1d71501d005ef4e344b391fe866e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro molto -\u003c\/td\u003e\n\n \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/ec74340395aa15fb30d04957a853ab57.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Interludio: Capriccioso -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/2b87be8edfadb5d43de1731d7e04f458.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro -\u003c\/td\u003e\n\n \u003ctd\u003e00:04:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/186a7d350f00119f435d06540c1918fe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Furioso -\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/6c92ad211917f22fda5cdd52f287b835.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Epilogue\u003c\/td\u003e\n\n \u003ctd\u003e00:04:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/6da564044508db7c46c405840833c7e9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eDouble Concerto for Viola, Percussion and Orchestra \"Moonlight\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Largamente -\u003c\/td\u003e\n\n \u003ctd\u003e00:06:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/f1bc8a708a0cca4be316f9ed31d3d5e5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Cadenza -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/b5c37600174aae1532e693ec768b5e23.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Con moto -\u003c\/td\u003e\n\n \u003ctd\u003e00:06:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/57eff594c186781d7a4f8f3655a598c1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Largo -\u003c\/td\u003e\n\n \u003ctd\u003e00:06:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/73cf71a402aa834749c16965cf29b689.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Canto -\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/f81f17f6feaba07fbe911c75e28e14ab.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Epilogo e coda\u003c\/td\u003e\n\n \u003ctd\u003e00:06:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/261\/926\/01c21074f4e533af937a8aa428cd1a2c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58291991511372,"sku":"BIS2626","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926261-Aho--Moonlight-Concerto---Konzert-fur-Altflote-u-cover.webp?v=1792458922"},{"product_id":"wennerberg-reuter-stenhammar-hallen","title":"Wennerberg-Reuter \/ Stenhammar \/ Hallén","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Pianist Peter Friis Johansson has brought together renowned musicians, including violinist Johan Dalene and soprano Sofie Asplund, for a program that contrasts three generations of Swedish composers. The vocal and chamber works presented here testify to the special status of these genres in Swedish art music and to the vitality of the music societies at the beginning of the 20th century, which awakened an interest that went far beyond easily digestible music. Andreas Hallén is the oldest of the composers presented here. Despite its early date of composition, his piano quartet displays great self-assurance. Like many composers of his generation, Hallén likes to draw on folk elements. Wilhelm Stenhammar created a significant and diverse body of work. His violin sonata reflects the ideals of his German training: it is absolute music without explicit extra-musical content, a ‘synthesis of classical style and sensitive poetry’, as his first biographer put it. Sara Wennerberg-Reuter is the least known of the three composers; many of her scores have remained unpublished. As the only permanent female organist in Stockholm, she left behind a diverse body of work that encompasses a wide stylistic range. With her melody-oriented style, which she perceived as something rare at the time, she stood out from her contemporaries.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eLandsvägsmaja\u003c\/td\u003e\n\n \u003ctd\u003e00:02:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/6d09de6f273356ac1019f5955eb49616.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eVallarelåt\u003c\/td\u003e\n\n \u003ctd\u003e00:02:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/ed2b2bd21bd7761d310d6c462147b310.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eTre tallande jäntor\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/bc5a57c0c751b02b530b724600eba3ec.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eQuartet for Piano and String Trio in D minor, Op. 3\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante maestoso - Allegro appassionato\u003c\/td\u003e\n\n \u003ctd\u003e00:09:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/1c4b1b80b436b9768d3c3b6e68671a2a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:07:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/f5a86d86c50b6fa32b2026b65f724c2f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:04:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/701f203574acddb4be25e139911886f1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eNär som majvindar susa\u003c\/td\u003e\n\n \u003ctd\u003e00:01:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/1bdde22b8d859d8a227a9d5fd2cc24bd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eHör, huru vindarne susa\u003c\/td\u003e\n\n \u003ctd\u003e00:03:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/47c6b0a48e30b44cd14afd04db4298d7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Violin and Piano in A minor, Op. 19\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro con anima\u003c\/td\u003e\n\n \u003ctd\u003e00:06:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/86ace3f6650951e456bd828d4148a714.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andantino\u003c\/td\u003e\n\n \u003ctd\u003e00:08:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/b148caa4c9725295de392454e95ddc00.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allego amabile\u003c\/td\u003e\n\n \u003ctd\u003e00:07:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/8f01abdb584bc2c72d26671a90ff754b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eEtt barn\u003c\/td\u003e\n\n \u003ctd\u003e00:01:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/21126f4819772073faf7c11926365cbd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eAdagio, Op. 14\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/554a2bf7c89810bc66197bf2a79516b8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eUt vår hage\u003c\/td\u003e\n\n \u003ctd\u003e00:02:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/b9ca2a25e021f47c114fdf924f1b2c80.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eLégende for Violin and Piano\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAndante\u003c\/td\u003e\n\n \u003ctd\u003e00:08:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/865\/926\/1c5c9f0c72aa0d76c2e68ab63bcd21c4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58291995312460,"sku":"BIS2686","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926865-Wennerberg-Reuter---Stenhammar---Hallen-cover.webp?v=1792459617"},{"product_id":"a-riveder-le-stelle","title":"…to see the stars again","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n To mark the centenary of the Swedish Radio Choir, this recording brings together works that bear witness to the diversity and vitality of the internationally renowned Swedish choral tradition. The program comprises twelve highly varied works that demonstrate the openness, versatility, and flexibility of the Swedish Radio Choir and its multi-award-winning conductor, Kaspars Putniņš. It also pays tribute to the pioneering work of long-time choir director Eric Ericson, whose output has influenced and inspired composers of many generations. The older works by Ivar Widéen, Lars Johan Werle, Lars Edlund, and Ingvar Lidholm draw upon ancient secular and religious traditions, ranging from Gregorian chants to madrigals, blending clear melodic lines, glissandi, chants, whispers, and traditional harmonies into a language that is both modern and accessible. More contemporary works by Anders Hillborg, Britta Byström, and Johannes Pollak explore the human voice and its possibilities in every conceivable way. Staffan Storm, Ulrika Emanuelsson, and Anna-Karin Klockar pay tribute to the great Swedish romantic Hugo Alfvén with pieces composed for the composer's 150th birthday. Finally, Arne Lundmark and Jan Sandström adapt existing folk and church songs and \"expand\" their musical content, creating a vision that is both personal and respectful of the original work. The Swedish Radio Choir and Kaspars Putniņš invite you to celebrate a century of Swedish music history.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003e...a riveder le stelle\u003c\/td\u003e\n\n \u003ctd\u003e00:14:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/941cda5c32186f90115d52304ad382b2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eThe breathing of the world\u003c\/td\u003e\n\n \u003ctd\u003e00:10:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/186b02dcf371072295809666f3b376a4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eGloria\u003c\/td\u003e\n\n \u003ctd\u003e00:07:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/7674de73cff2808df7ea6c7c37f007f2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eCanzone 126 di Francesco Petrarca\u003c\/td\u003e\n\n \u003ctd\u003e00:12:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/6802f198c23463c2dc34e7686685652d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eTo måner\u003c\/td\u003e\n\n \u003ctd\u003e00:05:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/60fb42ef2bae15e10b5eaada72007f43.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eSongs for an impossible future\u003c\/td\u003e\n\n \u003ctd\u003e00:06:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/6d9990fda4c275f822978096cbd73234.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eJag vet en dejlig rosa (arr. by Arne Lundmark)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/ae791f8b9f568711febf9123184ecdda.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eEvening reflections\u003c\/td\u003e\n\n \u003ctd\u003e00:04:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/9558060f0fe9ffae8f22c26a412c8cdf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eJohansson (Lyriska lekar i folkton) (arr. by Ulrika Emanuelsson)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/1a7da6594200b3b99e665eb7cb25d172.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eLimu limu lima (arr. by Anna-Karin Klockar)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/cd0471015e6e57e5c1751a4386302b5a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eGläns över sjö och strand (arr. by Orjan Matre)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/6cde08c056bc66bd3565d189598a17b8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eDet är en ros utsprungen\u003c\/td\u003e\n\n \u003ctd\u003e00:04:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/872\/926\/81e523f9bed7fa373baa4144f22295fd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58292007338316,"sku":"BIS2687","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926872-_a-riveder-le-stelle-cover.webp?v=1792459631"},{"product_id":"schnittke-klaviermusik-vol-1","title":"Schnittke: Piano Music Vol. 1","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Pianist Nicolas Stavy, who has already released recordings featuring works by Boris Tishchenko and Dmitri Shostakovich, now presents the first installment of a complete recording of Alfred Schnittke's solo piano compositions. The recording includes works from various creative periods of the Russian-German composer – from the 1950s, which Schnittke himself described as \"years of darkness,\" to the 1990s, a period marked by both worldwide fame and severe illness. Although Schnittke wrote relatively little music for piano, each work reflects – or even anticipates – the different stages of his creative development. The \"Five Preludes and Fugue\" and the \"Prelude and Fugue\" belong to Schnittke's first creative phase, when he was still under the influence of Shostakovich. The \"Little Piano Pieces,\" composed for the composer's six-year-old son, are an example of his \"polystylism,\" which juxtaposes and combines music of different styles from the past and present. The \"Sonata No. 2\" and the \"Five Aphorisms,\" both from 1990, return to a more ascetic and abstract language with a bleaker tone, which undoubtedly reflects his serious health problems.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude and Fugue\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude\u003c\/td\u003e\n\n \u003ctd\u003e00:02:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/a5aac31f4d985dbe1aeb3b91fc4df6f1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Fugue\u003c\/td\u003e\n\n \u003ctd\u003e00:05:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/6d6dea6901317e97557724fbbdc65bfb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Piano No. 2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:07:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/8ade548d95cd8cf921f20a7c1c943a8b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:05:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/ce9d9562086b33bbaa705d8e7b191b48.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:07:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/80d2e365f93366c80605eb216b648983.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003ePreludes and Fugue Nos. 1-5\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Prelude in A-flat major: Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/18a3ef06fb15136fd484a5d9c7bc40d6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Prelude in A major: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/c90ba6573e639195588b9dac9b5112d1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Prelude in D minor: Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/9f86bfe12a86e03636c311bca33a62c4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Prelude in E minor: Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/0be0e6f3d4690fe98dcae685fa6efd33.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Prelude in D minor: Maestoso\u003c\/td\u003e\n\n \u003ctd\u003e00:04:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/ef185a182358ecdd9c80e81dd0baf5d5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Fugue in B minor: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:05:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/fd5dbb9dcfb4cb5fc1d7cfd97a12e71c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eLittle Piano Pieces Nos. 1-8\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Folk Song: Andantino\u003c\/td\u003e\n\n \u003ctd\u003e00:00:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/72c6958cc9ceab4fa5505cbca2e4cda3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 In the Mountains: Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:00:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/c6659d861a460484ffbc822da3b094a2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Cuckoo and Woodpecker: Vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:00:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/300f999fc8cdfdc6fb119513f9bffa59.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Melody: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:01:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/ac5d5e2ebade9d3be2f16c903b358f9e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Tale: Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/21c0ae5d7f13c85c6087484663f044e9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Play: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:00:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/1faef0a8cee381df2c0a85b4ca12482d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Children's Piece: Andantino\u003c\/td\u003e\n\n \u003ctd\u003e00:02:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/830ded6420b25f3098493de202cb9119.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 March: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/dd4d10dae635cf08e096fc7aceb6bd00.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eAphorisms Nos. 1-5\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Moderato assai\u003c\/td\u003e\n\n \u003ctd\u003e00:04:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/d77b7b4a510ab972e34ef4d4fb598b8c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/1a85e5a7e7085a7691ebc065fabee98e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:01:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/e8674bd45ba174a214af14d33d7843e7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Senza tempo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/79c6124b615228b89f3610d82d3af01a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Grave\u003c\/td\u003e\n\n \u003ctd\u003e00:03:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/978\/927\/c0d3654e15d3c467b246eb3038d2ffcb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58292021002572,"sku":"BIS2797","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927978-Schnittke--Klaviermusik-Vol.webp?v=1792460406"},{"product_id":"streichtrios","title":"String trios","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Following an initial release dedicated to string trios by Hungarian composers, the Trio Boccherini now presents a program of works composed in France and Belgium during the first half of the 20th century. In a culture that cultivated the art of conversation so masterfully, it is hardly surprising that early French string trios were often referred to as 'conversations à trois'. The program begins with a trio by Jean Cras, a Breton composer who, while serving as an officer in the French Navy, created an extensive body of high-quality work. His string trio is a significant piece that brings together a wide range of styles, including North African influences as well as echoes of Johann Sebastian Bach and Béla Bartók. The next work, Eugène Ysaÿe’s \"Le Chimay\", is an intense piece that makes great technical and emotional demands on the performers. The work was named after the location of its premiere, which took place long after the composer's death. Jean Françaix’s trio rejects the prevailing modernism of the time and feels light, airy, playful, and even cheeky. The work is simultaneously humorous and profound, distinguished by its unique poetic quality. The program concludes with an arrangement for string trio of Claude Debussy’s famous \"Clair de lune\", a work of timeless beauty.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTrio for Violin, Viola and Cello\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. (Minim = 72)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/91c0e7320f063b15067b2d59a5b58658.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Lent\u003c\/td\u003e\n\n \u003ctd\u003e00:06:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/e2eaf14054a9f3d51729b87e07b20716.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Animé\u003c\/td\u003e\n\n \u003ctd\u003e00:04:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/3f9de84cc85f90370f1a3d32ffeb089c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Très animé\u003c\/td\u003e\n\n \u003ctd\u003e00:05:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/a8c060692cb799556d33111d70025b42.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eTrio for Violin, Viola and Cello op. posth. \"Le Chimay\"\u003c\/td\u003e\n\n \u003ctd\u003e00:19:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/479411f432884a6e002d6477b7651494.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eTrio for Violin, Viola and Cello in C Major\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegretto vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/674e64374bf1daeb0c8ddaaf9d38ee87.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Scherzo: Vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:03:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/172d7cf96640debe23a6831d8317e708.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/91e0f81f1941e1f2b6c39bfe09a168b1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Rondo: Vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/dccdf1b85e49c12c06a2bc474fb345c3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eClair de lune (arr. for string trio by Nicholas Shardlow)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAndante très expressif\u003c\/td\u003e\n\n \u003ctd\u003e00:05:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/084\/927\/fcff8fee5c53ac06dd217256d3743d1f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58341778751820,"sku":"BIS2708","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927084-Streichtrios-cover.webp?v=1792459874"},{"product_id":"beethoven-violinsonaten-vol-1","title":"Beethoven: Violin Sonatas Vol. 1","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n For their first solo album for BIS, violinist Alina Ibragimova and pianist Cédric Tiberghien dedicate themselves to the violin sonatas of Ludwig van Beethoven. Both play on period instruments: Ibragimova on a violin strung with gut strings, and Tiberghien on a fortepiano based on a Viennese instrument from 1794. This sonic approach to historical performance practice opens up a perspective that comes close to the soundscape of the early reception of Beethoven around 1800.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The first part contains the three sonatas of Opus 12, Beethoven's first violin sonatas published in Vienna. Although they still follow the designation typical of the time \"for harpsichord or fortepiano with an accompanying violin,\" Beethoven treats both instruments as equals, thereby connecting to Mozart's model of chamber music. The recording concludes with the Sonata in F major, the \"Spring Sonata,\" one of the most famous and lyrical works of the cycle.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Ibragimova and Tiberghien combine a historical aesthetic of sound with a clear, structurally oriented reading of the works, thus providing a concentrated approach to Beethoven's early chamber music compositions.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eViolin Sonata No. 1 in D Major, Op. 12, No. 1\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1- Allegro con brio\u003c\/td\u003e\n\n \u003ctd\u003e00:08:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/f892117001374cc4362681c1da33f79e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Theme with Variations: Andante con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/f9a29c3022b6826c22002c47449a6e7d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Rondo: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/7479db031997ad9a56dc928457f8634a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eViolin Sonata No. 3 in E-Flat Major, Op. 12, No. 3\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro con spirito\u003c\/td\u003e\n\n \u003ctd\u003e00:08:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/d96a7f5ee099dc2409ba564aba00e1f6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio con molta espressione\u003c\/td\u003e\n\n \u003ctd\u003e00:06:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/2ce971061ef163c209a7d576ee941597.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Rondo: Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/6c1c937e5dadcdf0d91fcf2981be1921.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eViolin Sonata No. 2 in A Major, Op. 12, No. 2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:05:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/28338b7f52688a97cee4dfc14cebd102.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante, più tosto allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:05:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/66dedae2a738e477c335537e68d1d0dd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro piacevole\u003c\/td\u003e\n\n \u003ctd\u003e00:05:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/0606a8822c17d49c8e348a3ca5727e9f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eViolin Sonata No. 5 in F Major, Op. 24 \"Spring Sonata\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:09:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/d02ae366aede2e5ffe283a0189859a56.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio molto espressivo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/d03a99f3431b74aaec2d7847d6a3fcfa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Scherzo: Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/d63004e79a367d557e667766ea4636d2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Rondo: Allegro ma non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:06:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/244\/927\/6601dad2723713b4e4e6c55b5b266dbd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58341779964236,"sku":"BIS2724","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927244-Beethoven--Violinsonaten-Vol.webp?v=1792460006"},{"product_id":"cpe-bach-berliner-sinfonien","title":"C.P.E. Bach: Berlin Symphonies","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n On this album, the Polish ensemble Arte dei Suonatori once again dedicates itself to the works of Carl Philipp Emanuel Bach. Following their recording of the works dedicated to Baron Gottfried van Swieten—often referred to as the “Hamburg Symphonies”—it is now the turn of the compositions created earlier in Berlin. Carl Philipp Emanuel Bach was appointed chamber musician to Frederick II in 1741 and served him until 1767, when he moved to Hamburg. He was famous for his keyboard sonatas and concertos and composed in a highly individual version of the galant style favored in Berlin. His empfindsamer (hyper-expressive) style is expressed in the eight symphonies he composed during his Berlin years. Five of these works were included in a list of symphonies that were performed in Berlin at royal-sponsored concerts alongside works by Johann Joachim Quantz, Graun, and the King himself. It is therefore not surprising that Bach's first symphony, composed in 1741, is very similar to the overture to Carl Heinrich Graun's first Berlin opera, “Rodelinda”, which was performed in December of the same year. This symphony is scored for strings only, accompanied by a harpsichord that supplements the bass line with improvised harmonies. Bach did not write any further symphonies until 1755. Three works of this kind were then created; four more followed between 1756 and 1762. The composer left Berlin in 1768, but his early symphonies continued to be performed there. The present recordings are the first to present all of these works in their original form without wind parts. (One of Carl Philipp Emanuel Bach's Berlin symphonies, Wq 174, included two horns from the beginning and will be included in part 3 of this series.) As in his later Hamburg symphonies for strings (Wq 182\/1–6), Bach's imaginative instrumentation ensures a variety of tonal fullness even without winds by alternating between unison passages for all four voices, quasi-solos for the first violins, and various combinations of two and three voices.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSymphony in E-flat Major, Wq 179\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prestissimo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/6dabe42f6d8691baa2150d5e0d7d9d53.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Larghetto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/0cfb2e1a31ef3fa48533913181adad4e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/721f90071a4843428993f5a209257a99.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSymphony in G Major, Wq 180\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro di molto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/c0e06e17dd4884667528bc7c76859950.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Largo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/a808cb5384ac1982f81c91c073970340.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:04:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/8fe9b06a16990a08426a867af89d3a7e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSymphony in E minor, Wq 178\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:03:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/7b5f83d986ed12a4765ccac01f91a524.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:03:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/13aab085bdc6c875aa0cddb0f9d5d6ff.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:03:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/0ea62ba3988c1dcb936b84d214f0fa33.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eSymphony in F Major, Wq 175\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:03:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/1cf8c1a4c3c9333085dcb082ce228c73.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/5377d6c8ebc32abedc14c9c4b7eeadef.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Tempo di minuetto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/faf101e9a7ac487d8c6592863033a90e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eSymphony in G Major, Wq 173\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/647b7ea63d16637cd3f95d376f3bbfc5.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/15bbb274a1e4839a3a7d9259378c5133.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/bb50f24368abc09f94c97751fb8af772.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eSymphony in D Major, Wq 176\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/d94104bc4955572af821a5ba5b216d72.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/6f2696f1c1396ac94cd60d363fce32f0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/596\/927\/f1a432c947146e580bcb49714c5a6a17.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58341780390220,"sku":"BIS2759","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927596-CPE.webp?v=1792460230"},{"product_id":"berlin-berlin-berlin-kabarett-und-exil","title":"Berlin! Berlin! Berlin! (Cabaret and Exile)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n With this recording, Anne Sofie von Otter turns her attention to German chansons, film songs, and cabaret numbers from the 1920s to the 1940s—an era poised between brilliance and the abyss. Together with the Salon Orchestra of the Komische Oper Berlin, conducted by Adam Benzwi, she creates a vivid panorama of Berlin cabaret, operetta, jazz, and Weimar melancholy.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The catchy melodies of composers such as Friedrich Hollaender and Hanns Eisler, paired with the incisive lyrics of Bertolt Brecht or Bruno Balz, weave together Berlin cabaret, operetta, and early jazz influences into that unmistakable 'Prussian swing,' whose blend of marching rhythms and syncopation gives this music its austere elegance. Behind the wit, melancholy, and apparent lightheartedness, the tensions and fractures of the era also make themselves heard.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n From absurd humor to existential despair, from shimmering revues to intimate ballads, a colorful panorama unfolds, full of longing, irony, and a hunger for life. Anne Sofie von Otter reveals just how timeless and relevant this music remains to this day.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNo.\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eMein Gorilla hat 'ne Villa im Zoo (Instrumental) (Heut kommt's drauf an) (Film score)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/0af3e63bc899adceebdb3ce0427f7d76.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eHeut' Abend lad' ich mir die Liebe ein (Lied der Wüste ) (Film score)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/a71c222336790daa1f40019bc785bc2f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eIllusions (A Foreign Affair) (Film score)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/10df4efac4220d2d0ec41b760d32c48b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eDer Onkel Jonathan (Männer müssen so sein) (Film score)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/8498a7a263b57b6cc2288296772b5977.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eAch, wie schön, man singt immer tiefer\u003c\/td\u003e\n\n \u003ctd\u003e00:04:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/894ced7929864b80835fbd91b85c82ef.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eKeiner weiss, wie ich bin, nur Du (Nina) (Incidental music)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/439c618230347fde00984bc958ad6ad8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eVorbei\u003c\/td\u003e\n\n \u003ctd\u003e00:03:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/1f44d045571480979bb7a0d6ce95d772.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eHollywood Songbook (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eÜber den Selbstmord\u003c\/td\u003e\n\n \u003ctd\u003e00:01:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/efd31507239b595dbcf5b83f3a5ff9dc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eDas Berliner Requiem (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eMarterl\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/823d1e537cceb9a512913471e6c69195.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eKann denn Liebe Sünde sein (Instrumental) (Der Blaufuchs) (Film score)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/a4e75ef2501cc2ee7197d7142c86fb48.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eMusik! Musik! Musik! (Hallo, Janine) (Film score)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/afdaf1cf79366042eb26d68addbca254.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eMerci, mon ami, es war wunderschön (Premiere) (Film score)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/5e646dea5880652db1b3b26c5e64d363.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eHollywood Songbook (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAn den kleinen Radioapparat\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/9368ce994664a82465028aa6565f40b5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eDie Rundköpfe und die Spitzköpfe (Play) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003eDas \"Vielleicht\"-Lied\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/ac29043b86b0ba099d02a089c2052694.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eErinnerung an die Marie A.\u003c\/td\u003e\n\n \u003ctd\u003e00:04:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/d7901141b40bee065f5a68cdeb79c335.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eMarion-Tango\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/1e8da15586c2e4343a7479971186d727.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eOui, Madame\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/67c3afbb433b6c62d8b0bf038190d34a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eDer Wind hat mir ein Lied erzählt (La Habanera) (Film score)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/35660881e1c9314b38650887724cb563.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eLeben ohne Liebe kannst Du nicht (Nie wieder Liebe) (Film score)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/272\/928\/c573e48daa701dbbbe4770bc18e1b202.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58341781242188,"sku":"BIS2827","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599928272-Berlin_-Berlin_-Berlin_-_Kabarett-und-Exil_-cover.webp?v=1792460431"},{"product_id":"c-p-e-bach-soloklaviermusik-vol-42","title":"C.P.E. Bach: Solo Keyboard Music, Vol. 42","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n With this recording, part 42 of the complete edition of keyboard music by Carl Philipp Emanuel Bach, Miklós Spányi continues his exploration of transcriptions of concertos originally written for keyboard and orchestra, adding several movements from early versions of sonatas (whose standard versions appeared in earlier volumes of this series). Four of the six concertos from the Wq 43 collection are heard here (the remaining two are included in part 41). When Bach published this collection of six concertos for keyboard and orchestra in 1772, he also created a version for solo keyboard intended for moderately advanced amateurs to play at home without an orchestra, thereby tapping into a much larger market. A clever move by the shrewd businessman Bach. Regarding his decision to record these works on a clavichord rather than on a tangent piano as previously, Spányi says that it offers 'almost infinite possibilities for fine dynamic shading' and that 'the necessary dynamic contrasts can be highlighted even better than on other keyboard instruments of the time.' Spányi adds that this release is a tribute to the clavichord, especially to his own instrument, built by Joris Potvlieghe.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003ePlaying time\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Harpsichord, Strings and Basso Continuo in F Major, Wq 43.1 (H. 471) (Hamburg Concerto)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro di molto\u003c\/td\u003e\n\n \u003ctd\u003e00:07:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/983670b0474db8dcddd4b074a2689612.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/82028dcdb9aea59a1f755d3be82c34f1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Prestissimo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/042caf20ab60439afbfb135bd6d73d63.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord in B-flat Major, Wq 65.9 (H. 18) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:03:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/46e61abbe4d787e12a321c9efca7b925.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Harpsichord in C Minor, Wq 43.4 (H. 474)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:04:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/4f682294e7f1a4919530a77676938964.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Poco adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:01:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/636ec50e4ecea30d2a88a3dce77aea68.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Tempo di minuetto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/171701c3df268353525f254aed407129.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:05:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/4b09a5122db13decd80e4e790764140d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord in E-flat Major, Wq 65.7 (H. 16) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e2. Siciliano in E-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:01:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/44c9a1cc6c46f0babef612a106d3b001.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Harpsichord in G Major, Wq 43.5 (H. 475)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio - Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:05:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/3fc8388013709624324273c430cdf23e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/023ec53f0947370bd6055636bf55baf0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:05:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/bb1849041a1310d98ae92bddd482ee23.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord in G Major, Wq 65.6 (H. 15) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/88a139840d6352a42fd48590a9c81972.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Harpsichord in E Minor, Wq 65.5 (H. 13) (early version)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:05:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/58c51a746f88ca137f3d0e0a9743ee79.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/0d7e9229b4e78640461a155377b583c4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/b6e923c99a42486ea9cb8b8b43419e8c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Harpsichord in C Major, Wq 43.6 (H. 476)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro di molto\u003c\/td\u003e\n\n \u003ctd\u003e00:08:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/79cd3433807eaf9f6bf31eb31f916801.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Larghetto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/de33594363666d98a69512d66591f4e5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:09:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/874\/024\/ac2147e1c48c1ab9e3fe6e1e78f44e44.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352451027276,"sku":"BIS2487","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318590024874-C.P.E.-Bach--Soloklaviermusik_-Vol.webp?v=1792449229"},{"product_id":"fagerlund-autumn-equinox","title":"Fagerlund: Autumn Equinox","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The title of Sebastian Fagerlund’s octet “Autumn Equinox” derives from its connection to his opera “Autumn Sonata,” which is based on the film by Ingmar Bergman. Some of the moods and musical material from the opera appear in the octet as a kind of reflection. With the instrumentation of Schubert’s famous octet in mind, Fagerlund has created an intense, at times almost explosive work. For “Arcantio,” a double bass concerto in variation form composed for and dedicated to Niek de Groot, Fagerlund imagined a musical atmosphere from a distant, archaic age. Throughout the concerto, the soloist constantly leads the orchestra in new directions – at times virtuosic, at times meditative, as if in a trance. “Sky II,” originally composed for a baroque ensemble, consists of a single movement that presents a fast and fluid, almost playful musical language. The musical expression combines dance-like rhythms, minimalism, and field-like soundscapes that sweep the listener along. The rapid flow of the music is only interrupted by a recurring translucent harmony, which also opens and closes the work. John Storgårds, chief conductor of the Turku Philharmonic Orchestra, is familiar with Fagerlund’s work and has already recorded the opera “Autumn Sonata”; he conducts the Lapland Chamber Orchestra in two works, while the octet is played by members of the orchestra.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eAutumn Equinox (Octet for clarinet, bassoon, horn, 2 violins, viola, cello and double bass) (2016)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Espressivo - Ritmico, poco leggiero\u003c\/td\u003e\n\n \u003ctd\u003e00:07:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/900\/920\/3d45f6ad01d870fa08d6c62a340a80ee.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Lento misterioso\u003c\/td\u003e\n\n \u003ctd\u003e00:08:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/900\/920\/1c12c5f28734d32927e1ee9ca03b9c72.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Agitato con forza ma espressivo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/900\/920\/9a4b35da799758da6a2efb3311fb0e20.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eArcantio (Concerto for double bass and chamber orchestra) (2023)\u003c\/td\u003e\n\n \u003ctd\u003e00:19:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/900\/920\/15dc1ed781d3825e37742c1ceb045709.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eSky II (rev. version 2023)\u003c\/td\u003e\n\n \u003ctd\u003e00:12:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/900\/920\/0b455f277a8f5792b8f0f0ddaa53fc33.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352492347724,"sku":"BIS2090","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599920900-Fagerlund--Autumn-Equinox-cover.webp?v=1792452475"},{"product_id":"echoes-of-exile","title":"Echoes of Exile","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Sueye Park is no stranger to the field of solo violin concertos. Following her critically acclaimed recording of the Paganini Caprices and a concert titled \"Journey through a Century,\" she now presents another solo project: \"Echoes of Exile,\" an undertaking that finds its raison d'être in today's turbulent times. Park offers us various perspectives on the theme of exile with works composed between the 1920s and 1950s, by both great composers who had to leave their country due to political circumstances and others who retreated into an inner exile. Two pieces by composers who left their homeland for artistic reasons, George Enescu and Eugène Ysaÿe, frame three significant and very different works by composers who had to go into exile either due to the threat to their existence or a sense of alienation in their respective countries. The works of Béla Bartók and Paul Ben-Haim reveal composers who, in their longing for their homeland, succeeded not only in highlighting the value of their culture even more strongly but also in anchoring it in their new environment. The sonata by Bernd Alois Zimmermann, with its unique expressive language, reveals the worries and hardships of a young composer in post-war Germany.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eChildhood Impressions (Impressions d'enfance)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Ménétrier (The Country Fiddler)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/3d036375602c423c329b86963d607439.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Solo Violin Sz 117\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Tempo di ciaconna\u003c\/td\u003e\n\n \u003ctd\u003e00:10:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/57eef1a7f54fabb7b033332a2e2660fa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Fuga: Risoluto, non troppo vivo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/788301aea872ffd70c124eb68574f2c9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Melodia: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:06:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/82c3659621f01d793ae668e91e62afcb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:05:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/72585468d972055b4e1f9912f60647b8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Solo Violin in G Major, Op. 44\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro energico\u003c\/td\u003e\n\n \u003ctd\u003e00:06:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/66fc65de8e2f8c447ba0979f9ccfb181.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Lento e sotto voce\u003c\/td\u003e\n\n \u003ctd\u003e00:05:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/090378d568ca96510afead9551bb3d06.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Molto allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/81c9dbbd0f55a9d90201265935f5a8fd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Solo Violin\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prelude: Andante sostenuto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/ec02ac78cb32f1de4306ce8712d179c3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Rhapsody: Allegro moderato, risoluto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/4f53c184955f6c28641c5a3a5f980c57.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Toccata: Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:04:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/dbb498b31c96a8386e0f2d6d135ac896.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eSonata for Solo Violin No. 2 in A Minor, Op. 27, No. 2 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003e2. Poco lento\u003c\/td\u003e\n\n \u003ctd\u003e00:03:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/321\/923\/a95e3e1e6830c03e4e6ef1d90808a2f6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352500310348,"sku":"BIS2332","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599923321-Echoes-of-Exile-cover.webp?v=1792455240"},{"product_id":"brahms-sinfonien-nr-3-und-4","title":"Brahms: Symphonies Nos. 3 and 4","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Kent Nagano, recently awarded the prestigious Brahms Prize by the Brahms Society of Schleswig-Holstein, and the Philharmonic State Orchestra Hamburg, of which he was Chief Conductor from 2015 to 2025, perform the last two symphonies by the Hamburg-born composer Johannes Brahms, recorded in concert. The Third Symphony, the most personal of the composer's four symphonies, is both heroic and deeply moving; furthermore, all four movements end quietly. After the heroism of the First Symphony and the pastoral echoes of the Second, Brahms appears at a crossroads in the Third: the youthful impulses are now tempered, and the mood is marked more by deep reflection on life and death. The theme of the slow movement has been adapted many times and was even sung by Frank Sinatra under the title “Take My Love.” The Fourth Symphony can be described as the most classical of Brahms' symphonies, not least because of its chaconne finale, a variation form adopted from the Baroque period. Described as an 'autumnal symphony' or 'elegiac,' its mood is at times tormented and fiery, at others harsh and lonely. As the pinnacle of a genre that cost him so much effort, the Fourth is the final word of Brahms the symphonist; he would never compose another work of this kind again.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 3 in F Major, Op. 90\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro con brio\u003c\/td\u003e\n\n \u003ctd\u003e00:14:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/741\/923\/92002f18e3a94ddfd51fc3383a4c339b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:09:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/741\/923\/5645d228ce43e886d234ae76f80fda25.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Poco Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/741\/923\/0634f53b591e650e41fa230d6fe814a4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:09:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/741\/923\/3c27ca939733659b3174dd10004c461b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 4 in E Minor, Op. 98\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:13:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/741\/923\/acf031092f81e195fd6f421c59d8a9e1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:12:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/741\/923\/54ed78aea3607939f2302e40c251b494.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro giocoso\u003c\/td\u003e\n\n \u003ctd\u003e00:06:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/741\/923\/6e62f86b91cf59d401c3ee6de4f39a0c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro energico e passionato\u003c\/td\u003e\n\n \u003ctd\u003e00:10:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/741\/923\/11d86aacb31d54008b8102c0966caa16.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352502964556,"sku":"BIS2374","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599923741-Brahms--Sinfonien-Nr.webp?v=1792455786"},{"product_id":"a-gift-for-your-garden","title":"Ein Geschenk für Ihren Garten","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In 18th-century Europe, many wealthy people developed a passion for plants. This passion went far beyond the simple joy of gardens and instead reflected a growing fascination with nature. The German composer Georg Philipp Telemann shared this passion and cultivated his collection with great energy.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n Ensemble Hesperi, a period ensemble based in London, presents a program that celebrates Telemann's botanical passion. Telemann's published correspondence reveals that he often wrote to his musical friends abroad, asking them to send him plant specimens. These friends included George Frideric Handel and Johann Gottlieb Graun, each of whom is represented here with a trio sonata; there is also music by Telemann himself: one of his challenging \"Paris Quartets,\" a robust sonata in G minor, and a haunting fantasia for solo recorder.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n In a letter to a friend, Telemann spoke of his passion for hyacinths, tulips, ranunculi, and 'above all for anemones'. James Oswald, the composer of four instrumental collections of musical floral miniatures, could not be missing from this program, and so we are treated to \"The Hyacinth,\" \"The Anemone,\" and \"The Tulip\" from his \"Airs for the Spring.\"\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eThe Anemone (from Airs for the Spring)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Air: Allegro spiritoso\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/91154eea89839db765d90bf63728adae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante, con affetto\u003c\/td\u003e\n\n \u003ctd\u003e00:01:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/95e8adea06f385d8dae900850046102a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eTrio Sonata in B minor, Op. 2 No. 1, HWV 386b\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/9ac7be862cedbf6d02e1992e372ec052.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro ma non troppo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/98edf27e003c5a48226588d16cd88c15.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Largo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/fb2de5df55d8a061cbd6ea42434e92db.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/84b4e00a1c23ceca60072a9fedcfc391.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eFantasia for Flute No. 9 in E major, TWV 40:10 (in G major)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Affettuoso\u003c\/td\u003e\n\n \u003ctd\u003e00:03:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/e2ae87d13945fcf09fe8d15427b257a1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/5b56144bcd248c38ad14835970f67f36.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Grave\u003c\/td\u003e\n\n \u003ctd\u003e00:00:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/5d1adb46e410c1283d3985194521d77b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:01:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/e8151b0ceac5d8eafd08fb40bfc6c9b6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eSonata in A major, TWV 43:A1\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Soave\u003c\/td\u003e\n\n \u003ctd\u003e00:03:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/2cc352bbdb7fc412d0b9734809406f18.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:02:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/a2e5386f2b24651cab3a78169744f274.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/1d347ff6eb2b55ea76c93499ed864623.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:02:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/a80b227b3d622f3618d6487acfeccdef.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eThe Hyacinth (from Airs for the Spring)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Cantabile, andante\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/345da3c6a0e6f8e1342b726923807cf7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/26800cbe6f372a97604cf6e45d3f1ab1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eTrio Sonata for 2 Flutes and Basso Continuo in D major (Concerto)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Largo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/e0b0996fe8d5008b0604ce6eb4bf2fce.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/7503c02cae269288316fa434735378ae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/b0602299c048a6f40ab5eaf84d8fee4a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:04:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/7615482494812f864049bb44e770270b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eThe Tulip (from Airs for the Spring)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. March: Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:00:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/1105b2193ba1c3f6bfbf75cf2da1f366.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/0a7e1aa80af33e9962c9b726f4f6ba9e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Hornpipe: Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:01:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/236e3e5304fc093f1eedffc175b22f78.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24\u003c\/td\u003e\n\n \u003ctd\u003eTrio Sonata in G minor, TWV 42:g9\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Soave ma non adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/d83cda7a2e6b97e5531a9df95e0ec0d2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:01:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/61f67797ded35a72158e5ba46f90916b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Largo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/b2cbc78e0695cc83721a00ad1394e98c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/080\/925\/647f39442251fcd69db24f9855151cdb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352504242508,"sku":"BIS2508","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599925080-A-Gift-for-your-Garden-cover.webp?v=1792457437"},{"product_id":"skrjabin-vers-la-flamme","title":"Scriabin: Vers la flamme","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Nineteen years after his first recital, which was dedicated to the music of Alexander Scriabin, Yevgeny Sudbin returns to the works of this eccentric Russian composer with a new recital that brings together pieces from different phases of his career. Regarding his special relationship with this composer, Sudbin writes: ‘I simply cannot imagine any other composer who repeatedly evokes such a primal, raw and physical reaction in me, and over time his influence on me has only strengthened.’ The program, carefully curated by Sudbin, demonstrates Scriabin's stylistic development, from his beginnings, when he was still influenced by Chopin and devoted himself to small forms, through his middle period, in which the rich, late-Romantic language begins to transition into darker, more complex areas, to his late period, in which, as Sudbin puts it, ‘one sometimes feels too close to the edge of insanity.’ In his later works, Scriabin seems to push music to its expressive limits in order to create a climate of spiritual ecstasy.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eVers la flamme in E major, Op. 72 (Poème)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/52d58a99d001ae70a02b2ca019b75bea.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 4 in F sharp major, Op. 30\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/d84eb6f2377e75ed90944e0a310536b7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Prestissimo volando\u003c\/td\u003e\n\n \u003ctd\u003e00:05:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/498067c1cc89a53c64955998ea3cb920.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003e24 Preludes, Op. 11 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 in A minor: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/d541ce0caed32ca237bb0b6ba19fcfc7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 in B major: Allegro assai\u003c\/td\u003e\n\n \u003ctd\u003e00:02:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/a583088a0e37e26dc057c7637df063b9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eFantaisie in B minor, Op. 28\u003c\/td\u003e\n\n \u003ctd\u003e00:10:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/145f040743e6763302cf86df55328d44.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003e12 Etudes, Op. 8 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 in B flat minor: Presto tenebroso, agitato\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/32659ecf3b242bb4848aab09d15a9540.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 in B flat minor: Andante cantabile\u003c\/td\u003e\n\n \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/2cf70bfd94250c5fbcb210a4d3ab55ac.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 in B minor: Tempestoso\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/49cc65245a3a2db805e84b0648a97d2d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 in B major: Piacevole\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/04295daf055536a2b23fb81c8e2993b0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003e5 Preludes, Op. 16\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/c7c5d1e36ef259f575355da38554f8ad.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/75bfa8cb232cb3e1f664a4999714165e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Andante cantabile\u003c\/td\u003e\n\n \u003ctd\u003e00:01:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/267cfb50bcb12bddcb0b4d990c66d5c6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:01:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/c08f7d791f3fc70b6e22c3750a71dd91.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:00:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/e4b6b596397990c30ccebf20d5cbeef7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003e9 Mazurkas, Op. 25 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/9fb05b27646029dbc14ef091afdb2e25.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003e2 Poèmes, Op. 32 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Andante cantabile\u003c\/td\u003e\n\n \u003ctd\u003e00:03:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/dc1aa23529599500900f2c0fbd0ee7b8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003e8 Etudes, Op. 42 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Affannato\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/140c3197d72e123eefadfca871006c3f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 10 in C major, Op. 70\u003c\/td\u003e\n\n \u003ctd\u003e00:15:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/cbe13fecfa2fcf578d062149ce796bd9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003e2 Pieces for Piano, Op. 9 (for left hand)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Prelude: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:02:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/0f65113a6b0685864818d578c86ceda3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Nocturne: Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:06:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/387\/925\/379b7d9541f81fe904d26341acfc3e53.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352506241356,"sku":"BIS2538","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599925387-Skrjabin--Vers-la-flamme-cover.webp?v=1792457814"},{"product_id":"haydn-streichquartette-op-33-russische-nr-4-6","title":"Haydn: String Quartets, Op. 33, \"Russian\": Nos. 4–6","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Following the release of the first three quartets of the Op. 33 set in May 2023—a recording hailed by critics for its “extraordinarily faithful interpretation that goes straight to the heart of the works” and which won numerous awards (including a Diapason d'or, Choc de Classica, and Supersonic from Pizzicato)—the Chiaroscuro Quartet now presents the final three quartets of this set. Having previously recorded Op. 20 and Op. 76, the ensemble here continues its historically informed and insightful journey through Joseph Haydn's string quartets, a long-term project that began in 2020. Their unique sound has been described as “a shock to the ears of the best kind.” These works, known as the “Russian Quartets” and dedicated to the Russian Grand Duke Paul, the later Tsar Paul I, show Haydn at his most eccentric and unconventional. For this collection, Haydn felt inclined to write music that better suited the lighter, ‘more popular’, and less ‘learned’ tastes of the audience, with a more lively sense of rhythm. Compared to the preceding quartets, they are stylistically more progressive and represent the birth of the classical quartet genre. Mozart was inspired by them for his own “Haydn Quartets.”\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 40 in B-Flat Major, Op. 33, No. 4, Hob. III:40\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:06:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/b71c7527143246c510cc39b9caba47e0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Scherzo: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/e8885024793788eccbbc7fed2dfe592b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Largo\u003c\/td\u003e\n\n \u003ctd\u003e00:03:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/da37d1bbefd6c93080e29b249152459b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Finale: Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/56b952609c87e0e3d588274cc8ae7d59.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 41 in G Major, Op. 33, No. 5, Hob. III:41\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Vivace assai\u003c\/td\u003e\n\n \u003ctd\u003e00:09:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/5a651e222210306e84a5fb114764954d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Largo e cantabile\u003c\/td\u003e\n\n \u003ctd\u003e00:04:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/b83aa6efb2dad0070487f164e1f373c7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Scherzo: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:03:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/04e573e8e3d90840262bc7195d1595b1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Finale: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/89cedf7ef6379e34bf10d50c9cd7ec8b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 42 in D Major, Op. 33, No. 6, Hob. III:42\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Vivace assai\u003c\/td\u003e\n\n \u003ctd\u003e00:06:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/196c6df83b7ec523cbe3a5c928c26e1a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:04:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/0374bbdcd74b366eaa51f789de69259c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Scherzo: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/505b212fab8f0566fcd5445275eb4f30.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Finale: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:04:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/087\/926\/e487edccb798aa19c320b53338424d1d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352510632268,"sku":"BIS2608","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926087-Haydn--Streichquartette_-op.webp?v=1792458687"},{"product_id":"aho-streichquartette-nr-1-3","title":"Aho: String Quartets Nos. 1-3","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The Finnish composer Kalevi Aho was only 18 years old when he completed his first string quartet in 1967. At that time, he was self-taught and inspired by the essentially tonal music he played on the violin or heard on the radio. \n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The String Quartet No. 2 was written in 1970, during his second year of study at the Sibelius Academy in Helsinki under Einojuhani Rautavaara, and employs fugal technique in each of its movements. The quartet's premiere received excellent reviews and marked a minor breakthrough for Aho as a composer.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The 3rd Quartet was written the following year and marks the end of Aho's studies with Rautavaara. In this work, Aho's personal musical language begins to emerge, although the influence of Shostakovich can also be heard. The work was a great success and has been performed more frequently than any of his other chamber compositions.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The three string quartets were recorded here by the Stenhammar Quartet, one of Scandinavia's leading string quartets, whose wide-ranging repertoire highlights contemporary music from the Nordic countries.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:05:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/0901a50a108f76e6f14287a8aedb867a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/6dc89e6c29a6dab66d318e9665a2105e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:03:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/9c5b8b5a332ee1fe76343d5da3e9b2d1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 3\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Vivace -\u003c\/td\u003e\n\n \u003ctd\u003e00:03:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/e7579027830c214c611a43782d7ac996.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante -\u003c\/td\u003e\n\n \u003ctd\u003e00:03:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/2c272b76c050c5adc4af72401a003598.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Presto -\u003c\/td\u003e\n\n \u003ctd\u003e00:00:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/06929305890658b99b6d80ef898862d5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro non troppo -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/76e5a167f75210ed19caa5b9a70c5576.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Presto -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/a808928108c39a5b062574eabfaeb571.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Meno mosso -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/aa036d9c15780b65be3369419088c06f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Adagio -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/bb5356d91a201258b85092c3f4114688.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/50fd3cb1cea14c3a987dfc46d9463c10.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 1\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:07:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/17a310794940cb969581f8748458463e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante - Vivace - Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:06:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/a7b95df12301428c08736d02455876dc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/efc575152414fedfd3cd6dbbcfa19a4e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:07:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/094\/926\/c42d5bbdcb7fb4c58dfc2a0d72e1a172.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352513974604,"sku":"BIS2609","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926094-Aho--Streichquartette-Nr.webp?v=1792458698"},{"product_id":"bach-das-wohltemperierte-klavier-2","title":"Bach: The Well-Tempered Clavier II","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Following his recording of the first book of Bach's Well-Tempered Clavier, released last year and praised by Gramophone as 'a delightful benchmark for anyone seeking an interpretation that honors every detail of the music,' harpsichordist Masato Suzuki now presents his interpretation of the second book of Bach's masterful cycle of preludes and fugues. No other work from the Baroque era is as highly valued, performed, and studied as these collections, which pursue musical, theoretical, and didactic goals. Like the first, the second book of the Well-Tempered Clavier contains a prelude and fugue in each of the 12 semitones of the chromatic scale, covering all 24 major and minor keys. It was composed twenty years after the first book and is heard less frequently than its predecessor. Nevertheless, it contains pieces of great beauty that cover a wide stylistic spectrum, and demonstrates a mastery of counterpoint that never pushes emotion, beauty, and aesthetics into the background. Masato Suzuki works as a conductor, harpsichordist, pianist, and organist. He is the principal conductor of the Bach Collegium Japan (BCJ), conductor and creative partner of the Yomiuri Nippon Symphony Orchestra, and music director of the Ensemble Genesis.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eThe Well-Tempered Clavier II BWV 870-893 (24 Preludes and Fugues)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 1 in C major BWV 870\u003c\/td\u003e\n\n \u003ctd\u003e00:02:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/744452b489c05e2af357509b03e3d95c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 1 in C major BWV 870\u003c\/td\u003e\n\n \u003ctd\u003e00:01:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/11cfda5de2a1cad0eaea4e75fc593310.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 2 in C minor BWV 871\u003c\/td\u003e\n\n \u003ctd\u003e00:03:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/bda77ae75cdf224002fb34f3e7529e43.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 2 in C minor BWV 871\u003c\/td\u003e\n\n \u003ctd\u003e00:01:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/c62d1020deff14851409012fcedd5706.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 3 in C sharp major BWV 872\u003c\/td\u003e\n\n \u003ctd\u003e00:02:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/368418484c4f907da1c3ce7ecbcc2ee3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 3 in C sharp major BWV 872\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/e690fb904df38247cd010706e04d4a3c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 4 in C sharp minor BWV 873\u003c\/td\u003e\n\n \u003ctd\u003e00:03:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/196fc313266fc327ea0a1d75def5adaa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 4 in C sharp minor BWV 873\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/5b3689477e4b7d4eb0ae9d144e3392cf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 5 in D major BWV 874\u003c\/td\u003e\n\n \u003ctd\u003e00:05:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/8ef23a7836c050b69a2b1adea405eb3d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 5 in D major BWV 874\u003c\/td\u003e\n\n \u003ctd\u003e00:02:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/2c8f44d24a5e8504c6ca3c8579c5e977.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 6 in D minor BWV 875\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/04e312b1bf29bcae01e8485299fc5539.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 6 in D minor BWV 875\u003c\/td\u003e\n\n \u003ctd\u003e00:01:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/37d475ca29bee291b9a75ccf4a21d9d0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 13\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 7 in E flat major BWV 876\u003c\/td\u003e\n\n \u003ctd\u003e00:02:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/dfbefea6dc9a353883cd97b9b326dc18.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 14\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 7 in E flat major BWV 876\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/39ba5236febc8fa1e47a96f35a07cf7e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 15\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 8 in D sharp minor BWV 877\u003c\/td\u003e\n\n \u003ctd\u003e00:03:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/75a7b150dccba573b2cf3bf62f10f72d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 16\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 8 in D sharp minor BWV 877\u003c\/td\u003e\n\n \u003ctd\u003e00:02:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/2428ea5bd8736e52f1560464565c9454.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 17\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 9 in E major BWV 878\u003c\/td\u003e\n\n \u003ctd\u003e00:04:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/48bbf2dd2c613457fb22fe79f2523750.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 18\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 9 in E major BWV 878\u003c\/td\u003e\n\n \u003ctd\u003e00:02:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/4dfe430d01d51ff2611a91fa7fe1e9e3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 19\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 10 in E minor BWV 879\u003c\/td\u003e\n\n \u003ctd\u003e00:05:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/0368cec8cfd4d6b5032b7b3d837c295c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 20\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 10 in E minor BWV 879\u003c\/td\u003e\n\n \u003ctd\u003e00:02:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/269f54afffee49e57f8a2fd75a79fb98.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 21\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 11 in F major BWV 880\u003c\/td\u003e\n\n \u003ctd\u003e00:03:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/41ffc4a19bae9e56140caa04bbdd838a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 22\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 11 in F major BWV 880\u003c\/td\u003e\n\n \u003ctd\u003e00:01:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/10e2309d552d2058d3efeb72ed85cd3d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 23\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 12 in F minor BWV 881\u003c\/td\u003e\n\n \u003ctd\u003e00:04:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/e21d8836e9a0e4e5f0dee3e66bcc20fb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 24\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 12 in F minor BWV 881\u003c\/td\u003e\n\n \u003ctd\u003e00:02:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/10dc48871ba117b4afc640ac635c649a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 25\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 13 in F sharp major BWV 882\u003c\/td\u003e\n\n \u003ctd\u003e00:03:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/86e35f5ce43a209cec6a3210f8e1abde.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 26\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 13 in F sharp major BWV 882\u003c\/td\u003e\n\n \u003ctd\u003e00:02:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/6a632ee7b553626f0e6daf20fc4e061e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 27\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 14 in F sharp minor BWV 883\u003c\/td\u003e\n\n \u003ctd\u003e00:02:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/d211166df9e529a8ef0a51c752554d29.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 28\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 14 in F sharp minor BWV 883\u003c\/td\u003e\n\n \u003ctd\u003e00:03:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/71fb4bcce77c9bffe21605a2340dee48.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 29\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 15 in G major BWV 884\u003c\/td\u003e\n\n \u003ctd\u003e00:02:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/65efa2eed7c3f41aa19e57e38529fe01.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 30\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 15 in G major BWV 884\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/1887c2f6a73f7fec979670c862e4a634.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 31\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 16 in G minor BWV 885\u003c\/td\u003e\n\n \u003ctd\u003e00:02:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/feb40e6eff9c7c40b6c798eaee71564e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 32\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 16 in G minor BWV 885\u003c\/td\u003e\n\n \u003ctd\u003e00:03:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/de85deb68d2633d58cf5874104a2f7ea.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 33\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 17 in A flat major BWV 886\u003c\/td\u003e\n\n \u003ctd\u003e00:04:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/2843988e3d59a729a7e63111085c6035.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 34\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 17 in A flat major BWV 886\u003c\/td\u003e\n\n \u003ctd\u003e00:02:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/d4418a2e1a6a339e1e3d2eb13c60056f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 35\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 18 in G sharp minor BWV 887\u003c\/td\u003e\n\n \u003ctd\u003e00:04:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/263170dc8c6c771275de3cccbea9e7b2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 36\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 18 in G sharp minor BWV 887\u003c\/td\u003e\n\n \u003ctd\u003e00:03:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/02da64f2f46eb3f9976f4aed271d1395.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 37\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 19 in A Major, BWV 888\u003c\/td\u003e\n\n \u003ctd\u003e00:01:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/07483a3b30d020d2fc6c80d57415de87.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 38\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 19 in A Major, BWV 888\u003c\/td\u003e\n\n \u003ctd\u003e00:01:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/debd6b9055050a6977e3ecf2ad084aab.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 39\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 20 in A Minor, BWV 889\u003c\/td\u003e\n\n \u003ctd\u003e00:05:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/4fcde486a9c1ed4a6dad0ec991180dcf.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 40\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 20 in A Minor, BWV 889\u003c\/td\u003e\n\n \u003ctd\u003e00:01:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/7215d2f36dffec87482a2d7a206208ab.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 41\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 21 in B-flat Major, BWV 890\u003c\/td\u003e\n\n \u003ctd\u003e00:07:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/485166840724abcd85a4483a33d6059d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 42\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 21 in B-flat Major, BWV 890\u003c\/td\u003e\n\n \u003ctd\u003e00:02:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/9152ba809a1d5a61b98c39fdd8164ad2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 43\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 22 in B-flat Minor, BWV 891\u003c\/td\u003e\n\n \u003ctd\u003e00:02:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/577434cfafcd8cf661e23552a3e2a321.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 44\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 22 in B-flat Minor, BWV 891\u003c\/td\u003e\n\n \u003ctd\u003e00:04:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/47daef0fbcbb71277f28906ddb1ae503.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 45\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 23 in B Major, BWV 892\u003c\/td\u003e\n\n \u003ctd\u003e00:02:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/c8c502db706abcccf91fe28761821b01.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 46\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 23 in B Major, BWV 892\u003c\/td\u003e\n\n \u003ctd\u003e00:03:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/08708e975465b0dc0ee4974ec82019f7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 47\u003c\/td\u003e\n\n \u003ctd\u003ePrelude No. 24 in B Minor, BWV 893\u003c\/td\u003e\n\n \u003ctd\u003e00:02:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/b20d956673e884e0a82f535230c35c0a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 48\u003c\/td\u003e\n\n \u003ctd\u003eFugue No. 24 in B Minor, BWV 893\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/315\/926\/6e86dab894eb465ba37b73ba03a382ff.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352521969996,"sku":"BIS2631","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926315-Bach--Das-Wohltemperierte-Klavier-2-cover.webp?v=1792458988"},{"product_id":"schostakowitsch-streichquartette-nr-2-7-und-10","title":"Shostakovich: String Quartets Nos. 2, 7 and 10","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The 15 string quartets that Dmitri Shostakovich composed established him as a master of the genre. These works show him in his most concentrated and intimate form. Although each is quite different in form and structure, every bar reveals an aspect of the composer's character, from wild humor to black despair, with a pervasive nervous tension. Without lyrics, descriptive titles, or an obvious public agenda, they can be heard as revelations of the composer's musicality in its most fundamental form.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The Jerusalem Quartet presents three Shostakovich quartets on their first release for BIS Records. Although String Quartet No. 2 was composed in 1944, its character is elusive and there is no direct reference to the war. Nevertheless, it is a substantial work, dark, powerful, and sometimes dissonant. The 7th String Quartet, which consists of three short movements played without interruption, is an enigmatic and deeply personal work dedicated to the memory of the composer's wife. Despite all its questions and complex inner references, String Quartet No. 10 is among the most immediately appealing of his later works. At this stage in his life, Shostakovich tended to speak in a quieter voice and for a more intimate audience.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 2 in A major, Op. 68\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Overture: Moderato con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:08:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/1bffd036daed2d7b3e9791ab169df4cf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Recitative - Romance: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:12:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/9ee3b8767fde16edcb0cb2be9fbf3c40.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Waltz: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:05:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/ca053e4a285a4754dc48b282c34ce837.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Theme with Variations: Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:11:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/83c7d859762338cfbe283987fd389ec3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 7 in F sharp minor, Op. 108\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:03:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/d84eb7084cf250b7952e745f0ea9c0ba.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Lento\u003c\/td\u003e\n\n \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/12f7fe7f1a2d8b7e18f415cb9cf60aee.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro - Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/74c9255d7aa3e508d7d5147127fd255a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 10 in A flat major, Op. 118\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:04:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/ed56ccf42510acb9f78669efe7606350.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegretto furioso\u003c\/td\u003e\n\n \u003ctd\u003e00:04:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/9646c22c3f2c23d9c3225ea4aee32a5a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:06:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/48533c3ae4db9f1ac0c45ba306d9b534.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegretto - Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:09:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/544\/926\/99b8455501c19aefd88367318c77ef19.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352523870540,"sku":"BIS2654","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926544-Schostakowitsch--Streichquartette-Nr.webp?v=1792459290"},{"product_id":"ligeti-streichquartette-nr-1-2-bartok-streichquartett-nr-4","title":"Ligeti: String Quartets Nos. 1 \u0026 2 \/ Bartók: String Quartet No. 4","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n For their new album, the Marmen Quartet has chosen three significant works from the 20th-century string quartet repertoire. György Ligeti's two quartets come from two different creative periods of the composer's life. The first, subtitled \"Métamorphoses nocturnes,\" was composed before Ligeti left Hungary to emigrate to the West and represents the culmination of his \"Hungarian\" period. The work is considered a virtuosic exercise and reveals the influences of Béla Bartók, particularly from his Third and Fourth Quartets. Ligeti's second quartet belongs to his second creative period, which is particularly rich in significant works. Viewed by the composer as an answer to the works of his famous predecessors such as Mozart, Beethoven, Bartók, and Berg, the second quartet, with its calculated anarchy, dynamic extremes, and sublime climaxes, is not only one of Ligeti's masterpieces but also a true classic of modern music. Béla Bartók's Fourth String Quartet, which heavily influenced Ligeti, is widely considered one of his most radical. It demands a high degree of technical skill from the performers, yet reveals a deep understanding of the instruments, eliciting from them an unprecedented range of colors and idiosyncrasies. Since its founding in 2013, the London-based Marmen Quartet has established itself as one of the most impressive and committed ensembles in the field of chamber music. It has won numerous prizes, including first prize at the International String Quartet Competition in Bordeaux, and has performed throughout Europe as well as in the USA and Canada. It also participates in many major festivals.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 1 \"Métamorphoses nocturnes\" (1953\/54)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro grazioso -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/c09b2f83079b60ab69ae395091ae1882.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Vivace, capriccioso -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/fa2285a63dd725b2995c3e1bcbf63b35.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio, mesto -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/b845189be56644c31a579eb4ab08d67d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Presto -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/c7a08ab54f44529781b07052ca56927c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Andante tranquillo -\u003c\/td\u003e\n\n \u003ctd\u003e00:03:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/6ca8b0c2af58c585c0b5c3eaa91fe62d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Tempo di valse, moderato, con eleganza, un poco capriccioso -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/5183363c2f72af092490c1f0184a7cb3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003e7. Allegretto, un poco gioviale -\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/2a904ff567e8cb6214404d92218aa774.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003e8. Prestissimo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/e85745333a4931de033b5e9d021b1036.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 4 (1928)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:06:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/0e811ea6f542f96072f1b65653e47feb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Prestissimo, con sordino\u003c\/td\u003e\n\n \u003ctd\u003e00:02:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/b8fa7a3de6444b0d780a739bd2558ff7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Non troppo lento\u003c\/td\u003e\n\n \u003ctd\u003e00:06:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/ea298b35d5e741d3689c0a5eccce6a6d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegretto pizzicato\u003c\/td\u003e\n\n \u003ctd\u003e00:02:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/b73ed8306cf70a6029c327ce11441084.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Allegro molto\u003c\/td\u003e\n\n \u003ctd\u003e00:05:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/a0229d2db58f39bf08328b4589878359.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 2 (1968)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro nervoso\u003c\/td\u003e\n\n \u003ctd\u003e00:05:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/00890f400c2ace465a9a98e455040728.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Sostenuto, molto calmo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/e9e09eb4530a1010b7ad986963f69759.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Come un meccanismo di precisione\u003c\/td\u003e\n\n \u003ctd\u003e00:03:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/72c409ee0ef7b2b0e30e76ce34d72827.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Presto furioso, brutale, tumultuoso\u003c\/td\u003e\n\n \u003ctd\u003e00:02:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/b01ee831454836816856add779723df7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Allegro con delicatezza - stets sehr mild\u003c\/td\u003e\n\n \u003ctd\u003e00:06:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/933\/926\/730548da1d945e23cfe41fc8d99ea3e2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352546971980,"sku":"BIS2693","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926933-Ligeti--Streichquartette-Nr.webp?v=1792459723"},{"product_id":"breaking-waves","title":"Breaking Waves","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Three works by three female composers from three different countries, each piece with its very own mode of expression, are performed here by the Ostrobothnian Chamber Orchestra under the direction of its dynamic conductor and artistic director, Malin Broman: three works that undoubtedly deserve a wider audience. The program opens with \"Sea Sketches\" by the Welsh composer Grace Williams. Inspired by the beaches of Glamorganshire and the seascape there, this five-movement work seems to be in constant motion and development. You can practically taste the sea spray and feel the power of the waves. The second work is Grażyna Bacewicz's \"String Quartet No. 4,\" presented here in an arrangement for string orchestra. Bacewicz was an important figure in the Polish music scene in the mid-20th century, and her quartet is very accessible—which has undoubtedly contributed to it being her best-known work—with influences from folk music and passages that, according to Malin Broman, can only be described as heavenly. The \"String Quartet\" by the Vienna-born Johanna Müller-Hermann, also in an arrangement for string orchestra, concludes the program. This exciting, beautiful, and powerful work, with its post-Romantic language, is a testament to the heyday of Vienna, when the music of Gustav Mahler, Richard Strauss, and their teacher Alexander von Zemlinsky dominated the musical world.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSea Sketches for string orchestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. High Wind: Allegro energico\u003c\/td\u003e\n\n \u003ctd\u003e00:03:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/4e4ae91edd863ebc61d9890634ea50c8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Sailing Song: Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/11dc412f0fa8b565e1f2fbb4916f1e9e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Channel Sirens: Lento misterioso\u003c\/td\u003e\n\n \u003ctd\u003e00:04:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/5b5c5b55eec89125c3fe050604acf9bc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Breakers: Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/edb2c95b82a9e3a3b1a20c4e04a94a5e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Calm Sea in Summer: Andante tranquillo\u003c\/td\u003e\n\n \u003ctd\u003e00:06:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/751c0a883c8ef9f6c2103a3174f4f0e8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 4 (arr. for string orchestra by Marijn von Prooijen\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Andante - Allegro moderato - Allegro energico\u003c\/td\u003e\n\n \u003ctd\u003e00:10:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/89391f9e9df65cd582cb183524b93b3f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:06:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/45d61e63d1cbcc8cc3748d29b9ac490e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. (Allegro giocoso)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/b3286c720c542cd0c9a39572251799a4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet in E flat major, Op. 6 (arr. for string orchestra by Ingvar Karkoff)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Moderato: Ruhig fließend\u003c\/td\u003e\n\n \u003ctd\u003e00:06:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/acb3c7b72288794a0f8fb64dd31fe92c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro vivace: Mit kraftvollem Ausdruck\u003c\/td\u003e\n\n \u003ctd\u003e00:04:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/b5f00d7fbb357c7e7844faf6ceaeb8b3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro con spirito: Nicht zu schnell\u003c\/td\u003e\n\n \u003ctd\u003e00:07:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/d8e5a8c1e5938a9e2e995b22df8cadf1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro con spirito: Nicht zu schnell\u003c\/td\u003e\n\n \u003ctd\u003e00:04:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/022\/927\/0ee19886f1b7da463cb5c8d7f7b9eff3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352551625036,"sku":"BIS2702","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927022-Breaking-Waves-cover.webp?v=1792459814"},{"product_id":"schuberts-four-seasons","title":"Schubert's Four Seasons","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Following their albums \"A Soprano's Schubertiade\" and \"Elysium\", Carolyn Sampson and Joseph Middleton present a new recital dedicated to Schubert's lieder on the theme of the changing seasons. There have been other successful musical tributes to the four seasons, but Franz Schubert, a lover of nature, evokes them here through his lieder. Winter, steeped in nostalgia, is represented here by three songs in which the Schubertian protagonist sings of lost love. However, the gloomy thoughts soon give way to spring, which stands for optimism and hope as nature awakens to new life: 'Welcome, with your cheerful swarm of newly awakened creatures around me'. As life is in full swing in summer, the protagonist now seems unsure whether his search for love will have a happy ending. In autumn, evoked here by six songs, the protagonist can only admit his failure, which is reflected in nature as it prepares for a months-long sleep: 'Ah, as the stars vanish in the sky, so too does the hope of life vanish'. Clarinetist Michael Collins joins the duo for one song, \"Der Hirt auf dem Felsen\" (\"The Shepherd on the Rock\"), Schubert's penultimate composition. This extended, yodeling-inspired song ends with the hope of a better life, as spring is just around the corner and the prophetic words 'Now I prepare to go wandering' herald the composer's approaching death.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSehnsucht (Die Scheibe friert, der Wind ist rauh) D 879\u003c\/td\u003e\n\n \u003ctd\u003e00:02:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/ff2381a725ed4d84e566dd04cdbe05b7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eDer Winterabend (Es ist so still) D 938\u003c\/td\u003e\n\n \u003ctd\u003e00:07:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/13b51adc6b078e0f0ba537a738ed365b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eDie Mutter Erde (Des Lebens Tag ist schwer) D 788\u003c\/td\u003e\n\n \u003ctd\u003e00:04:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/39895ef50a2e4c743bf5a030e1a621d6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eFrühlingsglaube (Die linden Lüfte sind erwacht) op. 20 Nr. 2 D 686\u003c\/td\u003e\n\n \u003ctd\u003e00:03:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/268d8c647e56db3323b4a093573e044c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eNachtviolen (Nachtviolen, dunkle Augen) D 752\u003c\/td\u003e\n\n \u003ctd\u003e00:03:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/18f26c1e0c8840f8b5f6c4cf98be4524.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eDer Hirt auf dem Felsen (Wenn auf dem höchsten Fels ich steh) op. 129 D 965\u003c\/td\u003e\n\n \u003ctd\u003e00:11:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/df5291597bb6f3f07ddfc4ded28b1b91.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eDie Mainacht (Wann der silberne Mond durch die Gesträuche blinkt) D 194\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/2ef58ffc26bcd68bc6e672f32d1bddd5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eMein Gruß an den Mai D 305\u003c\/td\u003e\n\n \u003ctd\u003e00:00:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/1c9f0b3196bba55ccb22fe96ed725fb5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eIm Frühling (Still sitz ich an des Hügels Hang) D 882\u003c\/td\u003e\n\n \u003ctd\u003e00:04:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/f51385e0d826e007c517043291a54ceb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eSchäfers Klagelied (Da droben auf jenem Berge) op. 3 Nr. 1 D 121\u003c\/td\u003e\n\n \u003ctd\u003e00:03:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/1a999688479bac02ef13c35fc3117beb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eDie Forelle (In einem Bächlein helle) D 550\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/f96c52c23db971076a284c14230d65b1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eHeidenröslein (Sah ein Knab ein Röslein stehn) op. 3 Nr. 3 D 257\u003c\/td\u003e\n\n \u003ctd\u003e00:01:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/958ac8b483ef09fe244a20be98eeee16.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eDie Rose (Es lockte schöne Wärme, mich an das Licht zu wagen) op. 73 D 745\u003c\/td\u003e\n\n \u003ctd\u003e00:03:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/1df522c53ff36bff103858c72c335fae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eDie Sommernacht (Wenn der Schimmer von dem Monde) D 289b\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/0cb521cdcdace76054065f4b0da54ac5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eHerbst (Es rauschen die Winde so herbstlich und kalt) D 945\u003c\/td\u003e\n\n \u003ctd\u003e00:03:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/53ff3f9e44da34c02d2d1725a59d8d19.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eAn den Mond in einer Herbstnacht D 614\u003c\/td\u003e\n\n \u003ctd\u003e00:07:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/b34bd99dd969a72444167b266c1608fa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eErntelied (Sicheln schallen, Ähren fallen) D 434\u003c\/td\u003e\n\n \u003ctd\u003e00:01:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/9644aa1c804924df15fc33592a04e3d5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eHerbstlied (Bunt sind schon die Wälder) D 502\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/1eba360717eb67ef03cea4f684c349ae.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eIm Freien (Draußen in der weiten Nacht) op. 80 Nr. 3 D 880\u003c\/td\u003e\n\n \u003ctd\u003e00:05:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/512bea647c7f416452abaef765d4f33d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eRastlose Liebe (Dem Schnee, dem Regen) op. 5 Nr. 1 D 138\u003c\/td\u003e\n\n \u003ctd\u003e00:01:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/039\/927\/b0f81d3b9dd972d05264d5c395864eb7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352556867916,"sku":"BIS2703","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927039-Schubert_s-Four-Seasons-cover.webp?v=1792459826"},{"product_id":"schubert-vorisek-chopin-skrjabin","title":"Schubert + Voříšek + Chopin + Scriabin","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In the fourth volume of his \"Schubert+\" series, which will consist of eleven parts, Can Çakmur focuses on the genre of the impromptu. He seeks to identify historical precursors to Franz Schubert’s piano writing and gain insight into the development of independent poetic compositions for keyboard instruments. At the heart of this recording is Franz Schubert’s famous set of Impromptus, D 899. Çakmur also presents two impromptus by Jan Václav Voříšek, a composer who was praised by Beethoven and seems to anticipate Schubert. Four works by Frédéric Chopin and two by Alexander Scriabin complete the program and testify to the composers' preference for this free form, which can romantically express a moment, a feeling, or a mood. Can Çakmur’s recent recordings, which place Schubert’s major piano works alongside those of other composers, have been enthusiastically received by the international press and awarded two consecutive ICMA Awards (a first in the history of the awards) for Solo Instrument Recording of the Year and Young Artist of the Year. Furthermore, it received the Choc de Classica, the Diapason d'Or, Album of the Month from International Piano, and full marks from Crescendo, Gramophone, Pizzicato, and several other magazines.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eImpromptus op. 7 Nos. 1-6 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Impromptu in A Major\u003c\/td\u003e\n\n \u003ctd\u003e00:07:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/682d14df28748b4919c4779040a8e184.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Impromptu in B-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:08:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/cd3bf0eb7f23b69f2a5cfec6c2f4f804.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eImpromptus op. 90 D 899 Nos. 1-4\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Impromptu in C minor\u003c\/td\u003e\n\n \u003ctd\u003e00:09:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/f0f7e87db0908c17f12743b1d3daf88b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Impromptu in E-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/fdb529121109d34b8f2ea39653c11702.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Impromptu in G-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:05:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/b8daeacd62e3e3479acf6609359c03be.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Impromptu in A-flat Major\u003c\/td\u003e\n\n \u003ctd\u003e00:08:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/4831a15bad986439c1a1d7a43c44fa97.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eImpromptu No. 1 in A-flat Major op. 29\u003c\/td\u003e\n\n \u003ctd\u003e00:04:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/a980fd2194bd45a0e63431ba1c45d5b6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eImpromptu No. 2 in F-sharp Major op. 36\u003c\/td\u003e\n\n \u003ctd\u003e00:05:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/f925f4e146886cb435d636d6a982f1ca.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eImpromptu No. 3 in G-flat Major op. 51\u003c\/td\u003e\n\n \u003ctd\u003e00:05:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/70f513f504064e5f6ee41537084c3759.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eImpromptu No. 4 in C-sharp minor op. 66 \"Fantasie-Impromptu\"\u003c\/td\u003e\n\n \u003ctd\u003e00:05:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/85c18255711ac77d5a2a1e45e1209bfc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eImpromptus op. 12 Nos. 1-2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Impromptu in F-sharp Major\u003c\/td\u003e\n\n \u003ctd\u003e00:04:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/531f2bd2899e6d40c98529c622f7e4b9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Impromptu in B-flat minor\u003c\/td\u003e\n\n \u003ctd\u003e00:04:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/107\/927\/bbf779fdad9f3bcf4ac2fbc3a81c8804.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352562667852,"sku":"BIS2710","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927107-Schubert-_-Vorisek-_-Chopin-_-Skrjabin-cover.webp?v=1792459884"},{"product_id":"sky-of-my-heart","title":"Sky of my Heart","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n New York Polyphony, one of the foremost vocal ensembles today, is renowned for its innovative programming, ranging from Gregorian chant to contemporary commissions. On \"Sky of my Heart,\" the selection spans more than four hundred years of music history and bears witness to the ensemble’s commitment to discovering and developing new works that enrich its core early music repertoire. Some of the works featured here address the fundamental themes of life, death, and the afterlife and are inspired by personal loss (Andrew Smith) or the impact of COVID restrictions (Paul Moravec). Others are imbued with a spiritual atmosphere, whether religious (William Byrd, Ivan Moody, John Tavener, and Becky McGlade) or meditative (Akemi Naito). The contemporary works, some of which were commissioned by New York Polyphony, are firmly rooted in the rich history of Gregorian chant while simultaneously distinguished by highly contemporary harmonies. The vocal ensemble is accompanied in three pieces by LeStrange Viols: \"My Days\" by Nico Muhly, a ritualized homage to the early 17th-century English composer Orlando Gibbons; \"The Silver Swan\" by Gibbons himself, which brings the program to a fittingly quiet and poignant conclusion; and Byrd's \"Agnus Dei.\" The viol ensemble adds a facet that both suits Gibbons and is original in its voice leading.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eGradualia (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eEcce quam bonum T 96\u003c\/td\u003e\n\n \u003ctd\u003e00:03:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/b1bef438e24411784a438aa99ad6a2dd.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eCanticum Canticorum No. 1 (3 chants)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Surge propera amica mea\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/7161505a326a67ad08419f82a990f852.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Descendi in hortum meum\u003c\/td\u003e\n\n \u003ctd\u003e00:01:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/406556b87c2018803e023b25fd1079f9.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Ego dilecto meo\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/70e06de95675f76f4e72456adac4bca7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eThe Lamb (Carol)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/1209f471792a3971ad7b418de8090fbf.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eOf the Father's Love Begotten\u003c\/td\u003e\n\n \u003ctd\u003e00:05:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/5adce0e22026ac8aa1e2a141fd8b868f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSix Poems for the Moon \"Tsuki no Waka\"\u003c\/td\u003e\n\n \u003ctd\u003e00:06:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/03920bf4f33858201cd3581e2ba86165.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eThe Last Invocation\u003c\/td\u003e\n\n \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/958e24420c9892ea8c9d6d801b94a3df.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eDarest Thou Now, O Soul\u003c\/td\u003e\n\n \u003ctd\u003e00:04:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/6261492f7a32e9aec1cb619e7f0722f7.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eMass for 4 Voices (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAgnus Dei\u003c\/td\u003e\n\n \u003ctd\u003e00:03:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/abef52963d609979f8e5c62dc6536cc8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eCatharsis\u003c\/td\u003e\n\n \u003ctd\u003e00:09:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/6adfb37e5ab1752e4a968998d3d7e612.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eMy Days\u003c\/td\u003e\n\n \u003ctd\u003e00:16:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/3a42996a4c5fff1a98ea12171da441d2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eThe Silver Swan (Song 44)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/190\/927\/86eba1e3bddf0297469bf0028b6ba21a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352567222604,"sku":"BIS2719","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927190-Sky-of-my-Heart-cover.webp?v=1792459965"},{"product_id":"brahms-ein-deutsches-requiem-1","title":"Brahms: A German Requiem","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Bremen, Good Friday 1868: 2,500 visitors experience a stunning concert conducted by the 34-year-old Johannes Brahms. Works by Bach, Tartini, and Robert Schumann are performed, alongside the first finished parts of his latest masterpiece: \"A German Requiem.\" The crowning finale of the acclaimed event is the \"Hallelujah\" from Handel's Messiah. Kent Nagano, the Philharmonic State Orchestra Hamburg, and over 400 singers performed the exact program of that legendary concert. The album is released by BIS. \nSuch a program might seem unusual today, but these musical additions shed new light on Brahms' work, which in this version manifests as what Umberto Eco would have called an 'open work.' The performance of the piece in the form heard at its premiere in Bremen is more than just a reconstruction: it enriches our understanding of this unique music. It is also noteworthy that a total of nine choirs and vocal ensembles participated. Furthermore, mezzo-soprano Kate Lindsey, baritone Jóhann Kristinsson, violinist Veronika Eberle, and organist Thomas Cornelius also contributed.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eA German Requiem, Op. 45 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eBlessed are they that mourn\u003c\/td\u003e\n\n \u003ctd\u003e00:09:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/5bd8f43686555b69984324cf8197b84f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eBehold, all flesh is as the grass\u003c\/td\u003e\n\n \u003ctd\u003e00:14:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/1bfb1afa097a1c1ccc8a5ece6b09c4fb.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eLord, make me to know\u003c\/td\u003e\n\n \u003ctd\u003e00:09:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/83e145417c385d0a7029204806ad9ff2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eViolin Concerto in A Minor, BWV 1041 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAndante (arr. for violin and organ by Thomas Cornelius)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/b9dfee0fdc27b82b458e6c2f596bec18.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eViolin Concerto in B-flat Major, D 120 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAndante (arr. for violin and organ by Thomas Cornelius)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/6665193b294647727b96f5d77efdb6d9.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003ePieces for Piano, 4 hands, Op. 85, Nos. 1-12 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Evening Song (arr. for violin and organ by Joseph Joachim and Thomas Cornelius)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/64ad0c6c8bf2268677ab4e457f1ae1ae.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eA German Requiem, Op. 45 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eHow lovely is thy dwelling place\u003c\/td\u003e\n\n \u003ctd\u003e00:04:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/cc724e407091f22f18a6249b03e8043a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003eFor here we have no continuing city\u003c\/td\u003e\n\n \u003ctd\u003e00:11:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/2673c2918913bcee76ff46b07150d912.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003eBlessed are the dead\u003c\/td\u003e\n\n \u003ctd\u003e00:10:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/9575f70a88471bc414864f874a73174e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSt. Matthew Passion, BWV 244 (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eHave mercy, Lord, on me\u003c\/td\u003e\n\n \u003ctd\u003e00:07:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/a062ad57b54afae286a6649ddcd148e3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eMessiah, HWV 56 (Oratorio) (arr. Wolfgang Amadeus Mozart) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eBehold the Lamb of God\u003c\/td\u003e\n\n \u003ctd\u003e00:02:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/5a5497a871838ab648a90115f06b726b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003eI know that my Redeemer liveth\u003c\/td\u003e\n\n \u003ctd\u003e00:06:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/411c3516a81bd3a77d5bbfb29796af3f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 3\u003c\/td\u003e\n\n \u003ctd\u003eHallelujah\u003c\/td\u003e\n\n \u003ctd\u003e00:04:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/206\/927\/1ac8da803841aab8e9e89e640b8c64fd.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352572268876,"sku":"BIS2720","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927206-Brahms--Ein-Deutsches-Requiem-cover.webp?v=1792459978"},{"product_id":"violino-over-cornetto","title":"Violin or cornetto","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In the 16th century, the art of refined conversation was a subject of great interest, both in scholarly academies and in the verbal games of convivial evening gatherings. As musical virtuosos learned to 'speak' through their instruments, it was only natural that they also began to 'converse'.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The ensemble Seicento Stravagante gives us an example of this 'musical conversation', here between three musicians. In works by 13 Italian composers of the late 16th and early 17th centuries, Seicento Stravagante recreate the opulence of early Baroque music, when composers wove many individual 'voices' (whether vocal or instrumental) into a harmonious whole. Although the compositions could often be played on different instruments, they were most effective on the violin and the cornetto. The two instruments developed an increasingly close relationship, to the point that they were practically interchangeable. Thanks to this recording, we can enjoy the subtle tonal blend of these two instruments and the richness of the Italian instrumental music of that period.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSonata No. 4 (for cornetto, violin and organ)\u003c\/td\u003e\n\n \u003ctd\u003e00:07:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/ef604fac2d375bfb44bca0c1f9206df5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eLa Strasolda (for cornetto, violin and organ)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/7cf1f295a91ea9a70fb59b3b8d3fadfa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eSonata No. 6 (for two sopranos on Re, Mi, Fa, Sol, La) (arr. for cornetto, violin and organ)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/82700f7de051b2aaa44d4a1e6fec6177.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eToccata for spinet and violin (arr. for violin, harpsichord and organ)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/0bb5e8cf45feb18742b0a0ada0752517.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eSonata No. 5 a 2 (for cornetto, violin and harpsichord)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/0455532fe72626a7fbd65d34618d9f2d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eToccata for organ No. 1\u003c\/td\u003e\n\n \u003ctd\u003e00:05:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/1e9be70e33bfd21ed62fb783560d3994.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eCanzon Francese \"La Lampugnana\" (for cornetto, violin and organ)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/219489390803ce68c5105a22be98ec9e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eLa Gallina (for cornetto, violin and harpsichord)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/44e292b9fa25e3174e177212e2d0ce8d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eCucù (for cornetto and violin)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/268db0ac6bbfee06e899c8daeb79b44a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eSonate, Arie e Correnti op. 3 (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAria No. 9 a 3 \"L'Emenfrodito\", \"Martitati insieme la Gallina\", ... (for cornetto, violin and organ)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/72a45eae1bd193d86fc55530599997fe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eRicercari et arie francesi (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eRicercar No. 8 (for organ)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/6e07cd38c279ef4bcd7f0dc86fa4c7ed.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eMessa, e Salmi da concertarsi nel'Organo\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSinfonia for two violins (arr. for cornetto, violin and organ)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/e122f88f98351945f8c8a8755937fbdf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eSonate, symphonie, canzone... op. 8 (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSonata No. 5 (for two violins and cornetto) (arr. for cornetto, violin and harpsichord\u003c\/td\u003e\n\n \u003ctd\u003e00:03:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/514b222ac3408bf0e01f760b8bba6322.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eVarie sonate (Book 4) (excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSonata No. 10 on \"Cavaletto zoppo\" (for cornetto muto, violin, harpsichord and organ)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/268\/927\/9b9fd088b4cd25cfc57bf27ad7230db0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352590356812,"sku":"BIS2726","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927268-Violino-over-cornetto-cover.webp?v=1792460031"},{"product_id":"suzuki-plays-bach-organ-works-vol-6","title":"Suzuki plays Bach Organ Works, Vol. 6","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The sixth volume of Masaaki Suzuki’s acclaimed complete organ works of Johann Sebastian Bach presents the first eleven pieces from a manuscript known since then as the \"Leipzig Chorales.\" This collection, which was created around 1739, is unusual in that it does not contain new compositions, but rather arrangements of organ chorales from the years 1708–17, when Bach lived in Weimar.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n The chorale arrangements are based on well-known Lutheran melodies that Bach particularly liked. They were not intended as preludes for congregational singing, but as accompaniment for the communion service or as concert music. Bach devoted great care to this project by selecting the best of his organ works from earlier years of his career, and regarded it as his legacy for the future. Together with the Orgel-Büchlein, the \"Schübler Chorales,\" and the third book of the \"Clavier-Übung,\" the Leipzig Chorales represent the pinnacle of Bach’s sacred organ music.\n \u003c\/p\u003e\n\n \n\n \n \u003cp\u003e\n On this recording, Masaaki Suzuki plays on the Arp Schnitger organ of the Martinikerk in Groningen, Netherlands, one of the largest and most famous Baroque organs in Northern Europe. Arp Schnitger was the most famous organ builder in Northern Germany in the 17th century, and his admirers included Buxtehude, Handel, and Bach himself.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003e18 Leipzig Chorales BWV 651-668 (Excerpts)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eFantasia on \"Komm, heiliger Geist\" BWV 651\u003c\/td\u003e\n\n \u003ctd\u003e00:06:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/6409345533cf8a89cbb412eb7d6ecbc1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eKomm, heiliger Geist BWV 652\u003c\/td\u003e\n\n \u003ctd\u003e00:09:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/bcf310bc2fecb45afa7ad9ace1d88469.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eAn Wasserflüssen Babylon BWV 653\u003c\/td\u003e\n\n \u003ctd\u003e00:05:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/81b14b961e6cc171703dd92366bf46a1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eSchmücke dich, o liebe Seele BWV 654\u003c\/td\u003e\n\n \u003ctd\u003e00:07:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/a585eb658acf92e13a14851e56056e3b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eTrio on \"Herr Jesu Christ dich zu uns wend\" BWV 655\u003c\/td\u003e\n\n \u003ctd\u003e00:03:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/6ef066de8b5d60aa7a3381ab78b9dc00.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eO Lamm Gottes unschuldig BWV 656\u003c\/td\u003e\n\n \u003ctd\u003e00:08:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/6c3c5ace8cf79cdfbd66b9caa5c0b67a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNun danket alle Gott BWV 657\u003c\/td\u003e\n\n \u003ctd\u003e00:04:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/09e4da506f7a0348c8401f4a00ee3e8f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eVon Gott will ich nicht lassen BWV 658\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/b1b858a157b9f2f797e2e030b76f7527.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNun kommt der Heiden Heiland BWV 659\u003c\/td\u003e\n\n \u003ctd\u003e00:04:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/970ac20805af82d1ec20366988625bc8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eTrio on \"Nun kommt der Heiden Heiland\" BWV 660\u003c\/td\u003e\n\n \u003ctd\u003e00:03:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/3118f541cdbeb7091dfc67f7399adc5f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNun kommt der Heiden Heiland BWV 661\u003c\/td\u003e\n\n \u003ctd\u003e00:03:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/312\/927\/766b0597be2c836681d29fb38d833b7b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352598745420,"sku":"BIS2731","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927312-Suzuki-plays-Bach-Organ-Works_-Vol.webp?v=1792460082"},{"product_id":"if-the-fates-allow","title":"Wenn die Schicksalsgötter es erlauben","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In this solo recital, Gramophone Award winner Helen Charlston performs a selection of songs by the English composer Henry Purcell—some more, some less familiar—as well as pieces by other composers of that era, such as John Blow, John Eccles, Christopher Simpson, and Henry's son, Daniel Purcell. Her selection focuses on songs that tell stories exploring the conflict between heart and mind: do we fall in love out of reason, or because destiny has decreed it so? As for her special relationship with Purcell, Charlston explains that she makes room for his songs in almost every program she creates. She adds that his addictive music has a power over her that she cannot—and does not want to—escape. This particular program is a special acknowledgement of the fact that Purcell’s music has become an essential part of her identity as a singer. For this release, Helen Charlston is accompanied by the ensemble Sounds Baroque: Jonathan Manson (bass viol), William Carter (theorbo\/baroque guitar), and Julian Perkins (harpsichord\/organ), three musicians whose expertise and love for this music, she says, are expressed in every note they play.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eI love and I must Z 382\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/5b0f6ae72f89472af7bf341660c397c4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eOedipus Z 583 (Incidental music) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Music for a While\u003c\/td\u003e\n\n \u003ctd\u003e00:03:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/a19e924eb8d6a85877f38e9f435e1fb8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eThe Blessed Virgin's Expostulation Z 196 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003eHymn: Tell me, some pitying Angel\u003c\/td\u003e\n\n \u003ctd\u003e00:07:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/cc902328ce6827c71be725dd32d9da5b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eThe Division Viol (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eDivisions in D Major for bass viol, harpsichord and theorbo\u003c\/td\u003e\n\n \u003ctd\u003e00:05:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/199817b29da07cd7a15dc39f74cef168.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eWhat a sad fate is mine Z 428\u003c\/td\u003e\n\n \u003ctd\u003e00:03:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/1f37bf66abf504d394ab8ad6fe13556f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eIf Music be the Food of Love Z 379c (3rd version)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/0ffc18e67b4733cf7211e0505d3fe71f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eThe fatal hour comes on a pace Z 421\u003c\/td\u003e\n\n \u003ctd\u003e00:04:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/bef4fcf752d2b7e81256c6ed89e642b0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eTimon of Athens or The Man-Hater Z 632 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 The Cares of Lovers\u003c\/td\u003e\n\n \u003ctd\u003e00:02:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/4e083d7fd5a64a76e41c14f21414e60e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eThe Indian Queen Z 630 (Opera in 5 acts) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eI attempt from Love's sickness (Act 3)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/2962e35fa33e5137ed265eb1841584fc.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eShe ventures, and he wins (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 1\u003c\/td\u003e\n\n \u003ctd\u003eRestless in thought\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/61aa79d7910d2475e9ac5b315f3aab5b.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eMorlake Ground for harpsichord solo\u003c\/td\u003e\n\n \u003ctd\u003e00:04:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/170b90f8bcfdcb6250b34c85e75304a3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eIf Music be the Food of Love Z 379a (1st version)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/b2db99944c1cfa46111bdc182757b79f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eMorpheus thou gentle god\u003c\/td\u003e\n\n \u003ctd\u003e00:05:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/198acd0b71d0c7e392742dea3f41bd55.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eO Solitude, my sweetest choice Z 406\u003c\/td\u003e\n\n \u003ctd\u003e00:05:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/343\/927\/5df0f70adb4f703b6dddfbf5bcc492b6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352607297868,"sku":"BIS2734","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927343-If-the-Fates-allow-cover.webp?v=1792460110"},{"product_id":"villa-lobos-samtliche-werke-fur-gitarre-solo","title":"Villa-Lobos: Complete Works for Solo Guitar","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n After his exploration of Spain through the music of Federico Moreno Torroba, Franz Halász now transports us to Brazil with the complete works for solo guitar by Heitor Villa-Lobos. The music of this highly prolific composer often combines the influences of European classical music with the popular and traditional music of his homeland. The twelve thoroughly modern Etudes are to the guitar what Frédéric Chopin's Etudes are to the piano. In contrast, the “Suite populaire brésilienne” and “Chôros No. 1” reflect the composer's youthful experiences as a “Chôro” musician playing Brazilian street music, and offer a fusion of the characteristics of traditional music. Finally, the five Préludes return to Brazilian folklore. This recording also contains two rarities: the recently discovered “Valse-Chôro” and the unfinished “Valsa Concerto No. 2,” which was completed by Débora Halász. Latin Grammy-winning guitarist Franz Halász achieved international fame through his victories at the Andrés Segovia and Seto-Ohashi competitions. He is known for his acclaimed recordings of composers such as Turina, Piazzolla, and Bach and has performed on stage worldwide with top musicians and orchestras.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eEtudes Nos. 1-12 W 235\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Allegro non troppo - des arpèges\u003c\/td\u003e\n\n \u003ctd\u003e00:01:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/15c61330c2cf7539a9ac208bef903682.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Allegro - des arpèges\u003c\/td\u003e\n\n \u003ctd\u003e00:00:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/db22d5e5be60fa5ded9f9df385f481d9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Allegro moderato - des arpèges\u003c\/td\u003e\n\n \u003ctd\u003e00:02:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/e31a3ae83e239c88a9ae10b6decff572.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Un peu modéré - des accords répétés\u003c\/td\u003e\n\n \u003ctd\u003e00:03:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/828156153684c1546b96c9a11cc5f5b0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Andantino\u003c\/td\u003e\n\n \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/4550be92deb0ed885c19afd829cb036f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Poco allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/21e8b40621237ac02f0a6c0b558db9a8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 Très animé\u003c\/td\u003e\n\n \u003ctd\u003e00:02:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/4bc66a0b1a9a0921280a4c1a17e3c5eb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 Modéré\u003c\/td\u003e\n\n \u003ctd\u003e00:02:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/a579598c105bc712aabf662aa36a3f2c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 Très peu animé - des ornements\u003c\/td\u003e\n\n \u003ctd\u003e00:02:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/9575316127d4ba2cbd45a2f0278ffa24.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 Très animé\u003c\/td\u003e\n\n \u003ctd\u003e00:03:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/24b12a3229e333361c3bcebcd9069e71.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 Lent - Animé - Lent\u003c\/td\u003e\n\n \u003ctd\u003e00:03:57\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/f0e672db8da4f282f98b1a4e0f1b8062.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 Animé\u003c\/td\u003e\n\n \u003ctd\u003e00:02:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/3b6fcd88b288e40f69759ee6f2d90509.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eSuite populaire brésilienne W 020\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Mazurka-Chôro (contains the introduction from \"Simples\"\u003c\/td\u003e\n\n \u003ctd\u003e00:03:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/778eabe40b5ac60ab6d48604b4231701.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Schottisch-Chôro\u003c\/td\u003e\n\n \u003ctd\u003e00:03:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/2d07bc6ddb3d88ea4374044537b325b6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Valsa-Chôro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/8ab09d2bfbae0c6da198f367fad82d44.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Gavotta-Chôro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/c977931ab7768127f62fd483cd7a8f52.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Chôrinho\u003c\/td\u003e\n\n \u003ctd\u003e00:04:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/3731066678a6febc47c76f1ac38c486f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eValse-Chôro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/a7c509570f30ffbae8f604f13ffc8b3e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eChôros No. 1 (Chôro típico) W 161\u003c\/td\u003e\n\n \u003ctd\u003e00:04:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/c467655e6eb7d1453fba8944841ef9a0.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eValsa Concerto No. 2 (completed by Débora Halász)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/079a34a8eaf0bf74e7f8ff3bdd0880d7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003ePréludes Nos. 1-5 W 419\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Homenagem ao Malandro Carioca\u003c\/td\u003e\n\n \u003ctd\u003e00:02:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/1188d5e662c5eb5e280b48fa98485bf4.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 Homenagem à Bach\u003c\/td\u003e\n\n \u003ctd\u003e00:05:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/688236134ac643f917d47a29d2d87f4f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 Homenagem à Vida Social\u003c\/td\u003e\n\n \u003ctd\u003e00:03:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/8e74dd24f1ea77e5b161c59c4918c501.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 Homenagem ao Indio Brasileiro\u003c\/td\u003e\n\n \u003ctd\u003e00:03:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/23e749c8167df12aa09bc3360210569a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Homenagem ao Sertanejo Brasileiro\u003c\/td\u003e\n\n \u003ctd\u003e00:04:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/350\/927\/d3f06d4a17396b68a4a9385869901538.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352613851468,"sku":"BIS2735","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927350-Villa-Lobos--Samtliche-Werke-fur-Gitarre-solo-cover.webp?v=1792460122"},{"product_id":"hommages","title":"Tributes","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Together with their artistic director Julian Azkoul, the United Strings of Europe develop engaging programs with the goal of finding connections between different works and eras, music from various cultures, combining the familiar with the new, and encouraging people to listen to works in different ways and discover new repertoire. With “Hommages,” the ensemble celebrates musical traditions, from the myth of Apollo and the Muses of ancient Greece to 20th-century legends, Carlos Gardel and Astor Piazzolla, which are reinterpreted through contemporary voices. This imaginative program presents, alongside the world premiere recording of Julian Azkoul’s arrangement of Igor Stravinsky’s neoclassical ballet “Apollon musagète,” which was composed in the 1920s, also more recent works. While Dobrinka Tabakova’s “Organum Light,” recorded here for the first time, was inspired by Einstein’s theory of quantum light, Osvaldo Golijov returns to his Argentine roots for “Last Round,” a tribute to two legendary compatriots. Olli Mustonen’s “Second Nonet” is a timeless work with echoes of the Balkans, Romantic music, and Nordic moods. Another work by Mustonen, “Apotheosis,” also a world premiere recording, concludes this diverse program on a dramatic note inspired by Bach’s chorale preludes.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eOrganum Light\u003c\/td\u003e\n\n \u003ctd\u003e00:05:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/82af621209d711df00868d256fb49e8f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eLast Round\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Movido, urgente\u003c\/td\u003e\n\n \u003ctd\u003e00:06:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/8ca45b177885f5c120cdac83f8966546.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Deaths of the Angel (Muertes del Angel)\u003c\/td\u003e\n\n \u003ctd\u003e00:05:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/09a5587dd1b9dd3af41e8909e45694b9.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eApollon musagète (Ballet) (arr. by Julian Azkoul)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNaissance d'Apollon (First tableau: Prologue)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/9f0270875c9d25342b54c8e559494f2c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 2\u003c\/td\u003e\n\n \u003ctd\u003eVariation d'Apollon: Apollon et les Muses (Second tableau)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/3a53d4f6cb307baf166549e304f416d2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 3\u003c\/td\u003e\n\n \u003ctd\u003ePas d'action: Apollon et les trois Muses: Calliope, Polymnie et Terpsichore\u003c\/td\u003e\n\n \u003ctd\u003e00:04:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/1193daf1a7b7c8a33ea4531d417ee909.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 4\u003c\/td\u003e\n\n \u003ctd\u003eVariation de Caliope: l'Alexandrin\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/f1b795d13e245a698417e0ec023f3e79.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 5\u003c\/td\u003e\n\n \u003ctd\u003eVariation de Polymnie\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/e99828fe2fa099c3e7c99f9d50113d2b.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 6\u003c\/td\u003e\n\n \u003ctd\u003eVariation (de) Terpsichore\u003c\/td\u003e\n\n \u003ctd\u003e00:01:34\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/262e29ef90eae2fc936ce0a56faff424.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 7\u003c\/td\u003e\n\n \u003ctd\u003eVariation d'Apollon\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/b7cb88c4fdf2898424fe19fcc9535e68.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 8\u003c\/td\u003e\n\n \u003ctd\u003ePas de deux (Apollon et Terpsichore)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/af56b4ba315771df332405dbd5f61fdf.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 9\u003c\/td\u003e\n\n \u003ctd\u003eCoda (Apollon et les Muses)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/937a50fc11c00e5e9dfd092f486fe052.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 10\u003c\/td\u003e\n\n \u003ctd\u003eApothéose\u003c\/td\u003e\n\n \u003ctd\u003e00:03:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/2919ee6ab3e31848e7cf5f7aa5211490.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eNonet No. 2\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Inquieto -\u003c\/td\u003e\n\n \u003ctd\u003e00:01:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/f82abc4327b8edeaae73770dbb4c3372.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegro impetuoso\u003c\/td\u003e\n\n \u003ctd\u003e00:03:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/8e7c4faebe001c806d7a860a9490ccff.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:07:53\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/b98ab3c1d9a56ffe584c11ce6dcbca69.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Vivacissimo\u003c\/td\u003e\n\n \u003ctd\u003e00:02:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/0233d9b2c7d72a47b9e6a0d84d683612.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eApotheosis for 4 cellos (In memoriam Pablo Casals)\u003c\/td\u003e\n\n \u003ctd\u003e00:04:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/398\/927\/e9dc9a966b5aafa0554562f7d796be66.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352621125964,"sku":"BIS2739","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927398-Hommages-cover.webp?v=1792460139"},{"product_id":"schubert-volume-5","title":"Schubert+, Volume 5","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n In the fifth installment of the critically acclaimed \"Schubert+\" series, Can Çakmur for the first time in this series juxtaposes the Viennese composer with his famous predecessor, Ludwig van Beethoven. Having proven his mastery in the lied genre, Schubert still had to show his full potential in the realm of piano sonatas, a typically Beethovenian form. In his \"Sonata in A major,\" D 664, he forgoes the traditional conflict of the sonata in favor of a melodic narrative in which landscapes seem to change gradually, as if viewed from the perspective of a traveler, thus offering a conception that is as new as it is personal. Beethoven is represented here by a set of variations, a genre in which he also excelled. The \"32 Variations in C minor\" range from tender longing to an emotional turmoil reminiscent of the \"Appassionata\" Sonata. In the \"Sonata in C minor,\" D 958, composed in 1828, the first of his three final sonatas, Schubert claimed his place as Beethoven's successor as a composer of piano sonatas. In a work that Can Çakmur interprets as an homage to Beethoven, Schubert succeeds in synthesizing the master's influence with the lyricism of his own early sonatas. Just a few weeks before his death, the younger composer finally sits beside the older master and engages with him on equal terms.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata in A major, Op. 120, D 664\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro moderato\u003c\/td\u003e\n\n \u003ctd\u003e00:10:36\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/503\/927\/2155458ed76cdba7cb078a1eead2f39c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante\u003c\/td\u003e\n\n \u003ctd\u003e00:04:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/503\/927\/a239d7838fb5fa204d4491e6baca2ecb.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:08:10\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/503\/927\/bff5cc1b55abe453d764b9ea7df6c355.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003e32 Variations on an Original Theme in C minor, WoO 80\u003c\/td\u003e\n\n \u003ctd\u003e00:11:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/503\/927\/41175d192a130fc45de9c20892b1ec47.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata in C minor, D 958\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:10:31\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/503\/927\/7bbb29e08b2d4f2f3223754a9f668e6f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:07:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/503\/927\/982d5dbc0217a6bce278ba001af8c1bd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Menuetto: Allegro - Trio\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/503\/927\/1628f3f8e96d30475714a1bfa0e02434.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:10:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/503\/927\/c6056471e6b4c7fc731c9228fd5f6290.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352629711180,"sku":"BIS2750","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927503-Schubert_-Volume-5-cover.webp?v=1792460193"},{"product_id":"brahms-ein-deutsches-requiem-2","title":"Brahms: A German Requiem","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Before Johannes Brahms conquered the concert halls with his symphonies, he made a name for himself as a choral conductor. He led vocal ensembles in his hometown of Hamburg, in Detmold, and in Vienna, enriching the repertoire with his own music. \"A German Requiem,\" composed between 1865 and 1868, is his most extensive choral work and a milestone in his artistic development. In this work, Brahms combines text passages from the Old and New Testaments in an unconventional way: the subject of the text and music is no longer the deceased, for whose redemption we pray, but the survivor, who is to be comforted. With this, Brahms turned away from ecclesiastical conventions and created a very atypical requiem that has nothing to do with the frequently set Latin Requiem Mass of the Catholic Church. Instead, it was designed from the beginning for the concert hall or church concerts. Musically, the Requiem draws upon earlier traditions in a highly personal way, yet remains firmly anchored in a Romantic choral language, sometimes embedded in lush orchestral textures. Following countless acclaimed recordings dedicated to the sacred music of Bach, Mozart, and Beethoven, Masaaki Suzuki and the Bach Collegium Japan now present their unique vision of Brahms' masterpiece.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eA German Requiem, Op. 45\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSelig, die da Leid tragen\u003c\/td\u003e\n\n \u003ctd\u003e00:09:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/510\/927\/d31bfd2c337eb7344bca6348532d135f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003eDenn alles Fleisch, es ist wie Gras\u003c\/td\u003e\n\n \u003ctd\u003e00:14:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/510\/927\/7ed8ef650e52ff1d755cf59a608cf6b2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003eHerr, lehre mich doch\u003c\/td\u003e\n\n \u003ctd\u003e00:09:02\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/510\/927\/5155f8d6a5943f571c73978587493489.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003eWie lieblich sind Deine Wohnungen\u003c\/td\u003e\n\n \u003ctd\u003e00:05:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/510\/927\/3108022414c1f580237b77553d2ba286.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003eIhr habt nun Traurigkeit\u003c\/td\u003e\n\n \u003ctd\u003e00:06:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/510\/927\/fd41968c301e91d5749ff8b5484cc459.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003eDenn wir haben hie keine bleibende Statt\u003c\/td\u003e\n\n \u003ctd\u003e00:10:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/510\/927\/4b39b9740ffb085df3efb95b0bcdc5d1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 7\u003c\/td\u003e\n\n \u003ctd\u003eSelig sind die Toten\u003c\/td\u003e\n\n \u003ctd\u003e00:09:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/510\/927\/f6e8be7b7d21db2ec34f4afd83d3de85.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352635085132,"sku":"BIS2751","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927510-Brahms--Ein-deutsches-Requiem-cover.webp?v=1792460205"},{"product_id":"beethoven-klaviersonate-op-106-hammerklavier-sonate-liszt-klaviersonate-h-moll","title":"Beethoven: Piano Sonata Op. 106 (Hammerklavier Sonata) \/ Liszt: Piano Sonata in B Minor","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Following his recordings dedicated to Beethoven's piano concertos and Franz Liszt's Transcendental Études, the gold medalist of the 2009 13th Van Cliburn International Piano Competition, Haochen Zhang, now brings these two composers together on this new recording with two highlights of 19th-century piano literature: Beethoven’s \"Hammerklavier\" Sonata and Liszt’s Sonata in B minor. Piano Sonata No. 29, the \"Hammerklavier,\" is the longest, most multifaceted, and perhaps most masterful of Beethoven's 32 sonatas. In it, he pushes the instrument and the performer to their limits and even beyond. Its immense complexity, the extreme diversity of its movements, and its daring structural conception give the sonata an incomparable place in Beethoven's oeuvre. During Beethoven's lifetime, it was played only very rarely, and Franz Liszt helped bring about its discovery with a concert performance in Paris that has since gone down in history. Liszt, who was no stranger to the description \"unplayable,\" also wanted to write the piano sonata that would reconcile his own approach to piano playing with Beethoven's legacy. His Sonata in B minor, a monumental work that transforms the piano into a virtual orchestra, is a milestone that embodies Liszt's genius in a single work.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata No. 29 in B-flat major, Op. 106 \"Große Sonate für das Hammerklavier\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:10:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/817\/927\/06127e04ea79b4dd4588aa6fa2c0af97.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Scherzo: Assai vivace\u003c\/td\u003e\n\n \u003ctd\u003e00:02:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/817\/927\/1da7b5d9a2756c1883cc66145a009830.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio sostenuto (Appassionato e con molto sentimento)\u003c\/td\u003e\n\n \u003ctd\u003e00:18:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/817\/927\/78a448138458c1724af080c9ffb05259.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Largo - Allegro - Allegro risoluto (Fuga a tre voci, con alcune licenze)\u003c\/td\u003e\n\n \u003ctd\u003e00:12:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/817\/927\/dbb5ed6efc529da595d9cd76203294ac.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003ePiano Sonata in B minor, S. 178\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Lento assai - Allegretto energico - Grandioso - Recitativo\u003c\/td\u003e\n\n \u003ctd\u003e00:12:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/817\/927\/9e5de09db0dbbfa3b1fe16af078fb004.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Andante sostenuto - Quasi adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:07:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/817\/927\/28863c9866207b41faed1dce236bbbfe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro energico - Più mosso - Stretta quasi presto - Presto - Prestissimo - Andante sostenuto - ...\u003c\/td\u003e\n\n \u003ctd\u003e00:11:29\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/817\/927\/c985039eb51b27eb0472b50709c68ebd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58352648126796,"sku":"BIS2781","price":19.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927817-Beethoven--Klaviersonate-op.webp?v=1792460367"},{"product_id":"schubert-irrlichter","title":"Schubert: Will-o'-the-wisps","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Austrian mezzo-soprano Sophie Rennert, accompanied by experienced pianist Joseph Middleton, presents a selection of Schubert Lieder, blending beloved masterpieces with lesser-known gems. Sophie Rennert’s extensive operatic repertoire ranges from Baroque to contemporary works, from Henry Purcell, Jean-Philippe Rameau, George Frideric Handel, and Antonio Vivaldi to Wolfgang Amadeus Mozart and operetta. Numerous recordings with leading figures in the early music scene further attest to the quality of her voice. Praised by critic David Nice as \"a mezzo with many colors, subtlety, dramatic intelligence, and an extremely brilliant top,\" it was only a matter of time before she would lend her voice to the highly dramatic Lieder of Franz Schubert. The title of this concert, \"Irrlichter\" (Will-o'-the-wisps), is derived from Rennert’s favorite song, \"Des Fischers Liebesglück.\" And much like a will-o'-the-wisp, the composer leaves us in a state of uncertainty. Is the song a memory or merely a deep, unfulfilled longing? This feeling, which permeates all of Schubert's music, is in a sense the red thread that runs through this collection of songs with their twilight mood. Each of these individual Schubert settings portrays a different dream, a different longing, waiting to be discovered.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eDer Zwerg (Im trüben Licht verschwinden schon die Berge) op. 21 Nr. 2 D 771\u003c\/td\u003e\n\n \u003ctd\u003e00:05:12\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/96d0838ae439ccc7ce11c26b844367b5.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eDes Fischers Liebesglück (Dort blinket durch Weiden) D 933\u003c\/td\u003e\n\n \u003ctd\u003e00:07:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/2aaf33bfa187d19cc8533121d112cb55.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eWillkommen und Abschied (Es schlug mein Herz) op. 56 Nr. 1 D 767\u003c\/td\u003e\n\n \u003ctd\u003e00:03:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/41f84503d07101e418def1f51d1e8c61.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eIm Freien (Draußen in der weiten Nacht) op. 80 Nr. 3 D 880\u003c\/td\u003e\n\n \u003ctd\u003e00:05:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/1a3b2e9152da86a2691b63cc78a2b0a1.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eKolmas Klage (Rund um mich Nacht) D 217\u003c\/td\u003e\n\n \u003ctd\u003e00:06:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/67d9b4c2dd5bda88e1567bd97d8359ba.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eGretchen am Spinnrade (Meine Ruh ist hin) op. 2 D 118\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/be5d1e67d870a7643d59aed10859fcb5.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eSchwesterngruß (Im Mondenschein wall ich auf und ab) D 762\u003c\/td\u003e\n\n \u003ctd\u003e00:06:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/9c3ca8cd34e181310dd182d0adb435f0.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eDie Taubenpost D 965a\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/140edc04faf510c05ad852aeadb3e038.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eDer Winterabend (Es ist so still) D 938\u003c\/td\u003e\n\n \u003ctd\u003e00:07:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/786ab2fed86fa7c02d489c27c6e98e99.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eIm Abendrot (O wie schön ist deine Welt) D 799\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/7fcfa5d662e2e0201c56954ca111034d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eErlkönig (Wer reitet so spät durch Nacht und Wind) op. 1 D 328\u003c\/td\u003e\n\n \u003ctd\u003e00:03:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/98288d147dd1e31289368dee7012260f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eNachtstück (Wenn über Berge sich der Nebel kämpft) op. 36 Nr. 2 D 672\u003c\/td\u003e\n\n \u003ctd\u003e00:05:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/010e238097b2c621e2a81159936beb79.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13\u003c\/td\u003e\n\n \u003ctd\u003eAn den Mond in einer Herbstnacht D 614\u003c\/td\u003e\n\n \u003ctd\u003e00:07:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/588\/924\/e8b5b91a17bfc7e349a3ae177a4b3483.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58353448452428,"sku":"BIS2458","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599924588-Schubert--Irrlichter-cover.webp?v=1792456802"},{"product_id":"aho-sinfonie-nr-17-symphonic-frescoes","title":"Aho: Symphony No. 17 (Symphonic Frescoes)","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The highly prolific Finnish composer Kalevi Aho regularly dedicates himself to large-scale compositions, in which he puts his entire artistic prowess to the test. Symphony No. 17 is an example of this tendency and represents his most ambitious orchestral work to date. The symphony requires a large orchestra, which also makes use of less common instruments such as the lupophone, a variant of the baritone oboe, and the contraforte, an acoustically enhanced contrabassoon. The first movement, \"From the Deep,\" which can also be performed as an independent symphonic poem, creates a dark and profound atmosphere. The second movement, \"Scherzo macabre,\" suggests a macabre dance of death. The finale, \"Distant Songs,\" is characterized by musical shifts that evoke distant times, dances, and songs, before finally returning to the present. Following its triumphant premiere in 2019, the symphony was immediately hailed as a masterpiece within Kalevi Aho's oeuvre. The Lahti Symphony Orchestra, conducted by Erkki Lasonpalo, was the performer of this world-premiere recording. The composer attended the recording session.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 17\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. From the Deep (Syvvydestä)\u003c\/td\u003e\n\n \u003ctd\u003e00:23:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/766\/926\/6fc0346bdd16fdde9e56401fd3797b0c.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Scherzo macabre\u003c\/td\u003e\n\n \u003ctd\u003e00:13:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/766\/926\/d2c8238e9e575259c5105cb8d93a77cd.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Distant Song (Kaukaisia lauluja)\u003c\/td\u003e\n\n \u003ctd\u003e00:23:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/766\/926\/3f8579f08255277728255a57d6ddc039.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58353448485196,"sku":"BIS2676","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926766-Aho--Sinfonie-Nr.webp?v=1792459501"},{"product_id":"hillborg-vaporised-tivoli","title":"Hillborg: Vaporised Tivoli","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Following his critically acclaimed recording of the five symphonies by Galina Ustvolskaya, conductor Christian Karlsen now joins the Swedish Chamber Orchestra to tackle the orchestral and concertante works of Anders Hillborg, Sweden’s most frequently performed living composer. The recording opens with Piano Concerto No. 1, a hyperactive and virtuosic work full of intricate detail, performed here by one of the leading interpreters of the contemporary piano repertoire, Tamara Stefanovich. Also on the program is the Cello Concerto, distinguished by the intimacy of its score and a direct, minimalist simplicity of expression, played by Nicolas Altstaedt—the work's dedicatee and one of the most sought-after and versatile artists of the present day. Also featured: the “Kongsgaard Variations,” a meditative composition based on the “Arietta” from Beethoven’s Piano Sonata Op. 111, and “Vaporised Tivoli,” a frenzied and hallucinatory evocation of a fairground. Hillborg’s music inspires musicians and music lovers around the world through its deep expressiveness, unbridled energy, and love for the absurd and unexpected, making this recording an excellent introduction to the fascinating world of this unique composer.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Piano and Orchestra No. 1\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Quarter note = 112 Steady tempo -\u003c\/td\u003e\n\n \u003ctd\u003e00:06:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/4e9000509cf185db3555d5f35d3d883f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Very calm and serene, dolcissimo -\u003c\/td\u003e\n\n \u003ctd\u003e00:12:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/8ac923c2f41d3253c24422c496aef843.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Quarter note = 84\u003c\/td\u003e\n\n \u003ctd\u003e00:07:51\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/0051a583b7819c944a492465f32f9302.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eKongsgaard Variations\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAdagio molto - Semplice e cantábile - Legatissimo\u003c\/td\u003e\n\n \u003ctd\u003e00:16:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/607081fc169c5c13bb3146d1f9b15035.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eVaporised Tivoli\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003eEnormously frenzied and rough\u003c\/td\u003e\n\n \u003ctd\u003e00:09:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/e7b0628423eb8f616b492c488361515e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eConcerto for Cello and Orchestra\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Quarter note = 120 Accelerando -\u003c\/td\u003e\n\n \u003ctd\u003e00:04:14\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/fce3f75716f3b064e3277235690ae0ee.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Quarter note = ca. 96 (score: F) -\u003c\/td\u003e\n\n \u003ctd\u003e00:04:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/c4233e85f277bf3c9aceaed2063b7b1f.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Quarter note = 90 Più mosso (T) -\u003c\/td\u003e\n\n \u003ctd\u003e00:08:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/2b97bc954bfb27b84e01cc8a98978d41.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Quarter note = 152 Molto più mosso (G1) -\u003c\/td\u003e\n\n \u003ctd\u003e00:04:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/e68652a80d5273aa2982459b485e948a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Quarter note = ca. 168 (U1)\u003c\/td\u003e\n\n \u003ctd\u003e00:06:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/841\/926\/d46aa00974eb835d90c505baf89b17c6.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58353448583500,"sku":"BIS2684","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926841-Hillborg--Vaporised-Tivoli-cover.webp?v=1792459583"},{"product_id":"beethoven-streichquartette-op-59-nr-1-2","title":"Beethoven: String Quartets Op. 59, Nos. 1 + 2","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n The Chiaroscuro Quartet now presents the fourth installment of its ongoing complete recording of Ludwig van Beethoven's string quartets. This latest release focuses on the first two of the three quartets from Opus 59, known as the “Razumovsky Quartets” and named after their patron, the Russian ambassador in Vienna, Count Andreas Razumovsky, who maintained a quartet at his palace. Beethoven was particularly proud of these new quartets, even though they initially caused confusion among audiences, critics, and even performers. When a violinist complained about their difficulty, Beethoven famously retorted: ‘Oh, they are not for you, but for a later age.’ The first, in F major, was almost certainly the longest string quartet composed up to that time, and its unprecedented weight and density earned it the nickname “Eroica” among Beethoven’s quartets. The second, in E minor, is often described as a ‘close relative’ of the ‘Appassionata’ Sonata, as both works – composed around the same time – are permeated from beginning to end by a deep darkness. The Chiaroscuro Quartet’s previous releases in this cycle have already been met with the highest praise from the music press, being lauded as ‘breathtaking’, ‘bursting with tension and youthful vitality’, and ‘a truly special experience’. There is no doubt that this latest release will receive similar critical acclaim.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 7 in F Major, Op. 59 No. 1 \"Razumovsky 1\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:10:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/889\/926\/aec1728ad58e35d9146e4fb34a15cbfe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Allegretto vivace e sempre scherzando\u003c\/td\u003e\n\n \u003ctd\u003e00:08:35\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/889\/926\/3aef79379be2bc05da74321537a5f397.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Adagio molto e mesto\u003c\/td\u003e\n\n \u003ctd\u003e00:11:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/889\/926\/01cb707f983f06945595a58bec571979.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Thème russe: Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:08:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/889\/926\/3691c21c5b79937473ba76c769c836db.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eString Quartet No. 8 in E Minor, Op. 59 No. 2 \"Razumovsky 2\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Allegro\u003c\/td\u003e\n\n \u003ctd\u003e00:14:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/889\/926\/58610cf08dcb61ecfe54b45d3b7264d2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Molto adagio\u003c\/td\u003e\n\n \u003ctd\u003e00:11:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/889\/926\/1b2cac152e4e4c702933dfe9cc61542a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegretto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/889\/926\/7ca8e30bfdbc792f984d57a65e98c54c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Finale: Presto\u003c\/td\u003e\n\n \u003ctd\u003e00:06:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/889\/926\/bacc375df9f8e333c34b8808efd38444.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58353448714572,"sku":"BIS2688","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926889-Beethoven--Streichquartette-op.-59_-Nr.webp?v=1792459644"},{"product_id":"amidst-the-shades","title":"Inmitten der Schatten","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Soprano Ruby Hughes, celebrated for the deep ‘understanding and elegance’ (Gramophone) of her artistry, possesses a remarkable discography of recitals that showcase the exquisite beauty of her voice. She is particularly known for her carefully curated programmes that bridge works from different eras. In “Amidst the Shades,” Hughes is reunited with gambist Mime Yamahiro Brinkmann and lutenist Jonas Nordberg – the same inspiring musical constellation that contributed to the success of “Heroines of Love and Loss.” This new recital explores their shared passion for Elizabethan music, which served as the catalyst for the programme's creation. The contemplative and melancholic songs of John Dowland form the foundation, followed by works by Robert Johnson and John Danyel, interwoven with Henry Purcell’s intimate vocal pieces. To further enrich the repertoire for lute and voice, Hughes commissioned new works from Errollyn Wallen and Deborah Pritchard based on texts by William Shakespeare. Furthermore, she received permission from Cheryl Frances-Hoad to arrange one of her existing compositions for this unique ensemble. “Amidst the Shades” promises a recital full of nuanced expressiveness and delicate timbres.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eCome again, sweet love doth now invite\u003c\/td\u003e\n\n \u003ctd\u003e00:04:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/346edee6bb0efb4a5485898ef4444ffd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eThe First Book of Songs or Ayers (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eCan she excuse my wrongs (Galliard)\u003c\/td\u003e\n\n \u003ctd\u003e00:02:25\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/095a4d2a8d3d06c6e1087840bf062195.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eTime stand still\u003c\/td\u003e\n\n \u003ctd\u003e00:04:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/4e3475cd5cd1acc6d50b6846b28a710a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eThe Second Book of Songs or Ayers (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eFlow my Tears\u003c\/td\u003e\n\n \u003ctd\u003e00:04:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/65d610f2fc908639fc73d0f2bcf47128.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eLord strangs' march P. 65\u003c\/td\u003e\n\n \u003ctd\u003e00:01:40\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/45e2dd7055cd0776ed5f01281b55b0f6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eMrs. Winter's Jump\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/a45d741671d23fe356ca0df8eaaa2f75.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eCare chaminge sleepe\u003c\/td\u003e\n\n \u003ctd\u003e00:03:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/474fae25e353e514c5857fb8b5cac871.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eWhere the Bee sucks\u003c\/td\u003e\n\n \u003ctd\u003e00:01:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/6f38d3166e6c2cb1092f64251b9fe1a9.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eFull fathom five\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/3e60e2ed71412685fb309f77a298f6f1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eLast will and testament\u003c\/td\u003e\n\n \u003ctd\u003e00:05:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/8e8bd4312b4ae1b174409af4124aed35.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eMrs. M. E. her funeral tears for the death of her husband (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eGrief, keep within\u003c\/td\u003e\n\n \u003ctd\u003e00:02:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/f5ab53c507259ba1fe2116e94fa42c35.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003eDrop not, mine eyes\u003c\/td\u003e\n\n \u003ctd\u003e00:02:44\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/7d9a60d5d7cc9ffcb51863595b0ad3f7.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003eHave all our passions?\u003c\/td\u003e\n\n \u003ctd\u003e00:02:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/0a904a7924e8acc12baf16b2145ac000.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14\u003c\/td\u003e\n\n \u003ctd\u003eLoves farewell\u003c\/td\u003e\n\n \u003ctd\u003e00:04:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/950b0cffcc0156fa6373c5e9680cf68f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15\u003c\/td\u003e\n\n \u003ctd\u003eAmidst the Shades and cool refreshing Streams Z 355\u003c\/td\u003e\n\n \u003ctd\u003e00:03:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/5b1de7e347265816e148be9ed626723e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eO Solitude Z 406\u003c\/td\u003e\n\n \u003ctd\u003e00:06:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/2108a37e61fb0dc7b430b84a8019387d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17\u003c\/td\u003e\n\n \u003ctd\u003eHere the deities approve\u003c\/td\u003e\n\n \u003ctd\u003e00:03:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/64d19043a77927330ca3e2cf8bb4e907.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eSweeter than roses\u003c\/td\u003e\n\n \u003ctd\u003e00:03:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/8975d62d12985f2a3c82206ead457b3e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eA Boy was Born op. 3 (excerpt) (arr. for soprano, viola da gamba and lute by Jonas Nordberg)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 1\u003c\/td\u003e\n\n \u003ctd\u003eCorpus Christi (Carol)\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/ef96026c35284489b6cd6fe042b5bea2.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eThe shadow of my sorrow\u003c\/td\u003e\n\n \u003ctd\u003e00:03:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/b8dd539ecb2daabd0431cdcafb92ca1f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eOphelia's songs (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 How should I your true love know\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/97cdbc7586395bf7da5bc54a85fffb62.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22\u003c\/td\u003e\n\n \u003ctd\u003eShakespear Songs No. 1-2 (excerpt) (arr. for soprano, viola da gamba and lute by Jonas Nordberg)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 1\u003c\/td\u003e\n\n \u003ctd\u003eThey bore him bare-faced on the bier\u003c\/td\u003e\n\n \u003ctd\u003e00:03:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/4ec0042379f4baebe693392dffe93fb5.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23\u003c\/td\u003e\n\n \u003ctd\u003eOphelia's songs (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 Will he not come again\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/988\/926\/e940c9ee5b7181ca7c6a9bd60958fc10.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58353448780108,"sku":"BIS2698","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599926988-Amidst-the-Shades-cover.webp?v=1792459777"},{"product_id":"a-poets-love","title":"A Poet's Love","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n British mezzo-soprano and BBC New Generation Artist Helen Charlston and pianist Sholto Kynoch present their interpretation of Robert Schumann’s famous song cycle \"Dichterliebe,\" based on poems by the early 19th-century German poet Heinrich Heine. The sixteen songs tell of the birth of love, of wonder, of the fragility of love, of emotions and nuances, of wounds, of grief, of nostalgia, of dreams, of tears, of betrayal, of pain, of comfort, of death... The music expresses all the unhappiness that the poet had to endure, as if the poet and Schumann were mirror images of each other. This recording also features other songs set to texts by Heine, demonstrating the German poet's popularity among Austro-German composers of the early nineteenth century. Songs by Carl Loewe, Josephine Lang, Fanny Mendelssohn-Hensel, and Felix Mendelssohn complete this exploration of Heine’s poetry. Alongside Schumann’s cycle, the second highlight of this concert is the premiere recording of a work that Helen Charlston commissioned from the composer (and singer) Héloïse Werner: \"Knight's Dream,\" which is also based on a text by Heine and was intended as a companion piece to \"Dichterliebe.\" This imaginative and bold new work is both an homage and a playful dialogue with Schumann and Heine, bringing past and present together in a lyrical conversation.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eBallads (Vol. 1) op. 9 No. 1-6 \"Der Heinesche Liederkreis\" (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 The Lotus Flower\u003c\/td\u003e\n\n \u003ctd\u003e00:02:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/6c0cc7d487023eccc4083d3ee473e5b4.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eGerman Songs op. 33 No. 1-6 \"Disteln und Dornen\" (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 When Two Part Ways\u003c\/td\u003e\n\n \u003ctd\u003e00:01:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/0b3bff39738209f8c6530159818699aa.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eSongs op. 1 No. 1-6 (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 Swan Song\u003c\/td\u003e\n\n \u003ctd\u003e00:02:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/4a14370d4d5ea22a70aae1c571762eaf.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eMyrtles op. 25 No. 1-26 (Song Cycle) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 The Lotus Flower\u003c\/td\u003e\n\n \u003ctd\u003e00:01:55\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/641c36495ccae77c599466ef78ad4cd3.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003ePine Tree and Palm\u003c\/td\u003e\n\n \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/6e3fd3c420f336870740592bcf13daab.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eSongs op. 34 No. 1-6 (6 Songs) (Excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 Travel Song\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/03614c1d2455803d1072027a414026dc.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eKnight's Dream\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eOnce There Was a Knight\u003c\/td\u003e\n\n \u003ctd\u003e00:03:33\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/f25fc3ea9eca895e00106baebb640664.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 2\u003c\/td\u003e\n\n \u003ctd\u003eThen His Beloved Comes Sneaking In\u003c\/td\u003e\n\n \u003ctd\u003e00:01:48\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/481f6753dd31e9dcb9cb4e6d69b04a0e.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 3\u003c\/td\u003e\n\n \u003ctd\u003eThe Knight\u003c\/td\u003e\n\n \u003ctd\u003e00:02:05\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/733a3f8871dd180c98f6cf290d271abc.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 4\u003c\/td\u003e\n\n \u003ctd\u003eThe Knight Sits Again\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/8b44c8b1069442bcdd3655da8d8866e4.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 5\u003c\/td\u003e\n\n \u003ctd\u003ePostlude\u003c\/td\u003e\n\n \u003ctd\u003e00:03:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/3568851b13580ee0a2324aad54810631.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eDichterliebe op. 48 No. 1-16 (Songs after poems by Heinrich Heine)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 1 In the Beautiful Month of May\u003c\/td\u003e\n\n \u003ctd\u003e00:01:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/f1f09f66f5a8f4a804f69c816c2c2ee8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 2 From My Dreams Springs\u003c\/td\u003e\n\n \u003ctd\u003e00:00:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/f81d8773fffbf5de32728157f4ea3ad2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 3 The Rose, The Lily\u003c\/td\u003e\n\n \u003ctd\u003e00:00:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/abf897bb36957d3e2e0d40feab783355.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 4 When I Look Into Your Eyes\u003c\/td\u003e\n\n \u003ctd\u003e00:01:49\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/b73c64ad2586385d0d1adda78dee6e07.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 5 I Want to Immerse My Soul\u003c\/td\u003e\n\n \u003ctd\u003e00:01:09\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/b8b88ceae6cd565adacbad4086d1fcab.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 6\u003c\/td\u003e\n\n \u003ctd\u003eNo. 6 In the Rhine, in the Holy River\u003c\/td\u003e\n\n \u003ctd\u003e00:02:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/222a32a63e173d49e1d93da4f51edc3d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 7\u003c\/td\u003e\n\n \u003ctd\u003eNo. 7 I Will Not Grumble\u003c\/td\u003e\n\n \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/51c8a9d6175752aa1bb05495223a2d38.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 8\u003c\/td\u003e\n\n \u003ctd\u003eNo. 8 And If the Flowers Knew\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/d974dfceac580f8b99c8df14a453b4c8.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 9\u003c\/td\u003e\n\n \u003ctd\u003eNo. 9 There Is a Fluting and Fiddling\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/960342402ac49820f3ef262646ff1ac2.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 10\u003c\/td\u003e\n\n \u003ctd\u003eNo. 10 When I Hear the Song Resound\u003c\/td\u003e\n\n \u003ctd\u003e00:03:07\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/4bdfd11cd08a85864276df6df994a719.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 11\u003c\/td\u003e\n\n \u003ctd\u003eNo. 11 A Youth Loves a Maiden\u003c\/td\u003e\n\n \u003ctd\u003e00:01:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/9db3e2daedd78010558ad0271b03b523.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 12\u003c\/td\u003e\n\n \u003ctd\u003eNo. 12 On a Radiant Summer Morning\u003c\/td\u003e\n\n \u003ctd\u003e00:02:59\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/4d81a025369acd91cec8a94b450c9a87.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 13\u003c\/td\u003e\n\n \u003ctd\u003eNo. 13 I Wept in My Dream\u003c\/td\u003e\n\n \u003ctd\u003e00:02:23\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/58804b52172d884fdbdf6aaa38c5692a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 14\u003c\/td\u003e\n\n \u003ctd\u003eNo. 14 Nightly in Dreams\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/68e5c617c994f98ccdf9ad384c00f452.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 15\u003c\/td\u003e\n\n \u003ctd\u003eNo. 15 From Old Fairy Tales\u003c\/td\u003e\n\n \u003ctd\u003e00:03:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/a8cb2007d14323e90524a75d0a56da1d.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 16\u003c\/td\u003e\n\n \u003ctd\u003eNo. 16 The Old, Evil Songs\u003c\/td\u003e\n\n \u003ctd\u003e00:05:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/046\/927\/675635329760316f0281aa87171d189a.mp3\"\u003epreview\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58353448812876,"sku":"BIS2704","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927046-A-Poet_s-Love-cover.webp?v=1792459840"},{"product_id":"northern-horizons","title":"Northern Horizons","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Throughout history, the vast landscapes and myths of the Nordic countries have fired the imagination of artists. Finnish horn player Markus Maskuniitty and pianist Martin Sturfält perform works that, although spanning more than a century, are all inspired by these themes. The compositions gathered here approach these Nordic themes from different angles and combine traditional folk influences with contemporary classical techniques, while exploring the lyrical and dramatic possibilities of the horn and its rich tonal palette. Recent compositions by Piers Hellawell, Tryggvi M Baldvinsson, Albert Schnelzer and Benjamin Staern are combined with older works by Carl Nielsen, Hugo Alfvén and Julius Röntgen, including his “Aus Jotunheim,” a suite distinguished by an irresistible Norwegian character in all five movements and citing everything from cattle calls to lullabies, including rustic folk dances. This imaginative program, designed by Maskuniitty and Sturfält, places the unique character of Nordic musical identity at the center.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eIce Feathers\u003c\/td\u003e\n\n \u003ctd\u003e00:04:17\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/d0301479672bf9f1c231250b9cb2f918.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2\u003c\/td\u003e\n\n \u003ctd\u003eNarwhal Joust\u003c\/td\u003e\n\n \u003ctd\u003e00:04:27\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/adc567af47bc826b4ee0f293d9b044ea.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eCanto Serioso CNW 67\u003c\/td\u003e\n\n \u003ctd\u003e00:03:45\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/75ea6b5f33971aa0d1aa6c696599f182.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4\u003c\/td\u003e\n\n \u003ctd\u003eNotturno elegiaco op. 5\u003c\/td\u003e\n\n \u003ctd\u003e00:05:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/6d4c135d4edbe44b43bfe873aac885e3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5\u003c\/td\u003e\n\n \u003ctd\u003eFantasiestück\u003c\/td\u003e\n\n \u003ctd\u003e00:11:38\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/2e5fd13ab68a0c6e837a81d2f2fe3b7a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6\u003c\/td\u003e\n\n \u003ctd\u003eSuite on Norwegian Folk Songs \"Aus Jotunheim\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Lento, ma un poco andante\u003c\/td\u003e\n\n \u003ctd\u003e00:03:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/1d58322d29169a52b1574752e1eae4d8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Vivo ed energico\u003c\/td\u003e\n\n \u003ctd\u003e00:03:16\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/e0640912bb13e80ff7a9892274ea689d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Andante con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:02:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/e058b54a3169f354d9f558ed4fd13247.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro giocoso\u003c\/td\u003e\n\n \u003ctd\u003e00:03:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/cd0d8ad1e1ae7eebae5ef0ea7c910446.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Lento, con gran espressione\u003c\/td\u003e\n\n \u003ctd\u003e00:07:11\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/ae79d37e7dcc05359a710890ed6447ce.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eI remember river clear\u003c\/td\u003e\n\n \u003ctd\u003e00:07:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/665d0f8316e36662490dad5fdae048e1.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12\u003c\/td\u003e\n\n \u003ctd\u003eDay and night\u003c\/td\u003e\n\n \u003ctd\u003e00:11:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/121\/927\/e0ad6acd4800dfe5452277e14ed66b2f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58353448943948,"sku":"BIS2712","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927121-Northern-Horizons-cover.webp?v=1792459902"},{"product_id":"les-ages-du-monde","title":"The Ages of the World","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Following highly acclaimed recordings of English music for viol consort, particularly by Christopher Simpson, Henry Purcell, and William Byrd, the Chelys Consort now presents a program exploring the type of music that was presumably played in 16th- and 17th-century France. The works presented here include arrangements and fantasies on popular songs, dances, and a suite, demonstrating the extreme versatility of the viola da gamba, which was able to adapt to all musical genres, whether alone or in a group. Although the golden age of this instrument in France was between the mid-17th and mid-18th centuries – represented here by works by Marc-Antoine Charpentier, Nicolas Métru, and Jean-Baptiste Lully – the program also places great importance on earlier compositions, with dances and fantasies by Jacques Caroubel, Claude Le Jeune, Étienne Moulinié, Eustache Du Caurroy, Louis Couperin, and Henri Dumont. Finally, the program includes three pieces for solo guitar by François Campion, played by guest musician James Akers. These pieces serve as a reminder that the Baroque guitar, anticipated in paintings by Jan Vermeer and Antoine Watteau, would eventually supersede the lute as the most widespread musical instrument in ordinary households. A program is now at hand that highlights elegance, refined melancholy, beautiful sound, and a subtle dialogue between the different instruments.\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eTerpsichore, Musarum Aoniarum (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Passamezze\u003c\/td\u003e\n\n \u003ctd\u003e00:02:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/d731ec83af0e7c18bae9bd5cd0b1d7b3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Pavane de Spaigne\u003c\/td\u003e\n\n \u003ctd\u003e00:01:13\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/e67d69ee32de361c89d678624f9f10c3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. L'Espagnollette\u003c\/td\u003e\n\n \u003ctd\u003e00:01:01\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/5aa53594a155729bc09ce694c8185a7a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Bransle double de Poictou 1 and 2\u003c\/td\u003e\n\n \u003ctd\u003e00:01:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/d2bf85f29b483e300b38479b66b2b7af.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Bransle de Montirande 1 and 2\u003c\/td\u003e\n\n \u003ctd\u003e00:01:20\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/1faa49e4aac7d3f2b79d4f31e137f62c.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Gavotte\u003c\/td\u003e\n\n \u003ctd\u003e00:01:06\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/201562a3a8670c7cb442fe8df575d7bd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7\u003c\/td\u003e\n\n \u003ctd\u003eChansons spirituelles (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e7 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSusanne un jour\u003c\/td\u003e\n\n \u003ctd\u003e00:02:03\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/5754bd7b9fcc1a3239cffbb9ef0de966.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8\u003c\/td\u003e\n\n \u003ctd\u003eMeslanges (Livre 1) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e8 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSusanne un jour\u003c\/td\u003e\n\n \u003ctd\u003e00:03:47\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/cbe14eeb153b2e53c2901211997ee6aa.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9\u003c\/td\u003e\n\n \u003ctd\u003eLivre d'airs de cour a 4 et a 5 parties (Livre 5) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e9 . 1\u003c\/td\u003e\n\n \u003ctd\u003eFantasia No. 3 for 4 viols\u003c\/td\u003e\n\n \u003ctd\u003e00:03:08\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/e31420f07ccc6cef49c3933c0705445d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e10\u003c\/td\u003e\n\n \u003ctd\u003eUne jeune fillette (arr. for string quartet, bass viol, lute, and Baroque guitar by Tamsin Lewis and Ibrahim Aziz)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:21\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/29ef2911125af92de99585371f58bc98.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11\u003c\/td\u003e\n\n \u003ctd\u003eFantasies for 3, 4, 5, and 6 voices: Fantasia No. 1-5 on \"Une jeune fillette\"\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e11 . 1\u003c\/td\u003e\n\n \u003ctd\u003eNo. 29 Fantasia for 3 voices\u003c\/td\u003e\n\n \u003ctd\u003e00:01:26\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/645faafc85a5933376b9ec6b10655931.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e12 . 2\u003c\/td\u003e\n\n \u003ctd\u003eNo. 30 Fantasia for 3 voices\u003c\/td\u003e\n\n \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/254c3bd1ef2a79426ae27d818d30b137.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e13 . 3\u003c\/td\u003e\n\n \u003ctd\u003eNo. 31 Fantasia for 4 voices\u003c\/td\u003e\n\n \u003ctd\u003e00:01:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/88c5768fdcc21edca87c17f178919154.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e14 . 4\u003c\/td\u003e\n\n \u003ctd\u003eNo. 32 Fantasia for 4 voices\u003c\/td\u003e\n\n \u003ctd\u003e00:01:19\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/dc232ffeadfe77dad3f31566376e2b77.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e15 . 5\u003c\/td\u003e\n\n \u003ctd\u003eNo. 33 Fantasia for 5 voices\u003c\/td\u003e\n\n \u003ctd\u003e00:01:24\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/5a4794da233a1eded059c2a9db4970cd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16\u003c\/td\u003e\n\n \u003ctd\u003eOldham Manuscript (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e16 . 1\u003c\/td\u003e\n\n \u003ctd\u003eFantasia for 5 voices\u003c\/td\u003e\n\n \u003ctd\u003e00:01:46\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/37122a8d6e9335c1ed582877ebd7dd3a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e17 . 2\u003c\/td\u003e\n\n \u003ctd\u003eFantasia for 5 voices\u003c\/td\u003e\n\n \u003ctd\u003e00:01:37\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/5d22e74cd809c789c31b5bc4af22fd73.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18\u003c\/td\u003e\n\n \u003ctd\u003eMeslanges for 2, 3, 4, and 5 voices (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e18 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAllemande grave\u003c\/td\u003e\n\n \u003ctd\u003e00:05:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/8ae23e072ab124b088233dcbdd43c23e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19\u003c\/td\u003e\n\n \u003ctd\u003eCantica Sacra (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e19 . 1\u003c\/td\u003e\n\n \u003ctd\u003eSymphonia\u003c\/td\u003e\n\n \u003ctd\u003e00:03:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/432830bbe313208e55bf96c8410248b6.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20\u003c\/td\u003e\n\n \u003ctd\u003eMeslanges for 2, 3, 4, and 5 voices (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e20 . 1\u003c\/td\u003e\n\n \u003ctd\u003eAllemande fugue\u003c\/td\u003e\n\n \u003ctd\u003e00:02:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/33c005d6a2e5fb0130cc48e698bf2e5a.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21\u003c\/td\u003e\n\n \u003ctd\u003eNouvelles découvertes sur la guitarre (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e21 . 1\u003c\/td\u003e\n\n \u003ctd\u003ePrélude\u003c\/td\u003e\n\n \u003ctd\u003e00:01:30\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/60a99070de348e15a732e16c8a2ae835.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e22 . 2\u003c\/td\u003e\n\n \u003ctd\u003eAllemande: Tombeau\u003c\/td\u003e\n\n \u003ctd\u003e00:02:28\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/1e9da1cf8063c60af63c93c852690833.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e23 . 3\u003c\/td\u003e\n\n \u003ctd\u003eGigue\u003c\/td\u003e\n\n \u003ctd\u003e00:00:43\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/c1e825fca414fd3edf7a9a6c1f244c0f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24\u003c\/td\u003e\n\n \u003ctd\u003eConcert for 4 viols H. 545\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e24 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Prélude\u003c\/td\u003e\n\n \u003ctd\u003e00:01:39\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/98558af61e1fe9625c1bcf36e1a60b4d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e25 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. (no movement title)\u003c\/td\u003e\n\n \u003ctd\u003e00:01:54\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/394e09483dc14e9f2b179b3c3e14436f.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e26 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Sarabande: Rondeau\u003c\/td\u003e\n\n \u003ctd\u003e00:02:00\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/040d73e6af0824f8d99ef83ee77cad12.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e27 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Gigue angloise\u003c\/td\u003e\n\n \u003ctd\u003e00:01:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/fe882fe696528b57421657745f5241fe.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e28 . 5\u003c\/td\u003e\n\n \u003ctd\u003e5. Gigue française\u003c\/td\u003e\n\n \u003ctd\u003e00:01:18\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/103cff993e98c88eef51371c5330d910.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e29 . 6\u003c\/td\u003e\n\n \u003ctd\u003e6. Passecaille\u003c\/td\u003e\n\n \u003ctd\u003e00:02:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/d31e2b9a29288c42db6f71ecd3fc6f28.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30\u003c\/td\u003e\n\n \u003ctd\u003eFantasies for 2 voices for 2 viols\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e30 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Unziesme fantaisie\u003c\/td\u003e\n\n \u003ctd\u003e00:01:50\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/99f091ba0dbb03d1ecd89e2c119befe8.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e31 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Tenth Fantasy\u003c\/td\u003e\n\n \u003ctd\u003e00:01:58\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/e4a17eedba85753bd94a0ff07e417ca3.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e32 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Ninth Fantasy\u003c\/td\u003e\n\n \u003ctd\u003e00:02:22\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/0c62df3ea50c319b9ec3ddf267144319.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33\u003c\/td\u003e\n\n \u003ctd\u003eLe Bourgeois gentilhomme (Comedy-ballet) (excerpt)\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e33 . 1\u003c\/td\u003e\n\n \u003ctd\u003eChaconne des Scaramouches\u003c\/td\u003e\n\n \u003ctd\u003e00:03:04\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/336\/927\/0405ddfb72177ba6d00675335613fbbf.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58353450058060,"sku":"BIS2733","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927336-Les-Ages-du-Monde-cover.webp?v=1792460098"},{"product_id":"pettersson-sinfonien-nr-3-8","title":"Pettersson: Symphonies Nos. 3 + 8","description":"\u003cdiv\u003e\n\n\n \n \u003cp\u003e\n Since 2010, Christian Lindberg and the Norrköping Symphony Orchestra have been pursuing a unique and ambitious project: the complete performance and recording of all the orchestral works by Allan Pettersson, the Swedish master of the symphony, known for his deeply personal and emotionally charged compositions. Symphony No. 3, premiered in 1956, is unique within Pettersson’s extensive symphonic output, as it is his only symphony in four movements and follows a more traditional structure. Although it is an early work that reflects influences from Dmitri Shostakovich, Jean Sibelius, and Gustav Mahler, it is by no means an insignificant one. Even if the lyrical passages that would later define his style are not yet fully developed, the symphony offers a concise and sharply defined musical landscape that is both impressive and strikingly original. Symphony No. 8, premiered in 1972, is arguably Pettersson’s most famous and frequently performed symphony. Its expansive melodies, often described as 'free' or 'infinite,' convey the impression of a boundless continuation, yet the work is far from calm. As is characteristic of Pettersson, the symphony possesses a strong autobiographical character. In his own words: 'The work on which I am working is my own life, the blessed and the cursed: I dedicate myself to it in order to rediscover the song the soul once sang.'\n \u003c\/p\u003e\n\n \n\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n \u003ctable\u003e\n\n \u003cthead\u003e\n\n \u003ctr\u003e\n\n \u003cth\u003eNumber\u003c\/th\u003e\n\n \u003cth\u003eTitle\u003c\/th\u003e\n\n \u003cth\u003eDuration\u003c\/th\u003e\n\n \u003cth\u003e\u003c\/th\u003e\n\n \u003c\/tr\u003e\n\n \u003c\/thead\u003e\n\n \u003ctbody\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 8\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e1 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Part 1\u003c\/td\u003e\n\n \u003ctd\u003e00:19:41\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/404\/927\/53a889fcd11a51cc5ed56336fc6aeadd.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e2 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Part 2\u003c\/td\u003e\n\n \u003ctd\u003e00:25:32\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/404\/927\/b0e7ef0614f3d3d1c51d3fa33818192d.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3\u003c\/td\u003e\n\n \u003ctd\u003eSymphony No. 3\u003c\/td\u003e\n\n \u003ctd\u003e\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e3 . 1\u003c\/td\u003e\n\n \u003ctd\u003e1. Introduzione: Andante con moto - Allegro con moto\u003c\/td\u003e\n\n \u003ctd\u003e00:12:42\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/404\/927\/ceeaf1d7f59accc05c96a3ace0c6d02e.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e4 . 2\u003c\/td\u003e\n\n \u003ctd\u003e2. Largo con espressione - Attaca -\u003c\/td\u003e\n\n \u003ctd\u003e00:08:56\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/404\/927\/64ef080a81a833a0bb4aebf08a4bd258.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e5 . 3\u003c\/td\u003e\n\n \u003ctd\u003e3. Allegro comodo - Allegro deciso - Attaca -\u003c\/td\u003e\n\n \u003ctd\u003e00:04:15\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/404\/927\/900f9d6ac461d310587a66626abf81ac.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003ctr\u003e\n\n \u003ctd\u003e6 . 4\u003c\/td\u003e\n\n \u003ctd\u003e4. Allegro con moto (Tempo di prima parte)\u003c\/td\u003e\n\n \u003ctd\u003e00:12:52\u003c\/td\u003e\n\n \u003ctd\u003e\n\n \n \n \n \u003ca href=\"https:\/\/mp31.phononet.de\/\/naxos\/\/404\/927\/f2abfa179f76e949fb472f428c30be05.mp3\"\u003elisten\u003c\/a\u003e\n \n \n \u003c\/td\u003e\n\n \u003c\/tr\u003e\n\n \n \u003c\/tbody\u003e\n\n \u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":58353450123596,"sku":"BIS2740","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/files\/7318599927404-Pettersson--Sinfonien-Nr.webp?v=1792460151"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1067\/4759\/3036\/collections\/BIS-Logo.jpg?v=1790922502","url":"https:\/\/shop.naxos.de\/en\/collections\/bis.oembed","provider":"Naxos Deutschland Webshop","version":"1.0","type":"link"}